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Out on the open plains, #OsmoPocket4P turns wide space into motion — its dual-camera system and 3-axis stabilization keep every frame steady and cinematic, so freedom looks exactly the way it feels. 🎥 JIM #DJI #DJIOsmo #PocketCamera

DJI

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24,198 views • 17 days ago •via X (Twitter)

#OsmoPocket4P #DJI #DJIOsmo #PocketCamera

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EARTH’S ROTATION CAUGHT ON CAMERA AND IT’S WILD They used a star tracker to film the Milky Way in the desert and accidentally caught Earth spinning. Turns out if you lock onto the stars, the ground moves instead. It looks like the planet’s doing a slow-motion cartwheel. Source: Jayesh Nikam

EARTH’S ROTATION CAUGHT ON CAMERA AND IT’S WILD They used a star tracker to film the Milky Way in the desert and accidentally caught Earth spinning. Turns out if you lock onto the stars, the ground moves instead. It looks like the planet’s doing a slow-motion cartwheel. Source: Jayesh Nikam

Mario Nawfal

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This is wild. Every filmmaker needs to try this hybrid AI workflow for precision camera control: 1) Block out your camera in Blender to create a motion reference and animate the camera move 2) Generate your start frame in Midjourney to match the pose and composition 3) Feed both to Seedance It tracks the move almost exactly. This is the most powerful hybrid pipeline I've tried yet.

This is wild. Every filmmaker needs to try this hybrid AI workflow for precision camera control: 1) Block out your camera in Blender to create a motion reference and animate the camera move 2) Generate your start frame in Midjourney to match the pose and composition 3) Feed both to Seedance It tracks the move almost exactly. This is the most powerful hybrid pipeline I've tried yet.

Reid Hannaford

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simeon-sanai

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A cinematic AI-powered visual experience showcasing how imagination can be transformed into stunning digital worlds From futuristic environments and creative fashion visuals to seamless character transformations every scene blends technology creativity, and storytelling into one immersive piece. Made with MiniMaxH3 on WeryAI Wery Prompt: A stylish young South Asian woman with long dark hair, natural glamorous makeup and an elegant modern outfit. Keep her face, hairstyle, outfit and appearance consistent throughout the entire video. Scene 1 — 0–4s: She sits at a sleek modern workstation in a futuristic studio. She looks directly into the camera and says naturally: “What if you could turn your ideas into reality in just a few clicks?” Natural facial expressions and hand gestures. Slow cinematic camera push-in. Perfect lip-sync. Scene 2 — 4–7s: She turns to her computer and opens WeryAI. She types a creative idea and says: “That’s exactly what I love about WeryAI.” The interface responds with elegant AI processing animations and glowing digital effects. Scene 3 — 7–11s: Her simple idea transforms into stunning AI-generated visuals: a fashion scene, futuristic city, cinematic character, premium product advertisement and social-media video. She looks impressed and says: “Give it an idea, and watch it come to life.” Use smooth cinematic transitions and dynamic camera movement. Scene 4 — 11–15s: She turns back toward the camera with a confident smile and says: “WeryAI. Your imagination, powered by AI.” The camera slowly pulls back as the WeryAI brand reveal appears with a clean futuristic glow. Audio: Natural confident female voice, warm energetic delivery, subtle futuristic background music and soft cinematic sound effects. Keep dialogue clear and prominent. Lip-sync: The woman must visibly speak every line with accurate lip synchronization, natural mouth movement, blinking and facial expressions. Visual quality: Photorealistic, cinematic 4K, realistic skin, smooth camera movement, premium lighting, shallow depth of field, consistent character. No subtitles, no distorted face, no warped hands, no extra fingers, no flickering, no random text, no watermark.

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ComfyUI

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Demas Nwoko’s home in southeastern Nigeria feels almost sacred in its quietness. The home is designed with an open plan and no rigid rooms, the space flows naturally, just as he believes life should. “That is our way of living: open plan, no rooms,” Nwoko says. The house is modelled the same way, so you can move through it very freely.

