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Karateka, released in 1984 for the Apple II by Jordan Mechner (while he was a Yale student!), stood out as a groundbreaking title for its era. My biggest achievement as a student was getting out of bed in time for the majority (not all) classes... The innovations included pioneering...

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“Cruel Summer” was released in 1983 as a standalone single by Bananarama and was later included on the American edition of the group’s 1984 self-titled album. Inspired by a rare heatwave in London, the song captured the frustration and restlessness of a sweltering city summer, while its video was filmed in New York during another bout of intense heat. The single reached #8 in the UK, but it was its inclusion in The Karate Kid (1984) that gave it major exposure in the United States, where it reached #9 on Billboard Hot 100 and became Bananarama’s first American Top 10 hit.
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“Cruel Summer” was released in 1983 as a standalone single by Bananarama and was later included on the American edition of the group’s 1984 self-titled album. Inspired by a rare heatwave in London, the song captured the frustration and restlessness of a sweltering city summer, while its video was filmed in New York during another bout of intense heat. The single reached #8 in the UK, but it was its inclusion in The Karate Kid (1984) that gave it major exposure in the United States, where it reached #9 on Billboard Hot 100 and became Bananarama’s first American Top 10 hit.

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Originally released in 1989 on the Apple II, this is a port of Prince of Persia running natively on Flipper Zero Check out the source code here: Download it from Flipper Apps here: It's the full one-hour game, with a remade soundtrack and custom controls just for Flipper Big thanks to: A Touch of Vintage Electronics and Ashton’s Retro Computer Room for the intro footage The Press Play On Tape crew for development of the game apfxtech for the Flipper Zero port ...and to Jordan Mechner for creating the OG game 🐐
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F1 or Formula One for the MS-DOS PC (Domark/1993) is a racing game built on the engine used in the 1991 Amiga/Atari ST game Vroom by French studio Lankhor. Oficially licensing the 1993 F1 season, except for pilot Ayrton Senna, excluded because he was already signed exclusivity by Sega for Super Monaco GP II. The game was critically praised for its fluid framerate and speed, and was released on the Sega systems as well.
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F1 or Formula One for the MS-DOS PC (Domark/1993) is a racing game built on the engine used in the 1991 Amiga/Atari ST game Vroom by French studio Lankhor. Oficially licensing the 1993 F1 season, except for pilot Ayrton Senna, excluded because he was already signed exclusivity by Sega for Super Monaco GP II. The game was critically praised for its fluid framerate and speed, and was released on the Sega systems as well.

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Did you know the original The Legend of Zelda was first released on the Famicom Disk System, not NES? Because it came on a floppy disk format, it allowed players to SAVE their progress — a groundbreaking feature at the time. Later on, it was re-released in NES and Famicom cartridge form, and that’s probably the version most gamers experienced first. The floppy disk version of Zelda is originally yellow, but I swapped the shell using a gold cartridge from another game and made myself a golden Zelda floppy disk. Pretty cool, right?

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This game is literally "do you know ball" the video game. Developed by arcsys, this game laid the groundwork for what FighterZ would become, and even has a bunch of moves that would end up in FighterZ. The roster selection for the time felt perfect, and this was one of the first games you could play as Super Saiyan Blue Goku as he'd just been recently released in the movie. Extreme Butoden is something special, and I have very fond memories of playing it on a long road trip with my best friend. I highly recommend checking it out!

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I’ve been testing Rive's new Brush tool in a small animation project that took me back to my Flash days. Everything in the scene was created with the brush, characters, effects, backgrounds, and more. For the animation, I used bones, but I also tried a few small frame-by-frame animations using solos, such as the dust when the character jumps and the start of the rainbow.

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The apple scene in "Once Upon a Time in Anatolia" (2011) wasn't in the script. Nuri Bilge Ceylan got the idea when he was walking on a day off from the shoot. He saw the apple travelling around by chance. It was a scene where two people were talking and Ceylan felt it would be better if he could make it a bit more interesting. He used it as a metaphor for human life. Ceylan said, "That was not in the script—I found that idea when I was walking around on an off day during the shoot. I saw this apple traveling around, by chance. It was a suitable place—the two of them were talking, and showing them for a long time in a static frame, two people in the darkness, talking—you can inject something in that. For that scene, I wasn’t sure whether I should use that shot or not. But when I put the dialogue over it, I liked it. I wanted to show that the fate of the apple is not so different from our fate. Everything created in the world has the same destiny—animals, trees, humans all have the same kind of destiny. In some way, the apple represents human life, as it goes to rest with the other, rotting apples. Actually, in the rest of that shot, the apple moves back into the stream, but we didn’t use that." When asked the reason why he stopped the shot there, Ceylan replied, "Because to shoot the apple [as it keeps] moving creates more hope; it’s not realistic. Giving hope has become a cliché in cinema, and I don’t like that attitude." ("The Darkness: Once Upon a Time in Anatolia", Zachary Wigon, Tribeca, 2012)

