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Long and hot video A moaning #latino bottom #bitch gets barebacked by an incredibly hung #blackgaytop #bareback #gay #gayclips #gaymovie #cum #bigblackdick #cocks #dick

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112,421 views • 2 years ago •via X (Twitter)

NSFW #latino #bitch #blackgaytop #bareback #gay #gayclips #gaymovie #cum #bigblackdick #cocks #dick

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Venere gets to grips with Sabrina (literally) in this classic #Thighscissors contest. Sexy long legs entwine and #hairpulling throughout, this is a hot battle with awesome bodies and killer thighs. #Catfight Venere IFW Video by SexyFightDreams

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Gut wrenching: Dutch 20 y/o victim of attempted rape and murder storms out of courtroom in tears as her attacker, Somali migrant Mohamed H. (26), gets a mere 3.5 years in prison. Last May, a 20 y/o Dutch girl was attacked in Amsterdam’s Westerpark by Mohamed H. who choked her for minutes telling her “you will die tonight, this is your last night,” whilst he hit her and pulled down her pants to rape her. Thank God, police arrived just in time to stop him. Despite Mohamed having an 8+ page criminal record, he got only 3.5 years in prison because - get ready - the court had doubt whether the chokehold was “strong/long enough” to kill the victim. In the video you’ll hear the victim respond to the judge in pure disbelief and despair: “I can’t do this, I was strangled for a very long time with great force!” This keeps on happening over and over again, everywhere in Europe. Our legal systems protect the perpetrators not the victims. These judges should face justice for their continuous betrayal of European girls getting assaulted, raped and murdered by migrants.

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Released in 1984 as the lead single from Twisted Sister’s breakthrough album Stay Hungry, “We’re Not Gonna Take It” became an enduring anthem of youthful rebellion and a defining track of the glam metal era. The track reached #21 on the US Billboard Hot 100 and #14 on the UK Singles Chart, fueled by heavy rotation on MTV. The song's humorous and iconic music video arguably became just as famous as the track itself. Featuring actor Mark Metcalf as a tyrannical, screaming father, the video brilliantly parodied his own antagonistic character, Douglas Neidermeyer, from the classic comedy film National Lampoon's Animal House. Beyond its commercial success, the song's legacy was cemented in 1985 when Dee Snider famously defended it before the Parents Music Resource Center (PMRC) at a U.S. Senate hearing on music censorship. Arriving without a lawyer, Snider eloquently argued that the song was about self-empowerment and standing up to oppression, not violence, making the track a lasting symbol of artistic freedom. The young boy who gets scolded by the father in the music video is actually Snider's own son, Jesse. The song's memorable chorus melody shares a striking, albeit unintentional, resemblance to the classic Christmas carol "O Come, All Ye Faithful", a connection Snider later embraced by recording a heavy metal version of the carol.

Released in 1984 as the lead single from Twisted Sister’s breakthrough album Stay Hungry, “We’re Not Gonna Take It” became an enduring anthem of youthful rebellion and a defining track of the glam metal era. The track reached #21 on the US Billboard Hot 100 and #14 on the UK Singles Chart, fueled by heavy rotation on MTV. The song's humorous and iconic music video arguably became just as famous as the track itself. Featuring actor Mark Metcalf as a tyrannical, screaming father, the video brilliantly parodied his own antagonistic character, Douglas Neidermeyer, from the classic comedy film National Lampoon's Animal House. Beyond its commercial success, the song's legacy was cemented in 1985 when Dee Snider famously defended it before the Parents Music Resource Center (PMRC) at a U.S. Senate hearing on music censorship. Arriving without a lawyer, Snider eloquently argued that the song was about self-empowerment and standing up to oppression, not violence, making the track a lasting symbol of artistic freedom. The young boy who gets scolded by the father in the music video is actually Snider's own son, Jesse. The song's memorable chorus melody shares a striking, albeit unintentional, resemblance to the classic Christmas carol "O Come, All Ye Faithful", a connection Snider later embraced by recording a heavy metal version of the carol.

