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One of the most noticeable patterns that emerges when analyzing Sergei Eisenstein's use of overlapping editing is the degree to which he employs different camera setups. For the coronation scene in Ivan the Terrible - Part 1 (1944), 13 shots were used to depict the pouring of coins, 12... show more

Tico Romao

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15,498 Aufrufe • vor 9 Monaten •via X (Twitter)

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OVERLAPPING EDITS - a film editing technique where the same moment in time is repeated across multiple consecutive shots, usually from different angles, distances, or perspectives. Visually effective for emphasis, extending a moment or heightening the emotional impact of a scene.

OVERLAPPING EDITS - a film editing technique where the same moment in time is repeated across multiple consecutive shots, usually from different angles, distances, or perspectives. Visually effective for emphasis, extending a moment or heightening the emotional impact of a scene.

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The Gura Gura no Mi, top 5 devil fruits ever made in the story and wielded by the 1 & only… Enel one of the top villains in One Piece story, the one with the most parallels to Imu & one that was in a one of the most important arcs, that still get used for theory crafting.

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𒉭Xavi𒉭

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Here's a compilation of all 5 of my shots from the Chicken Little Rehatched project! The rule specifically for people doing multiple shots was making each one in a different style, and that was fun for me to figure out. I joined late, but I'm happy with the results. Enjoy!

Here's a compilation of all 5 of my shots from the Chicken Little Rehatched project! The rule specifically for people doing multiple shots was making each one in a different style, and that was fun for me to figure out. I joined late, but I'm happy with the results. Enjoy!

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Asked Rudy Gobert about how he calculates risk when dropping back in coverage and how much of his job defensively is like a math equation. "You gotta understand that you can't stop everything... I think the main advantage of having me in a drop is to allow my teammates to stay home and take away the catch and shoot 3s, which is one of the best shots in basketball, and for me take away the rim, which is the highest percentage shot in basketball... It's kind of like I'm taking most of the responsibilities on my shoulder for a second to allow the team to take away the most efficient shots."

Asked Rudy Gobert about how he calculates risk when dropping back in coverage and how much of his job defensively is like a math equation. "You gotta understand that you can't stop everything... I think the main advantage of having me in a drop is to allow my teammates to stay home and take away the catch and shoot 3s, which is one of the best shots in basketball, and for me take away the rim, which is the highest percentage shot in basketball... It's kind of like I'm taking most of the responsibilities on my shoulder for a second to allow the team to take away the most efficient shots."

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Part of the Crown Jewels, the Coronation Regalia are sacred objects which symbolise the powers and responsibilities of the Monarch. In keeping with tradition, the Regalia will be used at Westminster Abbey for the #Coronation Service in May:

Part of the Crown Jewels, the Coronation Regalia are sacred objects which symbolise the powers and responsibilities of the Monarch. In keeping with tradition, the Regalia will be used at Westminster Abbey for the #Coronation Service in May:

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"OFF THE HEEL... AND IN!" Round 1, Game 6. 6.2 seconds left of overtime. Season on the line... Rewinding back to one of the most clutch shots of the 2025-26 NBA Playoffs... courtesy of Rj Barrett 💯

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Trump says he thinks his new vaccine recommendation is meant to prevent autism: You do it in 5 different shots, 5 different shots, small little shots with those beautiful little bodies can handle it, and I think you're going to see a very big difference in the rate of autism.

Trump says he thinks his new vaccine recommendation is meant to prevent autism: You do it in 5 different shots, 5 different shots, small little shots with those beautiful little bodies can handle it, and I think you're going to see a very big difference in the rate of autism.

