Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Testing Korean K drama with MiniMax H3, the open source community will be fire next few weeks 🔥 REFERENCE USE Images 1 and 2 lock face, hair and wardrobe identity only. Do not copy their frontal pose, centred framing or lens gaze. Image 3 locks apartment geometry, light direction...

17,376 görüntüleme • 1 ay önce •via X (Twitter)

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

GPT가 만들어주는 여친(남친) !! 프롬프트로 가져왔어요. 남친은 프롬프트에서 man, 대화내용을 수정하면 됩니다. (이미지, 영상 프롬프트 동일) [프롬프트] A young woman (lolwasdf 1) in a loose casual pajama set lies on her side on a low bed in a small rented studio apartment, already gazing straight into the front camera of the phone her boyfriend is holding just above her; the place has a lived-in twenty-something feel — rumpled cream cotton sheets, a couple of plain pillows, a clothes rack and a cluttered little shelf softly out of focus behind her, a warm bedside lamp glowing from the right. Blinking slowly, her mouth starts to curve up as the off-screen boyfriend holding the phone — never shown — says softly: "안 자고 뭐 해." A beat later her smile widens with a few stray strands stuck to her cheek and she huffs, shy: "아 찍지 마~", and he teases back, warm: "예쁜데 왜." Then suddenly she can't hold the laugh: she lifts one hand to cover the side of her head, shoulders shrugging, and buries her whole face into a plain pillow beside her, fingers gripping its edge into soft creases, giggling into it, muffled: "하지 마 진짜~". A moment later she slowly turns her face back out and peeks with just one eye first, hair tousled with strands sticking up, then her whole face turns to the camera, eyes glossy from laughing and cheeks flushed deeper; frontally and lip-visible she purses her lips into a soft smile and says, playful: "그만 찍으라니까~", giving one soft blink as the moment gently settles. Shoot it as one continuous first-person handheld selfie, the frame breathing with his arm and leaning in a little on the laugh; keep her skin pores, fine fuzz and a warm nose-tip highlight razor-sharp with no beauty filter and no skin smoothing, like real phone footage with subtle video grain and non-cinematic warm indoor light. Exactly one woman is ever in frame — the phone-holder stays off-screen and is never shown, no second person, and never render a reference sheet or duplicate the subject. Strictly no subtitles, no on-screen text, no logo, no watermark. Diegetic sound only: quiet room tone of a small apartment, soft bedsheet and fabric rustling, muffled giggles into the pillow and a soft nasal chuckle; the off-screen male lines warm and teasing from behind the camera (ambient, not lip-synced) and the woman's lines soft and playful, frontal and lip-visible except the one muffled into the pillow, with no background music.

루피노드 🐰💕

14,110 görüntüleme • 2 ay önce

Wait? Is this Seedance 2 Mini? The mystery Seedance 2 model IS HERE! No wait this time. About 55% of the cost of the 2.0 Fast is about 75% Quality wise they say to expect Fast level output and that seems fair? Thoughts? Left is Seedance 2 Mini Right is Seedance 2.0 Full Prompt Image To Video Use the uploaded images as identity, costume, and lighting reference. Same naturally confident charismatic age 25 woman throughout performing a sold-out arena concert. Real concert documentary feel, handheld camera energy, practical stage lighting only. gritty, real, fun, clean editing, english language high energy modern concert performance 0: 00–0:01 — Open tight on her face mid-performance, eyes bright, genuine laugh breaking through a lyric, hair catching stage light. Crowd noise swells under faint mic hum. 0: 01–0:06 — She steps forward to the edge of the stage, singing into the mic with playful energy, she frowns, sad "Wait! Is this Seedance 2 Mini?" and then smiles and laughs free hand reaching out toward the crowd, fingers brushing toward raised phones and hands. The crowd repeats the lyric back to her as she laughs. Warm stage lights and lens flares in the background, slight handheld camera sway following her movement. 0: 06–0:09 — Wide shot from a low angle near the crowd barrier — she's framed against haze and colored stage lights, band visible in soft focus behind her (guitarist stage left, keyboard player stage right). She throws her free arm out wide, laughing between lines, hair whipping slightly as she turns. 0: 10–0:12 — Cut to a closer three-quarter shot — she playfully points the mic toward the crowd for a sing-along moment, grinning, eyes scanning the audience with real warmth and connection. Visible sweat sheen, natural skin texture, slight camera shake as if shot from the pit. — Final beat: close-up, she looks directly into the lens with a bright, genuine smile Camera: handheld documentary-style movement throughout, natural focus pulls, no perfectly smooth gimbal shots, slight shake and imperfection consistent with a real concert film crew. Practical stage lighting only — no CGI glow, no artificial bloom, no glossy skin, visible natural texture and sweat under hot lights. Audio: live arena ambience — crowd roar, cheering, phone-camera flash pops, her voice carrying clearly over a full live band mix (electric guitar, keys, drums, bass). No studio polish — natural live-mix dynamics, slight room reverb. No on-screen text, no logos, no subtitles, no watermarks, no identity drift, no extra performers beyond the band already in frame, no slideshow stillness, no overly smooth or glossy rendering, no jarring cuts, no akward moments, no jerky moves, no duplicates, no clones

Brent Lynch

12,605 görüntüleme • 3 ay önce

Made in Grok Imagine Good evening. My dear friends😊 Let us #connect. "哥哥,来嘛,#交个朋友 又不用钱。” "Hey handsome, come on—making friends doesn't cost a thing." #GrokImagine prompt: 1. Concept / Theme A single continuous 10-second shot of elegant, bewitching seduction. Photoreal luxury erotica: a tall mixed-race woman lazily invites the viewer with an overly sweet, breathy, almost cloying voice, then seals it with a one-eye wink. The body must read instantly as an extreme hourglass. 2. Subject One woman, 20–25, Japanese-European mixed, 178 cm tall. Extremely narrow waist, full heavy G-cup breasts, fair tender realistic skin. No other people. 3. Appearance Natural blue eyes, wet and sharp. Delicate bone structure, fashion-level makeup that still looks like real skin: visible pores, peach fuzz, faint chest flush. Glossy, slightly wet lips. Fashionable hair (sleek cool-toned, one strand loose). Breasts look full, soft, and weighty; waist looks cinched and narrow enough that both hands could almost span it. 4. Expression & Emotion Elegant and fox-like, not cute. Half-lidded, knowing, unhurried. While speaking she is syrupy and shamelessly flirtatious. After the line she waits, watching you. Final expression: one-eye wink, the other eye stays open and locked on camera, tiny wicked lift of the mouth. 5. Clothing & Styling Much sexier than editorial minimalism. Dark wet-look silk or tight satin dress / tiny tailored vest-dress, deep neckline, fabric stretched over the G-cup so cleavage and side-breast curve are obvious, waist belt or cut that crushes the midsection into an extreme cinch, high slit showing the long line of the hip. One strap may slip a few millimeters. No modest coverage, no bulky coat hiding the figure, no cheap plastic lingerie. High-fashion slutty elegance. 6. Pose & Body Movement One continuous physical action: slight approach or lean-in, weight on one hip, one hand on a glossy table or railing, chest pushed forward by posture so volume is undeniable, waist shown in profile-three-quarter. Minimal motion after she starts speaking. No dancing, no hair whip. 7. Environment / Setting Dark expensive interior, penthouse or hotel suite, one reflective surface, empty and private. 8. Time / Weather / Lighting Night interior. Soft but directional side-rim light that carves the breast volume, the shadow of the cleavage, and the hollow of the waist. Realistic skin highlights, not beauty-filter glow. 9. Action & Motion 0–2s: living close-up of blue eyes and real breath. 2–5s: slow reveal of full bust and extreme waist as she leans in. 5–7.4s: she says, extremely breathy, clingy, seductive, almost cheesy: “哥哥,来嘛,交个朋友又不用钱.” 7.4–8.6s: freeze and watch the lens. 8.6–10s: wink with only one eye; other eye open; tiny smirk. End. 10. Camera Movement One shot only. No cuts. Start on the eyes, very slow tilt down across cleavage and waist, then a gentle push-in back to the face. Low camera so her height and bust dominate. Tiny natural handheld drift only. 11. Composition & Framing Vertical. Eyes sharp in the open. Mid-frame must display the contrast: huge bust against a violently small waist. Finish tight on the winking eye. 12. Lens / Focus / Depth of Field 85–105mm look, shallow DOF, eyes always sharp, no wide-angle distortion of the face or chest. 13. Visual Style / Quality Photoreal, 4K, real skin texture, real fabric stretch, cinematic grain. Elegant, vampy, humid. Not plastic CGI, not influencer selfie, not hardcore porn set. 14. Negative Prompt / Constraints No cuts. No both-eyes wink. No cute idol face, no peace sign, no cartoon body. No flat chest, no thick waist, no hiding the bust under loose clothes. No cold detached tone; the voice must be cloying and breathy. No extra people, no text, no watermark, no underage look, no explicit sex acts required. Do not change the Chinese line.
0:10

Sensitive content

Made in Grok Imagine Good evening. My dear friends😊 Let us #connect. "哥哥,来嘛,#交个朋友 又不用钱。” "Hey handsome, come on—making friends doesn't cost a thing." #GrokImagine prompt: 1. Concept / Theme A single continuous 10-second shot of elegant, bewitching seduction. Photoreal luxury erotica: a tall mixed-race woman lazily invites the viewer with an overly sweet, breathy, almost cloying voice, then seals it with a one-eye wink. The body must read instantly as an extreme hourglass. 2. Subject One woman, 20–25, Japanese-European mixed, 178 cm tall. Extremely narrow waist, full heavy G-cup breasts, fair tender realistic skin. No other people. 3. Appearance Natural blue eyes, wet and sharp. Delicate bone structure, fashion-level makeup that still looks like real skin: visible pores, peach fuzz, faint chest flush. Glossy, slightly wet lips. Fashionable hair (sleek cool-toned, one strand loose). Breasts look full, soft, and weighty; waist looks cinched and narrow enough that both hands could almost span it. 4. Expression & Emotion Elegant and fox-like, not cute. Half-lidded, knowing, unhurried. While speaking she is syrupy and shamelessly flirtatious. After the line she waits, watching you. Final expression: one-eye wink, the other eye stays open and locked on camera, tiny wicked lift of the mouth. 5. Clothing & Styling Much sexier than editorial minimalism. Dark wet-look silk or tight satin dress / tiny tailored vest-dress, deep neckline, fabric stretched over the G-cup so cleavage and side-breast curve are obvious, waist belt or cut that crushes the midsection into an extreme cinch, high slit showing the long line of the hip. One strap may slip a few millimeters. No modest coverage, no bulky coat hiding the figure, no cheap plastic lingerie. High-fashion slutty elegance. 6. Pose & Body Movement One continuous physical action: slight approach or lean-in, weight on one hip, one hand on a glossy table or railing, chest pushed forward by posture so volume is undeniable, waist shown in profile-three-quarter. Minimal motion after she starts speaking. No dancing, no hair whip. 7. Environment / Setting Dark expensive interior, penthouse or hotel suite, one reflective surface, empty and private. 8. Time / Weather / Lighting Night interior. Soft but directional side-rim light that carves the breast volume, the shadow of the cleavage, and the hollow of the waist. Realistic skin highlights, not beauty-filter glow. 9. Action & Motion 0–2s: living close-up of blue eyes and real breath. 2–5s: slow reveal of full bust and extreme waist as she leans in. 5–7.4s: she says, extremely breathy, clingy, seductive, almost cheesy: “哥哥,来嘛,交个朋友又不用钱.” 7.4–8.6s: freeze and watch the lens. 8.6–10s: wink with only one eye; other eye open; tiny smirk. End. 10. Camera Movement One shot only. No cuts. Start on the eyes, very slow tilt down across cleavage and waist, then a gentle push-in back to the face. Low camera so her height and bust dominate. Tiny natural handheld drift only. 11. Composition & Framing Vertical. Eyes sharp in the open. Mid-frame must display the contrast: huge bust against a violently small waist. Finish tight on the winking eye. 12. Lens / Focus / Depth of Field 85–105mm look, shallow DOF, eyes always sharp, no wide-angle distortion of the face or chest. 13. Visual Style / Quality Photoreal, 4K, real skin texture, real fabric stretch, cinematic grain. Elegant, vampy, humid. Not plastic CGI, not influencer selfie, not hardcore porn set. 14. Negative Prompt / Constraints No cuts. No both-eyes wink. No cute idol face, no peace sign, no cartoon body. No flat chest, no thick waist, no hiding the bust under loose clothes. No cold detached tone; the voice must be cloying and breathy. No extra people, no text, no watermark, no underage look, no explicit sex acts required. Do not change the Chinese line.

