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.@RbdLabStudio launched MatPlus, an all-in-one Blender texturing add-on featuring non-destructive layer-based painting, advanced baking, and export to game engines. Get it here:

80 LEVEL

265,794 subscribers

27,045 次观看 • 1 年前 •via X (Twitter)

科学技术游戏教育

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4 条评论

iKaGe01 的头像

iKaGe011 年前

@RbdLabStudio Yet no tutorials or texturing examples of any 'substance' yet :p If they needed people to turn heads, they've planned it wrong so far. Especially for the price they are asking

Andy Lemoine (microCosmik) 的头像

Andy Lemoine (microCosmik)1 年前

@RbdLabStudio I actually thought this was substance painter for the first few seconds

Haddock 的头像

Haddock1 年前

@RbdLabStudio Did you guys know this can be done with vanilla blender

PJW - 🎮Wishlist L.E.A.S.H. VR on Steam🔫 的头像

PJW - 🎮Wishlist L.E.A.S.H. VR on Steam🔫1 年前

@RbdLabStudio What I wonder about is did they fix the issue where pressing "ctrl+s" doesn't save any of your texture paint work and you have to manually save each layer, because without it, I am going to pay Adobe just so I don't have to worry about losing hours of work.

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KeenTools 2026.1 is out! Highlight: New Smooth refine mode in GeoTracker for Nuke to get rid of jumps between inconsistent keyframes. Also: – Blender 5.1 & Nuke 16.1/17.0 support – Fixed texturing in Blender – Fixed Alembic UV export in AE Get it here:

KeenTools 2026.1 is out! Highlight: New Smooth refine mode in GeoTracker for Nuke to get rid of jumps between inconsistent keyframes. Also: – Blender 5.1 & Nuke 16.1/17.0 support – Fixed texturing in Blender – Fixed Alembic UV export in AE Get it here:

KeenTools

10,175 次观看 • 6 个月前

I think I found the most intuitive Blender texturing add-on for artists who work with NPR models relying on hand-painting 🥹 This is “Paint System” and I found it really simple to use and navigate! It really feels like using PS/CSP in Blender ദ്ദി(ᵔᗜᵔ) Here’s a simple video showing how layers work (very simple clipping mask & alpha locking too), changing layer blend mode, and you can then bake the layers into 1 & export image! Opacity of each layer can also be adjusted with a slider like in PS/CSP but I forgot to show it hahah It also comes with 2 very nice brushes!! I know there are other add-ons for the same job or can do even more things but just wanted to share this since I found it the most intuitive as someone who hand paints textures a lot in other art programs and have non-existent knowledge over nodes in Blender ;-; Link to the add-on in replies and happy painting!!!! (ᗒ⩊ᗕ)⸝ި ʕᦏ⌎ (yes it’s free! with an option to donate to the creator to support them too)

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𝗞𝗔𝗥𝗜𝗛𝗔 🌘🍀 3D Artist ☻

19,713 次观看 • 7 个月前

Gaussian Splat or oil painting? Why not both? 🎨 We found a free Blender add-on that turns 3DGS scans into oil-painting-style 3D assets. The result is real mesh geometry with baked textures, exportable as FBX, OBJ or GLB for use in other 3D software and game engines.

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It’s finally here! Introducing GeoTracker for Blender (Open Beta) — geometry-based object tracking add-on! Easily track objects in your videos and bring them to life in 3D space, all within Blender. Try free beta now: Share your works and tag us! #b3d

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KeenTools

146,397 次观看 • 3 年前

.Armored Colony launched Pixie Pivot, a Blender add-on inspired by Maya and 3ds Max pivot systems that lets you re-align gizmos, set new object origins, define custom planes to flatten geometry, and more. Get it here:

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18,556 次观看 • 1 年前

.Hamdi Amer released Weight Paint Box, a Blender add-on designed for "lazy rigging artists" that puts areas for weight painting in an adjustable deformation box. Get it with Draw Bone to quickly create custom armatures with Rigify support:

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43,534 次观看 • 6 个月前

Dmytrii Semenov has launched an advanced bounding-box scaling tool for Unreal Engine 5 that supports both single- and multiple-object selections, including mirrored objects and objects rotated relative to one another. Get it here:

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10,881 次观看 • 1 年前

.Will Wallace launched The CarFX course, featuring over 10 hours of in-depth training on advanced vehicle destruction in Houdini, covering the entire process from start to finish. Take advantage of 30% off and grab it here:

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12,756 次观看 • 1 年前

fal's Gorkem Yurtseven on the Blender, Astra, and H3 Max workflow professionals are using to get exactly the shot they wanted: "Using Blender with one of these AI models together is an extremely popular workflow for professional work." "You render a low resolution of your scene, what you want to do, using Blender, previous non-AI technology. And once you add that video as a reference to an AI model, you basically get close to 100% controllability." "This is an incredibly popular workflow for VFX artists, people who are doing this professionally, because they want to get exactly what they put into the model." "A week after we launched H3 Max, people started generating these beautiful scenes using an LLM, Astra, in Blender, and all of a sudden it unlocked a whole new pipeline. Using an LLM to create a Blender scene and then passing that to the H3 Max model." "It works very well with H3 Max because it's extremely fast and you can try many things all at once in parallel." Gorkem Yurtseven batuhan the fal guy fal Jennifer Li

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a16z

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Chong-U

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passivestar

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Jan van den Hemel

130,103 次观看 • 2 年前

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,070 次观看 • 2 年前

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

Cohen Brawley

78,888 次观看 • 2 年前

🥳Calling all anime gaming fans! @rStellaFantasy is here and it's 🔥 Get ready to embark on an epic adventure on the latest episode of One Minute One Game!🚀⚔️

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15,809 次观看 • 3 年前