Tope Dada

64,164 views • 5 months ago

This from Flux 3 is incredible! Prompt : Four-way CCTV-style split-screen showing the same real-time event inside a convenience shop. Divide the frame into four equal security-camera views with timestamps. Top left: wide ceiling-corner view covering aisles, entrance, and cashier. Top right: overhead view above the central aisle. Bottom left: camera facing the checkout counter. Bottom right: camera near the entrance looking inward. At the 2-second mark, a customer takes a boxed item from a shelf, accidentally bumps a display, catches one falling bottle, then places the box on the checkout counter. The cashier turns, scans it, and hands over a receipt as another shopper crosses behind them. All four views must remain perfectly synchronized, showing identical people, movements, object positions, occlusions, timestamps, lighting, and physical reactions. Use realistic low-resolution CCTV footage, slight lens distortion, fixed cameras, and no cinematic camera movement.

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114,292 views • 27 days ago

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MiniMax H3 Prompt: A cinematic wide shot of four young women running barefoot across a vast rain-soaked green field during a sudden summer downpour. Their casual summer clothes and loose hair are drenched by the rain as they sprint together from left to right, giving the moment a spontaneous, carefree sense of youth and freedom. Rather than posing for the camera, they appear completely absorbed in the moment. Shot as an extreme wide environmental shot from roughly eye level, with the figures occupying only the lower third of the composition. A huge amount of open landscape and pale overcast sky surrounds them, emphasizing scale, isolation and atmosphere. A single small tree near the center of the frame acts as a quiet visual anchor against the movement of the running figures. The camera feels static or only subtly handheld, allowing the women to rush through the frame rather than actively tracking them. A moderately wide lens, around 28–35mm equivalent, captures the expansive field, distant hills and surrounding trees while keeping the runners readable. The women are intentionally rendered with strong natural motion blur, suggesting a relatively slow shutter speed and creating an impressionistic sense of speed. The landscape remains comparatively stable and readable, making their blurred movement especially prominent. Lighting is entirely soft natural daylight filtered through heavy storm clouds and rainfall. Visibility gradually falls off toward the distant hills, where rain and atmospheric haze create layered depth. The palette is subdued and earthy, dominated by wet olive green, moss, muted yellow, warm grey and faded brown. The image has a distinctly analog cinematic texture, with soft focus, restrained contrast, subtle grain, slightly muddy colors and imperfect exposure. It feels like a frame from a 1970s or 1990s coming-of-age arthouse film, balancing nostalgia, freedom, summer melancholy and the chaotic energy of being caught unexpectedly in the rain.

Kōda

14,267 views • 5 days ago

🎬 Motion Control has arrived! Take full control of your AI videos with 12 dynamic camera shots — from smooth Dolly moves to dramatic Cranes and VFX like Explosions and Disintegration. Perfect for adding cinematic flare, stock footage, product ads, or just experimenting with storytelling. ✨ How it works: 1️⃣ Head to the new Video creation tool 2️⃣ Enter your prompt 3️⃣ Pick your camera shot from the Motion Control panel 4️⃣ (Optional) Add a Style or inspiration image as a start frame 💡Want extra consistency? Train an Element, generate your key stills, and animate them for a fully guided scene. More features are coming soon — including End Frames 👀 So stay tuned, and let us know what you create! 🎥 Lights, camera... Motion! Try it now on the Video page 👉🏻

🎬 Motion Control has arrived! Take full control of your AI videos with 12 dynamic camera shots — from smooth Dolly moves to dramatic Cranes and VFX like Explosions and Disintegration. Perfect for adding cinematic flare, stock footage, product ads, or just experimenting with storytelling. ✨ How it works: 1️⃣ Head to the new Video creation tool 2️⃣ Enter your prompt 3️⃣ Pick your camera shot from the Motion Control panel 4️⃣ (Optional) Add a Style or inspiration image as a start frame 💡Want extra consistency? Train an Element, generate your key stills, and animate them for a fully guided scene. More features are coming soon — including End Frames 👀 So stay tuned, and let us know what you create! 🎥 Lights, camera... Motion! Try it now on the Video page 👉🏻