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The Royal Game of Ur .... For 4600 years, a mysterious game slept in the dust of southern Iraq, largely forgotten. The passion of a museum curator and the hunger of young Iraqis for their cultural history may bring it back.... The original name of this ancient game has been lost to time, but it was dubbed the Royal Game of Ur after a British archaeologist named Sir Leonard Woolley uncovered five worn playing boards in 1928 at the Royal Cemetery of the Sumerian city of Ur. Analysts estimated that the highly decorated boards, made of wood, inlaid shell and lapis lazuli, were made between 2600-2400 BC, making the Royal Game of Ur the oldest complete tabletop game ever discovered. Archaeological evidence suggests that the game (Game of 20 Squares) was immensely popular with people of all classes. The boards were carried all over the Middle East and sometimes scratched into clay or rock, if no board was available by soldiers, missionaries, explorers and traders, who introduced it to Iran, Syria, Egypt, Lebanon, Sri Lanka, Cyprus and Crete. Variations of the game have been found in King Tutankhamen’s tomb, and etched into pillars in the palace of the Assyrian king Sargon II. For at least 1000 years, the Royal Game of Ur was the national game of ancient Mesopotamia, but it waned in popularity as other games were developed, including those that most likely evolved from it, such as backgammon. Mentions of the game disappeared in the Middle Ages, but a variation, called Aasha, was played by the Jewish people of Kochi, in India. Jews of Kochi had migrated from ancient Babylonia and brought a version of the game with them. The 1928 discovery of the Royal Game of Ur gave scholars an important cultural glimpse into how the ancient Mesopotamians entertained themselves, but there was one problem: The boards did not come with an instruction manual, and that meant that modern-day scholars had no idea how the game worked. In 1980s, Dr. Irving Finkel (a curator and Assyriologist at British Museum), translated a cuneiform script on a crumbling clay tablet that had been brought to the museum by an antiquities dealer. The document sounded remarkably like the rules of an ancient game. The clay tablet written in 177-176 BC by a scribe named Itti-Marduk-balatu, tablet was discovered around 1880 in the ruins of Babylon, according to an academic paper written by Dr. Finkel. “The tablet included a grid on one side,” he wrote, “and two columns of closely written text on the other, adding his name and the date at the end of the inscription.” British Museum bought the relic shortly after it was found and cataloged it. Scholars tried to decipher the cuneiform over the years, but it was Dr. Finkel who was able to identify the text on the tablet as instructions on how to play the Royal Game of Ur after comparing it to the other game boards the museum had stored in its archives. Babylonian tablet revealed that the game is race between two players to get their markers around and off the board. Pyramid-shaped dice are used to indicate the number of squares a player can move, but strategy is involved as well: If a player lands on a square occupied by their opponent, they can knock that marker off, and the opponent must start over again with that piece. That can set a player back by quite a bit, and it is almost impossible to predict who will win, even near the end of the game. But there was another aspect of the game that attracted people: It was said to tell a player’s fortune. According to the cuneiform tablet, some of the marked squares on the board were assigned signs of the zodiac and, with them, predictions that a player would win a beer, make a friend, eat well, or perhaps become powerful and wealthy. #archaeohistories
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The Royal Game of Ur .... For 4600 years, a mysterious game slept in the dust of southern Iraq, largely forgotten. The passion of a museum curator and the hunger of young Iraqis for their cultural history may bring it back.... The original name of this ancient game has been lost to time, but it was dubbed the Royal Game of Ur after a British archaeologist named Sir Leonard Woolley uncovered five worn playing boards in 1928 at the Royal Cemetery of the Sumerian city of Ur. Analysts estimated that the highly decorated boards, made of wood, inlaid shell and lapis lazuli, were made between 2600-2400 BC, making the Royal Game of Ur the oldest complete tabletop game ever discovered. Archaeological evidence suggests that the game (Game of 20 Squares) was immensely popular with people of all classes. The boards were carried all over the Middle East and sometimes scratched into clay or rock, if no board was available by soldiers, missionaries, explorers and traders, who introduced it to Iran, Syria, Egypt, Lebanon, Sri Lanka, Cyprus and Crete. Variations of the game have been found in King Tutankhamen’s tomb, and etched into pillars in the palace of the Assyrian king Sargon II. For at least 1000 years, the Royal Game of Ur was the national game of ancient Mesopotamia, but it waned in popularity as other games were developed, including those that most likely evolved from it, such as backgammon. Mentions of the game disappeared in the Middle Ages, but a variation, called Aasha, was played by the Jewish people of Kochi, in India. Jews of Kochi had migrated from ancient Babylonia and brought a version of the game with them. The 1928 discovery of the Royal Game of Ur gave scholars an important cultural glimpse into how the ancient Mesopotamians entertained themselves, but there was one problem: The boards did not come with an instruction manual, and that meant that modern-day scholars had no idea how the game worked. In 1980s, Dr. Irving Finkel (a curator and Assyriologist at British Museum), translated a cuneiform script on a crumbling clay tablet that had been brought to the museum by an antiquities dealer. The document sounded remarkably like the rules of an ancient game. The clay tablet written in 177-176 BC by a scribe named Itti-Marduk-balatu, tablet was discovered around 1880 in the ruins of Babylon, according to an academic paper written by Dr. Finkel. “The tablet included a grid on one side,” he wrote, “and two columns of closely written text on the other, adding his name and the date at the end of the inscription.” British Museum bought the relic shortly after it was found and cataloged it. Scholars tried to decipher the cuneiform over the years, but it was Dr. Finkel who was able to identify the text on the tablet as instructions on how to play the Royal Game of Ur after comparing it to the other game boards the museum had stored in its archives. Babylonian tablet revealed that the game is race between two players to get their markers around and off the board. Pyramid-shaped dice are used to indicate the number of squares a player can move, but strategy is involved as well: If a player lands on a square occupied by their opponent, they can knock that marker off, and the opponent must start over again with that piece. That can set a player back by quite a bit, and it is almost impossible to predict who will win, even near the end of the game. But there was another aspect of the game that attracted people: It was said to tell a player’s fortune. According to the cuneiform tablet, some of the marked squares on the board were assigned signs of the zodiac and, with them, predictions that a player would win a beer, make a friend, eat well, or perhaps become powerful and wealthy. #archaeohistories

