Загрузка видео...

Не удалось загрузить видео

На главную

“Maria” is from Blondie’s 1999 comeback album No Exit, their first studio release in 17 years. Built around a soaring melody and Debbie Harry’s commanding vocal, the song tells of fascination with an irresistible, elusive woman and marked the band’s triumphant return to the charts. It became a major...

Lady_FanAccount's profile picture

Ladytron Fan Account

273,484 subscribers

75,847 просмотров • 9 дней назад •via X (Twitter)

МузыкаОбразованиеИскусство
LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

“X Offender” is the opening track from Blondie’s 1976 self-titled debut album. It helped establish the band’s early sound: a sharp mix of punk attitude, pop hooks and Debbie Harry’s cool, detached vocal style, years before Blondie’s full mainstream breakthrough.
2:42

“X Offender” is the opening track from Blondie’s 1976 self-titled debut album. It helped establish the band’s early sound: a sharp mix of punk attitude, pop hooks and Debbie Harry’s cool, detached vocal style, years before Blondie’s full mainstream breakthrough.

Ladytron Fan Account

45,698 просмотров • 6 дней назад

“Linger” was written early in The Cranberries’ career, with Dolores O’Riordan developing the lyric and vocal melody while still in her teens. Released in 1993, it became The Cranberries’ first major international breakthrough, reaching #8 on the Billboard Hot 100 and establishing the group as one of the defining new bands of the decade.
2:36

“Linger” was written early in The Cranberries’ career, with Dolores O’Riordan developing the lyric and vocal melody while still in her teens. Released in 1993, it became The Cranberries’ first major international breakthrough, reaching #8 on the Billboard Hot 100 and establishing the group as one of the defining new bands of the decade.

Ladytron Fan Account

41,893 просмотров • 10 дней назад

"Ordinary World" is from the album Duran Duran (1993), also known as The Wedding Album. The song marked Duran Duran's return to the top of the charts in the 90s and became one of the band's biggest hits, proving that they could evolve without losing the emotional essence. Released as a single, it was a major hit: #3 on the Billboard Hot 100 and #6 on the UK Singles Chart.
3:57

"Ordinary World" is from the album Duran Duran (1993), also known as The Wedding Album. The song marked Duran Duran's return to the top of the charts in the 90s and became one of the band's biggest hits, proving that they could evolve without losing the emotional essence. Released as a single, it was a major hit: #3 on the Billboard Hot 100 and #6 on the UK Singles Chart.

Ladytron Fan Account

36,254 просмотров • 15 дней назад

In April 1982, Simple Minds released ‘Promised You a Miracle’ while still touring Sons and Fascination, issuing it ahead of their next album, New Gold Dream. The single became the band’s first UK hit and led to their debut appearance on Top of the Pops.
0:20

In April 1982, Simple Minds released ‘Promised You a Miracle’ while still touring Sons and Fascination, issuing it ahead of their next album, New Gold Dream. The single became the band’s first UK hit and led to their debut appearance on Top of the Pops.

Simple Minds

18,516 просмотров • 3 месяцев назад

A new decade brought a new chapter for Oasis. "Go Let It Out" marked the band's return after a lengthy break, introducing Standing on the Shoulder of Giants and becoming their first release following major lineup changes. Their Top of the Pops appearance in 2000 captured a band stepping into a new era while proving they could still deliver the anthemic sound that had made them one of Britain's biggest acts.
4:13

A new decade brought a new chapter for Oasis. "Go Let It Out" marked the band's return after a lengthy break, introducing Standing on the Shoulder of Giants and becoming their first release following major lineup changes. Their Top of the Pops appearance in 2000 captured a band stepping into a new era while proving they could still deliver the anthemic sound that had made them one of Britain's biggest acts.