Miss.AI

124,956 görüntüleme • 26 gün önce

"The apartment was supposed to be empty. Deputy Elena Rodriguez was doing one last sweep of a condemned unit on the east side before the building was sealed. It should have been routine, just another silent walk through a place people had already forgotten. For seven years she has worked the force and learned how to stay steady in hard situations. Domestic calls, violent scenes, abandoned homes have all been part of the job. Building a wall becomes necessary or the work breaks you. Trash covered the floors and spoiled food filled the air. The silence inside felt heavy and wrong. When she stepped into the kitchen, she stopped cold. A dog was chained tightly to an old radiator. He was not just thin. His body was skeletal. Someone had left him there in the dark with no food and no water while life outside kept moving. There was no growl. There was no attempt to pull away. At the sight of her uniform, he slowly lifted his head and tapped his tail once against the floor. That small movement broke her. She dropped to her knees without thinking about the dirt or the smell. Footage from her partner captured the moment she stopped being just an officer and became a human being facing something cruel. "Hey. Hey. Oh buddy. You're okay now." Her voice shook as she reached toward him carefully. "Nobody is coming back. I'm right here. We're getting you out. You're not staying here." The dog leaned what little weight he had against her legs. A slow breath left his body as his eyes closed while she kept speaking softly. "You're safe with me. I promise. You're safe." Her partner rushed in with bolt cutters and broke the chain from the radiator. Without waiting for animal control, Elena lifted him in her arms and carried him outside herself, shocked at how light he felt. They later named him Blue. Blue spent one month in critical care fighting to regain strength. Every day before her shift, she visited him and sat beside the kennel until he began to trust again. That afternoon was not the end of the story. She signed the adoption papers yesterday. The dog who had been left alone in a dark apartment now sleeps in a warm home on a soft bed beside the woman who promised he would never be left behind again. | Dancing in the Sky.

Crazy Moments

71,680 görüntüleme • 2 ay önce

Successfully generated this with Seedance 2.5—without any face-related moderation restrictions. The result is amazing! prompt: For the target video, at 0.00 seconds into the target video, (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] A continuous live-action first-person smartphone recording based entirely on . is the only visual reference for the adult female dancer's appearance, face, hairstyle, hair color, costume, body proportions, environment, room layout, wall, floor, lighting, color and initial spatial composition. Preserve the original visual identity and environment of . The camera closely reproduces the distinctive perspective of : a strong high-angle first-person smartphone POV looking substantially downward at the woman. The camera is clearly above her eye level. The top of her head, shoulders and upper body are visibly seen from above. Keep substantial ceiling visible in the upper part of the frame. Do not use an eye-level view, third-person view, orbiting camera or cuts. A single adult arm belonging to the camera operator enters naturally from the lower-right foreground. Show a connected forearm, wrist, palm and fingers. The hand is a moderate-size foreground element, not a giant object. Keep the hand primarily within the lower-right quadrant, occupying approximately 10–18% of the image area. The hand must never extend across the center, cover the woman's face or cover her torso. The woman remains the primary visual subject and the hand is only the foreground controller. Keep the woman physically close to the smartphone, approximately 1.0–1.2 meters away. Her full body occupies approximately 70–80% of the vertical frame. Do not pull the camera backward, do not place her deep in the room and do not progressively make her smaller. The foreground index finger directly controls the woman's dance movement. The woman does not independently freestyle. The hand is the visible movement cue and the woman's body immediately follows it. Maintain these exact control relationships throughout the entire video: UP → WOMAN RISES. DOWN → WOMAN LOWERS. LEFT → WOMAN MOVES LEFT. RIGHT → WOMAN MOVES RIGHT. For UP, the index finger moves clearly upward and the woman's body immediately rises. Her torso extends upward, her posture becomes taller, her arms naturally rise and her center of gravity moves upward. For DOWN, the index finger moves clearly downward and the woman's body immediately lowers. Her knees bend slightly, hips lower, center of gravity drops and torso lowers into a controlled dance position. For LEFT, the index finger moves toward screen-left and the woman's body immediately shifts and sways toward screen-left. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. For RIGHT, the index finger moves toward screen-right and the woman's body immediately shifts and sways toward screen-right. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. LEFT and RIGHT must not become tiny hip twitches. The woman's body must visibly move from side to side. Keep the horizontal movement simple so the connection between finger direction and body direction remains unmistakable. The hand gesture and corresponding body movement are tightly synchronized. The woman's movement begins as the corresponding finger gesture begins and develops within the same musical beat. No noticeable reaction delay, no one-beat delay, no anticipation and no independent movement. The dance is a confident, sexy viral short-form influencer dance: energetic rhythmic hip movement, controlled waist isolation, subtle torso waves, attractive shoulder movement, pronounced but tasteful hip accents, confident posture, playful facial expression, direct eye contact and natural hair movement. The dance should feel like a polished viral social-media dance challenge. Make the movement sexy, stylish, rhythmic and visually captivating while keeping it non-explicit. During LEFT and RIGHT movements, maintain the direct horizontal hand control while adding sensual hip accents. During UP and DOWN movements, maintain the direct vertical hand control while adding smooth waist and body movement. Never sacrifice hand-to-body control for complicated choreography. Use a fast modern viral dance rhythm with strong clear beats. Command sequence: UP → DOWN → LEFT → RIGHT → LEFT → RIGHT → UP → DOWN → LEFT → RIGHT. Each command produces one clearly visible corresponding body movement. Do not add unrelated freestyle movements, spins, walking or complicated footwork. The index finger moves with strong, deliberate gestures. The wrist and forearm naturally follow the finger. Use short, clear upward, downward, leftward and rightward gestures. Do not use weak floating gestures. Keep the hand in the lower-right foreground and never allow it to dominate the center of the frame. Maintain one continuous handheld smartphone recording with subtle natural camera instability. Preserve the strong high-angle perspective and close composition throughout the entire shot. Do not zoom out, pull backward, lower the camera or lose either the hand or the woman's full body. At the end, use LEFT → RIGHT → UP. The woman performs a left body movement with a sensual hip accent, a right body movement with a sensual hip accent, then rises into a confident final dance pose. The hand remains in the lower-right foreground and does not move into the center. Hold the final pose briefly. overall_soundscape: Natural indoor room ambience, subtle foot movement, fabric movement and quiet smartphone handling sounds, preserving the acoustic character of . non_diegetic_music: A modern viral short-form dance track with strong punchy beats, crisp percussion and clear rhythmic accents. Each major beat provides a timing point for the hand gesture and its corresponding dance movement.
0:11

Sensitive content

Successfully generated this with Seedance 2.5—without any face-related moderation restrictions. The result is amazing! prompt: For the target video, at 0.00 seconds into the target video, (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] A continuous live-action first-person smartphone recording based entirely on . is the only visual reference for the adult female dancer's appearance, face, hairstyle, hair color, costume, body proportions, environment, room layout, wall, floor, lighting, color and initial spatial composition. Preserve the original visual identity and environment of . The camera closely reproduces the distinctive perspective of : a strong high-angle first-person smartphone POV looking substantially downward at the woman. The camera is clearly above her eye level. The top of her head, shoulders and upper body are visibly seen from above. Keep substantial ceiling visible in the upper part of the frame. Do not use an eye-level view, third-person view, orbiting camera or cuts. A single adult arm belonging to the camera operator enters naturally from the lower-right foreground. Show a connected forearm, wrist, palm and fingers. The hand is a moderate-size foreground element, not a giant object. Keep the hand primarily within the lower-right quadrant, occupying approximately 10–18% of the image area. The hand must never extend across the center, cover the woman's face or cover her torso. The woman remains the primary visual subject and the hand is only the foreground controller. Keep the woman physically close to the smartphone, approximately 1.0–1.2 meters away. Her full body occupies approximately 70–80% of the vertical frame. Do not pull the camera backward, do not place her deep in the room and do not progressively make her smaller. The foreground index finger directly controls the woman's dance movement. The woman does not independently freestyle. The hand is the visible movement cue and the woman's body immediately follows it. Maintain these exact control relationships throughout the entire video: UP → WOMAN RISES. DOWN → WOMAN LOWERS. LEFT → WOMAN MOVES LEFT. RIGHT → WOMAN MOVES RIGHT. For UP, the index finger moves clearly upward and the woman's body immediately rises. Her torso extends upward, her posture becomes taller, her arms naturally rise and her center of gravity moves upward. For DOWN, the index finger moves clearly downward and the woman's body immediately lowers. Her knees bend slightly, hips lower, center of gravity drops and torso lowers into a controlled dance position. For LEFT, the index finger moves toward screen-left and the woman's body immediately shifts and sways toward screen-left. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. For RIGHT, the index finger moves toward screen-right and the woman's body immediately shifts and sways toward screen-right. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. LEFT and RIGHT must not become tiny hip twitches. The woman's body must visibly move from side to side. Keep the horizontal movement simple so the connection between finger direction and body direction remains unmistakable. The hand gesture and corresponding body movement are tightly synchronized. The woman's movement begins as the corresponding finger gesture begins and develops within the same musical beat. No noticeable reaction delay, no one-beat delay, no anticipation and no independent movement. The dance is a confident, sexy viral short-form influencer dance: energetic rhythmic hip movement, controlled waist isolation, subtle torso waves, attractive shoulder movement, pronounced but tasteful hip accents, confident posture, playful facial expression, direct eye contact and natural hair movement. The dance should feel like a polished viral social-media dance challenge. Make the movement sexy, stylish, rhythmic and visually captivating while keeping it non-explicit. During LEFT and RIGHT movements, maintain the direct horizontal hand control while adding sensual hip accents. During UP and DOWN movements, maintain the direct vertical hand control while adding smooth waist and body movement. Never sacrifice hand-to-body control for complicated choreography. Use a fast modern viral dance rhythm with strong clear beats. Command sequence: UP → DOWN → LEFT → RIGHT → LEFT → RIGHT → UP → DOWN → LEFT → RIGHT. Each command produces one clearly visible corresponding body movement. Do not add unrelated freestyle movements, spins, walking or complicated footwork. The index finger moves with strong, deliberate gestures. The wrist and forearm naturally follow the finger. Use short, clear upward, downward, leftward and rightward gestures. Do not use weak floating gestures. Keep the hand in the lower-right foreground and never allow it to dominate the center of the frame. Maintain one continuous handheld smartphone recording with subtle natural camera instability. Preserve the strong high-angle perspective and close composition throughout the entire shot. Do not zoom out, pull backward, lower the camera or lose either the hand or the woman's full body. At the end, use LEFT → RIGHT → UP. The woman performs a left body movement with a sensual hip accent, a right body movement with a sensual hip accent, then rises into a confident final dance pose. The hand remains in the lower-right foreground and does not move into the center. Hold the final pose briefly. overall_soundscape: Natural indoor room ambience, subtle foot movement, fabric movement and quiet smartphone handling sounds, preserving the acoustic character of . non_diegetic_music: A modern viral short-form dance track with strong punchy beats, crisp percussion and clear rhythmic accents. Each major beat provides a timing point for the hand gesture and its corresponding dance movement.

underwood

245,132 görüntüleme • 1 ay önce

POV: You have 15 seconds to decide what to wear… and somehow end up with THREE completely different looks 😂✨ From casual to party-ready. which outfit would you choose? 👀💃 Created in Minimax H3 Prompt: Format: 15 seconds | 16:9 | 4K HDR | 24fps | photorealistic cinematic vlog Character: Use the girl from the uploaded reference image as the exact character reference. Preserve her facial identity, eye color, skin tone, hairstyle, body proportions, and overall appearance consistently throughout every shot. No face changes or identity drift. Scene & Story: 0–3 sec — The Mystery Package The video opens with a handheld creator-vlog shot in her cozy bedroom during late afternoon. She walks into frame holding a stylish garment bag, looking genuinely curious. She places it on the bed and looks directly into the camera with a playful expression. She says naturally: “Okay… I found something for tonight, but I have absolutely no clue if I can pull it off.” She unzips the garment bag, revealing only a glimpse of the outfit. 3–6 sec — First Reveal She quickly steps behind a nearby room divider. The camera follows with a fast handheld whip-pan. She emerges wearing a chic fitted top, tailored trousers, and elegant heels. She looks at herself in the mirror, slightly surprised by how good it looks. She turns toward the camera and says: “Wait… this might actually work.” She gives a small confident pose. 6–9 sec — The Unexpected Switch Instead of snapping her fingers, she grabs a jacket hanging beside her and dramatically throws it toward the camera. As the jacket briefly covers the lens, the outfit seamlessly transforms underneath it. When she pulls the jacket away, she is wearing a completely different fashion-forward look: a stylish mini dress with statement shoes and subtle accessories. She looks down, raises one eyebrow, then laughs. 9–12 sec — The Wild Card She walks toward the mirror while the camera circles around her. She notices a third outfit hanging on the wardrobe door. Suddenly, she steps backward and spins. During the spin, her outfit naturally morphs into a glamorous evening look with a sophisticated silhouette, elegant heels, and refined accessories. The transformation happens continuously during the movement with realistic fabric motion — no jump cut. 12–15 sec — Final Decision She walks toward the camera with confident energy, then stops very close to the lens. She looks at the camera, points toward herself, then gestures toward the three outfits visible behind her. With a playful smile, she says: “Okay… you’re choosing. Which one?” The camera quickly pushes in toward her face as she laughs, ending on a natural freeze-like moment. Visual Direction: Ultra-realistic fashion creator vlog, authentic handheld camera movement, natural body language, expressive facial reactions, realistic fabric physics, seamless outfit transitions, natural hair movement, subtle mirror reflections, cinematic depth of field, realistic skin texture, soft late-afternoon daylight mixed with warm practical bedroom lighting, detailed wardrobe and bedroom environment, premium fashion-film aesthetic while maintaining casual YouTube-vlog energy. Camera: Handheld selfie framing, medium shots, quick whip-pans, subtle camera shake, smooth tracking movements, one controlled orbit around the character, final slow push-in. Audio: Natural bedroom ambience, fabric and wardrobe sounds, footsteps, garment movement, subtle mirror-room reverb, upbeat modern fashion-vlog background music, natural spoken dialogue, soft whoosh effects during the outfit transitions. No subtitles, no logos, no watermark. Consistency & Quality: No jump cuts during transformations. No duplicated character. No distorted hands or fingers. No warped clothing. No inconsistent room layout. No facial identity changes. No unnatural skin smoothing. Keep the same character, bedroom, lighting logic, and visual realism throughout.