Ladytron Fan Account

32,406 views • 25 days ago

$this guy made >5 Million views with AI basic long-form videos here is how i’ve copied the channel with CalliopeLabs: 1- took 5 screenshots 2- sent them to gemini asking for a JSON 3- pasted this into the Visual Style lab: { “general_visual_style”: “art style of 19th-century Realism, classic oil painting on textured canvas, heavy impasto technique with visible thick paint and palette knife ridges, expressive and loose brushwork similar to Ilya Repin and John Singer Sargent”, “atmosphere”: “atmospheric volumetric lighting with dramatic light shafts and floating dust particles, deep chiaroscuro contrasts, historical color palette with muted tones and rich earth colors, tactile surface detail, museum masterpiece quality, cinematic composition, highly detailed but painterly finish, aged varnish look.” } the video u see below is a snippet from a vid automatically generated by Calliope nobody listened to me a month ago, but there is still an opportunity: he/she keeps posting, getting views and monetizing meaning that the niche is still hot I made a FREE tutorial, step by step on how to i replicated it with my own tool⬇️ follow me and drop a comment asking for it and i’ll send it to you :)$

this guy made >5 Million views with AI basic long-form videos here is how i’ve copied the channel with CalliopeLabs: 1- took 5 screenshots 2- sent them to gemini asking for a JSON 3- pasted this into the Visual Style lab: { “general_visual_style”: “art style of 19th-century Realism, classic oil painting on textured canvas, heavy impasto technique with visible thick paint and palette knife ridges, expressive and loose brushwork similar to Ilya Repin and John Singer Sargent”, “atmosphere”: “atmospheric volumetric lighting with dramatic light shafts and floating dust particles, deep chiaroscuro contrasts, historical color palette with muted tones and rich earth colors, tactile surface detail, museum masterpiece quality, cinematic composition, highly detailed but painterly finish, aged varnish look.” } the video u see below is a snippet from a vid automatically generated by Calliope nobody listened to me a month ago, but there is still an opportunity: he/she keeps posting, getting views and monetizing meaning that the niche is still hot I made a FREE tutorial, step by step on how to i replicated it with my own tool⬇️ follow me and drop a comment asking for it and i’ll send it to you :)

Sergio Gil

97,668 views • 6 months ago

My humble little work is finally complete. Somehow, it ended up becoming an epic 6 minutes and 24 seconds long. In my twenties, I dreamed of becoming a film director, but I failed. Since then, I haven’t really been able to make anything I could truly call a “work.” Now I live quietly as a poor, single, middle-aged man of 52. But in recent years — especially with the evolution of video-generating AI this year — I’ve found myself able to create something again, and that makes me truly happy. To everyone who has watched over the madness of this 52-year-old guy with such lukewarm kindness: thank you from the bottom of my heart. As long as luck stays on my side, I intend to keep making new works, so I hope you’ll continue to put up with me. For this piece, I aimed for the kind of taste found in films I personally love: Tarantino and Rodriguez’s Grindhouse. I wanted to make a ridiculous B-movie-style piece of entertainment — something stupid, wild, and only possible through AI. With the rapid evolution of video-generating AI, I think flashy, over-the-top imagery will soon become old hat. So before that happens, I wanted to make one completely outrageous work. Production period: just over one month Budget: I used so many credits that I’d rather not think about it. AI tools used: About 90% of the video was made with Kling 3.0 Omni. Seedance 2.0 was announced partway through production, which made me hesitate, but in the end I only used it very sparingly, for the few parts I just couldn’t express with Kling. From here on, it will become normal to create footage that looks incredibly natural and impressive. In that sense, I also feel that when I look back on this later, the slight traces of “AI-ness” that remain may actually give it a certain charm. I know that only a very rare and generous few will watch a video over six minutes long made by an amateur. But as the film goes on, I became more and more familiar with how to use Kling 3.0 Omni and how to work with its quirks, so I believe the quality improves toward the latter half. Nothing would make me happier than if you stayed with it until the very end.