Batfox Pictures

13,653 просмотров • 15 дней назад

“Caribbean Queen (No More Love on the Run)” became Billy Ocean’s international breakthrough in 1984 and his first major smash in the United States. The song topped the Billboard Hot 100 and helped turn Ocean into one of the defining hitmakers of mid-’80s radio. Its irresistible hook and charismatic vocal performance made it one of the signature pop singles of the era.
3:22

“Caribbean Queen (No More Love on the Run)” became Billy Ocean’s international breakthrough in 1984 and his first major smash in the United States. The song topped the Billboard Hot 100 and helped turn Ocean into one of the defining hitmakers of mid-’80s radio. Its irresistible hook and charismatic vocal performance made it one of the signature pop singles of the era.

Ladytron Fan Account

18,239 просмотров • 9 дней назад

"Lucky Man" is from The Verve’s 1997 album Urban Hymns. The uplifting, anthemic track written by Richard Ashcroft became one of the band’s biggest hits, especially in the UK. Its soaring melody and reflective lyrics about life and fortune made it a staple of Britpop and alternative rock radio.
3:59

"Lucky Man" is from The Verve’s 1997 album Urban Hymns. The uplifting, anthemic track written by Richard Ashcroft became one of the band’s biggest hits, especially in the UK. Its soaring melody and reflective lyrics about life and fortune made it a staple of Britpop and alternative rock radio.

Ladytron Fan Account

138,217 просмотров • 5 дней назад

Originally intended for Ace of Base’s second album, "The Sign" was instead added to the American release of the band’s debut, Happy Nation, which was retitled "The Sign" for the U.S. market. Its techno-reggae sound helped send the song to #1 on the Billboard Hot 100 for six non-consecutive weeks in 1994, making Ace of Base the first Swedish group to top the American singles and albums charts at the same time. It became the band’s biggest hit in the US and one of the defining pop singles of the decade.
2:38

Originally intended for Ace of Base’s second album, "The Sign" was instead added to the American release of the band’s debut, Happy Nation, which was retitled "The Sign" for the U.S. market. Its techno-reggae sound helped send the song to #1 on the Billboard Hot 100 for six non-consecutive weeks in 1994, making Ace of Base the first Swedish group to top the American singles and albums charts at the same time. It became the band’s biggest hit in the US and one of the defining pop singles of the decade.

Ladytron Fan Account

40,217 просмотров • 14 дней назад

"Just Can't Get Enough" was one of the last songs Vince Clarke wrote for Depeche Mode. He left the group shortly after the release of the album Speak & Spell (1981) to form Yazoo (and later Erasure). Released as a single, the song became one of the group's first major hits in the UK (reaching #8) and helped cement Depeche Mode as one of the most promising bands in the synth-pop movement.
1:45

"Just Can't Get Enough" was one of the last songs Vince Clarke wrote for Depeche Mode. He left the group shortly after the release of the album Speak & Spell (1981) to form Yazoo (and later Erasure). Released as a single, the song became one of the group's first major hits in the UK (reaching #8) and helped cement Depeche Mode as one of the most promising bands in the synth-pop movement.

Ladytron Fan Account

90,374 просмотров • 23 дней назад

At Top of the Pops in 1994, Oasis deliver Shakermaker, the follow up single to Supersonic from their debut album Definitely Maybe. The track reached number 11 on the UK Singles Chart and helped establish the band’s early swagger, built around Liam Gallagher’s laid back vocal and Noel Gallagher’s melodic nods to 60s pop. Known for its loose groove and tongue in cheek references, it became a key part of their first era and later appeared in documentaries and retrospectives charting Oasis’s rise through the mid 90s Britpop scene. Shakermaker remains a fan favourite and an essential piece of their early catalogue.
2:41

At Top of the Pops in 1994, Oasis deliver Shakermaker, the follow up single to Supersonic from their debut album Definitely Maybe. The track reached number 11 on the UK Singles Chart and helped establish the band’s early swagger, built around Liam Gallagher’s laid back vocal and Noel Gallagher’s melodic nods to 60s pop. Known for its loose groove and tongue in cheek references, it became a key part of their first era and later appeared in documentaries and retrospectives charting Oasis’s rise through the mid 90s Britpop scene. Shakermaker remains a fan favourite and an essential piece of their early catalogue.