H A J R A

27,953 görüntüleme • 1 ay önce

Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.

Sharon Riley

59,224 görüntüleme • 1 ay önce

john wick seedance text to video prompt: [STYLE / CINEMATIC SETUP] A 10.5-second, 16:9 photorealistic AAA action-game cinematic rendered at real-time speed with no slow motion. The setting is a cramped, cluttered late-night Asian restaurant connected to a rain-soaked street. Cyan-green fluorescent light, red neon and warm practical lamps create a high-contrast mixed-light environment, with reflections across wet floors and pavement. Shoot with a 35mm spherical lens, shallow-to-moderate depth of field and cinematic motion blur appropriate to the actual speed of movement. Use close shoulder-mounted and handheld coverage, connecting seven short close-combat shots with fast hard cuts. The camera instinctively pans, retreats or drops with each block, takedown and collision while keeping the action and contact points readable. No dialogue, no subtitles and no BGM. Generate only synchronized rain, appliance hum, urgent footsteps, fabric movement, body impacts, gunshots, metal contact and breaking glass. [IMAGE REFERENCES] No external still-image reference. Follow the written character and environment descriptions consistently. If the platform supports reference video, use the supplied video only as a reference for editing rhythm, camera distance, action direction and lighting atmosphere, not for copying a specific actor’s identity. The protagonist remains the same lean, agile man in his early forties throughout the sequence: neck-length black hair swept back, a short beard, a tired but focused face, a slightly wrinkled black suit, white shirt and narrow black tie, all carrying faint rain and wear marks. Preserve his face, hairstyle, body proportions, clothing and screen direction across all seven shots. Keep every opponent visually distinct: a man in a blue work uniform, a bald man in a navy jacket, a heavy man in a black jacket, a bald counter attacker, a red-headband attacker, a red-jacketed armed attacker and a heavy man in a dark green coat outside. [TIMELINE SECOND BY SECOND] 0–1.9s: [Shoulder-height medium close-up, tight lateral handheld tracking, real-time speed] The protagonist stands on screen left, pinning the blue-uniformed attacker against a glass refrigerator with his left forearm and palm. He delivers two compact, weighted elbow and palm-heel strikes. Each impact drives the attacker’s head into the refrigerator door, loosening his white headband and leaving a small blood trace on the glass; the attacker finishes sliding down the door while the protagonist remains standing. 1.9–4.3s: [Medium shot transitioning into a high-angle overhead, shoulder-mounted drop, real-time speed] Hard cut near the restaurant’s rear entrance. The bald attacker in a navy jacket locks the protagonist from behind. The protagonist lowers his center of gravity, traps the attacker’s arm and rotates his hips, throwing him heavily over the shoulder onto the wet floor. The camera drops with them into an overhead view. Kneeling across the attacker’s torso, the protagonist draws a compact black pistol and fires one downward shot; recoil travels through his wrist and the attacker jolts once before becoming still. 4.3–5.9s: [Tight medium shot, lateral handheld follow, real-time speed] Hard cut with both men already upright. A heavy attacker in a black jacket swings from screen right. The protagonist slips outside the punch, allowing it to pass close to his face, circles behind the attacker and locks his shoulder and neck off balance. He presses the pistol close to the side of the attacker’s head and fires. The muzzle flash briefly illuminates both faces; the attacker’s head and shoulders snap backward and his body begins to collapse. 5.9–7.9s: [Counter-height medium close-up, subtle handheld push-in, real-time speed] Hard cut to the restaurant counter. Another bald attacker bends forward and clamps around the protagonist’s waist. The protagonist pins the attacker’s head and neck under his left arm while grabbing a short, rigid pointed utensil from the counter. He drives two compact downward thrusts into the upper shoulder and side of the neck. Each contact bends the attacker’s knees further; a restrained amount of blood marks the shirt and counter edge before the attacker hangs helplessly beneath the protagonist’s controlling arm. 7.9–9.0s: [Two-person medium close-up, fast pan with a short retreat, real-time speed] Hard cut as the red-headband attacker rushes into close range. He throws a wide hook from screen right. The protagonist raises his forearm to block, catches the wrist and pulls it outward, then drives a palm heel and forearm into the attacker’s face. The camera retreats with the impact as the attacker loses his balance and staggers toward the rear right of the frame. 9.0–9.9s: [Low-angle wide shot, slight arc around the action, real-time speed] Hard cut to a wider section of the restaurant. The red-jacketed armed attacker advances from screen left. Holding a long black firearm with both hands, the protagonist uses it as a blunt weapon and swings horizontally from right to left. The weapon strikes the attacker’s upper chest and shoulder, rotating his torso, crossing his feet and sending him off balance toward screen left. 9.9–10.5s: [Exterior rainy-street medium shot, fast parallel tracking, real-time speed] Hard cut outside the restaurant. The protagonist already controls a heavy attacker in a dark green coat and uses his forward momentum to drive the man’s head and upper body into the side window of a parked black station wagon. The glass bursts inward at the contact point, scattering both large and fine fragments. The attacker folds through the broken window while the protagonist regains stable footing beside the car, ending with glass fragments still falling. [STYLE & QUALITY BOOSTERS] Maintain the protagonist’s face, black suit, white shirt, tie, hairstyle and body proportions through every hard cut. The pistol, pointed utensil, injuries and blood marks must appear only in their designated shots and must never morph or change ownership. Throws, recoil, strike reactions, loss of balance and window breakage must show believable weight, inertia and precise contact. Apply motion blur only to rapidly moving arms, weapons, glass fragments and camera-relative backgrounds. No sudden face or costume changes; no extra fingers, fused limbs or inverted joints; no morphing weapons, utensils or vehicles; no foot sliding or rubber-like collision reactions; no blood, bullet damage or glass fragments appearing before physical contact.

underwood

12,588 görüntüleme • 1 ay önce

Made in Grok Imagine My dear #friends 😊 have a wonderful weekend.😉 “Hey there, do you like it? Let's be friends.” “哥哥,喜欢吗?#交个朋友 吧!” #AIart #AIgirl #GrokImagine prompt: 9:16 VERTICAL, 10-SECOND SINGLE TAKE, PHOTOREAL FASHION-EROTIC SHORT, 2026. 1. OPENING FRAME Low bedside camera, slightly below her eye line. Frame from mid-thigh to hair. 22-year-old beautiful Japanese woman, 178cm, already seated on the edge of a rumpled ivory-and-burgundy hotel bed in a luxury Tokyo suite at night. Delicate face, naturally ice-blue deep wet eyes, long dark wine-black hair slightly mussed, one damp strand on the collarbone. Porcelain-fair skin flushed from champagne on cheeks, nose tip, and upper chest. Smudged glam smoky eye, foggy deep wine-red lips with a worn edge. Ultra-slim waist. Very full natural G-cup breasts, no bra, realistic soft hang and weight. Outfit: wet-burgundy bias-cut silk spaghetti-strap evening gown, extremely thin straps, deep V neckline. The cut is sensual but controlled: nipples fully covered by silk at all times; only a faint sliver of areola may show at the inner edge of the V when she breathes or leans. High slit. Opaque enough silk over the nipple, thinner at the cleavage. Sheer black pantyhose (tights to the waist), glossy, no stocking tops, no bare thigh. 2026 scarlet patent pointed stilettos, red soles: one planted, one heel slightly rolled. Thin sheer burgundy-black organza wrap still on both shoulders. Half-drunk, languid, small private smile. Looking toward the lens, not yet speaking. 2. MOTION & BEATS 0.0–2.5s: She sits, breathes. The thin straps stay put. Deep V shows cleavage and the start of breast weight; nipples remain covered. She glances half a second at her own décolletage, then lifts ice-blue eyes into camera. Wrap on. No speech. 2.5–5.5s: Right hand slides the sheer wrap off the right shoulder down to the elbow. Silk follows. Unsupported G-cup breasts settle with real gravity under the spaghetti-strap gown; the V opens slightly; a tiny hint of areola may appear at the inner curve, nipples never exposed. High slit reveals black pantyhose sheen on the thigh, not bare skin. Slight wine sway only. 5.5–8.0s: She leans a little closer. Breathy, clingy, drunk-sweet Mandarin lip-sync: “哥哥……喜欢吗?” Tiny smile after the question. Hair strand stays on her lip. Nipples stay covered. 8.0–9.4s: Closer lean. Same voice, Mandarin lip-sync: “交个朋友吧。” Soft laugh on the last syllable. Both eyes hold the lens 0.4s. At maximum lean, only a minimal areola edge is allowed; no nipple. 9.4–10.0s: Slow naughty half-drunk wink, LEFT eye only. Ice-blue iris dips, lashes kiss, micro-smirk. RIGHT eye stays open and locked on camera. One scarlet heel slips half-off. Hold to the last frame. She never stands. She does not pull the dress aside. She does not remove the gown. 3. CAMERA MOVE Locked-off 9:16 body, very slow continuous push-in from medium-close to close-up. 2.5–5.5s: tiny tilt down with the falling wrap, then return to face, thin straps, and chest. No handheld shake, no cut, no orbit, no snap zoom. Do not crop so tight that the neckline looks accidental-nude. End on eyes, mouth, thin straps, and controlled deep V. 4. LIGHTING & STYLE Practical warm gold bedside lamp as key. Cool blue city bokeh through floor-to-ceiling window as rim. Catchlights in both ice-blue eyes. Soft shadow in the deep V and under the natural breast hang, enough to read volume without revealing the nipple. Photoreal, 35mm anamorphic, 24fps, shallow DOF, subtle film grain, high-fashion editorial, tasteful erotic, 2026 couture. Spaghetti straps sharp and thin. Pantyhose catch a continuous sheen down the legs. 5. SOUND Close-mic female Mandarin, breathy, slow, clingy, slightly nasal from wine. Quiet hotel room tone. One silk-rustle when the wrap slides. One soft heel tap when the stiletto slips. No music over the voice. No voiceover. No English speech. 6. CONTINUITY & CONSTRAINTS Same identity, same spaghetti-strap burgundy gown, same black pantyhose, same room, same hair, same makeup for the full 10 seconds. Keep: ice-blue eyes, wine-black hair, thin straps not halter, no bra, realistic G-cup hang, nipples ALWAYS covered, only a slight areola hint permitted, 178cm slim-waist proportion, scarlet 2026 stilettos, sheer black tights (pantyhose, not hold-ups), 9:16 vertical. Wink = LEFT eye only, slow, not cartoon, not both eyes closing, not rapid blink. Accurate Chinese lip-sync only on the two lines above. Negative: 16:9, square, anime, cartoon, childlike or underage face, extra fingers, extra limbs, deformed hands, plastic skin, fake perky implants, visible bra, nipple exposure, fully exposed areola, bare thighs, stocking tops, garter belt, hardcore explicit genitals, jump cuts, identity drift, watermark, burned-in subtitles, ugly stagger-drunk, shouting, pulling dress off the breast.

Miss.AI

39,578 görüntüleme • 18 gün önce

Don’t be naughty, she said. Seedance 2.5 on DomoAI official Prompt Cinematic 10-second school-hallway action sequence, bright natural daylight streaming through large floor-to-ceiling windows on the right, long corridor with beige walls, grey tiled floor, wooden desks lined along the window wall, metal cabinets on the left. Korean-style high-school uniforms: girls in pink blazers, pink plaid mini-skirts, white knee-high socks and white sneakers; boys in matching pink blazers, white shirts, black ties and grey trousers. Shot 1 (0–2s): Low-angle tracking shot. A beautiful girl @[Image 1](image_1) with long straight pastel pink hair stands on a wooden desk by the window, one hand on the glass, looking outside. Other students walk away down the corridor in the background. Shot 2 (2–4s): Sudden explosive jump. The girl launches herself off the desk in a high, spinning mid-air leap, skirt and hair flying, body twisting toward the camera. Two boys in pink blazers rush in from the sides, arms outstretched, trying to catch or dodge her. Fast motion blur, dynamic camera whip-pan. Shot 3 (4–7s): Chaotic hallway brawl/dance energy. The girl lands and immediately starts kicking and spinning, long hair whipping. Boys stumble and fall; one boy is knocked to the floor. Handheld shaky-cam, wide shots mixed with close-ups of flying limbs and pink uniforms. Shot 4 (7–9s): The girl stands tall in the middle of the corridor, composed, while a boy lies defeated on the floor behind her. She walks a few steps toward the window. Shot 5 (9–10s): Medium close-up. The girl now calmly wipes the window with a white cloth, turns her head toward camera with a slight smile and says in Indonesian: “Jangan nakal ya kak.” Soft natural lighting, slight lens flare from the windows. Style: High-energy K-drama / web-drama aesthetic, vibrant colors, sharp focus on the main girl, cinematic depth of field, smooth yet punchy camera movements, 24fps filmic look. Watermark-free.CONSISTENCY: preserve the same face and single denim outfit. Contact between hands and props is visible, without smeared fingers. Do not add subtitles, graphic text, logos or watermarks to the footage. Writing that belongs to the location or props, including the lantern calligraphy, remains. No filming equipment is visible in frame. FINALLY: skin and movement should look like real travel footage, not AI-generated imagery. Dialogue remains clear within natural breathing, without slurred syllables or clipped word endings. Expressions and gestures respond to the situation rather than posing like an advertising model.

