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The Killer (1989) John Woo on shooting the Killer without a script. “‘The Killer,’ I even shot without a script. With no script. Just an outline, the whole movie was in my head. ….most of the action, I choreograph by myself, because I’m a pretty good dancer,” he said,...

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John Woo on how he feels while making an action movie: "When I’m making an action movie, I don’t see it as an action movie. It’s like a painting or a poem, sometimes even like a musical. I’m aiming for that kind of feel, because I’m a dreamer. I think that’s my style because I always have some kind of beautiful dream in my mind. I was a pretty good dancer when I was young. When it comes to the action in a movie, it’s all about the beauty of the body movement and the fighting skill." (John Woo's interview with Peter Debruge, Variety, 2025) Clip from: Hard Boiled (1992) Director: John Woo
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John Woo on how he feels while making an action movie: "When I’m making an action movie, I don’t see it as an action movie. It’s like a painting or a poem, sometimes even like a musical. I’m aiming for that kind of feel, because I’m a dreamer. I think that’s my style because I always have some kind of beautiful dream in my mind. I was a pretty good dancer when I was young. When it comes to the action in a movie, it’s all about the beauty of the body movement and the fighting skill." (John Woo's interview with Peter Debruge, Variety, 2025) Clip from: Hard Boiled (1992) Director: John Woo

DepressedBergman

48,557 Aufrufe • vor 6 Monaten

VIDEO | Actor Saif Ali Khan says producer Shah Rukh Khan gave the team of "Kartavya" a free hand to make the film the way they wanted. In fact, Shah Rukh was the one who called Saif to inform about the script that they were developing at Red Chillies. "He said, ‘There’s a lovely script, and I would like you to hear it, and do it’. Then I listened to it and met the director. Once the film was complete, he said, ‘It has come out as a lovely movie’. He was very happy,” Saif said. “Sometimes the presence (of Shah Rukh) can be overwhelming on sets and I think he understands that. He gave us room to make the film on our own. I felt I was working for his production with his kind of sensibility,” the actor added. Directed by Pulkit of "Bhakshak" fame, the film stars Rasika Dugal opposite Saif and the actor said he is a huge fan of the "Mirzapur" star. #ShahRukhKhan
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VIDEO | Actor Saif Ali Khan says producer Shah Rukh Khan gave the team of "Kartavya" a free hand to make the film the way they wanted. In fact, Shah Rukh was the one who called Saif to inform about the script that they were developing at Red Chillies. "He said, ‘There’s a lovely script, and I would like you to hear it, and do it’. Then I listened to it and met the director. Once the film was complete, he said, ‘It has come out as a lovely movie’. He was very happy,” Saif said. “Sometimes the presence (of Shah Rukh) can be overwhelming on sets and I think he understands that. He gave us room to make the film on our own. I felt I was working for his production with his kind of sensibility,” the actor added. Directed by Pulkit of "Bhakshak" fame, the film stars Rasika Dugal opposite Saif and the actor said he is a huge fan of the "Mirzapur" star. #ShahRukhKhan

Press Trust of India

252,302 Aufrufe • vor 3 Monaten

Cillian Murphy didn’t read the script for The Dark Knight Rises. He trusted Christopher Nolan, choosing to experience the film like a viewer, without spoilers. “I don’t actually want to read the script,” he said. “Just tell me what I’m doing. Tell me my motivation.”
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Cillian Murphy didn’t read the script for The Dark Knight Rises. He trusted Christopher Nolan, choosing to experience the film like a viewer, without spoilers. “I don’t actually want to read the script,” he said. “Just tell me what I’m doing. Tell me my motivation.”

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401,587 Aufrufe • vor 7 Monaten

Matt Damon says Christopher Nolan flew a production assistant to rural Germany with The Interstellar script because it wasn’t allowed to leave his possession “They sent a production assistant to Germany hand carrying the script because they wouldn’t send it in the mail” “He showed up at 9:00 at night and said, ‘Here’s the script.’ I told him, ‘I have to shoot at 5:00 in the morning. I’m going to bed.’ Then I realized he had to stay because he couldn’t leave the script” “When I finally read it the next day, I was a puddle. I had never reacted to a script that way”
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Matt Damon says Christopher Nolan flew a production assistant to rural Germany with The Interstellar script because it wasn’t allowed to leave his possession “They sent a production assistant to Germany hand carrying the script because they wouldn’t send it in the mail” “He showed up at 9:00 at night and said, ‘Here’s the script.’ I told him, ‘I have to shoot at 5:00 in the morning. I’m going to bed.’ Then I realized he had to stay because he couldn’t leave the script” “When I finally read it the next day, I was a puddle. I had never reacted to a script that way”

