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My full review and graphics settings comparison for Resonance: #APlagueTale Legacy should be up tomorrow. In the meantime, here are some first impressions from a technical standpoint: ✅The game does not use any form of Ray Tracing and relies purely on traditional rasterized techniques. but it still looks stunning...

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BenchmarKing

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12,541 görüntüleme • 7 gün önce •via X (Twitter)

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So far, my impressions of #AssassinsCreed Black Flag Resynced are positive, but there are a few annoyances that I hope Ubisoft addresses in the future. ✅The game takes full advantage of the Anvil engine's latest features (RTGI, RT Reflections, Micropolygon Geometry, etc.), and it looks great. ✅Performance is stable, and the frame time graph stays mostly flat, even in dense, crowded areas like Havana. ⚠️Cutscenes are locked to 30 FPS with no in-game option to remove the cap. This makes the transition between cutscenes and gameplay feel jarring. ⚠️The user interface experience is rough. The game offers a lot of graphics settings and options, but most of them require either a full restart or a save reload to apply, even post processing effects.
1:50

So far, my impressions of #AssassinsCreed Black Flag Resynced are positive, but there are a few annoyances that I hope Ubisoft addresses in the future. ✅The game takes full advantage of the Anvil engine's latest features (RTGI, RT Reflections, Micropolygon Geometry, etc.), and it looks great. ✅Performance is stable, and the frame time graph stays mostly flat, even in dense, crowded areas like Havana. ⚠️Cutscenes are locked to 30 FPS with no in-game option to remove the cap. This makes the transition between cutscenes and gameplay feel jarring. ⚠️The user interface experience is rough. The game offers a lot of graphics settings and options, but most of them require either a full restart or a save reload to apply, even post processing effects.

BenchmarKing

72,159 görüntüleme • 1 ay önce

Borderlands 4 Performance Summary in 2 minutes: 0:00 - Native Res Badass Settings the game runs bad 0:30 - Upscaling Performance Mode Badass Settings, the game barely manages to hit 60FPS 1:20 - Frame Gen turned on and now you have 100 FPS Some people will turn all these settings on and be happy with it but in my honest opinion these are used as crutches to make the game look as if it performs good. Borderlands 4 has a certain art style that doesn't look like it needs these kind of settings to be turned on to play at a high framerate but sadly it does and you can defend this if you want but the future of gaming looks bleak, using this tech to not optimize the games further will just result in input latency increase as every game will be delivered with frame-gen turned on in the devs mind.
1:53

Borderlands 4 Performance Summary in 2 minutes: 0:00 - Native Res Badass Settings the game runs bad 0:30 - Upscaling Performance Mode Badass Settings, the game barely manages to hit 60FPS 1:20 - Frame Gen turned on and now you have 100 FPS Some people will turn all these settings on and be happy with it but in my honest opinion these are used as crutches to make the game look as if it performs good. Borderlands 4 has a certain art style that doesn't look like it needs these kind of settings to be turned on to play at a high framerate but sadly it does and you can defend this if you want but the future of gaming looks bleak, using this tech to not optimize the games further will just result in input latency increase as every game will be delivered with frame-gen turned on in the devs mind.

NikTek

359,686 görüntüleme • 11 ay önce

I’m 3 Minutes into the Official Mafia: The Old Country Gameplay Video and I’m already seeing issues with this Game. There’s this Gameplay section where Enzo drives a car and there are some clear stutters in this footage, not to mention the fact that this clip is trimmed up to show the best sections and even in those there are stutters? I can’t help but feel like there’s an apparent issue with almost every UE5 game that utilises fast traversal directly correlated to stutters, when driving cars always results in stutters and it looks like this Game is no exception either. I’m really hoping this game proves me wrong and the devs manage to flesh out all the stutters to give us a polished game but as far as I can see, this doesn’t look good for the Mafia: Old Country.
0:38

I’m 3 Minutes into the Official Mafia: The Old Country Gameplay Video and I’m already seeing issues with this Game. There’s this Gameplay section where Enzo drives a car and there are some clear stutters in this footage, not to mention the fact that this clip is trimmed up to show the best sections and even in those there are stutters? I can’t help but feel like there’s an apparent issue with almost every UE5 game that utilises fast traversal directly correlated to stutters, when driving cars always results in stutters and it looks like this Game is no exception either. I’m really hoping this game proves me wrong and the devs manage to flesh out all the stutters to give us a polished game but as far as I can see, this doesn’t look good for the Mafia: Old Country.