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If you tuned in for the Framer design pages event, you may have seen these visuals during the countdown lead-in. We wanted the concept to tie into the nature of the new features without giving them away entirely. Since design pages is all about iteration and exploration, we had the idea to use pages or layers as a starting point. Each shot is fairly simple. A cloned slice of part of the Framer logo. With dramatic lighting and ramped motion between the shots. Choosing different camera angles and changing the lighting for each shot gave us 8 shots total to switch between. 5k wallpapers of each shot in the replies 💙

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Everything about this scene is crazy. What kind of interrogation room is this? The lighting is insane. The fact that there are half a dozen cops here. There are countless different camera setups and endless camera push-ins. These types of scenes can easily look like a run-of-the-mill episode in Law and Order, but in the hands of a capable director, it’s something else entirely. Paul Verhoeven is an incredible director.

Everything about this scene is crazy. What kind of interrogation room is this? The lighting is insane. The fact that there are half a dozen cops here. There are countless different camera setups and endless camera push-ins. These types of scenes can easily look like a run-of-the-mill episode in Law and Order, but in the hands of a capable director, it’s something else entirely. Paul Verhoeven is an incredible director.

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This is how Bergman filmed this impossible walk. In Hour of the Wolf, the sequence gives the impression of an impossible movement, which is walking on the floor to the wall to the ceiling, as the camera shifts its orientation between distinct shots. The camera set up is re-established each time the movie shifts to a reaction shot of Max von Sydog. When the action comes back, the frame has been rotated (or reoriented) so the same type of walking will be interpreted as having changed the gravity. The effect isn’t a continuous transformation in one shot, but a carefully edited sequence of multiple setups stitched together, where changes in camera angle between cuts create the illusion of a collapsing, unstable space. #filmtwt

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Tyrese Haliburton with 5 of the most insanely clutch shots you’re ever going to see. …oh and he hit them all in the span of two months. #YesCers

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🇮🇱🇪🇸 Spanish TV says Israel faked and invented tunnels and structures, to bomb hospitals! “The network of tunnels that Israel was showing under hospitals or other infrastructure to justify its bombing was fake; the setups were made with simulators, inventing tunnels and even copying the design of the same ones in different structures.” 1/

🇮🇱🇪🇸 Spanish TV says Israel faked and invented tunnels and structures, to bomb hospitals! “The network of tunnels that Israel was showing under hospitals or other infrastructure to justify its bombing was fake; the setups were made with simulators, inventing tunnels and even copying the design of the same ones in different structures.” 1/

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This 'Zone of Interest' VFX reel really is super-cool, in terms of showing camera gear/audio equipment paint-outs, which were so crucial to telling the story of the film One of Us

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Seedance 2.0 - Advanced Workflows Series 11. Cinematic Camera Angles through Video Gen + Specialized Storyboard AI Agent Are you already getting camera shots and angles through Nano Banana Pro? Take the next step. Seedance 2.0 has a better spatial understanding of the scene than image generation models. Because it is built to produce cinematic clips, it achieves more beautiful shots and angles than image models like Nano Banana, which are primarily made for image editing. As an added bonus, Seedance renders the entire space of the scene, so you can get tens of shots with complete spatial and element consistency in a single generation. Create a specific AI Agent to help you with storyboarding, and feed the input into Seedance to get the most cinematic shots. You can access Seedance 2.0 now on insMind (link at the end of the thread). Workflow + Prompts👇

Seedance 2.0 - Advanced Workflows Series 11. Cinematic Camera Angles through Video Gen + Specialized Storyboard AI Agent Are you already getting camera shots and angles through Nano Banana Pro? Take the next step. Seedance 2.0 has a better spatial understanding of the scene than image generation models. Because it is built to produce cinematic clips, it achieves more beautiful shots and angles than image models like Nano Banana, which are primarily made for image editing. As an added bonus, Seedance renders the entire space of the scene, so you can get tens of shots with complete spatial and element consistency in a single generation. Create a specific AI Agent to help you with storyboarding, and feed the input into Seedance to get the most cinematic shots. You can access Seedance 2.0 now on insMind (link at the end of the thread). Workflow + Prompts👇

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