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THE IPCRESS FILE (1965) is a masterclass in “frame within the frame” cinematography. Director Sidney J. Furie and cinematographer Otto Heller turned doors, windows, lamps, shelves, file cabinets, walls, and foreground objects into visual architecture. The result is not just “cool framing.” It changes how we watch the film.... show more

Vashi Nedomansky, ACE

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60,100 views • 2 months ago •via X (Twitter)

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THE IPCRESS FILE (1965) — the spy film that put Michael Caine on the map and gave 007 a run for his money. With the passing of Len Deighton, now feels like the perfect time to revisit it. But is it the best non-Bond spy film of the ’60s?

THE IPCRESS FILE (1965) — the spy film that put Michael Caine on the map and gave 007 a run for his money. With the passing of Len Deighton, now feels like the perfect time to revisit it. But is it the best non-Bond spy film of the ’60s?

SpyHards - A Spy Movie Podcast

34,828 views • 5 months ago

BQQM... Tulsi is not leaving quietly... she is forcing the intelligence community to reopen the entire biolab story on her way out... 120+ labs across 30 countries... Ukraine is in the frame, gain-of-function is in the frame, Fauci is in the frame, and Biden national security apparatus is in the frame, and now the receipts are being requested... Tulsi has roughly 30 days left near the declas valve, and she appears determined to pull as much into the light as possible before the handoff... The story is no longer whether the labs existed... The story is who funded them, who approved them, who covered for them, and who lied about them... The DECLAS button is being pushed... see post below...

BQQM... Tulsi is not leaving quietly... she is forcing the intelligence community to reopen the entire biolab story on her way out... 120+ labs across 30 countries... Ukraine is in the frame, gain-of-function is in the frame, Fauci is in the frame, and Biden national security apparatus is in the frame, and now the receipts are being requested... Tulsi has roughly 30 days left near the declas valve, and she appears determined to pull as much into the light as possible before the handoff... The story is no longer whether the labs existed... The story is who funded them, who approved them, who covered for them, and who lied about them... The DECLAS button is being pushed... see post below...

Observing Consciousness

27,631 views • 2 months ago

Stephanie White spoke extensively on the hate her players (and other W players) have faced: “We in the media have to do a better job of not allowing trolls in social media to become the story. I feel like we have allowed trolls in social media to frame the narrative of what the story is. And it’s unacceptable.”

Stephanie White spoke extensively on the hate her players (and other W players) have faced: “We in the media have to do a better job of not allowing trolls in social media to become the story. I feel like we have allowed trolls in social media to frame the narrative of what the story is. And it’s unacceptable.”

Noa Dalzell 🏀

1,092,691 views • 1 year ago

Cool engineering thing about IMAX - the film is so large that a traditional film transport system would put too much stress on the sprocket holes on the edge of the film. The film needs to get pulled forward a frame and then held still, the acceleration forces increase as the square of the frame size, so the full 15 hole/frame IMAX film is 9 times the acceleration of 5 hole/frame 70mm. This extra stress increases the chance that film gets damaged to the point that the developers of the format came up with a 'Rolling loop' transport mechanism that bends the film into a loop of exactly the right length, this moves down the film like a wave, and each wave advances the film by one frame. This changes the stresses and lets the large format film work without failing. I remember seeing this in the 90's and only just remembered when someone showed me a video from Ryan Coogler talking about film formats.

Cool engineering thing about IMAX - the film is so large that a traditional film transport system would put too much stress on the sprocket holes on the edge of the film. The film needs to get pulled forward a frame and then held still, the acceleration forces increase as the square of the frame size, so the full 15 hole/frame IMAX film is 9 times the acceleration of 5 hole/frame 70mm. This extra stress increases the chance that film gets damaged to the point that the developers of the format came up with a 'Rolling loop' transport mechanism that bends the film into a loop of exactly the right length, this moves down the film like a wave, and each wave advances the film by one frame. This changes the stresses and lets the large format film work without failing. I remember seeing this in the 90's and only just remembered when someone showed me a video from Ryan Coogler talking about film formats.

Scott Manley

274,676 views • 6 months ago

If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

Jamal ☯︎ 🔆🧘🏽🧠

13,149 views • 4 months ago

Lawrence of Arabia (1962) is the definition of cinematic grandeur. Shot entirely on location in the desert with 70mm film, every frame feels monumental. It is a reminder of when epic filmmaking meant scale, patience, and awe rather than visual effects.

Lawrence of Arabia (1962) is the definition of cinematic grandeur. Shot entirely on location in the desert with 70mm film, every frame feels monumental. It is a reminder of when epic filmmaking meant scale, patience, and awe rather than visual effects.

cinesthetic.

63,520 views • 9 months ago

Creator seungho__yeo ( IG ) transformed one of most iconic scenes in About Time into an Arcane-inspired visual inside ComfyUI. The original performance, camera movement, and emotional pacing remain intact, while every frame is reinterpreted with a painterly aesthetic, dramatic lighting, and rich cinematic textures. pipeline: → Source scene → Style transfer → Frame-by-frame reinterpretation → Final cinematic render Changing only the visual style completely reshapes the emotional atmosphere of a scene. Which version do you prefer, the original film or the Arcane-inspired reinterpretation?