NikTek

3,126,854 görüntüleme • 1 yıl önce

We ran the ball pretty good yesterday but there was more hay to be had. Gainwell has been a godsend for this team and offense. All he does is produce, but he missed one here on the first run play of the game. This is an example of how an OL can block something up as intended, and it still not get the yardage it should, due to timing and patience. It got better as the game went on. Importance of sticking with the run…especially in December/January. #HereWeGo
1:15

We ran the ball pretty good yesterday but there was more hay to be had. Gainwell has been a godsend for this team and offense. All he does is produce, but he missed one here on the first run play of the game. This is an example of how an OL can block something up as intended, and it still not get the yardage it should, due to timing and patience. It got better as the game went on. Importance of sticking with the run…especially in December/January. #HereWeGo

Trai Essex

36,417 görüntüleme • 8 ay önce

Chris Bosh speaks on changing his game from his Raptors days, to Miami: “I definitely was more of a paint first player, but then getting to Miami and having to change my game, I needed to space the floor so LeBron and Dwyane who really to me were our 4 and our 5. I had to be the 2 and had to be out and work on my game differently. Sometimes I’d be able to sprinkle in some post ups throughout the course of the game. But mainly I can still hear Erik Spoelstra in my head ‘SNAP CHASE’. That was pretty much when I get the ball, get it to another space and keep the ball moving but be ready to shoot from the outside when it’s time”
0:56

Chris Bosh speaks on changing his game from his Raptors days, to Miami: “I definitely was more of a paint first player, but then getting to Miami and having to change my game, I needed to space the floor so LeBron and Dwyane who really to me were our 4 and our 5. I had to be the 2 and had to be out and work on my game differently. Sometimes I’d be able to sprinkle in some post ups throughout the course of the game. But mainly I can still hear Erik Spoelstra in my head ‘SNAP CHASE’. That was pretty much when I get the ball, get it to another space and keep the ball moving but be ready to shoot from the outside when it’s time”

Heat Central

69,577 görüntüleme • 2 ay önce

🚨ZELENSKYY - we are advised not to mention Tomahawks to the Americans. Not to spoil their mood. “No one is even talking about it, but Russian missiles and Shaheds are still here, and we still have the coordinates of the factories where they are made. Today, they target Ukraine. Tomorrow, it could be any NATO country. And here in Europe, we are advised not to mention Tomahawks. Not to mention Tomahawks to the Americans? Not to spoil their mood? And we are told not to bring up Taurus missiles. When the subject is Turkey, diplomats say, "Don't offend Greece." When it's Greece, they say, "Be careful with Turkey." In Europe, there are endless internal arguments and things left unsaid that stop Europe from uniting and speaking honestly enough to find real solutions”.
1:05

🚨ZELENSKYY - we are advised not to mention Tomahawks to the Americans. Not to spoil their mood. “No one is even talking about it, but Russian missiles and Shaheds are still here, and we still have the coordinates of the factories where they are made. Today, they target Ukraine. Tomorrow, it could be any NATO country. And here in Europe, we are advised not to mention Tomahawks. Not to mention Tomahawks to the Americans? Not to spoil their mood? And we are told not to bring up Taurus missiles. When the subject is Turkey, diplomats say, "Don't offend Greece." When it's Greece, they say, "Be careful with Turkey." In Europe, there are endless internal arguments and things left unsaid that stop Europe from uniting and speaking honestly enough to find real solutions”.