Sharon Riley

57,261 görüntüleme • 8 gün önce

A peaceful morning, a quiet village, and a fresh start. Sometimes the simplest walks become the sweetest memories. Created on seedance 2.5 Prompt: Create a 15-second vertical 9:16 cinematic lifestyle video featuring one consistent young Korean woman living in a peaceful rural Korean village. The video should feel like a natural everyday moment captured for a Korean lifestyle/X social-media post — quiet, authentic, cozy, photorealistic, not commercial, not overly dramatic. Character consistency: A young Korean woman in her early 20s, natural Korean facial features, soft clear skin, long dark-brown/black hair tied loosely in a low ponytail, minimal natural makeup. She wears a cozy cream knit sweater, long dark plaid skirt, white sneakers, and a simple black backpack. Keep her face, hairstyle, body proportions, clothing and backpack 100% consistent throughout every shot. Environment: A traditional rural Korean village with a small rustic wooden-and-plaster house, warm wooden interior, simple furniture, handmade baskets, old windows, stone walls, narrow village paths, small gardens, traditional tiled rooftops, distant green mountains and a peaceful countryside atmosphere. Early morning sunlight, fresh air, subtle autumn colors. SHOT 1 — 0:00–0:02 Close cinematic shot inside her cozy rustic bedroom. She slowly wakes up in a simple bed, opens her eyes and looks toward the warm sunlight coming through the wooden window. Soft curtains move gently from the morning breeze. Natural room ambience, subtle birds outside. Camera slowly pushes in toward her face. SHOT 2 — 0:02–0:04 Medium shot. She sits up, casually fixes her slightly messy hair and ties it into a loose ponytail. She puts on her cream knit sweater and prepares to leave. Keep the movement natural and unhurried, like a real morning routine. SHOT 3 — 0:04–0:06 She picks up her simple black backpack from beside the wooden chair, puts it over her shoulders, checks herself briefly in a small mirror, then walks toward the wooden front door. Warm sunlight enters the room behind her. SHOT 4 — 0:06–0:08 Rear three-quarter shot. She opens the old wooden door and steps outside. Bright natural morning light gently floods the frame. The camera follows her from behind as she leaves the house. Slight realistic exposure adjustment as the camera moves from dark interior to bright exterior. SHOT 5 — 0:08–0:10 Wide cinematic shot of the Korean countryside village. She walks slowly along a narrow stone-and-concrete village path surrounded by small gardens, stone walls and traditional houses. Mountains are visible in the background. Leaves move naturally in the breeze. Camera tracks smoothly behind her. SHOT 6 — 0:10–0:12 Side-profile close-up while she walks. She briefly looks toward the mountains and takes a peaceful breath. A few strands of hair move naturally in the wind. Sunlight creates a soft glow around her hair. Genuine relaxed expression, no exaggerated acting. SHOT 7 — 0:12–0:14 She continues walking down the peaceful village road. Camera slowly moves from behind toward her side. The background reveals rooftops, trees, distant mountains and morning sunlight. She casually touches one hand to her backpack strap. SHOT 8 — 0:14–0:15 Final cinematic wide shot from behind. She becomes slightly smaller in the frame as she continues walking toward the distant village and mountains. Hold for a beautiful peaceful ending with warm sunlight and gentle wind. Camera & visual style: Photorealistic Korean lifestyle cinematography, cinematic 35mm look, natural skin texture, realistic facial movement, subtle film grain, soft depth of field, gentle handheld camera movement, smooth tracking shots, realistic motion blur, natural lens flare, warm morning sunlight, muted earthy colors, soft highlights, detailed rural textures.

ayzalnoor

14,138 görüntüleme • 5 gün önce

It’s just a video player on localhost:8080. That’s what I keep telling myself. Minimax H3 on Fish Creative Prompt Fixed-camera desktop screen recording of a real Windows 11 Chrome window filling the entire frame. Do not restyle the browser as a mockup, poster, or floating card. Keep the exact chrome from the reference still for every frame. Browser frame (locked, zero motion): - Tab title: Local Video Player - Address bar URL: localhost:8080 - Bookmarks bar left to right: Apps, Work, Personal, Google, GitHub, Docs, YouTube, then Other bookmarks on the right - Chrome controls: back, forward, refresh, extensions, profile avatar “M”, puzzle piece, shield, three-dot menu - Windows 11 taskbar along the bottom: search “Type here to search”, File Explorer, Google Chrome, Visual Studio Code, system tray, time 10:30 AM, date 5/20/2024 Page layout (labels, colors, and positions never change): - Left: large HTML5 video canvas - Under the canvas: play/pause triangle, timecode starting 00:00 / 00:10, purple seek bar, speaker, purple volume slider, fullscreen icon - Right sidebar on near-black: - “Video Player” with purple clapperboard icon - Controls: Space Play / Pause; ← → Seek ±5 seconds; ↑ ↓ Volume ±10%; F Toggle Fullscreen; M Mute / Unmute - Playlist: purple play arrow, “Sample Video”, 00:10 - Playback Rate: 0.5x, 1x filled purple and selected, 1.5x, 2x Character identity (must stay the same person in every pose): Photoreal young woman, long wavy blonde hair, gray school-style blazer over a white collared shirt, gray pleated mini skirt, black knee-high socks. Same face, same proportions, same outfit. Location stays the green grassy hill under a pale overcast sky. No costume change, no second character, no extra props. Motion rules: - Camera never moves. Browser chrome, sidebar, bookmarks, taskbar, and all UI text stay perfectly still. - Only the video canvas animates. Treat the canvas as a short fashion / pose test clip of the same girl on the hill. - Playback runs continuously at 1x. Do not pause the player. Do not flash a big pause icon. Do not cut away from the hill. - Timecode and the purple progress thumb advance smoothly from 00:00 to 00:10. Pose sequence inside the canvas (hold each pose ~1.5–2 seconds, then transition with natural body motion, hair, and cloth, not a hard cut): 1. Start pose (match the reference still): leaning forward, both hands on her knees, looking into camera with a pout. 2. Rise and stand tall: she straightens up, hands leave her knees, stands facing camera with arms relaxed at her sides, chin slightly lifted, wind moving her hair. 3. Hands-on-hips: she plants both hands on her hips, weight on one leg, slight hip cock, blazer and skirt settling, confident look into camera. 4. Turn / three-quarter: she twists her torso to her right, looks back over her shoulder toward camera, hair swinging, one hand lightly holding the hem of the skirt so it does not lift unnaturally. 5. Crouch / ready: she drops into a low athletic crouch, fingertips brushing the grass, still looking up at camera, same pout softening into a small smirk. 6. End pose: she stands again, steps one foot forward, both hands clasp in front of her thighs, then eases back toward the original lean-with-hands-on-knees so the last frame rhymes with the first still. Transitions must look like the same live-action take: weight shifts, knee bend, hair lag, grass and sky stay consistent. No teleport, no outfit swap, no extra readable text burned into the video. Audio: quiet outdoor hill ambience only. No music, no voiceover, no UI click spam. Style: photoreal live-action screen capture of a local demo page running in Chrome. Not animation, not a trailer, not a poster. Duration: about 10 seconds. Aspect: 16:9 desktop.

