Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

🪬 #Live3D #Live2D #Live2DWIP 🪬 Testing finger articulation... Left: randomized auto motion Right: real-time camera tracking I wonder how many Vtubers would consider adding this kind of pseudo-3D hand to their Live2D model 🧐?

📐Hephaestus📏Live2D匠人魂

4,674 subscribers

36,652 просмотров • 7 месяцев назад •via X (Twitter)

Искусство Наука и технологии #Live3D #Live2D #Live2DWIP

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

🛡#Live3D #Live2D #Live2DWIP🛡 Collaborating with Moshie Studio ✦ Live2D & Stream Assets , I built this pseudo-3D hand entirely in Live2D It supports full 360° X-axis rotation, finger grasping, and a fake outline effect. So in a way… this is a pseudo-2D inside pseudo-3D inside 2D ☝🤓

🛡#Live3D #Live2D #Live2DWIP🛡 Collaborating with Moshie Studio ✦ Live2D & Stream Assets , I built this pseudo-3D hand entirely in Live2D It supports full 360° X-axis rotation, finger grasping, and a fake outline effect. So in a way… this is a pseudo-2D inside pseudo-3D inside 2D ☝🤓

📐Hephaestus📏Live2D匠人魂

97,216 просмотров • 8 месяцев назад

🔱 #Live3D #Live2D #HandTracking 🔱 This is the highest-spec hand-tracking model I’m currently capable of creating. The model was created based on the Live2D-based 2D Pseudo-3D concept, and for the first time, it incorporates techniques such as colored linework, rim lighting, and independent finger outlines. These new techniques allow the model to achieve a pseudo-3D effect while faithfully preserving the artist’s original art style. Please check out the video for more details✨

🔱 #Live3D #Live2D #HandTracking 🔱 This is the highest-spec hand-tracking model I’m currently capable of creating. The model was created based on the Live2D-based 2D Pseudo-3D concept, and for the first time, it incorporates techniques such as colored linework, rim lighting, and independent finger outlines. These new techniques allow the model to achieve a pseudo-3D effect while faithfully preserving the artist’s original art style. Please check out the video for more details✨

📐Hephaestus📏Live2D匠人魂

82,028 просмотров • 2 месяцев назад

One thing I really envy about 2D vtubers is how their models sway so beautifully! :D So, like a normal person, I built my own system to replicate a similar effect for our 3D customizable vtuber model!💜 It looks kind of uncanny to see a 3D model moving like a Live2D one hehe✨

One thing I really envy about 2D vtubers is how their models sway so beautifully! :D So, like a normal person, I built my own system to replicate a similar effect for our 3D customizable vtuber model!💜 It looks kind of uncanny to see a 3D model moving like a Live2D one hehe✨

Pastell & Palette🤍 3D Customizable Model!

36,263 просмотров • 2 месяцев назад

I'm one step closer to creating a Live2D body physics animation system for 3D vtubers!! 🩵 Sorry if there's mistakes, I'm learning this as I go! I'm not a Live2D rigger and I actually don't know how they do it in Cubism, I'm kind of guessing and doing my own thing

I'm one step closer to creating a Live2D body physics animation system for 3D vtubers!! 🩵 Sorry if there's mistakes, I'm learning this as I go! I'm not a Live2D rigger and I actually don't know how they do it in Cubism, I'm kind of guessing and doing my own thing

Pastell & Palette🤍 3D Customizable Model!

21,115 просмотров • 1 год назад

Here's how i made the flight movements in ꒰აRena Eryuell໒꒱ 🎀✨Fallen Angel VTuber 's Model! a little bit late, but i decided to try something new by doing this kind of live2d tutorial videos(?). it's quite fun! tho it's probably best if i make it while i wasn't dying #Live2D #Vtubers

Here's how i made the flight movements in ꒰აRena Eryuell໒꒱ 🎀✨Fallen Angel VTuber 's Model! a little bit late, but i decided to try something new by doing this kind of live2d tutorial videos(?). it's quite fun! tho it's probably best if i make it while i wasn't dying #Live2D #Vtubers

Moppe | Live2D |

40,557 просмотров • 2 лет назад

which tutorial (+code) should I release next? > Left: 3D graph data viz > Right: Severance game projects are built with Three.js and mediapipe AI vision learn how to build real-time hand tracking apps for 3D design, games, etc.

which tutorial (+code) should I release next? > Left: 3D graph data viz > Right: Severance game projects are built with Three.js and mediapipe AI vision learn how to build real-time hand tracking apps for 3D design, games, etc.