Creator seungho__yeo ( IG ) transformed one of most iconic scenes in About Time into an Arcane-inspired visual inside ComfyUI. The original performance, camera movement, and emotional pacing remain intact, while every frame is reinterpreted with a painterly aesthetic, dramatic lighting, and rich cinematic textures. pipeline: → Source scene → Style transfer → Frame-by-frame reinterpretation → Final cinematic render Changing only the visual style completely reshapes the emotional atmosphere of a scene. Which version do you prefer, the original film or the Arcane-inspired reinterpretation?

ComfyUI

11,349 views • 1 month ago

First frame + Last frame = Fashion ads in minutes. Here’s how I generated this U.S. Polo sequence using Kling 3.0 + Calico AI: → The Input: A start frame and an end frame to lock in the subject and composition. → The Prompt: Don't just ask for a "cool video." Specifically prompted for "slow cinematic push-in," "shallow depth of field," and "micro-parallax" to get that premium brand-film look. → The Output: Motion that looks like a high-budget fashion shoot. Studio shoots are expensive, but AI is leveling the playing field. Comment 'PROMPT' if you want me to send you all of the prompts and the system I used to build this. (must be following so I can dm you!)

David Roberts

26,271 views • 5 months ago

Warlordes is more than just a game; it’s a story-rich experience built to celebrate culture, legends, and the worlds we imagine. Every frame, every move, and every detail has been crafted with care and purpose. Download now and be part of the movement from the very beginning… Now available on the Play Store and App Store👇🏾

Warlordes is more than just a game; it’s a story-rich experience built to celebrate culture, legends, and the worlds we imagine. Every frame, every move, and every detail has been crafted with care and purpose. Download now and be part of the movement from the very beginning… Now available on the Play Store and App Store👇🏾

Hammer Games

28,841 views • 1 year ago

Zach Polanski, "We can stop the small boats criss. We could have safe and legal routes" "This is a manufactured crisis by the Conservative government and now the Labour government" "So many black and Asian communities in this country are terrified because the whole frame of the migration crisis is a racist fascist frame" "There is a sense the country is broken. And they're right" "But the answer is not to blame migrants or asylum seekers" "The answer is to point at the private jets, teh private yachts, and to the multi millionaires and billionaires, and to say, we will fund our public services, we will build council houses, we will invest in our NHS" Simple, succinct 👏

Zach Polanski, "We can stop the small boats criss. We could have safe and legal routes" "This is a manufactured crisis by the Conservative government and now the Labour government" "So many black and Asian communities in this country are terrified because the whole frame of the migration crisis is a racist fascist frame" "There is a sense the country is broken. And they're right" "But the answer is not to blame migrants or asylum seekers" "The answer is to point at the private jets, teh private yachts, and to the multi millionaires and billionaires, and to say, we will fund our public services, we will build council houses, we will invest in our NHS" Simple, succinct 👏

Farrukh

255,222 views • 11 months ago

Ever wondered how we come up with combos with new characters and new moves? It’s all in the frame data! Frame data opens up a new perspective to the game. This is one of the most basic levels of frame data 101. Check it out! #streetfighter #streetfighter6 #kimberly #sf6

Ever wondered how we come up with combos with new characters and new moves? It’s all in the frame data! Frame data opens up a new perspective to the game. This is one of the most basic levels of frame data 101. Check it out! #streetfighter #streetfighter6 #kimberly #sf6

Sherry Nhan

109,126 views • 3 years ago

DESIGN.md is how we work with agents now, but a text file is a terrible way for a human to make a visual decision. So we built our preview to give some of that control back: edit the file as text or pick colors visually, and the two stay in sync. And swatches sit on the actual light and dark backgrounds because color only means something in the context you'll see it in.

DESIGN.md is how we work with agents now, but a text file is a terrible way for a human to make a visual decision. So we built our preview to give some of that control back: edit the file as text or pick colors visually, and the two stay in sync. And swatches sit on the actual light and dark backgrounds because color only means something in the context you'll see it in.

Chloe Park

86,462 views • 2 months ago

The cinematography in MAD MEN makes some of the simplest scenes look like paintings, and one of my favorites is the end of S2 E8, where Don drinks a beer alone in the office, and we slowly back away as he becomes more isolated in the frame. All while "Early in the Morning" plays.

The cinematography in MAD MEN makes some of the simplest scenes look like paintings, and one of my favorites is the end of S2 E8, where Don drinks a beer alone in the office, and we slowly back away as he becomes more isolated in the frame. All while "Early in the Morning" plays.

Sean Collins-Smith

110,829 views • 6 months ago

And..... Neighbor guy got stuck again🤣🤣. This is why we put TRACKS ON ALL OUR PLANTERS!! Love the DB frames but watch video at the end is the major downfall. Frame wheels just turn into anchors in mud...