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Paul Rudd says he was such a big fan of director John Carney that there was no way he was going to say no to starring in ‘POWER BALLAD’. “The idea of just getting to work with John was the main thing. Even if I didn’t like the script, I would have said yes!”
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Paul Rudd says he was such a big fan of director John Carney that there was no way he was going to say no to starring in ‘POWER BALLAD’. “The idea of just getting to work with John was the main thing. Even if I didn’t like the script, I would have said yes!”

DiscussingFilm

247,011 Aufrufe • vor 3 Monaten

Josh Brolin recalls a tense moment on the set of American Gangster when he thought he might have to “fight Denzel Washington.” “You know, Denzel was a hero of mine. Denzel and I did American Gangster together, and Denzel wouldn’t look at me. I did this scene with Denzel, and he had reworked the scene. He didn’t change any lines, he just reworked the scene. ‘Lines here, you say your line - You hold that line until the end - I said, ‘Okay.’ And then, as we're going through the scenes…Denzel Washington man, my hero….and I forgot a line. I put my hand on his shoulder, and I asked for the line. And he hit my hand away. He said, ‘Don’t you ever fucking touch me.’ And I was like, ‘Is he in character?’ - I was thinking, ‘Holy fuck, I’m going to fight Denzel Washington. This is amazing.’ And he looked at me right in the eye, and then I said, ‘Are we okay?’ And he said, ‘Yeah, we’re okay.’ I still don’t know to this day, because every time I see Denzel, he puts his arms out and gives me the biggest hug. And I’m just like, ‘I don’t understand actors. I know I’m an actor, but I don’t understand.’”
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Josh Brolin recalls a tense moment on the set of American Gangster when he thought he might have to “fight Denzel Washington.” “You know, Denzel was a hero of mine. Denzel and I did American Gangster together, and Denzel wouldn’t look at me. I did this scene with Denzel, and he had reworked the scene. He didn’t change any lines, he just reworked the scene. ‘Lines here, you say your line - You hold that line until the end - I said, ‘Okay.’ And then, as we're going through the scenes…Denzel Washington man, my hero….and I forgot a line. I put my hand on his shoulder, and I asked for the line. And he hit my hand away. He said, ‘Don’t you ever fucking touch me.’ And I was like, ‘Is he in character?’ - I was thinking, ‘Holy fuck, I’m going to fight Denzel Washington. This is amazing.’ And he looked at me right in the eye, and then I said, ‘Are we okay?’ And he said, ‘Yeah, we’re okay.’ I still don’t know to this day, because every time I see Denzel, he puts his arms out and gives me the biggest hug. And I’m just like, ‘I don’t understand actors. I know I’m an actor, but I don’t understand.’”

Gangster Cinema Central

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Trump: I was in New York, and I met a great police officer in New York. He said, “Sir, I want to thank you.” I said, “For what?” He said, “My wife didn’t think very much of me. We were having marital difficulties, actually. She thought I was nothing. I’m a police officer. I’m a tough guy.” I looked at him—the muscles were all over the place. He didn’t suffer from that, but she thought maybe that muscle wasn’t so good because he was always losing money in the stock market. And he said, “Sir, in the last year and a half, my 401(k) is up 74%, sir, and she thinks I’m Warren Buffett. She thinks I’m a super genius.” I said, “How are you getting along with her?” He said, “Well, I’m not so sure I like her anymore.”
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Trump: I was in New York, and I met a great police officer in New York. He said, “Sir, I want to thank you.” I said, “For what?” He said, “My wife didn’t think very much of me. We were having marital difficulties, actually. She thought I was nothing. I’m a police officer. I’m a tough guy.” I looked at him—the muscles were all over the place. He didn’t suffer from that, but she thought maybe that muscle wasn’t so good because he was always losing money in the stock market. And he said, “Sir, in the last year and a half, my 401(k) is up 74%, sir, and she thinks I’m Warren Buffett. She thinks I’m a super genius.” I said, “How are you getting along with her?” He said, “Well, I’m not so sure I like her anymore.”