Leonardo.Ai

984,421 views • 1 year ago

Ignition: Powered by Seamless Motion🔥 A cinematic journey from spark to speed. Smooth transitions and flawless motion bring the engine’s awakening to life, showcasing the incredible cinematic flow made possible with Kling. GPT Image 2.0 x Kling 3.0 on Yapper Prompt: Ultra-cinematic 10-second photorealistic sequence of a futuristic high-performance sports car being powered on and driving away. Smooth motion, dramatic storytelling, 24fps, HDR, shallow depth of field, film grain, anamorphic lens flare, volumetric fog, high contrast lighting, 4K. Mysterious driver wearing a modern black racing jacket and black gloves, face mostly hidden in shadow and rim lighting, confident calm movements, realistic human proportions and textures. Environment: dark industrial underground garage at night with concrete walls, metal pipes, subtle neon accent lights, wet reflective floor, volumetric fog and cinematic light rays. Garage exit leads to a modern city street at night with distant streetlights and soft bokeh. START FRAME: wide cinematic shot of sleek futuristic sports car parked in the foggy garage, driver standing beside the car holding a glowing smart key, headlights OFF, neon reflections on glossy paint, wet reflective floor, dramatic composition. SEQUENCE ACTION (continuous cinematic flow): The driver presses the glowing ignition button on the smart key. Camera slowly dollies toward the car as the vehicle awakens. Headlights power on gradually, glowing through the fog, subtle vibration ripples across the car body, reflections shimmer across the paint. Seamless cinematic cut into extreme macro view inside the engine. Highly detailed mechanical components in slow motion pistons firing, turbines spinning, electric energy flowing through cables like glowing currents, sparks igniting, heat waves and light pulses building power. Camera smoothly pushes and orbits through engine parts as the energy intensifies, orange and blue glow illuminating metal textures. Cinematic cut back to low front angle of the car. Engine revs aggressively, headlights flare bright, dust and smoke swirl around the tires. The car launches forward smoothly and powerfully toward the exit. Camera tracks low as the car speeds past and exits the garage into the night street, motion blur and light streaks trailing behind. END FRAME: rear three-quarter view of the sports car speeding away into the night city, glowing red taillights leaving light streaks, drifting smoke fading behind, cinematic fade to black. Style keywords: cinematic, photorealistic, smooth tracking shot, macro engine detail, futuristic technology, dramatic lighting, epic atmosphere, high dynamic range.

Ignition: Powered by Seamless Motion🔥 A cinematic journey from spark to speed. Smooth transitions and flawless motion bring the engine’s awakening to life, showcasing the incredible cinematic flow made possible with Kling. GPT Image 2.0 x Kling 3.0 on Yapper Prompt: Ultra-cinematic 10-second photorealistic sequence of a futuristic high-performance sports car being powered on and driving away. Smooth motion, dramatic storytelling, 24fps, HDR, shallow depth of field, film grain, anamorphic lens flare, volumetric fog, high contrast lighting, 4K. Mysterious driver wearing a modern black racing jacket and black gloves, face mostly hidden in shadow and rim lighting, confident calm movements, realistic human proportions and textures. Environment: dark industrial underground garage at night with concrete walls, metal pipes, subtle neon accent lights, wet reflective floor, volumetric fog and cinematic light rays. Garage exit leads to a modern city street at night with distant streetlights and soft bokeh. START FRAME: wide cinematic shot of sleek futuristic sports car parked in the foggy garage, driver standing beside the car holding a glowing smart key, headlights OFF, neon reflections on glossy paint, wet reflective floor, dramatic composition. SEQUENCE ACTION (continuous cinematic flow): The driver presses the glowing ignition button on the smart key. Camera slowly dollies toward the car as the vehicle awakens. Headlights power on gradually, glowing through the fog, subtle vibration ripples across the car body, reflections shimmer across the paint. Seamless cinematic cut into extreme macro view inside the engine. Highly detailed mechanical components in slow motion pistons firing, turbines spinning, electric energy flowing through cables like glowing currents, sparks igniting, heat waves and light pulses building power. Camera smoothly pushes and orbits through engine parts as the energy intensifies, orange and blue glow illuminating metal textures. Cinematic cut back to low front angle of the car. Engine revs aggressively, headlights flare bright, dust and smoke swirl around the tires. The car launches forward smoothly and powerfully toward the exit. Camera tracks low as the car speeds past and exits the garage into the night street, motion blur and light streaks trailing behind. END FRAME: rear three-quarter view of the sports car speeding away into the night city, glowing red taillights leaving light streaks, drifting smoke fading behind, cinematic fade to black. Style keywords: cinematic, photorealistic, smooth tracking shot, macro engine detail, futuristic technology, dramatic lighting, epic atmosphere, high dynamic range.