AA

19,435 просмотров • 1 год назад

🌚 #Live3D #Live2D #HandTracking 🌝 I’d like to talk specifically about a method for creating camouflage pseudo-outlines within the Live2D-based 2D Pseudo-3D concept. At first glance, the visual effect of this technique may look rather subtle. But when it comes to faithfully preserving an illustrator’s art style, it becomes an essential technical detail. This is especially important for illustrators who care deeply about the color details of their linework. With this technique, they can still take control of the pseudo-outline colors even within Live3D. Creating this kind of camouflage pseudo-outline is not difficult. All it requires is for the illustrator to provide one additional special set of assets. It looks like a shadow duplicate of the original hands, except painted with camouflage-like colors. During pseudo-3D rotation, each camouflage-colored area of the shadow duplicate cleverly corresponds to the outline color of the same part. It may be a little hard to imagine from words alone, so please take a look at the video! I hope this special production technique can also bring some inspiration to everyone. 😇

🌚 #Live3D #Live2D #HandTracking 🌝 I’d like to talk specifically about a method for creating camouflage pseudo-outlines within the Live2D-based 2D Pseudo-3D concept. At first glance, the visual effect of this technique may look rather subtle. But when it comes to faithfully preserving an illustrator’s art style, it becomes an essential technical detail. This is especially important for illustrators who care deeply about the color details of their linework. With this technique, they can still take control of the pseudo-outline colors even within Live3D. Creating this kind of camouflage pseudo-outline is not difficult. All it requires is for the illustrator to provide one additional special set of assets. It looks like a shadow duplicate of the original hands, except painted with camouflage-like colors. During pseudo-3D rotation, each camouflage-colored area of the shadow duplicate cleverly corresponds to the outline color of the same part. It may be a little hard to imagine from words alone, so please take a look at the video! I hope this special production technique can also bring some inspiration to everyone. 😇

📐Hephaestus📏Live2D匠人魂

20,905 просмотров • 2 месяцев назад

👌 #Live3D #Live2D #HandTracking 👌 Today I want to share one of the most hidden little tricks I built into the HandTracking model I made for Glitch... While keeping the entire transition from an open hand to a closed fist completely smooth—and without adding any extra gesture—I designed the thumb and index finger so that, at 120° of bending, they naturally form a perfect OK sign. The thumb was especially difficult. From both the front and side views, it has to move along an angled path, which made this several levels more challenging. I had to make sure that their movement paths, offset angles, and movement speeds would all converge perfectly at exactly the right point during the transition, without directly creating an OK gesture as a separate motion. To make this tiny little trick work, back then I ended up sticking countless protractors all over my own hand ✋🤓🤚

👌 #Live3D #Live2D #HandTracking 👌 Today I want to share one of the most hidden little tricks I built into the HandTracking model I made for Glitch... While keeping the entire transition from an open hand to a closed fist completely smooth—and without adding any extra gesture—I designed the thumb and index finger so that, at 120° of bending, they naturally form a perfect OK sign. The thumb was especially difficult. From both the front and side views, it has to move along an angled path, which made this several levels more challenging. I had to make sure that their movement paths, offset angles, and movement speeds would all converge perfectly at exactly the right point during the transition, without directly creating an OK gesture as a separate motion. To make this tiny little trick work, back then I ended up sticking countless protractors all over my own hand ✋🤓🤚

📐Hephaestus📏Live2D匠人魂

11,772 просмотров • 1 месяц назад

Even as an entertainment , how does this qualify to be of any value ? I wonder what would be the intellectual levels of people who consider such 💩 to be worth wasting 2 hours of their time every day .