Acyn

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Wim Wenders explains how Peter Falk agreed to star in "Wings of Desire" (1987) without a script: "One evening I got Peter Falk on the telephone and told him this bewildering story of guardian angels, circuses, a trapeze artiste and an American actor who charms his former colleagues. There was a pause, and then he asked me if I could send him a script. I said: 'No, I can't. There's nothing in writing about this ex-angel. I can't even send you a single page: he's just an idea.' He liked that; if I'd sent him a script he might not have accepted. But since there was nothing to go on at all, he said: 'Ah, I've worked like that before with Cassavetes, and honestly I prefer working without a script.'" (Wim Wenders, 'Le Souffle de I'Ange', 1987)
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Wim Wenders explains how Peter Falk agreed to star in "Wings of Desire" (1987) without a script: "One evening I got Peter Falk on the telephone and told him this bewildering story of guardian angels, circuses, a trapeze artiste and an American actor who charms his former colleagues. There was a pause, and then he asked me if I could send him a script. I said: 'No, I can't. There's nothing in writing about this ex-angel. I can't even send you a single page: he's just an idea.' He liked that; if I'd sent him a script he might not have accepted. But since there was nothing to go on at all, he said: 'Ah, I've worked like that before with Cassavetes, and honestly I prefer working without a script.'" (Wim Wenders, 'Le Souffle de I'Ange', 1987)

DepressedBergman

467,949 Aufrufe • vor 2 Jahren

Tom Holland says he couldn’t get the script for the next Spider-Man movie while everyone else at the studio had already read it. “I was shooting ‘The Odyssey’ with Christopher Nolan.” “I kept blowing up the studio saying, ‘Guys, can I get the Spider-Man script?’” “They kept telling me, ‘It’s not ready. We’ll send it to you when it’s ready.’” Then his brother Paddy called him. “Bro… the script is so good.” “I was like, ‘What are you talking about?’” “He said, ‘I’ve just been at the studio. Everyone’s read the script. Everyone loves it.’” “And I’d been told there wasn’t even a script at this point.” Tom says once he finally read it, he understood why everyone was so excited. “We had amazing writers and they did such a good job.” “They’ve really found a way to make the film about Peter Parker.” “The stakes have never been higher.” “The mystery of who the villain is brings a whole new flavor to the film.” “I’m so proud of everyone that’s involved.”
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Tom Holland says he couldn’t get the script for the next Spider-Man movie while everyone else at the studio had already read it. “I was shooting ‘The Odyssey’ with Christopher Nolan.” “I kept blowing up the studio saying, ‘Guys, can I get the Spider-Man script?’” “They kept telling me, ‘It’s not ready. We’ll send it to you when it’s ready.’” Then his brother Paddy called him. “Bro… the script is so good.” “I was like, ‘What are you talking about?’” “He said, ‘I’ve just been at the studio. Everyone’s read the script. Everyone loves it.’” “And I’d been told there wasn’t even a script at this point.” Tom says once he finally read it, he understood why everyone was so excited. “We had amazing writers and they did such a good job.” “They’ve really found a way to make the film about Peter Parker.” “The stakes have never been higher.” “The mystery of who the villain is brings a whole new flavor to the film.” “I’m so proud of everyone that’s involved.”

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SRK talking about the first time Atlee came to narrate Jawan: "Atlee just came to see me in and he said you know I have a film, and I found it very interesting because the first line he told me for the film was that it's you sir with five girls and that's my film because my wife Priya and myself we really feel that you look the nicest when you have a bunch of ladies with you in a film. So I said okay a lot of action yeah it's lots of high speed shots he said yeah there's lots of dancing he said yeah lots of good dialogues he said yeah, so that's how jawan started"
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SRK talking about the first time Atlee came to narrate Jawan: "Atlee just came to see me in and he said you know I have a film, and I found it very interesting because the first line he told me for the film was that it's you sir with five girls and that's my film because my wife Priya and myself we really feel that you look the nicest when you have a bunch of ladies with you in a film. So I said okay a lot of action yeah it's lots of high speed shots he said yeah there's lots of dancing he said yeah lots of good dialogues he said yeah, so that's how jawan started"

Raj

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Taylor Sheridan said on his recent press tour that he has the luxury of picking the actors he works with before writing out a script. Sheridan drafts the story, pitches it to the actor he wants, then goes forward with the actual script. Such is the case with Billy Bob Thornton on Landman. At 70, I think Thornton is hitting a new stride thanks to Sheridan.
3:00

Taylor Sheridan said on his recent press tour that he has the luxury of picking the actors he works with before writing out a script. Sheridan drafts the story, pitches it to the actor he wants, then goes forward with the actual script. Such is the case with Billy Bob Thornton on Landman. At 70, I think Thornton is hitting a new stride thanks to Sheridan.