Kateryna Lisunova

693,915 görüntüleme • 7 ay önce

At the end of the day, as I discussed with Jordan Peterson, there are just two games to be played, one real, one Woke. The real game is called civilization. The false game is called power. A long post/🧵: The real divide between Woke and not Woke is in power. The Woke game is the power game, and it is a parasite on the real game, which is civilization. Here's roughly how Jordan described the foundation of this idea. There are various rules, norms, etc., in the game society ultimately plays, and these create a hierarchy that is based upon competence, mostly organically, obviously imperfectly. If the rules of the game are good enough, the imperfections (natural corruptions) are minor and society thrives. If they are not, you'll have problems. This is the real game of building society, and it ultimately has to favor competence. This game must be called "civilization" because that's not just its goal but it is also what it does. It civilizes us beyond our base instincts and impulses so we can work together productively in a healthy manner that generates prosperity. As Jordan put it, this game is also a reservoir of value, and reservoirs of value create parasites. What are these civilizational parasites? They’re parallel games organized by and around malignant psychopathological modes like Dark Tetrad traits, psychopathy, and Cluster-B disorders: histrionic, borderline, antisocial, and narcissistic. These malignant pathologies render people incompetent except at manipulation, so they cannot rise far in a healthy civilizational hierarchy. What do they do, then, to gain power and status in life in a game they cannot actually play? They define a parasitic parallel game and rope people into playing it. It is parasitic in that it draws off the real game (civilization) and mimics its form so that the hosts (people in society) are less likely to realize it’s there, but it doesn’t build or create of its own. It siphons and tears down. What drives this game is failing to see what makes the civilizational game and the hierarchy it produces legitimate in the first place. This is characteristic of the psychopathologies at its heart. The narcissist imagines the world should be serving himself at the top, but it isn’t. The problem can’t be himself, so it must be that the game is illegitimate. Otherwise, he’d be at the top, but he isn’t. Therefore, the game is corrupt. His histrionic nature makes him a victim of the real game, preying upon emotions like empathy and righteous indignation to recruit followers. Because of his Dark Tetrad alignment, his game is not only illegitimate but toxic. It’s inherently sadistic, cruel to its recruits in the way typical of all cults—alternating punishment and leniency or even love-bombing. It’s dishonest. It’s psychologically broken from reality. It’s also a Machiavellian game, which means it has no interest in moral or ethical behavior but only in power. Thus, this rival game to the game of civilization is the game of power. The parasitic game—that is, the power game—is based on a fundamental failure to understand the legitimacy of the civilizational game or the approximately legitimate hierarchy it produces. This is a result of its narcissism, mostly. The game cannot be legitimate because the psychopath isn’t on top of it, where he sees himself constantly as a projection from his frail ego. It sees power in the real hierarchy, though, which it can perceive and understand, and for which it blames most of its troubles. What this means is that the (Woke) power game develops a critical theory of the existing legitimate civilization game. That’s why Woke means “using critical theory (and activism).” A critical theory exists not to articulate a vision—at least not beyond a Utopia after the cult power game holds power to enforce its power game long enough—but to “criticize those aspects of the existing society we wish to change,” as Max Horkheimer, creator of the Critical Theory, put it. The critical theory of the power game exists to recruit by delegitimizing the civilization game in the minds of some of its players, usually ones who aren’t succeeding as well. It picks at “contradictions,” failures, and imperfections while casting the whole civilization game as corrupt and unjust. It offers itself as the only alternative to civilization game while pulling at the threads of the civilization game that allow people to believe in it. It all proceeds from the Woke failure to understand the legitimacy of the hierarchy of the civilization game as it proceeds from its set of rules. Misunderstanding legitimacy leads it to conclude that all hierarchies are actually based in power, and all power is fundamentally arbitrary. That is, they do not believe all power is illegitimate. They believe power is the only legitimate thing in any hierarchy, but they also believe that power is located in persons like themselves through their narcissism and projection. Think of Voldemort as an icon of this mode of thinking: “there is no good or evil, only power and those too weak to seek it.” Of course, that quintessential Dark Tetrad perspective is what ensures the psychopathological power game will be rigged to make sure the psychopaths are attracted to it and rise to its top. This belief is what we call Woke. The Woke game is the power game, and it is a parasitic competitor to the civilization game. There is no overlap between these two games. To adopt the power game is to abandon the civilization game entirely and, in fact, to become its enemy. But James, you might ask, isn’t there power in civilization? Yes, there is, and necessarily, but it isn’t what defines the civilization game. It’s a byproduct of the game, not the game itself. The civilization game is fundamentally the building out of an organic and dynamic hierarchy based on a set of rules, or what some people call “muh principles,” that will succeed or fail for that civilization in direct proportion to three things. 1) How aligned with the truth are the rules of the civilization game? 2) How aligned with justice are the rules of the civilization game? 3) How willing are the participants of the civilization game to defend their principles and their game, including against socio-parasitical perversion? The more aligned with truth and justice a civilization game is, the more successful it will be, and the more legitimate its hierarchy. The power that results as a byproduct is extremely legitimate in a highly aligned civilization where people haven’t forgotten their charge to defend the game itself, which is what we call responsibility. A civilization game strongly aligned with truth and justice filled with a preponderance of responsible people will produce a thriving, prosperous society. It only works this way every time. Not everyone is responsible, though. Some are also incompetent because of various pathologies (not talking about for other reasons). Those pathological players may, under certain circumstances, create a parasitic side game with themselves on top through a variety of strategies that mimic the values and principles of the real game while distorting them into power plays because their game is power, as discussed above. They will recruit into that game primarily from those who are resentful of the real game for any variety of reasons, and getting recruited into the power game from the civilization game is called “going Woke.”
2:38