And..... Neighbor guy got stuck again🤣🤣. This is why we put TRACKS ON ALL OUR PLANTERS!! Love the DB frames but watch video at the end is the major downfall. Frame wheels just turn into anchors in mud...

SodBuster

19,019 views • 3 months ago

BQQM... Trump just put Netanyahu’s Turkey boogeyman play on the table and crushed it in public... Netanyahu tried to move Turkey into the next threat file at the exact moment Iran, Hezbollah and Hamas are being boxed in sequence... Then Trump stepped in on camera and said the sanctions are coming off because it is time, and because America does not sanction friends... That line changes the whole pressure field... Turkey was being auditioned as the replacement monster... Trump just moved Turkey back into the friend column... The whole architecture was visible... Greece as the cover ally, Cyprus as the legal hook, NATO as the pressure venue, F-35s as the trigger, and Israeli air superiority as the protected asset underneath the entire move... Trump saw it and reversed the polarity in public... Now the Middle East fear ladder is collapsing faster... Iran is boxed in... Hezbollah is boxed in... Hamas is boxed in... Turkey is restored... That leaves Israel’s political class standing in the open as the old emergency shield burns away... Once the boogeymen are gone, the outpost is exposed... the CCP and City of London lose cover... Accountability moves closer to the room...

BQQM... Trump just put Netanyahu’s Turkey boogeyman play on the table and crushed it in public... Netanyahu tried to move Turkey into the next threat file at the exact moment Iran, Hezbollah and Hamas are being boxed in sequence... Then Trump stepped in on camera and said the sanctions are coming off because it is time, and because America does not sanction friends... That line changes the whole pressure field... Turkey was being auditioned as the replacement monster... Trump just moved Turkey back into the friend column... The whole architecture was visible... Greece as the cover ally, Cyprus as the legal hook, NATO as the pressure venue, F-35s as the trigger, and Israeli air superiority as the protected asset underneath the entire move... Trump saw it and reversed the polarity in public... Now the Middle East fear ladder is collapsing faster... Iran is boxed in... Hezbollah is boxed in... Hamas is boxed in... Turkey is restored... That leaves Israel’s political class standing in the open as the old emergency shield burns away... Once the boogeymen are gone, the outpost is exposed... the CCP and City of London lose cover... Accountability moves closer to the room...

Observing Consciousness

145,728 views • 1 month ago

#HumanCocaineTrailer is absolute madness from start to end The concept is bold and risky the BGM hits hard and stays in your head and every frame looks raw, gritty and powerful. This doesn’t feel like a regular trailer it feels like a warning. The performances look intense, the visuals are packed with attitude, and the overall vibe is dark, wild and unapologetic. Pushkar Jog

#HumanCocaineTrailer is absolute madness from start to end The concept is bold and risky the BGM hits hard and stays in your head and every frame looks raw, gritty and powerful. This doesn’t feel like a regular trailer it feels like a warning. The performances look intense, the visuals are packed with attitude, and the overall vibe is dark, wild and unapologetic. Pushkar Jog

Vishwajit Patil

18,585 views • 8 months ago

No, you're not seeing things… In honor of the 20th anniversary of American Idiot, we reached waaaaay down inside the vault and gave all of the videos a brand spankin' new 4K makeover!! Every frame, every moment, is sharper than ever. So, stop what you're doing and go watch 'em all

Green Day

233,333 views • 1 year ago

Dir #PaRanjith about #Vettuvam - Vettuvam is almost complete, and we are planning to release the movie after August. The film has turned out really well. - I have built a new world in this film, and I hope the audience will like it.

Dir #PaRanjith about #Vettuvam - Vettuvam is almost complete, and we are planning to release the movie after August. The film has turned out really well. - I have built a new world in this film, and I hope the audience will like it.

Movie Tamil

22,435 views • 2 months ago

Every champion has a beginning—but not every beginning is easy. From Dust to Gold is a story of resilience, sacrifice, and the unstoppable power of belief. From a quiet village to the world's biggest stage, every emotion, every challenge, and every victory is brought to life with breathtaking cinematic realism. What makes this even more incredible is how transforms a simple idea into a visually stunning, Hollywood-quality film. Every frame feels intentional—from the emotional character journey and seamless transitions to the IMAX-style cinematography and lifelike storytelling. It doesn't just generate videos—it visualizes stories exactly the way you imagine them. This is the future of storytelling, where creativity meets cinematic excellence. Created with FlovaAI #FlovaAI #FlovaCPP

Every champion has a beginning—but not every beginning is easy. From Dust to Gold is a story of resilience, sacrifice, and the unstoppable power of belief. From a quiet village to the world's biggest stage, every emotion, every challenge, and every victory is brought to life with breathtaking cinematic realism. What makes this even more incredible is how transforms a simple idea into a visually stunning, Hollywood-quality film. Every frame feels intentional—from the emotional character journey and seamless transitions to the IMAX-style cinematography and lifelike storytelling. It doesn't just generate videos—it visualizes stories exactly the way you imagine them. This is the future of storytelling, where creativity meets cinematic excellence. Created with FlovaAI #FlovaAI #FlovaCPP

Bairan

114,481 views • 21 days ago