Cinema Tweets

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Mark Hamill says Star Wars sounded so ridiculous that he asked Harrison Ford if it was supposed to be a parody "I got the part without having read the whole script. They only gave you a scene" "I’m thinking, who talks like this? Is this a sendup of Flash Gordon or whatever?" "Harrison tested with me. I said, you were in American Graffiti. Is this like a parody? He goes, hey, whatever, let’s just do it"
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Mark Hamill says Star Wars sounded so ridiculous that he asked Harrison Ford if it was supposed to be a parody "I got the part without having read the whole script. They only gave you a scene" "I’m thinking, who talks like this? Is this a sendup of Flash Gordon or whatever?" "Harrison tested with me. I said, you were in American Graffiti. Is this like a parody? He goes, hey, whatever, let’s just do it"

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A$AP Rocky explains why he joined the 2024 Drake beef and admits he regrets bringing his BM into it: "The only reason I said something was because I felt like he took a shot at [Rihanna]. He was just on tour and said something about my girl." "I said what I said, and I shouldn't have, 'cause it was petty."
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A$AP Rocky explains why he joined the 2024 Drake beef and admits he regrets bringing his BM into it: "The only reason I said something was because I felt like he took a shot at [Rihanna]. He was just on tour and said something about my girl." "I said what I said, and I shouldn't have, 'cause it was petty."

Kurrco

378,456 Aufrufe • vor 7 Monaten

Seth Rogen reveals The Interview used a real tiger because the CGI was too expensive, then the tiger wrangler started asking terrifying questions I did a movie called The Interview about North Korea, and there’s a scene with a tiger. I directed the movie with my partner, and we wrote this scene where there’s a tiger. I thought in my head it would be CG. Life of Pi had come out recently, and I was like, “We’ll get the Life of Pi tiger. Put us down for one Life of Pi.” They were like, “We can’t afford that at all. We’ve got to get a real tiger.” I was like, “Oh God.” So we found a tiger wrangler in Calgary, and we had a call with him. It was so funny because he was the least confidence inspiring person you’ve ever spoken to in your entire life. I asked, “Where’d you get the tiger?” He said, “From a stripper.” We were like, “What?” He said, “She had a tiger cub as part of her act, and it got too big, so she had to get rid of it.” We asked, “Where does a stripper get a tiger?” He said, “It’s easier than you think. You could get one.” We had sent him the script, and he said, “Let’s go over the scene. You’re not shooting this at night, are you?” I said, “Yeah, the scene is set at night.” He said, “Ooh.” I asked, “Why is that bad?” He said, “Well, they hunt at night.” He asked, “Can it be during the day?” We said, “No. Is that okay?” There was a long pause, and he said, “Yeah, it’s okay. I think it’s okay.” Then he asked, “It won’t be in a big open area, will it?” We said, “Yeah, it’s basically a giant meadow.” He said, “Ooh.” We asked, “Is that bad?” He said, “Well, if there’s a deer or something, they will go after it.” We said, “That’s bad. Should we not do this?” He said, “No, it’s fine.” Then he asked, “It won’t be raining, will it?” We said, “Yeah. We’re filming in Vancouver in the winter. It will be raining.” He said, “Oh, that’s not good.” We asked, “Why?” He said, “The rain really agitates them. They just don’t like the rain.” We asked, “Should we not do it?” He said, “No, it’s fine. It’ll be fine.”
2:09