At the end of the day, as I discussed with Jordan Peterson, there are just two games to be played, one real, one Woke. The real game is called civilization. The false game is called power. A long post/🧵: The real divide between Woke and not Woke is in power. The Woke game is the power game, and it is a parasite on the real game, which is civilization. Here's roughly how Jordan described the foundation of this idea. There are various rules, norms, etc., in the game society ultimately plays, and these create a hierarchy that is based upon competence, mostly organically, obviously imperfectly. If the rules of the game are good enough, the imperfections (natural corruptions) are minor and society thrives. If they are not, you'll have problems. This is the real game of building society, and it ultimately has to favor competence. This game must be called "civilization" because that's not just its goal but it is also what it does. It civilizes us beyond our base instincts and impulses so we can work together productively in a healthy manner that generates prosperity. As Jordan put it, this game is also a reservoir of value, and reservoirs of value create parasites. What are these civilizational parasites? They’re parallel games organized by and around malignant psychopathological modes like Dark Tetrad traits, psychopathy, and Cluster-B disorders: histrionic, borderline, antisocial, and narcissistic. These malignant pathologies render people incompetent except at manipulation, so they cannot rise far in a healthy civilizational hierarchy. What do they do, then, to gain power and status in life in a game they cannot actually play? They define a parasitic parallel game and rope people into playing it. It is parasitic in that it draws off the real game (civilization) and mimics its form so that the hosts (people in society) are less likely to realize it’s there, but it doesn’t build or create of its own. It siphons and tears down. What drives this game is failing to see what makes the civilizational game and the hierarchy it produces legitimate in the first place. This is characteristic of the psychopathologies at its heart. The narcissist imagines the world should be serving himself at the top, but it isn’t. The problem can’t be himself, so it must be that the game is illegitimate. Otherwise, he’d be at the top, but he isn’t. Therefore, the game is corrupt. His histrionic nature makes him a victim of the real game, preying upon emotions like empathy and righteous indignation to recruit followers. Because of his Dark Tetrad alignment, his game is not only illegitimate but toxic. It’s inherently sadistic, cruel to its recruits in the way typical of all cults—alternating punishment and leniency or even love-bombing. It’s dishonest. It’s psychologically broken from reality. It’s also a Machiavellian game, which means it has no interest in moral or ethical behavior but only in power. Thus, this rival game to the game of civilization is the game of power. The parasitic game—that is, the power game—is based on a fundamental failure to understand the legitimacy of the civilizational game or the approximately legitimate hierarchy it produces. This is a result of its narcissism, mostly. The game cannot be legitimate because the psychopath isn’t on top of it, where he sees himself constantly as a projection from his frail ego. It sees power in the real hierarchy, though, which it can perceive and understand, and for which it blames most of its troubles. What this means is that the (Woke) power game develops a critical theory of the existing legitimate civilization game. That’s why Woke means “using critical theory (and activism).” A critical theory exists not to articulate a vision—at least not beyond a Utopia after the cult power game holds power to enforce its power game long enough—but to “criticize those aspects of the existing society we wish to change,” as Max Horkheimer, creator of the Critical Theory, put it. The critical theory of the power game exists to recruit by delegitimizing the civilization game in the minds of some of its players, usually ones who aren’t succeeding as well. It picks at “contradictions,” failures, and imperfections while casting the whole civilization game as corrupt and unjust. It offers itself as the only alternative to civilization game while pulling at the threads of the civilization game that allow people to believe in it. It all proceeds from the Woke failure to understand the legitimacy of the hierarchy of the civilization game as it proceeds from its set of rules. Misunderstanding legitimacy leads it to conclude that all hierarchies are actually based in power, and all power is fundamentally arbitrary. That is, they do not believe all power is illegitimate. They believe power is the only legitimate thing in any hierarchy, but they also believe that power is located in persons like themselves through their narcissism and projection. Think of Voldemort as an icon of this mode of thinking: “there is no good or evil, only power and those too weak to seek it.” Of course, that quintessential Dark Tetrad perspective is what ensures the psychopathological power game will be rigged to make sure the psychopaths are attracted to it and rise to its top. This belief is what we call Woke. The Woke game is the power game, and it is a parasitic competitor to the civilization game. There is no overlap between these two games. To adopt the power game is to abandon the civilization game entirely and, in fact, to become its enemy. But James, you might ask, isn’t there power in civilization? Yes, there is, and necessarily, but it isn’t what defines the civilization game. It’s a byproduct of the game, not the game itself. The civilization game is fundamentally the building out of an organic and dynamic hierarchy based on a set of rules, or what some people call “muh principles,” that will succeed or fail for that civilization in direct proportion to three things. 1) How aligned with the truth are the rules of the civilization game? 2) How aligned with justice are the rules of the civilization game? 3) How willing are the participants of the civilization game to defend their principles and their game, including against socio-parasitical perversion? The more aligned with truth and justice a civilization game is, the more successful it will be, and the more legitimate its hierarchy. The power that results as a byproduct is extremely legitimate in a highly aligned civilization where people haven’t forgotten their charge to defend the game itself, which is what we call responsibility. A civilization game strongly aligned with truth and justice filled with a preponderance of responsible people will produce a thriving, prosperous society. It only works this way every time. Not everyone is responsible, though. Some are also incompetent because of various pathologies (not talking about for other reasons). Those pathological players may, under certain circumstances, create a parasitic side game with themselves on top through a variety of strategies that mimic the values and principles of the real game while distorting them into power plays because their game is power, as discussed above. They will recruit into that game primarily from those who are resentful of the real game for any variety of reasons, and getting recruited into the power game from the civilization game is called “going Woke.”