Batfox Pictures

27,910 просмотров • 7 месяцев назад

By the time "Sonnet" was released as the fourth and final single from 1997's Urban Hymns, The Verve had already become one of Britain's biggest bands. Built around soaring strings and Richard Ashcroft's emotional vocal, it became one of the album's defining moments. Filmed at Haigh Hall in Wigan in 1998, this performance captures the band at the height of their success, just before everything began to unravel.
4:21

By the time "Sonnet" was released as the fourth and final single from 1997's Urban Hymns, The Verve had already become one of Britain's biggest bands. Built around soaring strings and Richard Ashcroft's emotional vocal, it became one of the album's defining moments. Filmed at Haigh Hall in Wigan in 1998, this performance captures the band at the height of their success, just before everything began to unravel.

Batfox Pictures

21,793 просмотров • 3 дней назад

Built around a sample from Twin Peaks, “Go” introduced Moby as one of the early breakout names in UK rave culture. Released in 1991, it became his first major hit, reaching the UK Top 10 and helping push electronic music further into the mainstream at the start of the decade.
2:35

Built around a sample from Twin Peaks, “Go” introduced Moby as one of the early breakout names in UK rave culture. Released in 1991, it became his first major hit, reaching the UK Top 10 and helping push electronic music further into the mainstream at the start of the decade.

Batfox Pictures

53,330 просмотров • 2 месяцев назад

"Gotta Go Home" is from Boney M.'s 1979 album Oceans of Fantasy. The upbeat disco track became a major European hit, peaking at #12 on the UK Singles Chart, #1 in West Germany, and reaching the Top 5 in several other European countries. In some markets, it was released as a double A-side with "El Lute." The song is an adaptation of the 1973 German track "Hallo Bimmelbahn" by Nighttrain. Despite its success across Europe, it became Boney M.'s first single since their debut not to reach the UK Top 10.
3:56

"Gotta Go Home" is from Boney M.'s 1979 album Oceans of Fantasy. The upbeat disco track became a major European hit, peaking at #12 on the UK Singles Chart, #1 in West Germany, and reaching the Top 5 in several other European countries. In some markets, it was released as a double A-side with "El Lute." The song is an adaptation of the 1973 German track "Hallo Bimmelbahn" by Nighttrain. Despite its success across Europe, it became Boney M.'s first single since their debut not to reach the UK Top 10.

Ladytron Fan Account

21,129 просмотров • 2 дней назад

“My Immortal” is from Evanescence’s 2003 debut album Fallen. It became one of the band’s biggest hits, reaching high on rock and pop charts worldwide, and is often praised for Amy Lee’s powerful, vulnerable vocal performance. The song exists in two well-known official versions: the more stripped-back album recording and the later “band version” released as a single, with fuller instrumentation and a more dramatic rock arrangement.
2:57

“My Immortal” is from Evanescence’s 2003 debut album Fallen. It became one of the band’s biggest hits, reaching high on rock and pop charts worldwide, and is often praised for Amy Lee’s powerful, vulnerable vocal performance. The song exists in two well-known official versions: the more stripped-back album recording and the later “band version” released as a single, with fuller instrumentation and a more dramatic rock arrangement.

Ladytron Fan Account

79,302 просмотров • 5 дней назад

The Charlatans perform The Only One I Know at The Ritz in Manchester in 1990, the breakthrough single from their debut album Some Friendly. With its Hammond organ hook and psychedelic groove, the track reached No. 9 in the UK and became one of the defining songs of the Madchester era, marking the band’s arrival on the national stage.
4:00

The Charlatans perform The Only One I Know at The Ritz in Manchester in 1990, the breakthrough single from their debut album Some Friendly. With its Hammond organ hook and psychedelic groove, the track reached No. 9 in the UK and became one of the defining songs of the Madchester era, marking the band’s arrival on the national stage.

Batfox Pictures

34,760 просмотров • 7 месяцев назад

“Bed of Roses” is a power ballad from Bon Jovi’s 1992 album Keep the Faith. It became a major international hit and remains one of the band’s best-known ballads. The song also reflected the more mature and introspective direction Bon Jovi embraced in the early 1990s.
4:48

“Bed of Roses” is a power ballad from Bon Jovi’s 1992 album Keep the Faith. It became a major international hit and remains one of the band’s best-known ballads. The song also reflected the more mature and introspective direction Bon Jovi embraced in the early 1990s.