Seth Rogen reveals The Interview used a real tiger because the CGI was too expensive, then the tiger wrangler started asking terrifying questions I did a movie called The Interview about North Korea, and there’s a scene with a tiger. I directed the movie with my partner, and we wrote this scene where there’s a tiger. I thought in my head it would be CG. Life of Pi had come out recently, and I was like, “We’ll get the Life of Pi tiger. Put us down for one Life of Pi.” They were like, “We can’t afford that at all. We’ve got to get a real tiger.” I was like, “Oh God.” So we found a tiger wrangler in Calgary, and we had a call with him. It was so funny because he was the least confidence inspiring person you’ve ever spoken to in your entire life. I asked, “Where’d you get the tiger?” He said, “From a stripper.” We were like, “What?” He said, “She had a tiger cub as part of her act, and it got too big, so she had to get rid of it.” We asked, “Where does a stripper get a tiger?” He said, “It’s easier than you think. You could get one.” We had sent him the script, and he said, “Let’s go over the scene. You’re not shooting this at night, are you?” I said, “Yeah, the scene is set at night.” He said, “Ooh.” I asked, “Why is that bad?” He said, “Well, they hunt at night.” He asked, “Can it be during the day?” We said, “No. Is that okay?” There was a long pause, and he said, “Yeah, it’s okay. I think it’s okay.” Then he asked, “It won’t be in a big open area, will it?” We said, “Yeah, it’s basically a giant meadow.” He said, “Ooh.” We asked, “Is that bad?” He said, “Well, if there’s a deer or something, they will go after it.” We said, “That’s bad. Should we not do this?” He said, “No, it’s fine.” Then he asked, “It won’t be raining, will it?” We said, “Yeah. We’re filming in Vancouver in the winter. It will be raining.” He said, “Oh, that’s not good.” We asked, “Why?” He said, “The rain really agitates them. They just don’t like the rain.” We asked, “Should we not do it?” He said, “No, it’s fine. It’ll be fine.”

Ruzy.hl

316,974 Aufrufe • vor 1 Monat

Ryan Reynolds hated Green Lantern so much that he said he was “unhireable” because of it The script wasn’t even fully finished or shared when actors signed on. “Nobody auditioning for the role of Green Lantern was given the opportunity to read the script because the script didn’t exist.” “I learned all the most amazing lessons I could ever have in the creative space from that movie.” “On that film, I saw a lot of money going into special effects, and I suggested, “Why don’t we just write a simple scene where people talk naturally? It wouldn’t cost anything, but it could be good.” “Character over spectacle is the lesson that I took with me.”
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Ryan Reynolds hated Green Lantern so much that he said he was “unhireable” because of it The script wasn’t even fully finished or shared when actors signed on. “Nobody auditioning for the role of Green Lantern was given the opportunity to read the script because the script didn’t exist.” “I learned all the most amazing lessons I could ever have in the creative space from that movie.” “On that film, I saw a lot of money going into special effects, and I suggested, “Why don’t we just write a simple scene where people talk naturally? It wouldn’t cost anything, but it could be good.” “Character over spectacle is the lesson that I took with me.”

Emir Han

74,942 Aufrufe • vor 2 Monaten

David Lean on how to direct actors & shares a funny story that happened during the filming of 'The Bridge on the River Kwai' (1957) "Interviewer: Could you talk about how you work with your actors? Lean: Dangerous subject. Well, it’s intensely personal. I always try not to speak in a loud voice when I’m talking to an actor on the set. I gently take them aside, and I whisper because I don’t want to give the impression, for their sake, that they are being told to do this or that by a teacher. I try as hard as I can to make them suggest something that I want them to think of. The trouble with actors is that it’s a very di cult job with this damned glass eye looking at them all the time. It’s quite di cult talking to all of you here, but I’d rather talk to all of you than I would have a hundred-millimeter lens pointing at me. It’s so concentrated. It’s part of a director’s job, I think, to get the actor to give as good a performance on the stage as he gave to himself in the bath in the morning. So I try to relieve them of their inhibitions. It doesn’t help if you talk from a great height, from a megaphone, as it were. I try to get their confidence. I try to give them confidence. I can’t bear some actors, the rambunctious types who think they know everything. You’ve got to knock them down and make them realize they don’t know everything. If you’ve really done your homework on the script, you, the director, know the part better than any damned actor because you’ve been at it for months. I’ve had lots of actors who want to change dialogue. I see them doing it. I won’t have it. They took on the script and they’ll stick to it. I’m terribly tempted to tell you a rather long story about Sessue Hayakawa. You know, I nd constantly that actors really are not interested in anything but their own parts. We had a scene in 'The Bridge on the River Kwai' (1957) where they had all the troops lined up, and Sessue gets up on the soapbox and talks. We went through a rehearsal, and I said, “What’s wrong?” Because it was the speech and yet it wasn’t the speech. What Sessue had done was to learn all the lines that were only his. He had cut out all the lines that were anybody else’s. The main script was about that thick, and his script was only that thick. He marked only the pages in which he spoke. He had thrown out the rest and bound it together. Now, we came to the scene at the end of the picture. Alec Guinness is looking over the edge of the bridge and he thinks he sees some wires. He goes up to Hayakawa and says, “Colonel Saito, there’s something rather peculiar going on. I think we better go and have a look.” Guinness walked o the bridge, which leads down to the rocks, and Sessue stayed there like a rock. I said, “Go on, Sessue, follow him.” He said, “I follow him?” I said, “Sessue, this is where you nd the wires and where you get killed.” He said, “I get killed?” He had thrown the page away because he had no dialogue. I’ll tell you another story about an actor, though I won’t tell you who it was. He was damn good, but I was kind of dissatisfied. I said, “Look, I understand that an actor is projecting ninety percent to the person he’s playing with, and ten percent is going out toward the camera. I’ve only just realized that you’re putting ninety percent out to the camera, and ten to whom you’re playing with.” It changed his performance immediately." (David Lean's interview to AFI, 1984)
1:25

