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The Kling Challenge just got extended till Dec 31 11:59pm PST 🔥 More time. Same $10,000 prize pool. If you’re building cinematic cuts with Kling Omni or 2.6, this is your moment. Smooth motion, locked identity, clean transitions. Let’s see how far you can push Kling AI 🚀

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ImagineArt

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1,050,928 Aufrufe • vor 8 Monaten •via X (Twitter)

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kling 2.6 motion control is actually insane for AI ads you can swap any person in a video with a different person and it looks completely realistic, and its way better than wan 2.2 this unlocks massive testing potential for ads you can test the same ad concept across multiple different ICPs instantly here's the workflow: >generate your new character with nano banana pro >use kling 2.6 motion control to replace the person in your existing video generate a new voice with >elevenlabs to match the character you can take one winning ad and instantly create 10 variations targeting: -different age groups -different genders -different ethnicities -different aesthetics this is the future of ad testing at scale
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currently experimenting with WAN 2.6 I2V on GMI Cloud in this test, I’m comparing two audio workflows and honestly both perform really well. one scene uses audio generated directly from the prompt, while the other uses manually uploaded audio taken from the film 300. visually, both deliver strong motion and solid performance. however, the version with audio coming straight from the prompt feels slightly more refined, camera movement is smoother, transitions flow more naturally and the sync between voice, facial motion, and pacing feels more cohesive. lip sync, especially for Chinese dialogue also comes across a bit cleaner. you can choose single shot for a clean, focused moment or multi shot if you want more cinematic transitions, even when working from just one reference image. one important note: always turn on prompt extension. it makes a noticeable difference in how well the model understands motion, transitions and overall scene flow. both audio approaches are totally usable, but if you’re building dialogue driven or cinematic scenes, starting with audio from the prompt gives WAN 2.6 a bit more context to work with. I’ll be pushing this further with more dynamic camera movement and transitions next. more experiments coming soon ✨ Wan

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Marcio Lima 利真 マルシオ 💎

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this ad is 100% ai balloon art style under $2 in compute 10 minutes start to finish and the workflow is dumber than you think script it with the right claude skill (not the generic slop) generate every scene's first frame feed those into omni or kling stitch in capcut thats the whole thing the crazy part you can automate almost all of it with claude code everyone in supplements is running the same girl-talking-to-camera ad meanwhile your brain has never seen a probiotic sold by a balloon the format is the pattern interrupt

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This workflow is perfect for creating short fashion-style cinematic videos. I simplified the original prompts based on willie’s method, and the whole process is now much faster and more stable: 1. Generate a 3×3 keyframe grid (Nano Banana Pro only) Use this simple prompt: “In a 3x3 grid, show this character in different angles, keep the scene the same, random poses. This is far simpler and more efficient than my old prompts. You can generate multiple times and just pick the keyframes you like most. 2. Extract a high-res keyframe (Super stable trick) Take a screenshot of the keyframe you want from the 3×3 grid, send it back to Nano Banana Pro, and simply say: “Give me a high-resolution version.” This method is much more stable than relying on complex upscaling prompts. 3. Generate the video with Kling 2.5 Turbo Upload the first and last frames to Kling 2.5 Turbo and use this prompt: “The camera very slowly and smoothly lowers on a boom.” From my testing, Kling 2.5 Turbo offers the best balance of stability and cost — other models are either less consistent or noticeably more expensive. 4. Final speed adjustment with willie’s tool (Critical step) Use the tool built by willie to fine-tune the playback speed of each clip. This step is essential for getting that premium cinematic feel. I’ll drop the tool link in the comments.

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Most video tools can generate clips. Very few can maintain identity. That has been the real bottleneck in AI video creation. Kling O1 changes that. For the first time, creators can carry a character, style, and visual language across scenes without constant fixes. You can reference past clips, assets, or images and the output stays consistently on-model. No visual drift. No rework loops. No “this doesn’t look like the last shot” moments. It feels less like prompting a tool and more like working with a creative collaborator that remembers context. The impact is practical, not theoretical: → Faster production cycles → Lower iteration costs → Noticeably higher output quality This is what mature AI tooling looks like. Not louder features. Not bigger claims. Just reliability where it actually matters. Consistency is no longer the problem.