Jayden™

15,409 views • 3 months ago

Not escaping the city—owning every street. 🚘 Generated this masterclass cinematic visuals with BudgetPixel AI Prompt 👇 GTA 6 Style: Neon Heist Escape Style: Ultra-realistic open-world video game cinematic, next-gen graphics, vibrant neon city, cinematic lighting, ray tracing, dynamic reflections, realistic physics, motion blur, dramatic camera work, 4K HDR, 60 FPS, intense sound design, no text, no watermark. 0.0–2.0s | Scene 1 – Neon Arrival A customized supercar drifts into a neon-lit downtown street at night. Low-angle tracking shot with glowing reflections on wet roads. The confident main character steps out wearing a modern street outfit and sunglasses. 2.0–4.0s | Scene 2 – The Heist Inside a luxurious casino, the character grabs a mysterious glowing briefcase while alarms suddenly activate. Fast cinematic close-ups, flashing red emergency lights, NPCs running in panic. 4.0–6.0s | Scene 3 – High-Speed Escape The character jumps into the supercar and launches into a high-speed chase through palm-lined boulevards. Dynamic drone shots, tire smoke, sharp drifts, police cars closing in. 6.0–8.5s | Scene 4 – Rooftop Action The chase transitions to rooftops where the character performs a cinematic parkour leap between skyscrapers at sunset. Slow motion during the jump, dramatic city skyline in the background. 8.5–11.0s | Scene 5 – Beach Pursuit A high-performance sports bike races along a crowded tropical beach promenade. Helicopters search overhead while the camera alternates between FPV and wide cinematic angles. 11.0–13.0s | Scene 6 – Epic Showdown The character stands on a luxury yacht in the marina as rivals arrive by speedboats. Intense cinematic standoff with realistic water physics, golden-hour lighting, and wind-blown clothing. 13.0–15.0s | Scene 7 – Legendary Ending The hero drives toward the glowing city skyline as fireworks illuminate the night. The camera pulls back into a breathtaking aerial shot, ending with a powerful cinematic freeze-frame and an epic orchestral finish.This prompt is designed to capture the feel of a modern open-world crime game without copying any copyrighted characters, logos, or specific story elements.

Not escaping the city—owning every street. 🚘 Generated this masterclass cinematic visuals with BudgetPixel AI Prompt 👇 GTA 6 Style: Neon Heist Escape Style: Ultra-realistic open-world video game cinematic, next-gen graphics, vibrant neon city, cinematic lighting, ray tracing, dynamic reflections, realistic physics, motion blur, dramatic camera work, 4K HDR, 60 FPS, intense sound design, no text, no watermark. 0.0–2.0s | Scene 1 – Neon Arrival A customized supercar drifts into a neon-lit downtown street at night. Low-angle tracking shot with glowing reflections on wet roads. The confident main character steps out wearing a modern street outfit and sunglasses. 2.0–4.0s | Scene 2 – The Heist Inside a luxurious casino, the character grabs a mysterious glowing briefcase while alarms suddenly activate. Fast cinematic close-ups, flashing red emergency lights, NPCs running in panic. 4.0–6.0s | Scene 3 – High-Speed Escape The character jumps into the supercar and launches into a high-speed chase through palm-lined boulevards. Dynamic drone shots, tire smoke, sharp drifts, police cars closing in. 6.0–8.5s | Scene 4 – Rooftop Action The chase transitions to rooftops where the character performs a cinematic parkour leap between skyscrapers at sunset. Slow motion during the jump, dramatic city skyline in the background. 8.5–11.0s | Scene 5 – Beach Pursuit A high-performance sports bike races along a crowded tropical beach promenade. Helicopters search overhead while the camera alternates between FPV and wide cinematic angles. 11.0–13.0s | Scene 6 – Epic Showdown The character stands on a luxury yacht in the marina as rivals arrive by speedboats. Intense cinematic standoff with realistic water physics, golden-hour lighting, and wind-blown clothing. 13.0–15.0s | Scene 7 – Legendary Ending The hero drives toward the glowing city skyline as fireworks illuminate the night. The camera pulls back into a breathtaking aerial shot, ending with a powerful cinematic freeze-frame and an epic orchestral finish.This prompt is designed to capture the feel of a modern open-world crime game without copying any copyrighted characters, logos, or specific story elements.