David Lean on how to direct actors & shares a funny story that happened during the filming of 'The Bridge on the River Kwai' (1957) "Interviewer: Could you talk about how you work with your actors? Lean: Dangerous subject. Well, it’s intensely personal. I always try not to speak in a loud voice when I’m talking to an actor on the set. I gently take them aside, and I whisper because I don’t want to give the impression, for their sake, that they are being told to do this or that by a teacher. I try as hard as I can to make them suggest something that I want them to think of. The trouble with actors is that it’s a very di cult job with this damned glass eye looking at them all the time. It’s quite di cult talking to all of you here, but I’d rather talk to all of you than I would have a hundred-millimeter lens pointing at me. It’s so concentrated. It’s part of a director’s job, I think, to get the actor to give as good a performance on the stage as he gave to himself in the bath in the morning. So I try to relieve them of their inhibitions. It doesn’t help if you talk from a great height, from a megaphone, as it were. I try to get their confidence. I try to give them confidence. I can’t bear some actors, the rambunctious types who think they know everything. You’ve got to knock them down and make them realize they don’t know everything. If you’ve really done your homework on the script, you, the director, know the part better than any damned actor because you’ve been at it for months. I’ve had lots of actors who want to change dialogue. I see them doing it. I won’t have it. They took on the script and they’ll stick to it. I’m terribly tempted to tell you a rather long story about Sessue Hayakawa. You know, I nd constantly that actors really are not interested in anything but their own parts. We had a scene in 'The Bridge on the River Kwai' (1957) where they had all the troops lined up, and Sessue gets up on the soapbox and talks. We went through a rehearsal, and I said, “What’s wrong?” Because it was the speech and yet it wasn’t the speech. What Sessue had done was to learn all the lines that were only his. He had cut out all the lines that were anybody else’s. The main script was about that thick, and his script was only that thick. He marked only the pages in which he spoke. He had thrown out the rest and bound it together. Now, we came to the scene at the end of the picture. Alec Guinness is looking over the edge of the bridge and he thinks he sees some wires. He goes up to Hayakawa and says, “Colonel Saito, there’s something rather peculiar going on. I think we better go and have a look.” Guinness walked o the bridge, which leads down to the rocks, and Sessue stayed there like a rock. I said, “Go on, Sessue, follow him.” He said, “I follow him?” I said, “Sessue, this is where you nd the wires and where you get killed.” He said, “I get killed?” He had thrown the page away because he had no dialogue. I’ll tell you another story about an actor, though I won’t tell you who it was. He was damn good, but I was kind of dissatisfied. I said, “Look, I understand that an actor is projecting ninety percent to the person he’s playing with, and ten percent is going out toward the camera. I’ve only just realized that you’re putting ninety percent out to the camera, and ten to whom you’re playing with.” It changed his performance immediately." (David Lean's interview to AFI, 1984)

DepressedBergman

36,391 Aufrufe • vor 6 Monaten

Cam Newton continued his story and revealed he actually finished in the girls mouth without even doing the real thing and he didn’t even realize it was n-t when he finished, and when they started the real thing he wasted a c-ndom because he didn’t know how to roll it on💀😭🤦🏽‍♂️ “She said “no you didn’t” i said what, she had some like foam coming out of her mouth, I’m asking her real time like what’s that, she was like “it’s n-t stupid” “I run back downstairs, my partner was like bro what happened you smashed, i was like yeah i smashed he said what happened, i said she taught me off, he was like ngga you didn’t smash she just gave you head”😭
4:15