Even as an entertainment , how does this qualify to be of any value ? I wonder what would be the intellectual levels of people who consider such 💩 to be worth wasting 2 hours of their time every day .

kishore k swamy 🇮🇳

41,314 просмотров • 10 месяцев назад

🎛️#Live3D #Live2D #Live2DWIP🎛️ Aside from the 3D palm made in Live2D, today I’d like to show a pendulum-based inverse kinematics and pose system. The puppet starts in a T-pose, and when I move the parameters, they pass through a logic gate simulated by physics pendulums. This distributes the pose into the correct XYZ angles for the upper arm, forearm, and palm. That’s how it creates both the relaxed and raised arm movements seen in the video. The IK system works in a similar way. It maps the captured XY position of the palm to the arm’s XY rotation, making it possible to “move the hand” in space. These systems have been floating in my head for a long time, and today I finally confirmed they’re feasible. I plan to apply this further by adding more preset poses and new control methods to the puppet.

🎛️#Live3D #Live2D #Live2DWIP🎛️ Aside from the 3D palm made in Live2D, today I’d like to show a pendulum-based inverse kinematics and pose system. The puppet starts in a T-pose, and when I move the parameters, they pass through a logic gate simulated by physics pendulums. This distributes the pose into the correct XYZ angles for the upper arm, forearm, and palm. That’s how it creates both the relaxed and raised arm movements seen in the video. The IK system works in a similar way. It maps the captured XY position of the palm to the arm’s XY rotation, making it possible to “move the hand” in space. These systems have been floating in my head for a long time, and today I finally confirmed they’re feasible. I plan to apply this further by adding more preset poses and new control methods to the puppet.

📐Hephaestus📏Live2D匠人魂

10,984 просмотров • 1 год назад

PM Modi - “If you ask the AI app to draw an image of someone writing with their left hand, the app will most likely draw someone writing with the right hand.” 🤯This blew my mind as I was not aware of this. How many of you knew this?

PM Modi - “If you ask the AI app to draw an image of someone writing with their left hand, the app will most likely draw someone writing with the right hand.” 🤯This blew my mind as I was not aware of this. How many of you knew this?

BALA

663,563 просмотров • 1 год назад

🗑 #Live3D #Live2D #Live2DWIP 🗑 When building a Live2D-based 2D Pseudo-3D model, the way the ArtMesh vertices are connected can also have a noticeable impact on the deformation result. Using this arm twist as an example, whether the ArtMesh edge / diagonal flow leans left or right becomes a key factor in whether jagged edges appear after twisting. When raising an arm, the human arm joint can almost only perform a 180° twist with the thumb facing toward the body. So I chose to make all the edges flow to the right, in order to improve the smoothness of the arm after twisting. This does mean that when performing a 180° twist with the thumb facing toward the camera, jagged edges will appear along the arm. But since human arms rarely rotate that way in normal use, I think this is a reasonable trade-off based on the actual use case. On the other hand, the subdivision density of the Warp Deformer also affects the twisting result. For a 180° twist, the subdivision should ideally be 18 or higher. For a 90° twist, the subdivision should ideally be 9 or higher. If you force the deformation beyond its limit, it will twist into something like thorns.😈

🗑 #Live3D #Live2D #Live2DWIP 🗑 When building a Live2D-based 2D Pseudo-3D model, the way the ArtMesh vertices are connected can also have a noticeable impact on the deformation result. Using this arm twist as an example, whether the ArtMesh edge / diagonal flow leans left or right becomes a key factor in whether jagged edges appear after twisting. When raising an arm, the human arm joint can almost only perform a 180° twist with the thumb facing toward the body. So I chose to make all the edges flow to the right, in order to improve the smoothness of the arm after twisting. This does mean that when performing a 180° twist with the thumb facing toward the camera, jagged edges will appear along the arm. But since human arms rarely rotate that way in normal use, I think this is a reasonable trade-off based on the actual use case. On the other hand, the subdivision density of the Warp Deformer also affects the twisting result. For a 180° twist, the subdivision should ideally be 18 or higher. For a 90° twist, the subdivision should ideally be 9 or higher. If you force the deformation beyond its limit, it will twist into something like thorns.😈

