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You know that moment when you're testing video models and something just... floats across the frame that shouldn't? Yeah, Kling 3.0 apparently got tired of that too. Fast Company's piece on the new Chinese models actually gets into why Kling feels different. Not because the pixels are prettier —...

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SANI BULA

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662,960 görüntüleme • 6 ay önce •via X (Twitter)

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Hot take: most “AI creator” tools are just fancy prompt boxes. This one actually behaves like an agent. I gave it a messy idea and instead of breaking, it: - built visuals (images) - turned them into video - kept iterating without me stepping in every 2 seconds (you can see it in the screen recording 👇) Halfway through using Yapper , it clicked — this thing doesn’t just generate… it works through ideas. That’s the difference: it thinks in workflows, not single outputs. You spend less time prompting…and more time actually creating. Not perfect yet — but it’s one of the first tools that feels like it scales with you. If you’re deep into AI, you’ll see the shift instantly.
0:16

Hot take: most “AI creator” tools are just fancy prompt boxes. This one actually behaves like an agent. I gave it a messy idea and instead of breaking, it: - built visuals (images) - turned them into video - kept iterating without me stepping in every 2 seconds (you can see it in the screen recording 👇) Halfway through using Yapper , it clicked — this thing doesn’t just generate… it works through ideas. That’s the difference: it thinks in workflows, not single outputs. You spend less time prompting…and more time actually creating. Not perfect yet — but it’s one of the first tools that feels like it scales with you. If you’re deep into AI, you’ll see the shift instantly.

The AI Guru 💡

50,197 görüntüleme • 4 ay önce

Gemini Omni is changing video creation and most people still don't know what it can actually do. Here are 7 things you can do with it right now: 1. Image to Video in multiple styles: Upload a photo. describe the style. Gemini Omni turns it into a video. cinematic, anime, realistic. 2. Reimagine camera angles: Take any image and visualize it from a completely different angle. no reshooting. just describe it. 3. Change backgrounds: Swap the background of any video through plain conversation. no green screen. no editing software. 4. Change hairstyle: Describe a new hairstyle. Gemini Omni applies it. characters stay consistent across every frame. 5. visualize with moodboards: feed it a moodboard, audio, and a brief. it builds the video around the full creative reference — not just a text prompt. 6. swap characters and objects mid-scene: replace people, props, and objects in an existing video. the scene stays consistent. the physics hold up. 7. edit physics: describe how you want things to move. Gemini Omni adjusts the physics of the scene through conversation.
0:18

Gemini Omni is changing video creation and most people still don't know what it can actually do. Here are 7 things you can do with it right now: 1. Image to Video in multiple styles: Upload a photo. describe the style. Gemini Omni turns it into a video. cinematic, anime, realistic. 2. Reimagine camera angles: Take any image and visualize it from a completely different angle. no reshooting. just describe it. 3. Change backgrounds: Swap the background of any video through plain conversation. no green screen. no editing software. 4. Change hairstyle: Describe a new hairstyle. Gemini Omni applies it. characters stay consistent across every frame. 5. visualize with moodboards: feed it a moodboard, audio, and a brief. it builds the video around the full creative reference — not just a text prompt. 6. swap characters and objects mid-scene: replace people, props, and objects in an existing video. the scene stays consistent. the physics hold up. 7. edit physics: describe how you want things to move. Gemini Omni adjusts the physics of the scene through conversation.

Poonam Soni

11,682 görüntüleme • 1 ay önce

this effect is all over tiktok right now and nobody's explaining how to actually do it properly... the 3d balloon character thing. where someone turns into a shiny inflatable version of themselves that still moves and talks. looks pretty smooth in feeds. the workflow is stupid simple once you see it. step 1: take any photo. drop it into an image gen tool (nano banana pro). prompt it with something like "make the person in the photo a plastic blow up balloon character with a shiny surface. keep the face details as 3d balloon details including the person in the background. don't change background" that's it for the image. don't overcomplicate the prompt. shorter = more consistent results. (learned this after wasting like 2 hours trying to get "perfect" prompts that kept giving me garbage) step 2: take that balloon image + your original video and drop both into kling motion control. prompt: "turn the motion and detailed mouth movement of the video to the setting of the image" that's literally it. kling maps the motion from the real video onto the balloon character. mouth moves. head turns. expressions transfer. the whole thing renders in a few minutes. the result looks like a $500 custom animation and costs you maybe $0.30 in kling credits. people are getting 500k+ views with these because the scroll-stop factor is insane. nobody expects to see a shiny inflatable version of someone giving a real speech or doing a product review. the play here is obvious btw. run this for client content (mix with the hook and real body, check the results yourself) or use it on your own faceless channels as a hook pattern before the algo catches up...
0:17