James Lindsay, anti-Communist

154,373 görüntüleme • 1 yıl önce

Some people think MH Outlanders have 0 difficulty This is my first attempt at Radiant Legiana with Lance You're not supposed to be able to fight it yet in the game but you can slip through in a certain game mode and hunt it As you can see, it can be pretty intense
2:04

Some people think MH Outlanders have 0 difficulty This is my first attempt at Radiant Legiana with Lance You're not supposed to be able to fight it yet in the game but you can slip through in a certain game mode and hunt it As you can see, it can be pretty intense

Shincry

20,561 görüntüleme • 4 ay önce

If I had to choose just one game (and no other ever again) to play for the rest of my life, I'd go with Civilization (MicroProse, 1991). You can argue some sequels were better (I can't deny that), but the "wow" effect from first playing it in 1991 was so huge it holds a special place in my heart. For a 1991 game, the graphics are pretty good, the sound fits perfectly (rather soothing!), gameplay is complex and variable, and replay value is gigantic. To me, Civilization is as close to perfection as a game can be. That's my pick. What's yours?
0:40

If I had to choose just one game (and no other ever again) to play for the rest of my life, I'd go with Civilization (MicroProse, 1991). You can argue some sequels were better (I can't deny that), but the "wow" effect from first playing it in 1991 was so huge it holds a special place in my heart. For a 1991 game, the graphics are pretty good, the sound fits perfectly (rather soothing!), gameplay is complex and variable, and replay value is gigantic. To me, Civilization is as close to perfection as a game can be. That's my pick. What's yours?