My humble little work is finally complete. Somehow, it ended up becoming an epic 6 minutes and 24 seconds long. In my twenties, I dreamed of becoming a film director, but I failed. Since then, I haven’t really been able to make anything I could truly call a “work.” Now I live quietly as a poor, single, middle-aged man of 52. But in recent years — especially with the evolution of video-generating AI this year — I’ve found myself able to create something again, and that makes me truly happy. To everyone who has watched over the madness of this 52-year-old guy with such lukewarm kindness: thank you from the bottom of my heart. As long as luck stays on my side, I intend to keep making new works, so I hope you’ll continue to put up with me. For this piece, I aimed for the kind of taste found in films I personally love: Tarantino and Rodriguez’s Grindhouse. I wanted to make a ridiculous B-movie-style piece of entertainment — something stupid, wild, and only possible through AI. With the rapid evolution of video-generating AI, I think flashy, over-the-top imagery will soon become old hat. So before that happens, I wanted to make one completely outrageous work. Production period: just over one month Budget: I used so many credits that I’d rather not think about it. AI tools used: About 90% of the video was made with Kling 3.0 Omni. Seedance 2.0 was announced partway through production, which made me hesitate, but in the end I only used it very sparingly, for the few parts I just couldn’t express with Kling. From here on, it will become normal to create footage that looks incredibly natural and impressive. In that sense, I also feel that when I look back on this later, the slight traces of “AI-ness” that remain may actually give it a certain charm. I know that only a very rare and generous few will watch a video over six minutes long made by an amateur. But as the film goes on, I became more and more familiar with how to use Kling 3.0 Omni and how to work with its quirks, so I believe the quality improves toward the latter half. Nothing would make me happier than if you stayed with it until the very end.

落花生BOY【AI映画作家】

24,310 views • 3 months ago

🚨In Key West, an ICE/Border Patrol agent threatened to PULL A U.S. CITIZEN OUT OF THE CAR because he cursed at an agent… then had the audacity to tell the U.S. citizen to “learn your laws.” So, let’s learn them. In the video, Border Patrol agents pulled over a car of U.S. citizens and demanded everyone hand over their IDs. When the passenger says, “Bitch, fuck you,” an agent asks what he said and then threatens to pull him out of the vehicle if he “says one more thing like that.” The passenger correctly asks: “For what? That’s freedom of speech.” The agent responds: “That’s not how that works. Learn your laws.” Oh, we’re going to… Cursing at a government agent is not, by itself, a crime. The First Amendment protects a significant amount of verbal criticism, insults, and profanity directed at law enforcement, as long as it is not a physical threat. The government cannot punish people simply for verbally challenging or criticizing law enforcement. And it gets even worse. After the passenger calls the agent a “fucking white cracker,” the agent asks what he called him… and then tells another agent he is “thinking of calling in and arresting this guy.” For what? Because he hurt your feelings? The government does not get to arrest someone for speech they don’t like. And yes, Border Patrol has special authority near the border. That includes operating immigration checkpoints where agents can briefly stop vehicles, without individualized reasonable suspicion, for immigration questioning. But, that is different from a roving patrol stop. When not operating at a checkpoint, Border Patrol needs reasonable suspicion to pull over a vehicle for immigration questioning. And even at a checkpoint, the agents’ authority is not unlimited. A checkpoint stop does not automatically give them the right to search the vehicle, indefinitely detain people, or arrest someone because they said something an agent didn’t like. The Constitution does not say… “You have freedom of speech, unless a federal agent gets offended.” It says the government cannot punish you for exercising that right. And perhaps the most important part of this entire video is… The passenger knew his rights better than the federal agent threatening him. The agent told the U.S. citizen to learn his laws… But maybe the agent should have learned them first.

🚨In Key West, an ICE/Border Patrol agent threatened to PULL A U.S. CITIZEN OUT OF THE CAR because he cursed at an agent… then had the audacity to tell the U.S. citizen to “learn your laws.” So, let’s learn them. In the video, Border Patrol agents pulled over a car of U.S. citizens and demanded everyone hand over their IDs. When the passenger says, “Bitch, fuck you,” an agent asks what he said and then threatens to pull him out of the vehicle if he “says one more thing like that.” The passenger correctly asks: “For what? That’s freedom of speech.” The agent responds: “That’s not how that works. Learn your laws.” Oh, we’re going to… Cursing at a government agent is not, by itself, a crime. The First Amendment protects a significant amount of verbal criticism, insults, and profanity directed at law enforcement, as long as it is not a physical threat. The government cannot punish people simply for verbally challenging or criticizing law enforcement. And it gets even worse. After the passenger calls the agent a “fucking white cracker,” the agent asks what he called him… and then tells another agent he is “thinking of calling in and arresting this guy.” For what? Because he hurt your feelings? The government does not get to arrest someone for speech they don’t like. And yes, Border Patrol has special authority near the border. That includes operating immigration checkpoints where agents can briefly stop vehicles, without individualized reasonable suspicion, for immigration questioning. But, that is different from a roving patrol stop. When not operating at a checkpoint, Border Patrol needs reasonable suspicion to pull over a vehicle for immigration questioning. And even at a checkpoint, the agents’ authority is not unlimited. A checkpoint stop does not automatically give them the right to search the vehicle, indefinitely detain people, or arrest someone because they said something an agent didn’t like. The Constitution does not say… “You have freedom of speech, unless a federal agent gets offended.” It says the government cannot punish you for exercising that right. And perhaps the most important part of this entire video is… The passenger knew his rights better than the federal agent threatening him. The agent told the U.S. citizen to learn his laws… But maybe the agent should have learned them first.