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Warcraft II: Tides of Darkness (Blizzard, 1995) was such a badass game back in the day. Sure, from today's perspective it looks outdated, the graphics a bit clunky, the rendered cutscenes will at best get a "pass", but for anyone who plated RTS games in the 90s, Warcraft 2 was among the best. There was a time when Blizzard just rolled out incredible games: Warcraft, Diablo, Starcraft, and then World of Warcraft - all four of those had such a massive impact on the gaming culture. It all started with "Warcraft: Orcs & Humans", but I chose the sequel for this post, since I believe this was their real break through game. Hard to believe for modern gamers... but Warcraft II: Tides of Darkness was once peak gaming! Within the period from 1993 to 1999, Warcraft II was the 6th best selling game among all that were released during that time.
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Warcraft II: Tides of Darkness (Blizzard, 1995) was such a badass game back in the day. Sure, from today's perspective it looks outdated, the graphics a bit clunky, the rendered cutscenes will at best get a "pass", but for anyone who plated RTS games in the 90s, Warcraft 2 was among the best. There was a time when Blizzard just rolled out incredible games: Warcraft, Diablo, Starcraft, and then World of Warcraft - all four of those had such a massive impact on the gaming culture. It all started with "Warcraft: Orcs & Humans", but I chose the sequel for this post, since I believe this was their real break through game. Hard to believe for modern gamers... but Warcraft II: Tides of Darkness was once peak gaming! Within the period from 1993 to 1999, Warcraft II was the 6th best selling game among all that were released during that time.

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The Canon 5D Mark II was released in 2008. It was the first DSLR camera to deliver full-frame 1080p video. A game-changing moment. It unleashed a new era of shallow focus and remarkably clean low-light imagery. In 2009, I tested the updated firmware that finally enabled 24fps recording to match the same cadence as 35mm film. A very empowering time for low-budget filmmakers.

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In the original version of "Cave Story", there was an easter egg, if you pause the game and type "GREATESCAPE" with your keyboard, then reset your game by pressing F2. You would unlock Globox as a playable character along with the "Globox" mode being on.