exQUIZitely 🕹️

92,878 görüntüleme • 8 ay önce

First Impression About Neverness To Everness CBT This will be a long or short one and I mostly have plenty of good to say about the game so far and some bad. First I want to get out the way: Graphics In short, we already know its good! But this is definitely playing some part on performance on my end and it wasn't entirely bad experience at all just some fps drops here and there but its playable and 90% of time it was smooth so the performance issues is a easy fix (apart from some I've seen have already started having crash issues so it'll be different for all of us depending on your specs) I'm well in range of the specs so if I'm having some small issues that mean whoever has worse specs will have it worse. Performance/Optimizing the game etc is not something that should be ignored anyway and most of the time developers of recent time feel like they don't care about improving it, I hope NTE by release or during the test will fix the issues by then (crash problems etc + its day one of the test anyway) Second: Combat Just like wuthering waves, the games combat is fun (I still think it can benefit more on having more effects/impact frames etc to really nail the combat experience...) I know people have compared some characters to WuWa characters as "plagirism" but most part alot of characters in the game have their own charm and uniqueness to the combat The boss enemies also may have some unpredictable patterns and can put alot of pressure or aggression on you but isn't exactly too hard thankfully! But its still great because I like how fast pace and intense the fightings are when your in the boss fights Common enemies don't have much going on for them. Third: Story Unlike Genshin and Wuthering Waves the story for NTE or Neverness to Everness is actually more "Human" one of my viewers described it as and I actually agree, I'm not saying WuWa nor Genshin storytelling is bad but the way NTE tells its story is more morden and you can easily be engaged with it and understand everything clearly! The story is also pretty goofy and just like zenless they have great animations and (VERY) expressive with their animations which makes for great overall experience and I prefer this storytelling the most out of other games. (this is a personal preference) The gacha system is some sort of board game but the game gacha is F2P friendly?(For now for what I've seen) and there's no 50/50.. I was also almost able to max out alot of characters that aren't S rank in almost a day too Thats all so far, I'm still experiencing more as I go but this sums up my 5 hours so far into the game on stream and would love to see y'all in the next stream tomorrow. After I reach 50 hours or more I will do a video in conclusion about the game and what more I would love to see. TDLR: The game is good/great don't worry, just some small stuff that can make it better or some stuff that need fixing (despite the combat plagirism drama that was going on)
0:30

First Impression About Neverness To Everness CBT This will be a long or short one and I mostly have plenty of good to say about the game so far and some bad. First I want to get out the way: Graphics In short, we already know its good! But this is definitely playing some part on performance on my end and it wasn't entirely bad experience at all just some fps drops here and there but its playable and 90% of time it was smooth so the performance issues is a easy fix (apart from some I've seen have already started having crash issues so it'll be different for all of us depending on your specs) I'm well in range of the specs so if I'm having some small issues that mean whoever has worse specs will have it worse. Performance/Optimizing the game etc is not something that should be ignored anyway and most of the time developers of recent time feel like they don't care about improving it, I hope NTE by release or during the test will fix the issues by then (crash problems etc + its day one of the test anyway) Second: Combat Just like wuthering waves, the games combat is fun (I still think it can benefit more on having more effects/impact frames etc to really nail the combat experience...) I know people have compared some characters to WuWa characters as "plagirism" but most part alot of characters in the game have their own charm and uniqueness to the combat The boss enemies also may have some unpredictable patterns and can put alot of pressure or aggression on you but isn't exactly too hard thankfully! But its still great because I like how fast pace and intense the fightings are when your in the boss fights Common enemies don't have much going on for them. Third: Story Unlike Genshin and Wuthering Waves the story for NTE or Neverness to Everness is actually more "Human" one of my viewers described it as and I actually agree, I'm not saying WuWa nor Genshin storytelling is bad but the way NTE tells its story is more morden and you can easily be engaged with it and understand everything clearly! The story is also pretty goofy and just like zenless they have great animations and (VERY) expressive with their animations which makes for great overall experience and I prefer this storytelling the most out of other games. (this is a personal preference) The gacha system is some sort of board game but the game gacha is F2P friendly?(For now for what I've seen) and there's no 50/50.. I was also almost able to max out alot of characters that aren't S rank in almost a day too Thats all so far, I'm still experiencing more as I go but this sums up my 5 hours so far into the game on stream and would love to see y'all in the next stream tomorrow. After I reach 50 hours or more I will do a video in conclusion about the game and what more I would love to see. TDLR: The game is good/great don't worry, just some small stuff that can make it better or some stuff that need fixing (despite the combat plagirism drama that was going on)

Aruzien

55,067 görüntüleme • 1 yıl önce

This is trailer of the "Unleash The Avatar" game. The trailer looks good and I hope the game turns out to be impressive as well. The makers of this game should hire a PR team as well. Totally expecting a lot of negative PR bankrolled by foreign gaming companies. I have seen vidos of some Indian YouTubers calling it not so good and a copy of Wukong. Some of these bharwachods won't do anything good in their life but are the first one to complain when someone attempts something new.
4:49

This is trailer of the "Unleash The Avatar" game. The trailer looks good and I hope the game turns out to be impressive as well. The makers of this game should hire a PR team as well. Totally expecting a lot of negative PR bankrolled by foreign gaming companies. I have seen vidos of some Indian YouTubers calling it not so good and a copy of Wukong. Some of these bharwachods won't do anything good in their life but are the first one to complain when someone attempts something new.