📐Hephaestus📏Live2D匠人魂

11,144 просмотров • 2 месяцев назад

📢 A Sneak Peek: Auto-Rigging on NeuralAI! Get ready to be amazed! Our fearless bald developer just dropped a sneak peek of the next NeuralAI model, but that's not all! We're also testing a groundbreaking new feature: auto-rigging! What's auto-rigging? It's like adding a skeleton to your 3D model, allowing for animation. Currently, rigging is a time-consuming task for many game developers. Imagine the possibilities if it could be done automatically! This potential feature could significantly streamline the 3D creation process, saving animators valuable time and resources. This sneak peek offers a glimpse into the future of NeuralAI. Our commitment to innovation extends beyond creating stunning 3D assets – we're striving to streamline the entire 3D creation workflow. Stay tuned for further updates!

📢 A Sneak Peek: Auto-Rigging on NeuralAI! Get ready to be amazed! Our fearless bald developer just dropped a sneak peek of the next NeuralAI model, but that's not all! We're also testing a groundbreaking new feature: auto-rigging! What's auto-rigging? It's like adding a skeleton to your 3D model, allowing for animation. Currently, rigging is a time-consuming task for many game developers. Imagine the possibilities if it could be done automatically! This potential feature could significantly streamline the 3D creation process, saving animators valuable time and resources. This sneak peek offers a glimpse into the future of NeuralAI. Our commitment to innovation extends beyond creating stunning 3D assets – we're striving to streamline the entire 3D creation workflow. Stay tuned for further updates!

NeuralAI

45,170 просмотров • 2 лет назад

Tracking Everything Everywhere All at Once paper page: present a new test-time optimization method for estimating dense and long-range motion from a video sequence. Prior optical flow or particle video tracking algorithms typically operate within limited temporal windows, struggling to track through occlusions and maintain global consistency of estimated motion trajectories. We propose a complete and globally consistent motion representation, dubbed OmniMotion, that allows for accurate, full-length motion estimation of every pixel in a video. OmniMotion represents a video using a quasi-3D canonical volume and performs pixel-wise tracking via bijections between local and canonical space. This representation allows us to ensure global consistency, track through occlusions, and model any combination of camera and object motion. Extensive evaluations on the TAP-Vid benchmark and real-world footage show that our approach outperforms prior state-of-the-art methods by a large margin both quantitatively and qualitatively.

Tracking Everything Everywhere All at Once paper page: present a new test-time optimization method for estimating dense and long-range motion from a video sequence. Prior optical flow or particle video tracking algorithms typically operate within limited temporal windows, struggling to track through occlusions and maintain global consistency of estimated motion trajectories. We propose a complete and globally consistent motion representation, dubbed OmniMotion, that allows for accurate, full-length motion estimation of every pixel in a video. OmniMotion represents a video using a quasi-3D canonical volume and performs pixel-wise tracking via bijections between local and canonical space. This representation allows us to ensure global consistency, track through occlusions, and model any combination of camera and object motion. Extensive evaluations on the TAP-Vid benchmark and real-world footage show that our approach outperforms prior state-of-the-art methods by a large margin both quantitatively and qualitatively.

AK

280,570 просмотров • 3 лет назад

Today Luma launched their new RAY3 model, capable of generating High Dynamic Range (HDR) videos natively. Thrilled to share that I’m now a creative partner with Luma. As part of that, I had early access to RAY3 and spent time pushing it to its limits. Here’s one of my test videos. I intentionally let certain shots run long to see how well fidelity and motion would hold up — and it’s impressive. This feels like the closest I’ve seen yet to true handheld camera movement. The potential here for high-motion, action-driven sequences is huge. #ray3