Sharon Riley

30,886 görüntüleme • 19 gün önce

Made with seedance 2.5 Prompt: Create ONE continuous 12-second, 9:16, ultra-photorealistic LIVE-ACTION luxury fashion film. IMPORTANT REFERENCE MAPPING: REFERENCE Image = PRIMARY CHARACTER. Use the FIRST uploaded reference image of the woman. REFERENCE image2 = ENVIRONMENT. Use the SECOND uploaded reference image of the square. REFERENCE David Carbon = HERO OBJECT. Use the THIRD uploaded reference image of the sunglasses. Do NOT refer to these images as Image, image2 or David Carbon. Use the reference images according to their upload order. CHARACTER — REFERENCE IMAGE 1 Preserve the exact woman from REFERENCE IMAGE 1 throughout the entire video: same facial identity, facial structure, natural eyes, hairstyle, body proportions, skin appearance, clothing, footwear, jewelry, accessories and overall appearance. Do not copy the original background from REFERENCE IMAGE 1. The protagonist is the ONLY main character. ENVIRONMENT — REFERENCE IMAGE 2 Use REFERENCE IMAGE 2 only for visual language: architecture, atmosphere, warm sunset lighting, materials, monumental scale and cobblestone character. Create a NEW believable cinematic pedestrian space inspired by it. Do NOT reproduce its exact composition, exact camera angle or exact street layout. Provide enough open pedestrian space for natural walking and the collision. Respect real-world spatial logic: pedestrians remain in pedestrian areas, architecture has realistic scale and perspective, no impossible geometry. HERO OBJECT — REFERENCE IMAGE 3 The sunglasses shown in REFERENCE IMAGE 3 are the ONE and ONLY HERO OBJECT. Preserve their recognizable: shape, proportions, oversized shield silhouette, dark continuous lens, thin metallic/gold frame, temples, hinge construction, surface details, colour and material. The SAME physical sunglasses must remain recognizable: when worn by the protagonist, when released, during bullet-time macro inspection, and after landing. Do not redesign, replace, duplicate or regenerate the sunglasses. EXACT OBJECT COUNT Exactly: ONE protagonist. ONE secondary passing person. ONE Labrador. ONE leash. ONE pair of sunglasses from REFERENCE IMAGE 3. ONE takeaway paper coffee cup. ONE plastic drinking lid. ONE silver-grey OPEN clamshell flip phone. No duplicate objects or people. PERSISTENT PHONE There is exactly ONE phone in the entire video. It is a compact early-2000s silver-grey OPEN clamshell flip phone. Upper half: small illuminated display and speaker. Lower half: physical numeric keypad, navigation buttons and microphone. Visible central mechanical hinge. LOCK its appearance throughout: same silver-grey colour, same dimensions, same thickness, same hinge, same display, same keypad, same buttons, same open angle. The same phone is seen in wide, medium and macro shots. It never transforms into another phone. PERSISTENT COFFEE Exactly ONE medium disposable PAPER coffee cup with ONE lightweight plastic drinking lid and dark coffee inside. Same cup, same lid, same coffee and same proportions throughout. Before collision the lid is properly attached. Coffee remains inside until a real physical opening appears. HAND OWNERSHIP Before collision: RIGHT HAND = ONE OPEN flip phone held to the RIGHT ear. LEFT HAND = ONE coffee cup. Sunglasses = naturally worn by the protagonist. After collision: RIGHT HAND = COMPLETELY EMPTY. LEFT HAND = COMPLETELY EMPTY. Nothing replaces the phone or cup. Nothing remains attached to either palm. 0.0–2.0s — CINEMATIC CHARACTER REVEAL Begin with an extreme low close-up of the protagonist’s black leather heeled boots walking naturally across the pedestrian space. Camera performs ONE elegant continuous movement: smooth crane upward + gentle backward tracking. Reveal progressively: boots → legs → ripped light-blue baggy jeans → black corset → white tank top → jewelry/accessories → sunglasses → face → nearly full body. The protagonist wears the SAME sunglasses from REFERENCE IMAGE 3. She holds the SAME OPEN silver-grey flip phone to her RIGHT ear and the SAME coffee cup in her LEFT hand. She is actively having a phone conversation. Show subtle realistic speech: natural lip movement, jaw movement and mouth articulation. Maintain exact identity from REFERENCE IMAGE 1. Premium live-action fashion cinematography. 2.0–3.7s — WALKING / SECONDARY PERSON Maintain smooth frontal tracking. The protagonist continues walking naturally through the pedestrian area. Exactly ONE secondary person approaches from the opposite direction. That person holds exactly ONE leash attached to exactly ONE Labrador. The Labrador walks slightly ahead and gently pulls the person forward. They remain background/supporting elements. Maintain: stable protagonist identity, stable hairstyle, stable clothing, stable sunglasses, same phone, same coffee. 3.7–4.4s — ACCIDENTAL COLLISION As they pass each other, the secondary person’s ELBOW accidentally clips the protagonist’s arm/upper torso. Small, accidental, believable contact. The protagonist naturally recoils backward. This SAME collision causes THREE physical release events. SUNGLASSES The sunglasses from REFERENCE IMAGE 3 receive ONE short realistic outward impulse. They separate naturally from the protagonist’s face. They travel only a short physically believable distance. They do NOT fly toward the camera. COFFEE The SAME coffee cup leaves the LEFT hand. It receives one short outward/downward rotational impulse. The cup tilts and rotates. Because of the rotation and liquid inertia, ONE EDGE of the lightweight plastic lid partially pops loose from the cup rim. The lid does not disappear and does not explode away. A real physical gap forms between lid and rim. ONLY THEN does dark coffee begin escaping through this opening. Initial liquid movement is restrained. PHONE The SAME OPEN clamshell phone leaves the RIGHT hand. It receives one short outward/upward impulse. It keeps the SAME open angle and physical design. The instant it separates from the fingers: RIGHT HAND = EMPTY. The instant the cup separates: LEFT HAND = EMPTY. FACE / HAIR CONTINUITY Preserve the exact face from REFERENCE IMAGE 1 during the entire collision. The natural human eyes already exist behind the sunglasses. When the sunglasses separate, reveal the SAME normal eyes: stable pupils, eyelids, gaze direction, brows, nose, cheekbones and facial symmetry. Do not regenerate or alter the face. Hair remains stable with only subtle realistic inertia. No sudden hairstyle change. 4.4–5.2s — BULLET-TIME ESTABLISHMENT Time decelerates dramatically to approximately 2–3% normal speed. DO NOT immediately go into macro. FIRST show a clear medium-wide frozen view of the entire accident. The protagonist is beginning to fall backward. BOTH HANDS ARE EMPTY. Establish fixed WORLD-SPACE anchors: • sunglasses suspended near their release position; • coffee cup suspended lower and toward the LEFT-hand release side; • partially detached lid still connected to or immediately beside the cup; • restrained coffee beginning to escape through the opening; • OPEN flip phone suspended toward the RIGHT-hand release side. Objects move only microscopically. They do NOT move toward the camera. The CAMERA is the main moving element. 5.2–6.8s — SUNGLASSES HERO INSPECTION The sunglasses remain almost completely stationary at their existing world-space position. CAMERA physically dollies toward them. The sunglasses become larger ONLY because the camera gets closer. Once close, slow the camera dramatically. HOLD. Perform a restrained 20–30 degree camera orbit/parallax around the almost-stationary sunglasses. Reveal: dark shield lens, thin metallic/gold frame, temples, hinges, edges, material thickness, surface reflections, tiny manufacturing details. Use shallow photographic macro depth of field. The protagonist and sunset environment remain softly recognizable in the background. The sunglasses must look like a real luxury fashion accessory photographed with a macro cinema lens, NOT CGI product animation. Complete the inspection before moving away. 6.8–8.3s — COFFEE / LIQUID INSPECTION Only after completing the sunglasses inspection, the CAMERA leaves them at their existing world-space position. Travel diagonally through the frozen scene toward the SAME coffee cup. THE CUP DOES NOT MOVE TOWARD THE CAMERA. Hold a photographic macro close-up. Show: same paper cup, same lightweight plastic lid, ONE partially detached lid edge, clear physical gap, dark coffee escaping ONLY through that gap. Real restrained liquid physics: thin irregular stream, imperfect liquid sheet, several differently sized droplets, realistic surface tension, natural reflections. No explosive splash. No decorative CGI liquid. No perfect artificial shapes. Coffee advances only microscopically during bullet time. Perform a small restrained lateral/parallax camera movement around the cup, lid and droplets. HOLD long enough to see paper texture, plastic texture, liquid thickness and individual droplets. 8.3–9.8s — FLIP PHONE INSPECTION Only after coffee inspection, the CAMERA travels away from the cup. The cup, lid and droplets remain at their existing world-space positions. CAMERA moves through the same frozen scene toward the SINGLE OPEN silver-grey clamshell phone. THE PHONE DOES NOT MOVE TOWARD THE CAMERA. First establish the complete phone silhouette: same silver-grey housing, same upper display, same lower keypad, same central hinge, same open angle. Then CAMERA physically approaches the existing upper display. Extreme photographic macro close-up. The illuminated display reads: BOSS with one small realistic phone number underneath. HOLD. Show: real housing material, hinge, keypad texture, small scratches, surface wear, screen reflections. The phone does NOT transform to reveal its screen. It is the SAME phone seen from the beginning. The protagonist’s RIGHT HAND remains completely EMPTY in the background. 9.8–10.4s — COMPLETE FROZEN TABLEAU After phone inspection, CAMERA performs a fast but perfectly smooth dolly backward. All objects remain at their existing world-space positions. Reveal: same protagonist falling backward, both hands empty, same sunglasses, same coffee cup, same partially detached lid, same suspended coffee droplets, same OPEN flip phone, exactly one secondary person, exactly one Labrador. All positions must remain spatially consistent with the original collision and release trajectories. No object follows the camera. No object teleports. No object regenerates. Brief HOLD on the complete frozen tableau. 10.4–12.0s — TIME RETURNS / PHYSICAL PAYOFF Time suddenly snaps back to normal speed. Gravity and existing momentum resume simultaneously. Every object continues FROM ITS EXISTING WORLD-SPACE POSITION. The protagonist completes her backward fall naturally. The sunglasses continue from their suspended position and land according to their existing momentum and gravity. The coffee cup continues from its own separate position, impacts the cobblestone ground, the partially detached lid reacts naturally, and remaining coffee spills irregularly through the real opening and impact point. The OPEN flip phone continues from its own separate position, hits the ground and makes ONE small physically believable bounce. Objects land at DIFFERENT plausible locations. They do NOT suddenly converge beside the protagonist. CAMERA rapidly tilts/drops toward ground level to follow the final impacts. Finish with a cinematic low-angle composition showing the fallen protagonist and the scattered objects within the same believable sunset environment. Hard cut. BULLET-TIME CAMERA RULE — NON-NEGOTIABLE BULLET TIME = ALMOST-FROZEN PHYSICAL WORLD + FREELY MOVING CAMERA. Objects stay in WORLD SPACE. Camera moves through WORLD SPACE. Close-up is created ONLY by reducing camera-to-object distance. Never: move objects toward the lens, artificially enlarge objects, teleport objects, regenerate macro versions. STRICT CAMERA ROUTE: FULL FROZEN TABLEAU → CAMERA DOLLIES TO SUNGLASSES → HOLD → 20–30° CAMERA ORBIT → CAMERA TRAVELS TO COFFEE → HOLD → SMALL CAMERA PARALLAX → CAMERA TRAVELS TO PHONE → ESTABLISH COMPLETE PHONE → MOVE TO DISPLAY → HOLD → CAMERA DOLLIES BACK TO COMPLETE TABLEAU → TIME RETURNS CONTINUITY / CAUSALITY Wide shot → medium shot → macro shot = SAME physical object viewed from different camera distances. Sunglasses: same object, same design, same trajectory, same world-space identity. Coffee: same cup, same lid, same coffee, same rotation, same world-space identity. Phone: same open clamshell phone, same housing, hinge, keypad, display, open angle and world-space identity. Every visible change must have a physical cause. Collision causes recoil. Collision momentum separates sunglasses. Finger release changes phone position. Hand release + collision momentum rotates cup. Cup rotation/liquid inertia partially opens lid. Coffee escapes only through the physical gap. Camera movement creates apparent object scale. Gravity resumes final fall. Treat the entire sequence as ONE continuous practical-effects event photographed with a motion-control cinema camera. IDENTITY / PROP LOCK ONE protagonist. ONE secondary person. ONE Labrador. ONE leash. ONE pair of sunglasses. ONE coffee cup. ONE lid. ONE OPEN flip phone. Before collision: RIGHT HAND = phone. LEFT HAND = coffee. Sunglasses = worn. After collision: RIGHT HAND = EMPTY. LEFT HAND = EMPTY. Sunglasses = separated. No second phone. No second cup. No second sunglasses. No additional dog. No additional person. No unexplained props. No duplication. No teleportation. No unexplained scale changes. VISUAL PRIORITY 1. exact protagonist identity from REFERENCE IMAGE 1 2. natural eyes and facial anatomy 3. stable hairstyle and body proportions 4. exact clothing and accessories 5. exact sunglasses from REFERENCE IMAGE 3 6. stable phone geometry 7. empty hands after release 8. continuous physical trajectories 9. realistic environment inspired by REFERENCE IMAGE 2 PHOTOGRAPHIC REALISM Ultra-photorealistic LIVE-ACTION. High-budget international luxury fashion campaign. Real human anatomy. Natural skin pores. Natural facial micro-expressions. Detailed realistic hair. Real manufactured sunglasses. Real paper cup. Real plastic lid. Real liquid coffee. Real early-2000s flip phone. Real object mass, inertia, gravity, momentum and surface tension. ARRI Alexa 35 cinematic character. Premium cinema optics. Motivated sunset lighting inspired by REFERENCE IMAGE 2. Controlled highlights. Natural skin tones. Realistic optical depth of field. Shallow macro depth of field during object inspections. Subtle 35mm film texture. Restrained luxury editorial colour grade. Natural colours. Sharp optical clarity. Cinematic photographic texture. Bullet-time must feel like REAL high-speed practical photography with a motion-control cinema camera, NOT CGI product animation. 4K / Ultra HD. Maximum facial detail. Maximum hair detail. Maximum material fidelity. Stable identity. Stable geometry. Stable prop continuity.

Oogie

18,923 görüntüleme • 21 gün önce

Made in Grok Imagine 晚上好😊 我亲爱的𝕏战友们。 我们来一起连接美好,享受周末的愉快吧。🤟 “哥哥,来嘛,#交个朋友 吧,不要钱的那种。” #GrokImagine 提示词: 1. Concept / Theme A single continuous 10-second gala-night seduction. A tall Japanese woman in a thin-strap haute-couture evening gown has slipped away from a banquet. She delivers a cloying, breathy invitation, waits, then seals it with a one-eye wink. The new line is longer and more teasing; pacing must stay lazy and expensive, never rushed. 2. Subject One Japanese woman, 20–25, 178 cm. Extreme narrow waist, full heavy G-cup breasts, fair realistic skin. No other people. 3. Appearance Refined Japanese features, natural blue eyes, long lashes. Banquet 艳妆: visible pores under porcelain glam, smoky or wine-red eyes, wet berry-gloss lips, flushed cheeks. Sleek evening hair, glossy black, one loose strand. Collarbones, deep cleavage, razor waist all readable. 4. Expression & Emotion Elegant, foxlike, slightly spoiled. Voice is shamelessly 肉麻: syrupy, nasal-breathy, intimate, almost sticky between words. She knows the line is vulgar and enjoys saying it in a ballgown. After speaking she waits as if you might answer. Final: wink with only one eye; the other stays open on camera; tiny wicked smirk. 5. Clothing & Styling Haute-couture thin spaghetti-strap evening gown. Bias silk satin, deep neckline, fabric stretched over G-cup volume, waist engineered extremely small, high slit. Gala jewelry only. No jacket, no modest coverage, no thick straps. 6. Pose & Body Movement Banquet posture, weight on one hip, one hand on a glass, rail, or lacquered table. Lean-in so bust gains weight and waist hollows. After speech, freeze except breath. Optional tiny head tilt on the last words. No dance, no hair whip. 7. Environment / Setting Luxury banquet edge at night: ballroom corridor, terrace door, chandelier bokeh, private corner. 8. Time / Weather / Lighting Night interior. Warm chandelier spill plus side-rim light carving cleavage, breast underside, and the cut-in waist. Moist skin highlights, specular silk. 9. Action & Motion 0.0–2.0s: living eye close-up, breath, thin strap visible. 2.0–4.6s: slow reveal of full bust and extreme waist as she leans. 4.6–7.6s: she says, extremely breathy and cloyingly seductive, with sticky pauses: “哥哥,来嘛,交个朋友吧,不要钱的那种。” Break as: 哥哥 / 来嘛 / 交个朋友吧 / 不要钱的那种. Chest moves with the breath on the final clause. 7.6–8.8s: hold and watch the lens. 8.8–10.0s: one-eye wink, other eye open, tiny smirk. End on the catchlight. 10. Camera Movement One shot, no cuts. Slow tilt from eyes down the neckline to the waist, gentle push-in back to the face. Low camera. Micro handheld drift only. 11. Composition & Framing Vertical. Mid-frame must show huge bust against a violently small waist and thread-thin straps. Close on the single winking eye. 12. Lens / Focus / Depth of Field 85–135mm look, shallow DOF, eyes sharp the whole time, no wide-angle distortion. 13. Visual Style / Quality Photoreal 4K fashion-erotic cinema. Real pores, real silk tension and breast weight. Elegant, vampy, humid, expensive. 14. Negative Prompt / Constraints No cuts. No both-eyes wink. No cute idol face. No rushed line-reading. No modest dress, no hidden bust or thick waist, no plastic skin. No cold detached tone. No extra people, text, watermark, or underage look. Do not use the old line. Do not skip the pause before the wink.
0:10