Incognito

10,398 görüntüleme • 2 ay önce

Panjura will definitely be getting a TLC update at some point in the future! We have already started some improvements to all the foliage in the game, including some on Panjura. Grasses will ripple in the wind and trees will sway in the breeze. This isn't the final TLC for the map, but is a result of other overall game improvements. All of the foliage is now on its own shader, allowing further tweaks across every plant to be made easily and quickly. We would also like to ensure when we tackle this TLC in the future that flyers are able to work on Panjura, and to introduce more water and waterways for swimming creatures. #pathoftitans #dinosaurs
1:00

Panjura will definitely be getting a TLC update at some point in the future! We have already started some improvements to all the foliage in the game, including some on Panjura. Grasses will ripple in the wind and trees will sway in the breeze. This isn't the final TLC for the map, but is a result of other overall game improvements. All of the foliage is now on its own shader, allowing further tweaks across every plant to be made easily and quickly. We would also like to ensure when we tackle this TLC in the future that flyers are able to work on Panjura, and to introduce more water and waterways for swimming creatures. #pathoftitans #dinosaurs

Path of Titans

11,428 görüntüleme • 1 yıl önce

The best time to invest in a child is always now. Not when they are older, but right now, while they are still becoming who they are meant to be. In May, we showed up for 60 outstanding pupils across Lagos and what we got back was more than we expected. Responsibility. Ambition. Hope. That is the future right there and PalmPay is proud to be part of it.
1:38

The best time to invest in a child is always now. Not when they are older, but right now, while they are still becoming who they are meant to be. In May, we showed up for 60 outstanding pupils across Lagos and what we got back was more than we expected. Responsibility. Ambition. Hope. That is the future right there and PalmPay is proud to be part of it.

PalmPay Nigeria

1,587,284 görüntüleme • 3 ay önce

Crimson Desert first impressions. The Open World is massive, it feels alive and it definitely holds up to my expectations when it comes to visuals. I know some reviewers have said the game takes up to 8 hours before it gets good but honestly I immediately fell in love with it and immediately started exploring. I found the puzzles and combat awesome to play with, once you get used to the controls which feel overwhelming at first, especially remembering all of them which can be a hassle first. The main protagonist Cliff hasn't clicked with me yet, right now I feel like he's just confused and there's not so much depth that he offers, I hope that will change as I progress through the story. The story itself and quests are quite interesting and I've actually had a good laugh in the beginning of the game when you have to help a couple struggling to clean the chimney. There are definitely some issues though, I feel like the starting stamina drains too quickly especially if you're using your wings to fly, if you run out of stamina while flying and fall into waters, Cliff will almost immediately drown because the Stamina bar is empty. I haven't encountered any bugs, crashes or stutters as of yet, however there are some ghosting issues when you enter buildings which can be quite distracting. Ray Regeneration on AMD GPUs tanks the performance so I just turned it off completely and instead I'm playing on Ultra Settings, which is a bummer because that tech looked very promising and made quite the difference when it came to visuals. Another weird issue that I had is trying to enter some doors or starting conversations with story character, the button to initiate the conversation wouldn't appear unless I went away and came back to a specific position before starting it. Some other issues include pop-in issues, camera movement and double NPCs with the same voice-lines if you greet them. Overall I think its a good start to a video-game that is quite massive in scale, there are still many things that I'll have to do and progress through before I give a conclusive opinion in this game.
1:19