Jesus Freakin Congress

331,351 views • 22 days ago

"The result is I'm a 23-year old gay man who's never had an orgasm and may never experience one. Let that sink in." Jonni Skinner tells the California legislature's judiciary committee how he was puberty blocked, dosed with estrogen and rendered anorgasmic as a minor by gender clinicians that never inquired into the source of his gender confusion as a child and instead put him on a pipeline to a lifetime of medicalization. Full text of his comments below: "When I was young, I was a feminine child, and I discovered trans influencers online. They said: 'Change your body and your life gets better. Don't and it gets worse.' Or, as my doctors told my mom, I would commit suicide. The medical and mental health providers didn't bother to ask why I felt the way I did. They poisoned my body with blockers and hormones, arresting my puberty and messing with my development. The result is I'm a 23 year old gay man who's never had an orgasm and may never experience one. Let that sink in. I was rendered anorgasmic because once you say you could be trans, that's a full stop -- no exploration as to why is allowed, even if you are struggling. The former president of WPATH, Dr Marcy Bowers, the California surgeon who had performed the surgery for Jazz Jennings at 17, admitted on video that puberty blockers, followed by cross sex hormones, results in no orgasms and stunted genitals. SB, 934 guarantees that more people will end up like me, the walking but wounded. I could have been spared all of this, if any of my therapists would have explored why I felt dysphoric. But they never did. They only led me to hate my body more. The Supreme Court just ruled in a rare bipartisan decision that laws like this are unconstitutional viewpoint discrimination. This bill is an attempted workaround that will be used to silence therapists who could have helped me avoid the irreversible harms to my body and the loss of my sexual function as is the same for many others. So today, I ask you to extend some empathy to survivors like me and vote no for this bill."

"The result is I'm a 23-year old gay man who's never had an orgasm and may never experience one. Let that sink in." Jonni Skinner tells the California legislature's judiciary committee how he was puberty blocked, dosed with estrogen and rendered anorgasmic as a minor by gender clinicians that never inquired into the source of his gender confusion as a child and instead put him on a pipeline to a lifetime of medicalization. Full text of his comments below: "When I was young, I was a feminine child, and I discovered trans influencers online. They said: 'Change your body and your life gets better. Don't and it gets worse.' Or, as my doctors told my mom, I would commit suicide. The medical and mental health providers didn't bother to ask why I felt the way I did. They poisoned my body with blockers and hormones, arresting my puberty and messing with my development. The result is I'm a 23 year old gay man who's never had an orgasm and may never experience one. Let that sink in. I was rendered anorgasmic because once you say you could be trans, that's a full stop -- no exploration as to why is allowed, even if you are struggling. The former president of WPATH, Dr Marcy Bowers, the California surgeon who had performed the surgery for Jazz Jennings at 17, admitted on video that puberty blockers, followed by cross sex hormones, results in no orgasms and stunted genitals. SB, 934 guarantees that more people will end up like me, the walking but wounded. I could have been spared all of this, if any of my therapists would have explored why I felt dysphoric. But they never did. They only led me to hate my body more. The Supreme Court just ruled in a rare bipartisan decision that laws like this are unconstitutional viewpoint discrimination. This bill is an attempted workaround that will be used to silence therapists who could have helped me avoid the irreversible harms to my body and the loss of my sexual function as is the same for many others. So today, I ask you to extend some empathy to survivors like me and vote no for this bill."

Wesley Yang

1,231,823 views • 4 months ago