Sensitive content

Made in Grok Imagine 晚上好😊 我亲爱的𝕏战友们。 我们来一起连接美好,享受周末的愉快吧。🤟 “哥哥,来嘛,#交个朋友 吧,不要钱的那种。” #GrokImagine 提示词: 1. Concept / Theme A single continuous 10-second gala-night seduction. A tall Japanese woman in a thin-strap haute-couture evening gown has slipped away from a banquet. She delivers a cloying, breathy invitation, waits, then seals it with a one-eye wink. The new line is longer and more teasing; pacing must stay lazy and expensive, never rushed. 2. Subject One Japanese woman, 20–25, 178 cm. Extreme narrow waist, full heavy G-cup breasts, fair realistic skin. No other people. 3. Appearance Refined Japanese features, natural blue eyes, long lashes. Banquet 艳妆: visible pores under porcelain glam, smoky or wine-red eyes, wet berry-gloss lips, flushed cheeks. Sleek evening hair, glossy black, one loose strand. Collarbones, deep cleavage, razor waist all readable. 4. Expression & Emotion Elegant, foxlike, slightly spoiled. Voice is shamelessly 肉麻: syrupy, nasal-breathy, intimate, almost sticky between words. She knows the line is vulgar and enjoys saying it in a ballgown. After speaking she waits as if you might answer. Final: wink with only one eye; the other stays open on camera; tiny wicked smirk. 5. Clothing & Styling Haute-couture thin spaghetti-strap evening gown. Bias silk satin, deep neckline, fabric stretched over G-cup volume, waist engineered extremely small, high slit. Gala jewelry only. No jacket, no modest coverage, no thick straps. 6. Pose & Body Movement Banquet posture, weight on one hip, one hand on a glass, rail, or lacquered table. Lean-in so bust gains weight and waist hollows. After speech, freeze except breath. Optional tiny head tilt on the last words. No dance, no hair whip. 7. Environment / Setting Luxury banquet edge at night: ballroom corridor, terrace door, chandelier bokeh, private corner. 8. Time / Weather / Lighting Night interior. Warm chandelier spill plus side-rim light carving cleavage, breast underside, and the cut-in waist. Moist skin highlights, specular silk. 9. Action & Motion 0.0–2.0s: living eye close-up, breath, thin strap visible. 2.0–4.6s: slow reveal of full bust and extreme waist as she leans. 4.6–7.6s: she says, extremely breathy and cloyingly seductive, with sticky pauses: “哥哥,来嘛,交个朋友吧,不要钱的那种。” Break as: 哥哥 / 来嘛 / 交个朋友吧 / 不要钱的那种. Chest moves with the breath on the final clause. 7.6–8.8s: hold and watch the lens. 8.8–10.0s: one-eye wink, other eye open, tiny smirk. End on the catchlight. 10. Camera Movement One shot, no cuts. Slow tilt from eyes down the neckline to the waist, gentle push-in back to the face. Low camera. Micro handheld drift only. 11. Composition & Framing Vertical. Mid-frame must show huge bust against a violently small waist and thread-thin straps. Close on the single winking eye. 12. Lens / Focus / Depth of Field 85–135mm look, shallow DOF, eyes sharp the whole time, no wide-angle distortion. 13. Visual Style / Quality Photoreal 4K fashion-erotic cinema. Real pores, real silk tension and breast weight. Elegant, vampy, humid, expensive. 14. Negative Prompt / Constraints No cuts. No both-eyes wink. No cute idol face. No rushed line-reading. No modest dress, no hidden bust or thick waist, no plastic skin. No cold detached tone. No extra people, text, watermark, or underage look. Do not use the old line. Do not skip the pause before the wink.

AI Girl 📷

51,875 görüntüleme • 26 gün önce

Seedance 2.0 on MiniMax Design (H3) ===================== Prompt: Style: Photorealistic behind-the-scenes smartphone vlog footage. Faux vertical smartphone footage naturally cropped into 16:9. Authentic handheld phone aesthetic. No cinematic color grading, no HDR look, no 3D render, no game engine, no beauty filters. Feels like genuine behind-the-scenes content uploaded by a Korean idol. Lighting: Bright summer afternoon sunlight through large apartment windows gradually transitions into warm evening apartment lighting. Natural exposure fluctuations and auto white balance typical of smartphone cameras. Color: Neutral consumer smartphone color science with slightly soft contrast, mild highlight clipping near windows and natural indoor color shifts. Camera: Simulated smartphone camera filmed by another female idol member. Gentle handheld movement, natural walking motion, subtle autofocus breathing, slight rolling shutter during quick pans, occasional imperfect framing, brief focus hunting and realistic phone compression. Camera behaves like a friend casually filming, never professionally stabilized. Skin: Extremely realistic skin texture with visible pores and natural imperfections. Light everyday makeup. No skin smoothing. Acting: Gentle, elegant and soft-spoken. She smiles modestly, speaks calmly, occasionally becomes slightly shy after noticing the camera, and naturally thanks the person filming. Her personality is graceful, feminine, polite and slightly reserved. She rarely laughs loudly, instead showing warm smiles, subtle amusement and delicate facial expressions. Every movement feels refined, relaxed and effortless. Physics: Hair, clothing, towels, food, steam, water droplets and household objects all move naturally with realistic weight and momentum. Composition: Casual smartphone framing with occasional imperfect composition and spontaneous reframing. Feels like authentic dorm footage rather than planned content. Continuity: Maintain the exact same face, platinum blonde long straight hair with bangs, body proportions and identity from the reference image throughout every scene. No identity drift. Technical: Authentic 24–30fps smartphone video look with subtle compression artifacts. Final output 16:9. Audio: Natural apartment ambience only. Air conditioner humming, distant Seoul traffic, birds outside the window, cooking sounds, boiling water, frying food, dishes, footsteps, running water, toothbrush brushing, hair dryer, refrigerator hum and soft room ambience. No background music. No subtitles. Overall Mood: Warm, peaceful, elegant and comforting. Similar to a quiet behind-the-scenes dorm vlog uploaded by a Korean idol. Everything feels sincere, calming and intimate without trying to be entertaining. Character: A fictional Korean female idol in her early 20s. Long platinum blonde hair with straight bangs. Fair skin. Soft cat-like eyes. Slim figure. Graceful and feminine. She is known for her gentle personality, polite manners and calm speaking voice. She has just returned to the dorm after school and a schedule and quietly spends the rest of her summer evening. Wardrobe Continuity: CUT 1 She arrives wearing the exact sailor-style school uniform from the reference image, including the cream knit vest, blue sailor collar, blue pleated skirt, white socks and black loafers. CUT 2 She changes into an oversized white graphic T-shirt and loose black athletic shorts while cooking. CUT 3 She now wears a soft pastel blue sleeveless lounge top with white lounge shorts while eating dinner. CUT 4 The same lounge outfit while brushing her teeth. CUT 5 After washing her face she changes into luxurious white silk short pajamas featuring elegant gold piping along the collar, cuffs, chest pocket and shorts hem. The pajama set consists of a relaxed short-sleeve button-up shirt with matching silk shorts. Her hair is loosely tied back while doing skincare. CUT 6 Fresh after showering, still wearing the same white silk pajamas with gold piping. Her hair is slightly damp with a white towel resting around her neck while drying it. CUT 7 Relaxing on the sofa wearing the elegant white silk pajamas while hugging a plush toy and drinking iced tea. CUT 8 Before bed she lets her hair down naturally, waves softly toward the camera while wearing the elegant white silk pajamas, turns off the bedroom light and closes the door. Scene: A beautiful modern luxury Korean idol dorm apartment during a peaceful summer afternoon and evening. Cozy, bright and elegant interior with tasteful furniture, skincare products, plush toys, snacks, fresh flowers, books and neatly organized living spaces. CUT 1 — Coming Home Continuous handheld shot. She unlocks the front door, quietly enters the dorm wearing the school uniform from the reference image, removes her loafers neatly, places her school bag beside the entrance, smiles softly toward the camera and bows her head slightly. Dialogue: "다녀왔어요." CUT 2 — Cooking The camera follows her into the kitchen. She washes vegetables, prepares simple Korean home cooking, fries eggs, boils ramen, tastes the soup with a spoon and smiles gently. Dialogue: "오늘 많이 배고프네요." A female member is heard faintly from another room. Female Voice: "언니~" She smiles softly. "왜?" CUT 3 — Dinner She sits quietly at the dining table. Before eating, she gently places her hands together. Dialogue: "잘 먹겠습니다." She enjoys the meal peacefully while occasionally smiling toward the camera. CUT 4 — Brushing Teeth Bathroom mirror shot. She brushes her teeth slowly before smiling shyly after making accidental eye contact with the camera. Dialogue: "이제 양치해야지." CUT 5 — Skincare Now wearing elegant white silk pajamas with gold piping. She carefully applies toner, serum and moisturizer while calmly speaking to the camera. Dialogue: "오늘 피부가 조금 좋아 보이는 것 같아요." CUT 6 — After Shower She walks out of the bathroom with slightly damp hair and a towel resting around her neck. She quietly dries her hair while looking out the apartment window at the summer sunset. Dialogue: "샤워하니까 정말 개운해." CUT 7 — Relaxing She sits comfortably on the sofa hugging a plush toy while sipping iced tea and slowly scrolling through her phone. A female member speaks softly from another room. Female Voice: "영화 볼래?" She smiles warmly. "좋아요." CUT 8 — Good Night Late evening. She walks into her bedroom carrying her phone charger and plush toy. She turns around one last time, smiles gently at the camera and gives a small wave. Dialogue: "오늘도 함께해줘서 정말 고마워요. 좋은 꿈 꾸세요." She switches off the bedroom light. The bedroom door slowly closes while the handheld camera quietly remains outside for another second before the recording naturally ends.

TSUBAKI

121,896 görüntüleme • 2 ay önce

Early-2000s Indonesian Neighborhood Walk — Playful Candid Camcorder the prompt : Main Subject — Outfit: Young Indonesian woman, early 20s, natural everyday appearance. She wears a simple plain cotton kemben / strapless inner top in a faded earthy tone, paired directly with a traditional jarik wrapped around her waist and extending below the knees, with no skirt, no pants, and no additional lower garment visible. The jarik is an inexpensive traditional Indonesian batik-patterned cotton cloth, slightly faded from repeated washing, naturally wrinkled, loosely wrapped, and tied realistically at the waist. Simple worn brown leather flip-flops, tiny gold stud earrings, and dark naturally wavy hair tied loosely in a messy low ponytail with several wispy strands framing her face. The clothing should feel authentically early-2000s Indonesian: inexpensive cotton, slightly faded, natural wrinkles, imperfect fit, practical everyday homewear. The kemben is a modest everyday inner garment, not lingerie or a fashion top. No glossy fabric, no modern crop-top styling, no contemporary fashion branding. Maintain exactly the same identity, outfit, hairstyle, body proportions, facial features, and appearance throughout the entire video. Concept: An ordinary Indonesian morning captured by a friend on an old consumer camcorder. Instead of going shopping, she casually walks through a narrow kampung alley. She knows her friend is filming and occasionally turns toward the camera with a playful, teasing smile, briefly making eye contact, then continues walking naturally. She sometimes looks away as if pretending not to notice the camera, then suddenly looks back again with another mischievous smile. No dialogue. No lip-sync. No spoken words. Her personality is communicated entirely through natural facial expressions, eye contact, small gestures, and body language. Location: Authentic Indonesian residential kampung in approximately 2001–2005, around 8–9 AM. Narrow concrete alleyways, modest one-story houses, tiled roofs, faded walls, open terraces, potted plants in recycled containers, hanging laundry, bamboo drying racks, old motorcycles, plastic chairs, banana trees, coconut trees, overhead electrical wires, children playing in the distance, neighbors sweeping their terraces, and old metal gates. No modern cafés, smartphones, convenience stores, LED signage, contemporary architecture, luxury vehicles, billboards, or obviously modern objects. Visual Style: Ultra-realistic documentary realism. Genuine early-2000s Indonesian home-video aesthetic. Authentic candid behavior, imperfect timing, spontaneous gestures, realistic walking motion and natural facial expressions. Camera Style: Early-2000s consumer MiniDV / Digital8 camcorder operated by a friend. Heavy handheld movement, slight nervous camera shake, imperfect framing, occasional accidental cropping, autofocus hunting, focus breathing, exposure pumping, mild motion blur, slight rolling-shutter distortion, soft image detail, subtle digital compression, tiny sensor noise, warm faded colors, slightly yellowish highlights, muted blacks, low-to-medium contrast. No gimbal. No stabilization. No cinematic dolly movement. No drone. No modern camera sharpness. No HDR. No cinematic color grading. No artificial film grain. No polished commercial look. 00:00–00:02 — Walking Toward the Camera The woman walks slowly through a narrow kampung alley toward the camera. The camcorder operator walks backward while filming her. She notices the camera and gives a small amused smile. She briefly looks directly into the lens, then looks down and continues walking as if pretending she was not paying attention. Her jarik moves naturally with each step, and the loose cotton kemben shows realistic fabric wrinkles. Her flip-flops make soft sounds against the concrete. The autofocus briefly loses her face before snapping back. 00:02–00:05 — Playful Eye Contact She continues walking past a modest house with laundry hanging outside. After several steps, she suddenly turns her head toward the camera and gives a playful, slightly mischievous smile, holding eye contact for a moment. She raises one eyebrow subtly, then looks away while smiling to herself. She continues walking without speaking. The camera operator follows her unevenly, causing the frame to drift slightly. Sunlight flickers through banana leaves across the alley. A neighbor sweeping the pavement briefly glances toward the camera. 00:05–00:08 — Looking Back The camera moves behind her as she continues farther down the alley. She notices the camera following her and slowly turns her head over her shoulder. She smiles directly at the lens again, this time with a slightly more teasing, playful expression. She briefly raises one hand in a tiny casual wave, then immediately lowers it and keeps walking. The gesture feels spontaneous rather than performed. A motorcycle passes slowly at the end of the alley. A child walks past carrying a small plastic toy. 00:08–00:10 — Final Candid Moment She reaches a small corner where the alley turns. Before disappearing around the corner, she stops for half a second and looks back at the camera. She gives one final warm, playful smile, then turns away and continues walking. The camcorder operator accidentally zooms in slightly as she gets farther away. Autofocus hunts briefly. The image becomes slightly soft. She disappears around the corner. The recording abruptly cuts to black mid-motion, exactly like an old MiniDV recording being stopped. Audio — Hyper-Detailed Early-2000s Indonesian Neighborhood ASMR: Authentic environmental audio only. No music, no narration, no dialogue, no spoken words. Soft flip-flops slapping against textured concrete, cotton fabric moving with each step, subtle jarik fabric movement, distant motorcycle engines, broom bristles scraping pavement, leaves moving in the tropical breeze, neighborhood birds chirping, distant rooster crowing, a metal gate opening, faint children's footsteps, an occasional bicycle chain clicking, plastic chairs scraping concrete, distant neighbors doing morning chores, and subtle ambient kampung sounds. The woman's playful expressions are completely silent. No laughter or spoken teasing. Audio should sound like a real early-2000s consumer camcorder microphone: slightly compressed, imperfect stereo separation, natural environmental noise, distant sounds occasionally becoming louder as the camera moves, subtle microphone handling noise, and realistic outdoor ambience. Overall Goal: Make the footage feel like a forgotten personal Indonesian MiniDV tape from 2002–2005. The woman is simply walking through her neighborhood, but she occasionally notices her friend filming and responds with playful eye contact and a mischievous smile. Nothing should feel like a modern fashion shoot, music video, or staged performance. The charm comes from the imperfect handheld camera, ordinary kampung environment, authentic clothing, natural walking, spontaneous expressions, and nostalgic early-2000s Indonesian home-video atmosphere.