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Cam Newton continued his story and revealed he actually finished in the girls mouth without even doing the real thing and he didn’t even realize it was n-t when he finished, and when they started the real thing he wasted a c-ndom because he didn’t know how to roll it on💀😭🤦🏽‍♂️ “She said “no you didn’t” i said what, she had some like foam coming out of her mouth, I’m asking her real time like what’s that, she was like “it’s n-t stupid” “I run back downstairs, my partner was like bro what happened you smashed, i was like yeah i smashed he said what happened, i said she taught me off, he was like ngga you didn’t smash she just gave you head”😭

flame

834,631 Aufrufe • vor 2 Monaten

Arnold Schwarzenegger reveals he tried to change the iconic “I’ll be back” line because he thought it sounded weak “I very casually said Jim, I said I would just rather say I will be back, and I thought this was gonna go right by and he would say whatever you want.” “And he says I like it, I’ll be back, and I said no, a machine will not abbreviate, plus it sounds really weird when I said I’ll, it sounds weak, I said why don’t we say I will be back” “He says no no no just say I’ll be back, I said it’s better I will be back, and he says what does the goddamn script say, cause you’re being a pain, and I said the script says I’ll be back, and he says then say the fucking line, I don’t correct your acting so don’t correct my fucking writing, what’s the matter with you Arnold” “And he is so right, because there’s a reason why he wrote it this way, he maybe knew it’s going to be one of those powerful lines, I didn’t know, I didn’t see anything in it, who would know that” “I was amazed when we had the screening of the movie and then kids came up to me and said say the line I’ll be back, and I said I’ll be back, and they said no no no, the way you said it in the movie, so I said I’ll be back, yeah that’s the way, so then we knew that we had a big line here”
1:07

Arnold Schwarzenegger reveals he tried to change the iconic “I’ll be back” line because he thought it sounded weak “I very casually said Jim, I said I would just rather say I will be back, and I thought this was gonna go right by and he would say whatever you want.” “And he says I like it, I’ll be back, and I said no, a machine will not abbreviate, plus it sounds really weird when I said I’ll, it sounds weak, I said why don’t we say I will be back” “He says no no no just say I’ll be back, I said it’s better I will be back, and he says what does the goddamn script say, cause you’re being a pain, and I said the script says I’ll be back, and he says then say the fucking line, I don’t correct your acting so don’t correct my fucking writing, what’s the matter with you Arnold” “And he is so right, because there’s a reason why he wrote it this way, he maybe knew it’s going to be one of those powerful lines, I didn’t know, I didn’t see anything in it, who would know that” “I was amazed when we had the screening of the movie and then kids came up to me and said say the line I’ll be back, and I said I’ll be back, and they said no no no, the way you said it in the movie, so I said I’ll be back, yeah that’s the way, so then we knew that we had a big line here”

Third

786,680 Aufrufe • vor 1 Monat

I remember when I was young, around 10-11 years old. My parents were both asleep as was my brother. I heard a knock on the back door which was weird because who uses the back door at a stranger’s house? The kitchen window was close by so I take a look. It looked like a teenager but hard to tell because they had a hoodie with the hood up. I didn’t open the door but I did crack the window and asked them what they wanted. They replied they were lost and wanted to come in to warm up and use the phone. Even when it’s daylight I know never to let anybody in period that I didn’t know, but a stranger after midnight was weird enough. I said no because I didn’t know them. Then they said that hey knew my dad and that’s why he came by. I said that’s fine and all but I’m not letting you use our phone. This was before cellphones were widely used, we had a landline like most people. The person wouldn’t take no for an answer and I could sense he was getting angry. I went and woke up my dad, I told him there was somebody at the back door and that he said they knew him. He walked to the door and looked out and said he didn’t know him. But he did talk through the door and told him that he was calling the police and that he should just leave. The person just stood there until the police finally came and even they asked him what he was doing knocking on the door at that hour. He told them he was lost and thought this was a house of a family friend. The police told him my dad didn’t know him and made him leave. So was this a case of wrong house or was he up to something. It makes me still wonder to this day but I’m still glad I never opened the door.
0:54

