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Japanese flirting sometimes leans into intentional “cute” behavior. This also exists in Korean culture, although it’s a little different. In Korea it’s called aegyo (애교), acting cute or affectionate in a playful, sometimes exaggerated way. Typical aegyo behaviors: • Puffing cheeks • Baby voice • Finger hearts • Cute...

300,424 Aufrufe • vor 6 Monaten •via X (Twitter)

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A vocal trainer breaks down Jinyoung’s performance of “When I stop thinking”, teasing out all the little things – from technique to subtle foxiness 😆 – that make people want to melt into his voice~ (excerpted) (0:13) “To begin with, his voice has depth because it’s naturally on the lower side. (...) If a voice is only clear, it can end up sounding piercing or tiring to listen to. But if it only has depth, it can sound overly muffled or blurry. He has those two things in really good balance. That’s why people often talk about singing that’s ‘half air, half voice’, or singing that sounds ‘like you’re speaking’. In the end, those expressions are really talking about exactly that balance. So when you hear Jinyoung sing and think, ‘It almost sounds like he’s just speaking’, there’s an analytical explanation for why it comes across that way.” (0:55) “Right here, he creates a clear contrast in the tone. Up until this point, the vocal fold closure is a little firmer – (...) He starts mixing in a little more breath. So he’s creating tonal contrast. At first, he brings out more of the tone colour, then in the latter half, he shifts into a slightly lighter tone. There’s a little push-and-pull between the two. That’s something good singers do. Starting from that balanced state, he moves a little this way, then a little that way – and he does it extremely well. (...) Can you hear it? The song isn’t just moving along in one straight line. There’s this constant ebb and flow. He’s incredibly good at doing it without making it obvious. It all comes across so naturally.” (2:23) “And that’s what makes us listen without even realising it. It’s what pulls us into the song. How should I put this... this might be a good way of describing it – though I hope the fans don’t misunderstand what I mean. I mean it as a compliment. Jinyoung gives off the image of someone who’s completely innocent and pure, almost like a child. But when it comes to singing, it’s like there’s a little fox inside him – someone who’s really good at drawing people in. That’s why, if you’re a vocalist and you really want to become good at singing, this is the sort of thing you need to study. People call it ‘copying’. Copying.” (2:51) “As I sat here listening to the song and watching him perform, I found myself thinking about something. The reason we hear Jinyoung sing and think, ‘This feels comforting... this sounds so nice... it feels warm…’ might simply be Jinyoung’s own charm. When you look at him as a person, he never comes across as overly gloomy. Nor does he seem overly high-energy. He just has this calm, well-balanced presence. He gives off the impression that he’s always wearing a gentle smile. I think that contributes to the feeling we get as well. That’s not something we can explain scientifically. But sometimes, it’s precisely those things that move us the most.” (3:32) “He also uses this kind of breathy tone extremely well. When you use this sort of tone well, it makes the song feel much softer. Instead of having the rough texture of sandpaper, it feels more like silk. When you touch a high-quality coat, you think, ‘Wow... that’s so soft’. That’s the kind of sound this is.” (4:07) “Ah... his falsetto here is really nice. This kind of falsetto is used a lot in R&B. Artists like So Soo Bin and DEAN are also very good at using this kind of falsetto. When you hear it, it gives you that slightly ticklish feeling. He’s very good at using this sort of breathy tone.” (4:41) “He could sing it with a cleaner tone. But instead (...) he uses more breath, creating a sound that almost tickles your ears. You could probably call it the kind of falsetto that’s good at capturing women’s hearts. That’s what I’d call it.” (5:08) “Personally, I’m not really familiar with idol culture. And my own tastes lean a little old-school, so I don’t usually listen to stylish vocalists like this. But listening to him this way and analysing his singing... it’s really, really good. It’s just so stylish. So stylish. It’s actually making me want to try singing in this sort of style myself.” 🔗 #Jinyoung #진영 #GOT7 박진영

❄️ 𝚔𝚔 🧡

12,422 Aufrufe • vor 1 Monat

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58,094 Aufrufe • vor 17 Tagen

As a psychologist, I’m really trying to bring my voice to this. Over my career, I’ve seen many people with (natural) complex traumatic stress responses from (unnatural) environments. Yet, they’re not taught to understand their behavior as adaptions. Even worse, their trauma is often invalidated. Or told it’s part of a “normal” childhood. Without awareness that what’s normal in culture is highly dysfunctional and sometimes destructive. It’s clear we are suffering. It’s time to stop pretending and denying. Complex trauma is not recognized in the diagnostic manual. It’s so important to give people self understanding and hope. To know that there IS healing. There’s more to life than diagnosing and telling people they have no agency over their lives. We have a collective issue we don’t talk about. We have adults who: -can’t build healthy relationships -who please so much, they abandon themselves in the process -who are filled with anger and repressed rage -who sabotage their partnerships -who continue to go into cycles of stress and chaos because it’s all they know -who feel so depressed and overwhelmed for VALID -who are so hypervigilant and overstimulated they’re stuck in survival mode Please educate yourself. Advocate for you, your family, and your community’s health. Use the resources in this video (if you’re called) to start your healing process. May we break the generational cycle. PLEASE RETWEET FOR AWARENESS

Dr. Nicole LePera

536,708 Aufrufe • vor 3 Jahren