Today Luma launched their new RAY3 model, capable of generating High Dynamic Range (HDR) videos natively. Thrilled to share that I’m now a creative partner with Luma. As part of that, I had early access to RAY3 and spent time pushing it to its limits. Here’s one of my test videos. I intentionally let certain shots run long to see how well fidelity and motion would hold up — and it’s impressive. This feels like the closest I’ve seen yet to true handheld camera movement. The potential here for high-motion, action-driven sequences is huge. #ray3

Ellenor Argyropoulos

37,214 просмотров • 11 месяцев назад

🍟#Live2D #Live2DWIP🌭 Progress Update!! Lately, I've been a bit lazy, so it took me quite a bit of time to finish the coloring for the back and additional parts. That said, I'm really satisfied with the overall results! As shown in the video, aside from the 3D effect, the chest size and outfit switching features are functioning well. (I’m not showing the outfit switching this time.) I also used physics settings to drive the full-body motion parameters, so now the posture movement logic is the same as traditional Live2D dolls—controlled entirely by head coordinates. Currently, I'm using only the culling feature for 3D simulation, which is why some Live2D-specific clipping issues appear in the visuals. The 2D clipping mainly happens in areas like the sides of the arms and legs. I plan to address this by adding Draw Order settings later, which should greatly improve the situation. Additionally, there's a gap where the ArtMeshes for the front and back connect. It seems that even though I've meticulously aligned the original warp deformers, this issue still persists. I suspect the problem lies with the PSD artwork. If I extend the range of the graphics a bit more, this should be resolved. Overall, I'm feeling really optimistic about the progress so far! The only downside is that I might not finish this Halloween outfit until Christmas, hahaha🫠🫠🫠

🍟#Live2D #Live2DWIP🌭 Progress Update!! Lately, I've been a bit lazy, so it took me quite a bit of time to finish the coloring for the back and additional parts. That said, I'm really satisfied with the overall results! As shown in the video, aside from the 3D effect, the chest size and outfit switching features are functioning well. (I’m not showing the outfit switching this time.) I also used physics settings to drive the full-body motion parameters, so now the posture movement logic is the same as traditional Live2D dolls—controlled entirely by head coordinates. Currently, I'm using only the culling feature for 3D simulation, which is why some Live2D-specific clipping issues appear in the visuals. The 2D clipping mainly happens in areas like the sides of the arms and legs. I plan to address this by adding Draw Order settings later, which should greatly improve the situation. Additionally, there's a gap where the ArtMeshes for the front and back connect. It seems that even though I've meticulously aligned the original warp deformers, this issue still persists. I suspect the problem lies with the PSD artwork. If I extend the range of the graphics a bit more, this should be resolved. Overall, I'm feeling really optimistic about the progress so far! The only downside is that I might not finish this Halloween outfit until Christmas, hahaha🫠🫠🫠

📐Hephaestus📏Live2D匠人魂

62,187 просмотров • 1 год назад

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Sandrina 😈🎀 | VArtist | †øм

22,969 просмотров • 10 месяцев назад

This work is not about a new technique. GMT (General Motion Tracking) shows good engineering practices that you can actually train a single unified whole-body control policy for all agile motion, and it works in the real world, directly with sim2real without adaptation. This is different from many existing works that trains/adapts one individual policy for each specific motion. Instead of just showing the beautiful motions/dances, this is actually practical. Because now you can convert all types of commands into real actions in real time without tuning anything. Visit to check out how we handle the following challenges: ✅ Partial Observability. ✅ Hardware Limitations. ✅ Unbalanced Data Distribution. ✅ Model Expressiveness. Work led by Zixuan Chen Mazeyu Ji

This work is not about a new technique. GMT (General Motion Tracking) shows good engineering practices that you can actually train a single unified whole-body control policy for all agile motion, and it works in the real world, directly with sim2real without adaptation. This is different from many existing works that trains/adapts one individual policy for each specific motion. Instead of just showing the beautiful motions/dances, this is actually practical. Because now you can convert all types of commands into real actions in real time without tuning anything. Visit to check out how we handle the following challenges: ✅ Partial Observability. ✅ Hardware Limitations. ✅ Unbalanced Data Distribution. ✅ Model Expressiveness. Work led by Zixuan Chen Mazeyu Ji