Ladytron Fan Account

38,548 просмотров • 8 дней назад

“Show Me How to Live” was the second single from Audioslave’s 2002 debut album. Built on the crushing riff power of Rage Against the Machine and Chris Cornell’s commanding vocals, the track quickly became one of the standout songs from the band’s first era. Its video, with its striking visual references and rebellious energy, helped establish Audioslave as one of the defining rock acts of the early 2000s.
3:34

“Show Me How to Live” was the second single from Audioslave’s 2002 debut album. Built on the crushing riff power of Rage Against the Machine and Chris Cornell’s commanding vocals, the track quickly became one of the standout songs from the band’s first era. Its video, with its striking visual references and rebellious energy, helped establish Audioslave as one of the defining rock acts of the early 2000s.

Ladytron Fan Account

13,217 просмотров • 9 дней назад

Flashback Rewind 1989 "Eternal Flame" - The Bangles "Close your eyes, give me your hand, darling..." Released in 1989, "Eternal Flame" marked a defining moment for The Bangles, revealing a softer, more intimate side of a band already known for jangly pop and new-wave sparkle. Stripped of heavy drums and built around tenderness, the song leans on Susanna Hoffs' hushed, vulnerable vocal turning love into something sacred, quiet, and everlasting. It stood apart from the louder, flashier sound of the late '80s and proved that restraint could be just as powerful as excess.
1:30

Flashback Rewind 1989 "Eternal Flame" - The Bangles "Close your eyes, give me your hand, darling..." Released in 1989, "Eternal Flame" marked a defining moment for The Bangles, revealing a softer, more intimate side of a band already known for jangly pop and new-wave sparkle. Stripped of heavy drums and built around tenderness, the song leans on Susanna Hoffs' hushed, vulnerable vocal turning love into something sacred, quiet, and everlasting. It stood apart from the louder, flashier sound of the late '80s and proved that restraint could be just as powerful as excess.

🎵💖Loves classical music🎻🎹

97,233 просмотров • 6 месяцев назад

“She Sells Sanctuary” is from Love (1985) and became The Cult’s biggest hit to date, reaching #15 on the UK Singles Chart and helping the album break into the UK Top 4. The song also marked the end of an era within the band, as it was the last Cult recording to feature drummer Nigel Preston before his dismissal. Over time “She Sells Sanctuary” grew far beyond its original chart run, becoming one of the band’s signature songs and a staple of alternative and classic-rock radio.
3:55

“She Sells Sanctuary” is from Love (1985) and became The Cult’s biggest hit to date, reaching #15 on the UK Singles Chart and helping the album break into the UK Top 4. The song also marked the end of an era within the band, as it was the last Cult recording to feature drummer Nigel Preston before his dismissal. Over time “She Sells Sanctuary” grew far beyond its original chart run, becoming one of the band’s signature songs and a staple of alternative and classic-rock radio.

Ladytron Fan Account

54,273 просмотров • 10 дней назад

Girls & Boys is the first single from the album Parklife (1994), the album that put Blur at the center of the Britpop movement. Damon Albarn wrote the lyrics inspired by the hedonistic holiday culture of Britons in Spanish resorts such as Magaluf in the early 90s. Released in March 1994, it reached #5 on the UK Singles Chart and was the band's first major commercial hit. Parklife sold over 1.2 million copies in the UK alone (4x Platinum) and became one of the defining albums of the Britpop era.
3:18

Girls & Boys is the first single from the album Parklife (1994), the album that put Blur at the center of the Britpop movement. Damon Albarn wrote the lyrics inspired by the hedonistic holiday culture of Britons in Spanish resorts such as Magaluf in the early 90s. Released in March 1994, it reached #5 on the UK Singles Chart and was the band's first major commercial hit. Parklife sold over 1.2 million copies in the UK alone (4x Platinum) and became one of the defining albums of the Britpop era.

Ladytron Fan Account

44,295 просмотров • 1 месяц назад