Ai Girllie

27,172 views • 1 month ago

SOMEONE TURNED THE IPHONE DYNAMIC ISLAND INTO A WORKING POLAROID CAMERA the whole thing lives in your dynamic island. > drag the island down to open the camera > tap to snap, then it morphs and ejects the photo out of the slot > the pic slowly develops like a real polaroid, and you shake your phone to reveal it faster > every sound and interaction is mapped to haptics, so you feel each step > fully native swift, and he spent a month keeping the whole app under 5mb its called pico cam and its pure skeuomorphism done right absolutely insane what you can do with codex now

SOMEONE TURNED THE IPHONE DYNAMIC ISLAND INTO A WORKING POLAROID CAMERA the whole thing lives in your dynamic island. > drag the island down to open the camera > tap to snap, then it morphs and ejects the photo out of the slot > the pic slowly develops like a real polaroid, and you shake your phone to reveal it faster > every sound and interaction is mapped to haptics, so you feel each step > fully native swift, and he spent a month keeping the whole app under 5mb its called pico cam and its pure skeuomorphism done right absolutely insane what you can do with codex now

Om Patel

395,116 views • 2 months ago

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.

Blaze

38,242 views • 3 months ago

claude fable + seedance 2.0 finds 5-star airbnbs with amateur photos. then it them into a cinematic ad and mails the host a postcard (fable is just the orchestrator. other tools handle the other tasks) the system you can sell to property managers: - it scrapes the market and keeps the 5.0s with barely any reviews - it skips anything a management company already runs - claude fable reads the galleries and keeps the ones the photos undersell - it pulls the real guest reviews and puts each quote on its matching shot - seedance 2.0 turns their own photos into a cinematic reel - white-label it and the property manager wins the door you can automate this whole process with your openclaw/hermes agent reply "REEL" + RT and i'll send you a free guide so you can build this too (must be following so i can DM you)

claude fable + seedance 2.0 finds 5-star airbnbs with amateur photos. then it them into a cinematic ad and mails the host a postcard (fable is just the orchestrator. other tools handle the other tasks) the system you can sell to property managers: - it scrapes the market and keeps the 5.0s with barely any reviews - it skips anything a management company already runs - claude fable reads the galleries and keeps the ones the photos undersell - it pulls the real guest reviews and puts each quote on its matching shot - seedance 2.0 turns their own photos into a cinematic reel - white-label it and the property manager wins the door you can automate this whole process with your openclaw/hermes agent reply "REEL" + RT and i'll send you a free guide so you can build this too (must be following so i can DM you)

Chris

40,078 views • 1 month ago

UGC on Seedance 2.5 is just crazy Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text on it

UGC on Seedance 2.5 is just crazy Prompt : Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, white sleeveless fitted top, light blue wide-leg jeans, pearl choker, rings, and bracelets consistently throughout the video. Use the uploaded sunglasses, retail box, and leather carrying case as locked product references. Maintain perfect product consistency, including the frame shape, lenses, hinges, colors, materials, and proportions. Create an ultra-realistic UGC luxury creator review filmed inside a modern luxury bedroom with warm golden-hour sunlight, soft natural shadows, and a premium lifestyle aesthetic. The camera feels like a handheld smartphone with subtle natural movement while maintaining cinematic commercial quality. The video begins with the woman sitting on the bed beside the retail box and leather case. Smiling at the camera, she says, "I genuinely wasn't expecting to love these this much." She picks up the box, opens it naturally, reveals the leather case, then slowly removes the sunglasses while continuing, "The packaging already feels incredibly premium." She rotates the sunglasses slowly in front of the camera, showing the frame, hinges, and lenses as natural reflections glide across the surface. She smiles and says, "The finish feels amazing, and they're incredibly lightweight." She puts on the sunglasses, stands up, and walks toward a large full-length mirror. Looking at her reflection, she adjusts the frame naturally and says, "Honestly... they look so good, and they're really comfortable on the eyes, even in bright sunlight." She turns slightly left and right so the sunglasses catch the sunlight from different angles before removing them with a smile. Walking back to the bed, she places the sunglasses beside the leather case and retail box, then picks them up one last time and holds them beside her face. Looking directly into the camera, she smiles warmly and says, "Definitely one of my favorite accessories this year." The camera slowly pushes in on the sunglasses before fading out. Ultra-realistic UGC fashion content, authentic creator review, cinematic handheld smartphone movement, luxury bedroom, macro product cinematography, realistic reflections, detailed frame textures, expressive facial animation, perfect lip sync, shallow depth of field, premium color grading, 4K HDR, 16:9, no subtitles, no logos, no watermarks, no on-screen text on it