Xiaolong Wang

83,347 просмотров • 1 год назад

‼️I'm giving away a Free VTuber Model File & teaching anyone how to rig Full-Body Models.‼️ ⭐️Download the Model for FREE, on my Ko-fi (link below) Over the past 4 months, my community and I have been testing the best methods to teach artists and beginners how rig within Live2D (Which started as a 6 hour long video series, but I felt it wasn't good enough for learning). Many also mentioned their interest in starting a commission business and their struggles with not knowing where to start. Being a full-time Live2D Artist and Business Degree graduate, I built this class as a way to provide an easy guide for anyone to follow. It covers all the mistakes and learnings of my 4 year journey as an artist, and gives you the methods I used to make a living doing something I love. While the model is free for anyone to use, the Class to learn everything from start to finish is available on my website. ⭐️Level 1 is COMPLETELY FREE, as I want you to try this method of learning, and see if you enjoy the process! 🔗You can preview all the content on my website (link below) Levels 1 - 8 of the Class will cover everything from downloading Live2D, to exporting your model. This update 1.0 will become available on: March 14th, 3PM Eastern. (Levels 9 - 13 for the business behind commissions will be included in update 2.0!) You will also receive a roll within The Protagonist Discord, where I can give you 1 on 1 help with any questions you have regarding your learning! Finally, I'll be hosting Introduction workshops for Beginner Live2D Rigging on March 17th, and 19th! Over a 2 hour period in the Discord, I'll walk 10 individuals through the starting levels of the Class, completely for free. This way I can provide more hands on help for people interested in rigging! (more workshops will be held in the future) I hope that you'll give the Free lessons a try, and see that Live2D Rigging isn't as hard as you think! It truly helped me carve a path for my own future, and escape the 9-5 life that I dreaded so much. I can't wait to see all the new members of the Guild, and I hope we can all become the Main Characters of our own lives! 🔗Links Below: #Live2D #Vtuber #live2dtutorial

‼️I'm giving away a Free VTuber Model File & teaching anyone how to rig Full-Body Models.‼️ ⭐️Download the Model for FREE, on my Ko-fi (link below) Over the past 4 months, my community and I have been testing the best methods to teach artists and beginners how rig within Live2D (Which started as a 6 hour long video series, but I felt it wasn't good enough for learning). Many also mentioned their interest in starting a commission business and their struggles with not knowing where to start. Being a full-time Live2D Artist and Business Degree graduate, I built this class as a way to provide an easy guide for anyone to follow. It covers all the mistakes and learnings of my 4 year journey as an artist, and gives you the methods I used to make a living doing something I love. While the model is free for anyone to use, the Class to learn everything from start to finish is available on my website. ⭐️Level 1 is COMPLETELY FREE, as I want you to try this method of learning, and see if you enjoy the process! 🔗You can preview all the content on my website (link below) Levels 1 - 8 of the Class will cover everything from downloading Live2D, to exporting your model. This update 1.0 will become available on: March 14th, 3PM Eastern. (Levels 9 - 13 for the business behind commissions will be included in update 2.0!) You will also receive a roll within The Protagonist Discord, where I can give you 1 on 1 help with any questions you have regarding your learning! Finally, I'll be hosting Introduction workshops for Beginner Live2D Rigging on March 17th, and 19th! Over a 2 hour period in the Discord, I'll walk 10 individuals through the starting levels of the Class, completely for free. This way I can provide more hands on help for people interested in rigging! (more workshops will be held in the future) I hope that you'll give the Free lessons a try, and see that Live2D Rigging isn't as hard as you think! It truly helped me carve a path for my own future, and escape the 9-5 life that I dreaded so much. I can't wait to see all the new members of the Guild, and I hope we can all become the Main Characters of our own lives! 🔗Links Below: #Live2D #Vtuber #live2dtutorial

Yoona 主人公 | Commissions Open

12,420 просмотров • 1 год назад