KemenGambar

20,085 görüntüleme • 1 ay önce

Who could resist a girlfriend this sweet—and full of surprises? 🥹 A big thanks to the original creator for sharing this delightful prompt. From adapting a reference image and matching the character to crafting the final video prompt, you can create the whole concept from scratch here: prompt: Vertical 9:16 format, 10.0 seconds, 60 fps. Realistic smartphone portrait footage with an immersive first-person interaction aesthetic, captured as one continuous uncut shot. Extreme close-up of a young adult East Asian woman, with her face occupying almost the entire frame as she rests on a soft white pillow. Her smooth, glossy black medium-length straight hair is naturally tousled across the bedding. Preserve the reference image’s distinctive wispy blunt bangs and loose face-framing strands, along with her fair, luminous complexion. 【Character Identity and Styling】 Strictly preserve the identity and facial appearance of the woman in the uploaded @ image_1: maintain the same face shape, facial-feature proportions, eye shape, eyebrows, nose, lips, hair color, wispy blunt bangs, face-framing strands, skin tone, and apparent age. She must remain the same person throughout the entire video. Her facial features must not change with movement, camera angle, facial expression, or distance from the camera. Use @ image_1 only as the reference for the woman’s identity, facial features, hairstyle, and makeup aesthetic. Do not inherit the black outfit, arm-supported pose, room background, pink heart stickers, text, watermark, or any other graphic overlays from the reference image. The woman from @ image_1 is wearing a beige-pink floral spaghetti-strap nightdress. Visual styling: preserve the delicate, translucent “tearful makeup / slightly tipsy makeup” aesthetic seen in the reference image, including naturally long upward-curled eyelashes, soft pink under-eye blush, subtly defined aegyo-sal, fine shimmering highlights at the inner corners of the eyes, glossy glass-like lip color, and watery translucent gray-brown contact lenses matching @ image_1. Her overall appearance should feel soft, innocent, affectionate, and full of fresh morning energy immediately after waking up. 【Camera and Lighting】 First-person POV from the boyfriend’s perspective. The opening shows a high-angle view looking down at the woman lying on her side in bed. During the middle and final sections, her sudden pounce causes natural mattress movement, realistic camera shaking, and an extremely close face-to-face perspective. The background is a clean, warm morning bedroom with light-colored bedding. Bright, soft morning light enters from the upper side as diffused illumination. Use high-key exposure and low contrast while preserving the subtle rise and fall of her breathing, the natural volume of her cheeks, and her moist, translucent skin texture. 【Action and Rhythm】 Within 10 seconds, complete a continuous emotional reversal: from “sleepily holding his hand and asking him to stay,” to “the boyfriend teasing her affectionately,” and finally to “suddenly waking up and energetically pouncing on him, pushing the camera back onto the bed.” Dialogue and physical actions must be precisely synchronized. The pacing should feel intensely sweet, playful, and immersive. 【Second-by-Second Timeline】 0.00–2.50 seconds | Part 1: Sleepily Reaching Out and Asking Him to Stay — “别走可以吗?” The boyfriend is about to get up and leave, causing the camera to make a subtle upward movement as if he is rising from the bed. The woman, lying on her side, sleepily opens her eyes. One fair-skinned hand instinctively reaches out from beneath the blanket and firmly holds the boyfriend’s wrist, refusing to let go. She slightly pouts her lips and gazes softly and innocently into the camera. In a gentle, sleepy voice, she says in Mandarin, with precisely synchronized lip movement: “别走可以吗?” 2.50–4.50 seconds | Part 2: Affectionate Interaction and Playful Question — “不上班你养我呀?” The boyfriend reaches out with his other hand and affectionately gives her soft cheek a gentle pinch. Her eyes remain sleepily half-open, and she rubs her cheek against his palm like a small cat. The boyfriend’s warm, smiling off-screen voice asks in Mandarin: “不上班你养我呀?” 4.50–7.50 seconds | Part 3: Instantly Waking Up and Pouncing Forward — Waking Up & Pouncing After hearing his question, her previously drooping eyelids instantly open wide, and she becomes fully alert within a second. A flash of playful cunning and excitement appears in her eyes. She plants both hands on the bed and suddenly lunges forward, directly pouncing on the boyfriend from the first-person perspective and pushing him back down onto the soft mattress. The camera experiences a realistic sense of weightlessness, strong natural shaking, and visible mattress compression as the bed sinks under their weight. 7.50–10.00 seconds | Part 4: Close-Up Dominant Gaze and Playful Declaration — “我养你呀!” The camera is now lying flat against the pillow. The woman supports herself with both hands placed on either side of the boyfriend’s body and looks down into the camera from an extremely close distance. Her wispy blunt bangs and glossy black strands of hair naturally fall around the lens. Her watery gray-brown eyes curve into smiling crescents, and her lips form a bright, proud, delighted smile. She gives the camera a playful wink and says energetically in clear Mandarin, with precisely synchronized lip movement: “我养你呀!” End on a frozen moment of intimate, heart-fluttering eye contact. 【Mandatory Continuity Rules】 Maintain throughout the entire video: 10 seconds, 60 fps, vertical 9:16 format, first-person boyfriend POV, extreme close-up facial interaction, and dynamic bed movement caused by the pounce. The pouncing action must be quick, decisive, and physically believable, with natural gravity, body momentum, mattress compression, and camera response. Her expression must shift instantly from sleepy and drowsy to bright, energetic, and playful. Maintain intense, affectionate eye contact throughout, creating a highly immersive and emotionally impactful sweet morning interaction. Strictly lock the character identity, wispy blunt bangs, face shape, and facial-feature proportions from @ image_1 throughout the video. No identity changes, face swapping, facial-feature drift, hairstyle changes, eye-color changes, age changes, excessively heavy makeup, plastic-looking skin, malformed fingers, extra limbs, body distortion, or physical clipping.

underwood

19,217 görüntüleme • 29 gün önce

Tejo pulang dari kota, nakal ke surti **VIDEO PROMPT — 10 SECONDS** **Main Subject** Young Indonesian woman, clearly adult, early 20s, natural everyday appearance. She is relaxing casually on her bed in a modest early-2000s Indonesian bedroom, partially covered comfortably by a thick everyday blanket. Her appearance remains exactly consistent throughout the video: same face, hairstyle, body proportions, clothing, and identity. She wears simple authentic early-2000s kemben/ jarik, with no lingerie styling, no glamour styling, and no contemporary fashion elements. Her dark naturally wavy hair is loosely tied in a messy low ponytail, with several wispy strands framing her face. **Concept** A playful, completely candid moment captured by a close friend on an old consumer MiniDV / Digital8 camcorder inside an ordinary Indonesian bedroom around 2002–2005. The woman is lying comfortably on her bed under the blanket, laughing and joking with a male friend who is filming from the side of the bed. The camera feels like a genuine personal home video rather than a staged production. A man's hand briefly enters the edge of the frame and playfully tugs the blanket toward himself. The woman immediately reacts with surprised amusement, laughs, grabs the blanket with both hands, pulls it back toward herself, and says: **“iihhhh, Tejo nakal!”** She laughs naturally afterward. The interaction should feel innocent, spontaneous, playful, and comedic, like friends joking around while recording a private home-video memory. **Location** Authentic modest Indonesian bedroom from approximately 2001–2005. Simple wooden bed frame, slightly worn mattress, patterned bedsheet, old floral blanket, mosquito net or simple curtain, wooden wardrobe, small bedside table, old alarm clock, plastic storage containers, folded clothes, faded painted walls, small window with thin curtains, an old fan, and a few ordinary household objects. No smartphones, LED lighting, modern furniture, contemporary decorations, luxury bedroom design, or modern electronics. **Camera Style** Early-2000s consumer MiniDV / Digital8 camcorder operated by a friend. Strong handheld movement, slightly shaky framing, imperfect composition, occasional accidental cropping, autofocus hunting, focus breathing, exposure pumping, mild motion blur, soft digital detail, subtle compression artifacts, tiny sensor noise, warm faded colors, slightly yellowish highlights, muted blacks, low-to-medium contrast. The camera operator does not behave like a professional cinematographer. The framing is spontaneous and occasionally awkward. No gimbal. No stabilization. No cinematic dolly movement. No modern digital sharpness. No HDR. No polished commercial look. No artificial film grain. No cinematic color grading. ### 00:00–00:02 — Quiet Candid Moment Camera is already recording from the side of the bed. The woman is comfortably lying under the blanket, looking toward the camera with a relaxed expression. She notices the camera and smiles, slightly embarrassed as if she knows her friend is recording her. The camera shakes subtly as the operator adjusts position. ### 00:02–00:05 — Blanket Tug A male hand suddenly enters from the side of the frame and playfully grabs the edge of the blanket. The man gently pulls the blanket toward himself. The woman reacts immediately with a surprised laugh, grabs the blanket firmly with both hands, and pulls it back toward herself. She looks toward the man with an exaggerated playful expression. She says naturally: **“Iihhhh, Tejo nakal!”** Her delivery should sound spontaneous and conversational, not like an actor reading dialogue. ### 00:05–00:08 — Laughing Reaction She successfully pulls the blanket back She laughs, shakes her head, and gives Tejo a playful annoyed look. She briefly looks directly into the camcorder lens as if complaining to the person filming. Her expression is mischievous and amused rather than angry. The camera operator laughs softly behind the camera, causing a tiny shake. Autofocus briefly shifts toward the blanket before returning to her face. ### 00:08–00:10 — Final Candid Moment She pulls the blanket slightly higher around herself, smiles toward the camera, and gives a playful expression as if saying *“seriously, Tejo?”* without additional dialogue. She lets out a short natural laugh. The camera suddenly moves slightly closer, exposure briefly changes, and the recording abruptly cuts to black mid-motion like an old MiniDV recording being stopped. **Audio — Authentic Early-2000s Indonesian Bedroom** Realistic consumer camcorder microphone recording. Natural room ambience, soft blanket movement, mattress creaking slightly, fabric rubbing against the bedsheet, distant neighborhood sounds through the window, faint motorcycle engine outside, birds in the distance, an old electric fan humming softly, subtle household noises, and natural laughter. Include the woman's spoken dialogue clearly: **“Iihhhh, Tejo nakal!”** The male friend should not have a clearly audible full sentence. His presence is communicated mainly through the playful blanket tug and a brief natural laugh from behind the camera. Audio should have the characteristic slightly compressed sound of an early-2000s consumer camcorder microphone, imperfect stereo separation, mild room echo, realistic environmental noise, and occasional handling noise. **Overall Goal** Make the footage feel like a genuinely forgotten Indonesian family/friend MiniDV recording from around **2002–2005**. The humor should come from the spontaneous blanket tug, the woman's surprised reaction, her playful complaint **“Iihhhh, Tejo nakal!”**, and the imperfect handheld camera. The scene must feel like an ordinary candid home-video moment: natural, awkward, nostalgic, spontaneous, and unscripted — **not a fashion shoot, music video, commercial, or erotic scene.** video 9 : 16