Synthia

54,462 views • 12 days ago

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)

Ahad Shams

11,126 views • 2 months ago

China just dropped an open source model that turns any phone into a 3D scanner you point it at a room and walk through it the whole space builds itself into a 3D point cloud in real time as the camera moves, no LiDAR and no depth sensor anywhere it held a full 13 minute walkthrough at 25,000 frames without the map drifting or collapsing > ~20 fps on a single GPU > works indoors and outdoors from plain footage > the scan normally needs a $50,000 rig and a technician > Apache 2.0 and runs fully offline on your machine repo in the reply

China just dropped an open source model that turns any phone into a 3D scanner you point it at a room and walk through it the whole space builds itself into a 3D point cloud in real time as the camera moves, no LiDAR and no depth sensor anywhere it held a full 13 minute walkthrough at 25,000 frames without the map drifting or collapsing > ~20 fps on a single GPU > works indoors and outdoors from plain footage > the scan normally needs a $50,000 rig and a technician > Apache 2.0 and runs fully offline on your machine repo in the reply

savip

104,123 views • 1 month ago

One girl. One sword. One unstoppable dinosaur. ⚔️🦖 When courage meets the ultimate battle, legends are born. Created with MiniMax H3 Prompt: Create a 14-second ultra-realistic Hollywood-style action fantasy film scene featuring a brave young female warrior battling a massive realistic Tyrannosaurus Rex inside an ancient jungle filled with ruined temples, giant trees, mist, mud, rain, smoke, and dramatic sunlight. Visual Style: Premium Hollywood blockbuster, photorealistic, cinematic, epic scale, realistic human anatomy, realistic dinosaur skin and movement, dramatic lighting, detailed environment, natural physics, intense facial expressions, high-end VFX, ARRI Alexa 35 look, anamorphic lens, shallow depth of field, HDR, subtle film grain, 4K cinematic quality, dynamic camera movement, realistic motion blur. 0–2 seconds — Establishing Shot: Wide cinematic shot of an ancient jungle temple in the middle of a mysterious rainforest. The female warrior stands alone in the ruins, holding a large sword in one hand. Her clothes are rugged fantasy-warrior clothing, slightly wet from the rain. Mist moves through the trees while birds fly in the distant sky. Slow camera push-in toward her. 2–3 seconds — Hero Close-Up: Cut to a dramatic close-up of the girl's face. Her hair is slightly wet and moving in the wind. She looks determined and fearless. Small scratches and dirt are visible on her face. She slowly raises her sword and prepares for battle. 3–4 seconds — Dinosaur Reveal: Suddenly, a massive realistic T-Rex emerges from behind the jungle trees and roars aggressively. Its enormous jaws open, sharp teeth visible, water and mud splashing around its feet. Low-angle camera makes the dinosaur look huge and terrifying. 4–6 seconds — First Attack: The dinosaur charges toward the girl at full speed. She runs toward the side and performs a fast dodge at the last second. The dinosaur crashes through trees and debris behind her. Use handheld camera movement, fast tracking, realistic impact and flying dust. 6–8 seconds — Sword Counterattack: The girl quickly turns around and attacks with her sword. Show a dramatic slow-motion moment as she swings the sword toward the dinosaur. The dinosaur moves its head aggressively while roaring. Strong cinematic camera movement follows the sword. 8–10 seconds — Epic Jump: The dinosaur attacks again. The girl jumps onto a large fallen tree and then leaps into the air above the dinosaur. Her hair and clothing move naturally in slow motion. Camera rotates around her as she raises the sword for the final strike. 10–12 seconds — Final Strike: She lands a powerful cinematic sword strike against the dinosaur's armored hide. Create a dramatic impact with dust, rainwater, debris and strong camera shake. Keep the action non-gory and suitable for a blockbuster fantasy film. 12–13.5 seconds — Dinosaur Falls Back: The dinosaur loses balance and falls backward into the muddy ground with a huge impact. Water, dust and leaves fly into the air. The girl lands safely and stands ready, breathing heavily. 13.5–14 seconds — Hero Ending: Slow cinematic push-in toward the girl. She lowers the sword slightly and looks directly toward the camera with a powerful, fearless expression. Behind her, the defeated dinosaur lies in the misty jungle. Golden sunlight breaks through the clouds, creating an epic silhouette and emotional Hollywood-style ending. Camera & Cinematography: Wide establishing shots, low-angle dinosaur shots, close-up facial shots, handheld action camera, tracking shots, 360-degree movement during the jump, dramatic slow motion during key action moments, shallow depth of field for close-ups, realistic motion blur, cinematic composition. Lighting & Atmosphere: Dark stormy jungle atmosphere mixed with warm golden sunlight, volumetric light rays, wet surfaces, realistic rain, mist, smoke, flying leaves, dust and water particles.