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I was gonna wait a bit for you to discover an Easter egg I left in the game for Conduit but since it was discovered within a few hours I guess the time to talk about it is now 😅 – Conduit has multiple character selections that randomly play, and this was truly inspired by YOU 🧵

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Exactly 30 years ago today, The Settlers II was released by Blue Byte (April 17, 1996). It was a highly regarded real-time strategy and city-building game (also known as "Die Siedler II" in its original German title). A major hit across Europe, it is still considered a classic in the genre today. In the 90s, Blue Byte was a real powerhouse - they also developed the Battle Isle and History Line series. The Settlers franchise is without a doubt their biggest legacy, with over 10 million copies sold across the entire series.

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The Game Boy was launched in 1989, sold almost 120 million units, and was eventually discontinued in 2003 - an incredible lifespan for a handheld console, the longest ever, unless I am overlooking another? One of the games that was availabe with the launch was Super Mario Land, and it became one of its highest selling titles (18 million cartridges), being part of the early and massive success of the Game Boy. By the way, all this with a mere 8 KB of RAM. That's 1/8th of the good old C64. Super Mario Land was essentially a perfect game, getting the absolute maximum out of the Game Boy at the time. I remember that even my mother and sister playing it, while before that computers games were really not their thing at all.

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"Looks like it got a little hot out there, sir!" Wing Commander (1990) is often considered one of the earliest "AAA" games, even though the term itself didn’t exist yet. Chris Roberts’ game reportedly cost about five times more to develop than a typical hit title of its era, making it by far the most expensive game at the time, and raising eyebrows everywhere. It featured very advanced graphics, digitized speech, a cinematic story campaign with branching paths, countless cutscenes, and a “Star Wars in space” feel that made it stand out massively. At times, it genuinely felt like you were starring in an interactive movie rather than "just" playing a game. Its success raised the bar for the entire industry. Publishers were now forced to invest far more in production quality, bigger budgets, and marketing. Wing Commander sold millions of copies, and helped establish the space sim genre. The game not only paved the way for even larger budgets in its own sequels, but it also pressured other developers and publishers to keep up. Whether this was ultimately good for the industry could still debated today. On one hand, it started an era of cinematic, high-production games. On the other, it made it significantly harder for small teams and low-budget titles to compete, effectively throttling the kind of creativity that had been a hallmark of 1980s game development. With the birth of Wing Commander, the industry had entered a whole new territory.
2:42

"Looks like it got a little hot out there, sir!" Wing Commander (1990) is often considered one of the earliest "AAA" games, even though the term itself didn’t exist yet. Chris Roberts’ game reportedly cost about five times more to develop than a typical hit title of its era, making it by far the most expensive game at the time, and raising eyebrows everywhere. It featured very advanced graphics, digitized speech, a cinematic story campaign with branching paths, countless cutscenes, and a “Star Wars in space” feel that made it stand out massively. At times, it genuinely felt like you were starring in an interactive movie rather than "just" playing a game. Its success raised the bar for the entire industry. Publishers were now forced to invest far more in production quality, bigger budgets, and marketing. Wing Commander sold millions of copies, and helped establish the space sim genre. The game not only paved the way for even larger budgets in its own sequels, but it also pressured other developers and publishers to keep up. Whether this was ultimately good for the industry could still debated today. On one hand, it started an era of cinematic, high-production games. On the other, it made it significantly harder for small teams and low-budget titles to compete, effectively throttling the kind of creativity that had been a hallmark of 1980s game development. With the birth of Wing Commander, the industry had entered a whole new territory.

exQUIZitely 🕹️

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When Nintendo released the NES in 1986 in the US, the market was still suffering from the video game crash of the early 80's. Due to low quality control and shovelware titles, the video game market was cooked. Nintendo wanted to change this stigma. Their system was not a video game console, it was an entire 'entertainment system.' The console was redesigned to work like a VCR, moving from a top loader to a front insertion slot, like a VCR. Accessories were also included - such as Rob the Robot - an add on that claimed hours of fun. Rob was a gimmick to sell consoles and Nintendo knew robots would sell the system - and it worked. If you ever played with Rob, you know just how horrid it was. 😫
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When Nintendo released the NES in 1986 in the US, the market was still suffering from the video game crash of the early 80's. Due to low quality control and shovelware titles, the video game market was cooked. Nintendo wanted to change this stigma. Their system was not a video game console, it was an entire 'entertainment system.' The console was redesigned to work like a VCR, moving from a top loader to a front insertion slot, like a VCR. Accessories were also included - such as Rob the Robot - an add on that claimed hours of fun. Rob was a gimmick to sell consoles and Nintendo knew robots would sell the system - and it worked. If you ever played with Rob, you know just how horrid it was. 😫

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