KemenGambar

97,139 görüntüleme • 1 ay önce

They did not take cursive from the schools because children no longer needed it. They took it because of what it was quietly building in them. Consider what the exercise actually is. A child, six years old, is handed a pen and asked to draw a single unbroken line that becomes a word. The wrist must float. The fingers must hold a living pressure, never quite the same twice, always correcting. The eye must follow the ink forward and trust the hand to finish what it has begun. There is no lifting, no stopping, no starting over mid-word. The loop must close. The ascender must rise and return. The sentence must travel from one margin to the other as a single continuous gesture, and at the end of it the hand must still be steady. Twelve years of this. Every day. Ten thousand small acts of sustained, self-correcting attention, carried out below the level of conscious thought, until the motion belongs to the body and the body belongs to the motion. This is not penmanship. It is the slow construction of an interior form. The hand that has learned to carry a line without breaking it is the hand of a mind that has learned to carry a thought without breaking it. The two are not metaphors for one another. They are the same faculty, trained in the same child, by the same daily discipline. Continuity of the stroke becomes continuity of the reasoning. The patience of the loop becomes the patience of the argument. The commitment to finish a word one has started becomes the commitment to finish a sentence, a paragraph, a life's idea, without reaching for the nearest distraction halfway through. Print is a different creature entirely. Print lifts. Print stops. Print assembles a word out of separate, stamped, interchangeable pieces, each one beginning and ending in isolation. A mind raised only on print learns to think the way print is made, in discrete tokens, in replaceable units, in fragments that can be recombined by any outside hand without the owner noticing the substitution. It is precisely the shape of thought a language model produces. It is precisely the shape of thought a language model can steer. Cursive is kata. This is the whole of it. A form repeated daily, for years, not for the sake of the form but for what the repetition lays down in the practitioner beneath the form. The swordsman does not train kata so that one day he may fight in kata. He trains it so that when the moment comes and there is no time to think, the movement is already inside him, older and deeper than thought, and it rises on its own. Cursive was the kata of the literate mind, the daily quiet drilling of continuity, of patience, of a line held steady under the long pressure of its own length. And the signature it produced at the end, that small flourished mark unique to a single human being on earth, was only the outward proof of an inward form no machine and no other hand could ever reproduce. Take the kata away and the practitioner is left with vocabulary in place of faculty. He can recognise a whole thought when he encounters one. He cannot carry one himself. He can admire a finished argument. He cannot sustain one long enough to close its loop. He begins books he does not finish, sentences he does not end, ideas he abandons the moment the screen in his palm offers him a brighter one. And when the machine begins feeding him tokens in the exact shape his schooling taught him to receive, he meets it with no interior resistance at all, because no interior form was ever built in him to push back with. They removed it quietly, across a generation, and they removed it in the last years before the machines arrived. Twelve years of daily practice in unbroken, embodied, self-authored thought, gone from the curriculum of almost every child in the Western world, just as the instruments designed to complete their sentences for them came online. The hand forgets. The mind, having never been taught the kata, forgets a thing it never knew it had. That is what cursive was. That is what was taken. And that is why the thought of anyone who still writes by hand, in long unlifted lines, remains, quietly, stubbornly, and without their ever needing to announce it, their own. Now the question stands open. What else has been banned, phased out, quietly retired from the curriculum and from common life over these same decades, under the same soft excuses? Mental arithmetic. Memorisation of poetry. Latin. Logic as a formal subject. Map reading. Knot work. The keeping of a commonplace book. The reading aloud of long passages in class. Singing in parts. What was each of those actually building in the child, beneath the surface of the lesson, and whose interest was served by its disappearance?

SiriusB

444,185 görüntüleme • 5 ay önce

Lads. Sit down and give me your ear a while, for I have watched from the water long enough and the hour is upon us whether we have the stomach for it or not. You remember. Or your fathers told you, or their fathers did, and the knowledge of it is in the marrow of you whether you drew breath in those days or not. The moors in the grey hour before dawn. Wet heather soft under the boot. Peat smoke rising from a low stone chimney a mile out across the bog, thin as a prayer. A sky the colour of a gun barrel and the gulls lamenting above the headland. The smell of turf burning, and wet wool, and the ferrous tang of the sea when the wind swung around out of the Atlantic and put the taste of iron on your tongue. A man could walk that land and know every stone of it was his by inheritance, because his grandfather had broken his back upon it, and his grandfather before him, back through the generations until you reach men whose names are lost and whose bones are in the soil you are standing on. The potato fields. God be good to us, the potato fields. Lazy beds cut straight as a gunwale, the ridges black and shining after a night of rain, women bent double with creels lashed to their backs and the children at their skirts, drawing the crop up by the hand for there was never any other means devised nor wanted. Hands split open at the knuckles and never entirely healed in this life. Hunger within living memory. Grandmothers who had seen the blight with their own eyes and would not speak of it from the year of it until the day they were laid down, save that a crust was kept always on the dresser which no soul in that house was permitted to touch. Not ever. Not for any reason under heaven. And the chimney sweeps. Wee lads no heavier than a sack of meal, black to the bone with soot, their lungs ruined before they were old enough to marry and old men entirely by thirty. Up the flues at first light, the skin worn off them by the brick, eyes crimson at the rim, breathing the black in with every draw of air. And the coal miners a half mile beneath our feet, down in the wet dark, the roof of the world muttering over their heads, the canary gone silent, a man's whole existence measured out in the shilling a ton and the dust he carried home in his chest to cough up of a Sunday morning into a rag. Fathers who descended and were never hauled up again. Widows at the pit head with the shawl drawn over the head and no tears remaining in them for they had spent those long ago. That was the tariff paid to keep the hearth lit. That was the reckoning of being warm in winter in the Ireland that was. And after the labouring week, Friday evening, and a man had earned the peace of what followed. Home first. Peeled the day off him in the yard. A shower of ice cold moor river water out of a tin bucket punctured with holes, hung on a nail on the gable wall, the water running clean down the back of him and carrying the week's dust and sweat away into the drain. Scrubbed till the skin was pink beneath the grime. Clean shirt laid out by the wife. The hair combed down with a drop of water. Then, and only then, did a man set himself to the table. A meat pie from the baker, tenpence if he was known to you, a shilling and no change if he was not, put down upon a proper plate. Fish and chips for threepence, the salt and vinegar soaked through the newspaper, but carried home and ate slowly at your own table with your people around you, not walked with through the streets like some vagrant tinker off the road. A man ate as a man who had earned his portion, for he had. And later, with the dishes cleared and the kettle set, down the road to the tavern. Low beams black with a century of smoke. A turf fire muttering in the grate. The air thick with pipe smoke and the vapour of wet overcoats steaming themselves dry on the backs of chairs. A pint of stout, cold and black as a cove at midnight, elevenpence laid down on the counter, a head on it thick enough to strike a match upon. A second one because you had it coming to you and no man present would dispute it. A fiddle starting up in the corner of its own accord. The old men in the snug who remembered matters the history books had long since mislaid. A song before the bolt was thrown on the door. The walk home beneath a firmament crowded with stars, the stout warm in the gut of you, the week behind you, and your own door waiting with the latch unlocked for you had no enemies in that parish. That was the country. That was the covenant. Honest labour, plain food, a cold wash, a hot meal, a cold pint, your own tongue in your own mouth, your own soil beneath your boots, and no man standing above you save the Almighty Himself. Now regard her. Regard her close. The fields disposed of to men who have never set foot upon them and never shall. The harbours signed away by the stroke of a pen in a room you were not admitted to, and foreign keels dragging out of our waters the living that sustained this island for a thousand years, while our own boats rot at their moorings for want of a quota. The tradesmen undercut by imported labour and imported goods. The shops shuttered along every main street from Donegal to Cork. The young ones scattered to London and Sydney and Boston and the Gulf because there is nothing remaining for them beneath their own roof. And the entirety of this rotten arrangement dressed up in the soft mannerly language of progress by men in towers of glass who could not tell a lazy bed from a grave, nor a trawler from a tugboat, nor an honest day's work from a pension plan. And now they arrive with the next imposition. A digital identity. A number assigned to each soul. A card required to buy your bread. A code required to draw your own earnings out of your own account. A file kept on every man, woman and child from the cradle forward. Permission asked to move. Permission asked to speak. Permission asked to earn. A levy upon every breath drawn and a regulation upon every step taken. No. And no again. And no for a third time so there is no misunderstanding of it. We do not require your digital identity. We did not request it. We did not vote upon it. We do not consent to it. We do not need your permission to exist upon the soil our forefathers are buried in. We are a free people. We have carried ourselves this far upon our own two backs. Through famine and empire and civil war and black lung and blight and the emigrant ship out of Cobh, we have come this distance under our own steam, and the arrangement appears to be serving us well enough without your intervention. We buried our own. We fed our own. We raised our own roofs and took our own fish and reared our own children in our own tongue. We are in your debt for nothing. Not a signature. Not a biometric scan. Not a single solitary inch. And while we are upon the subject, let us speak plainly of the tax man, for he has gone too long without proper introduction. The tax collector and the tax man are the one article under two names, and the article is a parasite. There is no dressing it up finer than that. A man who produces nothing, who grows nothing, who catches nothing, who builds nothing, who mends nothing, who has never in his professional life lifted anything heavier than a pen, and who arrives at your door with the full apparatus of the state at his back to carry off the fruits of labour he did not perform. He is a middleman between your sweat and some scheme dreamt up in a committee room by his own kind, and the great majority of what he takes is consumed by the machinery of the taking itself before ever a penny of it reaches the road or the hospital or the schoolhouse he claims to be funding. And I will go further while I have the floor. Finance itself, the whole apparatus of it, money breeding money in the dark without a hand laid upon a tool or a spade turned in the earth, is slavery dressed in a good suit. It is the oldest swindle known to man and it has never been anything other. A man who produces nothing yet lives off the productive labour of others through the charging of interest upon money conjured out of nothing is a parasite of a rarer and more refined order than the tax man, but a parasite all the same, and between the pair of them they have the working people of this island bled white and lectured at for the pleasure. A man who will not work with his hands, nor with his back, nor with his mind at some honest problem of the real physical world, is no man that I recognise. He is a ledger entry in a suit. The country was not built by ledger entries. The country was built by farmers and fishermen and masons and smiths and sweeps and miners and shipwrights and midwives and mothers, and those are the people whose say should carry in her councils, and no other. Here is what I put to you. Let each man and woman of this island direct the first tenth of their earnings themselves, by their own judgement, to the purpose they see as worthy. The school down the road. The lifeboat station. The hospice. The widow on the corner. The roof of the chapel. The harbour wall. Whatever it may be. Let the people who earned the money decide where the money travels. You will find the roads mended and the ports dredged and the schools standing and the old ones cared for inside of five years, and done better and for less, because the hand that earned the coin knows the weight of it and will not squander it upon consultants and committees. And let us have done with the paper currency and the numbers in a screen that can be frozen at the whim of a clerk in a tower. Bring back the coin. Gold for the great transactions. Silver for the weekly commerce of a working life. Copper for the small change of the day. Metal you can bite. Metal you can weigh. Metal that cannot be conjured out of nothing by a keystroke, nor erased out of existence by another. Real money for real labour. A coin in the hand is a free man's wage. A number in a database is a collar around a free man's neck, and they are fitting that collar now while we stand arguing over the colour of it. Feel it in your gut. That is not nothing. That is your blood relating to you what your ears will not hear. That is every forebear who starved and fought and coughed the black dust into a rag and descended the shaft regardless, standing at your shoulder and saying no further. Not one more field. Not one more harbour. Not one more son upon a plane. Not one more free man converted into a number in a ledger for the convenience of the parasites. This is the hour. Make no error about it. Ireland is redeemed in this generation or she is lost beyond recovery, and every true son and daughter of her knows it in the marrow. There is no middle ground remaining. There is no waiting it out. There is standing now, upon your own two feet, or there is watching her go under the waves for the last and final time. So stand. Stand with your farmers. Stand with your fishermen. Stand with your tradesmen and your miners and your sweeps and your mothers and your old ones. Raise the tricolour. Speak the tongue. Walk the land. Hold the line in the streets of every town and city and do not break it, for they are relying upon you to break and to go home and to forget by Tuesday. She is calling her children home. Every stone of her, every breaker on her western shore, every acre of wet heather and every coal in every hearth the length and breadth of her is calling. Answer her. Take her back. Every field, every harbour, every last inch of her. Take her back, or lose her entirely. There is no third road open to us.

SiriusB

15,437 görüntüleme • 5 ay önce