One girl. One sword. One unstoppable dinosaur. ⚔️🦖 When courage meets the ultimate battle, legends are born. Created with MiniMax H3 Prompt: Create a 14-second ultra-realistic Hollywood-style action fantasy film scene featuring a brave young female warrior battling a massive realistic Tyrannosaurus Rex inside an ancient jungle filled with ruined temples, giant trees, mist, mud, rain, smoke, and dramatic sunlight. Visual Style: Premium Hollywood blockbuster, photorealistic, cinematic, epic scale, realistic human anatomy, realistic dinosaur skin and movement, dramatic lighting, detailed environment, natural physics, intense facial expressions, high-end VFX, ARRI Alexa 35 look, anamorphic lens, shallow depth of field, HDR, subtle film grain, 4K cinematic quality, dynamic camera movement, realistic motion blur. 0–2 seconds — Establishing Shot: Wide cinematic shot of an ancient jungle temple in the middle of a mysterious rainforest. The female warrior stands alone in the ruins, holding a large sword in one hand. Her clothes are rugged fantasy-warrior clothing, slightly wet from the rain. Mist moves through the trees while birds fly in the distant sky. Slow camera push-in toward her. 2–3 seconds — Hero Close-Up: Cut to a dramatic close-up of the girl's face. Her hair is slightly wet and moving in the wind. She looks determined and fearless. Small scratches and dirt are visible on her face. She slowly raises her sword and prepares for battle. 3–4 seconds — Dinosaur Reveal: Suddenly, a massive realistic T-Rex emerges from behind the jungle trees and roars aggressively. Its enormous jaws open, sharp teeth visible, water and mud splashing around its feet. Low-angle camera makes the dinosaur look huge and terrifying. 4–6 seconds — First Attack: The dinosaur charges toward the girl at full speed. She runs toward the side and performs a fast dodge at the last second. The dinosaur crashes through trees and debris behind her. Use handheld camera movement, fast tracking, realistic impact and flying dust. 6–8 seconds — Sword Counterattack: The girl quickly turns around and attacks with her sword. Show a dramatic slow-motion moment as she swings the sword toward the dinosaur. The dinosaur moves its head aggressively while roaring. Strong cinematic camera movement follows the sword. 8–10 seconds — Epic Jump: The dinosaur attacks again. The girl jumps onto a large fallen tree and then leaps into the air above the dinosaur. Her hair and clothing move naturally in slow motion. Camera rotates around her as she raises the sword for the final strike. 10–12 seconds — Final Strike: She lands a powerful cinematic sword strike against the dinosaur's armored hide. Create a dramatic impact with dust, rainwater, debris and strong camera shake. Keep the action non-gory and suitable for a blockbuster fantasy film. 12–13.5 seconds — Dinosaur Falls Back: The dinosaur loses balance and falls backward into the muddy ground with a huge impact. Water, dust and leaves fly into the air. The girl lands safely and stands ready, breathing heavily. 13.5–14 seconds — Hero Ending: Slow cinematic push-in toward the girl. She lowers the sword slightly and looks directly toward the camera with a powerful, fearless expression. Behind her, the defeated dinosaur lies in the misty jungle. Golden sunlight breaks through the clouds, creating an epic silhouette and emotional Hollywood-style ending. Camera & Cinematography: Wide establishing shots, low-angle dinosaur shots, close-up facial shots, handheld action camera, tracking shots, 360-degree movement during the jump, dramatic slow motion during key action moments, shallow depth of field for close-ups, realistic motion blur, cinematic composition. Lighting & Atmosphere: Dark stormy jungle atmosphere mixed with warm golden sunlight, volumetric light rays, wet surfaces, realistic rain, mist, smoke, flying leaves, dust and water particles.

liana

11,360 views • 14 days ago