I remember when I was young, around 10-11 years old. My parents were both asleep as was my brother. I heard a knock on the back door which was weird because who uses the back door at a stranger’s house? The kitchen window was close by so I take a look. It looked like a teenager but hard to tell because they had a hoodie with the hood up. I didn’t open the door but I did crack the window and asked them what they wanted. They replied they were lost and wanted to come in to warm up and use the phone. Even when it’s daylight I know never to let anybody in period that I didn’t know, but a stranger after midnight was weird enough. I said no because I didn’t know them. Then they said that hey knew my dad and that’s why he came by. I said that’s fine and all but I’m not letting you use our phone. This was before cellphones were widely used, we had a landline like most people. The person wouldn’t take no for an answer and I could sense he was getting angry. I went and woke up my dad, I told him there was somebody at the back door and that he said they knew him. He walked to the door and looked out and said he didn’t know him. But he did talk through the door and told him that he was calling the police and that he should just leave. The person just stood there until the police finally came and even they asked him what he was doing knocking on the door at that hour. He told them he was lost and thought this was a house of a family friend. The police told him my dad didn’t know him and made him leave. So was this a case of wrong house or was he up to something. It makes me still wonder to this day but I’m still glad I never opened the door.

SonnyBoy🇺🇸

117,258 Aufrufe • vor 12 Tagen

Kristen Bell reveals Dax Shepard broke up with her, then called her back just four days later. “ He did break up with me very early on. I may have scared him a little because I wanted to spend all our time together. I was very excited, and he had just gotten out of a relationship and wanted more freedom. I don’t think he wanted everything I was presenting to him.” “ He sat me down and said, ‘I don’t think we’re in the same place. I really, really enjoy you.’ At that point, I was definitely in love with him. We were a month and a half in, and I was heartbroken. Even thinking about it breaks my heart.” “ He said, ‘I’m still casually dating other people.’ I definitely wasn’t. But he was very upfront. He said, ‘That’s not what you deserve, and I’m not going to give you anything half-assed.’ In a way, he was extremely responsible with my heart, even though he broke it.” “Then, four days later, he texted me: ‘I’m just joking. I can’t do this. I really would like to be with you again.’” “I went over to his house, but I was a little guarded. He had planned a trip to the Bahamas for New Year’s and said, ‘I should probably let them know if you’re going to come on the trip.’” “I said, ‘If you want to invite me on a trip, you can ask me like a lady.’” “I gave him some grief after that, and I think it set the tone for our relationship.” “My therapist had said, ‘Maybe make him earn you back just a little bit. Don’t play a game, but don’t go back like some happy, dumb puppy dog.’” “So he did. He said, ‘I would really like it if you would accompany me to the Bahamas for New Year’s. Would you like to come?’” “And I said, ‘Yes, I would love to.’”
1:57

Kristen Bell reveals Dax Shepard broke up with her, then called her back just four days later. “ He did break up with me very early on. I may have scared him a little because I wanted to spend all our time together. I was very excited, and he had just gotten out of a relationship and wanted more freedom. I don’t think he wanted everything I was presenting to him.” “ He sat me down and said, ‘I don’t think we’re in the same place. I really, really enjoy you.’ At that point, I was definitely in love with him. We were a month and a half in, and I was heartbroken. Even thinking about it breaks my heart.” “ He said, ‘I’m still casually dating other people.’ I definitely wasn’t. But he was very upfront. He said, ‘That’s not what you deserve, and I’m not going to give you anything half-assed.’ In a way, he was extremely responsible with my heart, even though he broke it.” “Then, four days later, he texted me: ‘I’m just joking. I can’t do this. I really would like to be with you again.’” “I went over to his house, but I was a little guarded. He had planned a trip to the Bahamas for New Year’s and said, ‘I should probably let them know if you’re going to come on the trip.’” “I said, ‘If you want to invite me on a trip, you can ask me like a lady.’” “I gave him some grief after that, and I think it set the tone for our relationship.” “My therapist had said, ‘Maybe make him earn you back just a little bit. Don’t play a game, but don’t go back like some happy, dumb puppy dog.’” “So he did. He said, ‘I would really like it if you would accompany me to the Bahamas for New Year’s. Would you like to come?’” “And I said, ‘Yes, I would love to.’”

𝓢𝓵𝓪𝓶 👁️⃤

2,084,164 Aufrufe • vor 9 Tagen