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Seedance 2.0 is insane... AI filmmaking is no longer locked behind complex workflows, expensive tools, or regional limits. SJinn Agent now supports both Seedance 2.0 Pro and Seedance 2.0 Fast, giving creators a faster way to generate cinematic videos with more control over the final result. You can add image, video, and audio references to guide the direction, motion, style, and feeling of your videos, making the process more like directing And the best part: they’re offering 40% off, so this is probably the easiest time to test what high-level AI video creation can actually look like Prompt in first comment:

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next, here is how to animate the video once you generated the base image of your ai model, attach the image of your model and the product image in your ai tool and prompt, "she is holding this product" now to animate this scene, use such a simple prompt; "the girl is speaking in her beautiful voice; "this is the most powerful drink in the world... drink it once, and your whole hair is gone" no background music, no sound effects." adding "no background music" is necessory part when you're prompting to VEO 3 or Kling 2.6 and for the drinking scene, i also gave it a very simple prompt; "the girl is drinking, handheld camera shaking. No background music," then i asked nb pro to remove her hair, and then turn it into the using that simple prompt method. note; simple prompts works better than complicated one when it comes to animating your video that's it, if you need any help setting up your ai influencer to promote your product/app or service just DM me here on 𝕏 or comment "want" i'll dm you myself if you know how to make viral content + setup such a beautiful ai model 2026 will be yours, cheers
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next, here is how to animate the video once you generated the base image of your ai model, attach the image of your model and the product image in your ai tool and prompt, "she is holding this product" now to animate this scene, use such a simple prompt; "the girl is speaking in her beautiful voice; "this is the most powerful drink in the world... drink it once, and your whole hair is gone" no background music, no sound effects." adding "no background music" is necessory part when you're prompting to VEO 3 or Kling 2.6 and for the drinking scene, i also gave it a very simple prompt; "the girl is drinking, handheld camera shaking. No background music," then i asked nb pro to remove her hair, and then turn it into the using that simple prompt method. note; simple prompts works better than complicated one when it comes to animating your video that's it, if you need any help setting up your ai influencer to promote your product/app or service just DM me here on 𝕏 or comment "want" i'll dm you myself if you know how to make viral content + setup such a beautiful ai model 2026 will be yours, cheers

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Do you want to create ultra-dynamic action animations with Kling AI 2.6? 🎬⚡️ After testing many prompts, I’ve noticed what works best. And here’s the key. 👉 What usually gives the best results is starting the prompt with "High-speed anime battle." Other combinations that also work really well are: Ultra-fast anime fight Savage high-speed anime fight Chaotic anime fight Uncontrolled savage anime fight Inside the prompt, it’s very helpful to add some of these tokens: extreme kinetic energy exaggerated anime speed brutal kinetic chaos cinematic camera flying alongside the action camera shaking violently to sell scale and danger cinematic camera orbiting and whipping through the chaos exaggerated motion arcs anime-style action timing cinematic camera pans and whip movements explosive supernatural energy exaggerated physics With this, you’ll get animations as epic and vertiginous as the ones you see in my videos. 🔥 💡 This prompt is a perfect example and delivers great results almost 100% of the time: High-speed anime battle in a shattered forest, samurai dashing between falling trees, monster charging and crushing the ground, rapid hit-and-run strikes, debris flying, exaggerated motion arcs, cinematic camera weaving through destruction, feral kinetic chaos

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BLove DApp

21,548 Aufrufe • vor 1 Jahr

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Shruti Codes

56,822 Aufrufe • vor 2 Monaten

You know that moment when you're testing video models and something just... floats across the frame that shouldn't? Yeah, Kling 3.0 apparently got tired of that too. Fast Company's piece on the new Chinese models actually gets into why Kling feels different. Not because the pixels are prettier — but because stuff finally moves like it has weight. Gravity exists. Objects occlude properly. A car turning actually follows an arc instead of just... teleporting sideways. Someone in the comments called it "directing instead of gambling" and that's exactly right. Old workflow: type prompt, pull lever, pray the physics gods smile on you. New workflow: you actually have some damn control. The character locking thing is huge too. Elements feature lets you upload a reference video and it holds identity across shots. No more "wait why does his face look like a different person now" every time the camera angle changes. For short-form series creators, that's basically a "we'll fix it in post" delete button. Still detectable if you pixel-peep. But here's the thing — the threshold moved. Average viewers? They're not gonna catch it anymore. Only the 24/7 screen-staring crowd is still in the "definitely AI" camp.
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You know that moment when you're testing video models and something just... floats across the frame that shouldn't? Yeah, Kling 3.0 apparently got tired of that too. Fast Company's piece on the new Chinese models actually gets into why Kling feels different. Not because the pixels are prettier — but because stuff finally moves like it has weight. Gravity exists. Objects occlude properly. A car turning actually follows an arc instead of just... teleporting sideways. Someone in the comments called it "directing instead of gambling" and that's exactly right. Old workflow: type prompt, pull lever, pray the physics gods smile on you. New workflow: you actually have some damn control. The character locking thing is huge too. Elements feature lets you upload a reference video and it holds identity across shots. No more "wait why does his face look like a different person now" every time the camera angle changes. For short-form series creators, that's basically a "we'll fix it in post" delete button. Still detectable if you pixel-peep. But here's the thing — the threshold moved. Average viewers? They're not gonna catch it anymore. Only the 24/7 screen-staring crowd is still in the "definitely AI" camp.

SANI BULA

662,960 Aufrufe • vor 7 Monaten