Crimson Desert first impressions. The Open World is massive, it feels alive and it definitely holds up to my expectations when it comes to visuals. I know some reviewers have said the game takes up to 8 hours before it gets good but honestly I immediately fell in love with it and immediately started exploring. I found the puzzles and combat awesome to play with, once you get used to the controls which feel overwhelming at first, especially remembering all of them which can be a hassle first. The main protagonist Cliff hasn't clicked with me yet, right now I feel like he's just confused and there's not so much depth that he offers, I hope that will change as I progress through the story. The story itself and quests are quite interesting and I've actually had a good laugh in the beginning of the game when you have to help a couple struggling to clean the chimney. There are definitely some issues though, I feel like the starting stamina drains too quickly especially if you're using your wings to fly, if you run out of stamina while flying and fall into waters, Cliff will almost immediately drown because the Stamina bar is empty. I haven't encountered any bugs, crashes or stutters as of yet, however there are some ghosting issues when you enter buildings which can be quite distracting. Ray Regeneration on AMD GPUs tanks the performance so I just turned it off completely and instead I'm playing on Ultra Settings, which is a bummer because that tech looked very promising and made quite the difference when it came to visuals. Another weird issue that I had is trying to enter some doors or starting conversations with story character, the button to initiate the conversation wouldn't appear unless I went away and came back to a specific position before starting it. Some other issues include pop-in issues, camera movement and double NPCs with the same voice-lines if you greet them. Overall I think its a good start to a video-game that is quite massive in scale, there are still many things that I'll have to do and progress through before I give a conclusive opinion in this game.

NikTek

93,414 görüntüleme • 5 ay önce

SeaSmoke 🐉 Did him dirty in silence "My dragons do not talk. They are relatively intelligent, but they are still beasts. They bond with men... some men... and the why and how of that, and how it came to be. Like wolves and bears and lions, dragons can be trained, but never entirely tamed. They will always be dangerous. Some are wilder and more wilful than others. They are individuals; they have personalities... and they often reflect their riders' personalities, thanks to the bonds they share. They do not care a whit about gold or gems, no more than a tiger would. Unless maybe their rider was obsessed with the shiny stuff, and even then...
1:47

SeaSmoke 🐉 Did him dirty in silence "My dragons do not talk. They are relatively intelligent, but they are still beasts. They bond with men... some men... and the why and how of that, and how it came to be. Like wolves and bears and lions, dragons can be trained, but never entirely tamed. They will always be dangerous. Some are wilder and more wilful than others. They are individuals; they have personalities... and they often reflect their riders' personalities, thanks to the bonds they share. They do not care a whit about gold or gems, no more than a tiger would. Unless maybe their rider was obsessed with the shiny stuff, and even then...

Viral page

30,944 görüntüleme • 5 ay önce

My review of GOALS. At first, the dribbling felt a bit unusual and not quite as responsive as I expected. But the more I played, the more it started to click as I got used to the skill mechanics. By the end, I was scoring some really nice goals, so I can see it getting even better with more game time and improved squad. I really like the defending. Player switching feels great, and I think they've found a good balance with the double man press. It helps when needed but you still have to be active with the player you're controlling W! I also felt like opponents got punished for mistakes. At no point did it feel like the AI was automatically doing all the defending or suffocating the player.. W! I think the anti-possession mechanic to stop time-wasting is a little overkill and imo, a game like this doesn't really need it. The actual in game graphics could be a little better but the menus, concept art, and overall aesthetic are really clean. I love the look of it. The idea of building a 1 of 1 personalised club and having cards that can grow their overall rating is a really cool direction and I can definitely see it working well. There's still room for improvement but it's got a solid foundation to build on. Would I play it again? absolutely.
0:50

My review of GOALS. At first, the dribbling felt a bit unusual and not quite as responsive as I expected. But the more I played, the more it started to click as I got used to the skill mechanics. By the end, I was scoring some really nice goals, so I can see it getting even better with more game time and improved squad. I really like the defending. Player switching feels great, and I think they've found a good balance with the double man press. It helps when needed but you still have to be active with the player you're controlling W! I also felt like opponents got punished for mistakes. At no point did it feel like the AI was automatically doing all the defending or suffocating the player.. W! I think the anti-possession mechanic to stop time-wasting is a little overkill and imo, a game like this doesn't really need it. The actual in game graphics could be a little better but the menus, concept art, and overall aesthetic are really clean. I love the look of it. The idea of building a 1 of 1 personalised club and having cards that can grow their overall rating is a really cool direction and I can definitely see it working well. There's still room for improvement but it's got a solid foundation to build on. Would I play it again? absolutely.

Fuji

128,618 görüntüleme • 3 ay önce