this effect is all over tiktok right now and nobody's explaining how to actually do it properly... the 3d balloon character thing. where someone turns into a shiny inflatable version of themselves that still moves and talks. looks pretty smooth in feeds. the workflow is stupid simple once you see it. step 1: take any photo. drop it into an image gen tool (nano banana pro). prompt it with something like "make the person in the photo a plastic blow up balloon character with a shiny surface. keep the face details as 3d balloon details including the person in the background. don't change background" that's it for the image. don't overcomplicate the prompt. shorter = more consistent results. (learned this after wasting like 2 hours trying to get "perfect" prompts that kept giving me garbage) step 2: take that balloon image + your original video and drop both into kling motion control. prompt: "turn the motion and detailed mouth movement of the video to the setting of the image" that's literally it. kling maps the motion from the real video onto the balloon character. mouth moves. head turns. expressions transfer. the whole thing renders in a few minutes. the result looks like a $500 custom animation and costs you maybe $0.30 in kling credits. people are getting 500k+ views with these because the scroll-stop factor is insane. nobody expects to see a shiny inflatable version of someone giving a real speech or doing a product review. the play here is obvious btw. run this for client content (mix with the hook and real body, check the results yourself) or use it on your own faceless channels as a hook pattern before the algo catches up...

KNOX

25,773 görüntüleme • 7 ay önce

Gemini Omni's motion control is f*cking cracked i just figured out how to turn 1 reference video into 50+ AI videos with the exact same movements... you have a video of someone eating, dancing, using a product, doing whatever complex motion you need. you feed it to Gemini Omni and it recreates that exact motion with a completely new AI character in literally one prompt i've tested this against Kling motion control and it's not even close. Kling falls apart the moment you try anything complex. eating scenes look weird, hand movements get mangled, anything multi-step breaks down completely. Gemini Omni handles all of it if you're still using kling motion control or paying creators to split test your videos, this replaces that entire workflow here's the thing though. you can't just prompt this out of the box. if you try to do motion transfer with default prompting you're going to get errors or the motion won't transfer properly. there's a specific prompting method that makes it work every time so i packaged up the whole system.. here's what you're getting: > full step by step video breakdown > how to find the best reference videos to use > the exact prompting system that allows for motion control transfer so you never get errors > the workflow for batching this out at scale (1 video → 50+) RT + reply "MOTION" and i'll send it over (must follow so i can dm)
0:13

Gemini Omni's motion control is f*cking cracked i just figured out how to turn 1 reference video into 50+ AI videos with the exact same movements... you have a video of someone eating, dancing, using a product, doing whatever complex motion you need. you feed it to Gemini Omni and it recreates that exact motion with a completely new AI character in literally one prompt i've tested this against Kling motion control and it's not even close. Kling falls apart the moment you try anything complex. eating scenes look weird, hand movements get mangled, anything multi-step breaks down completely. Gemini Omni handles all of it if you're still using kling motion control or paying creators to split test your videos, this replaces that entire workflow here's the thing though. you can't just prompt this out of the box. if you try to do motion transfer with default prompting you're going to get errors or the motion won't transfer properly. there's a specific prompting method that makes it work every time so i packaged up the whole system.. here's what you're getting: > full step by step video breakdown > how to find the best reference videos to use > the exact prompting system that allows for motion control transfer so you never get errors > the workflow for batching this out at scale (1 video → 50+) RT + reply "MOTION" and i'll send it over (must follow so i can dm)

Miko

60,965 görüntüleme • 2 ay önce

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild
0:14

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 görüntüleme • 3 ay önce

This is not camera footage. It is a Blender character with 8K skin, detailed wrinkles, wet eyes, facial controls and enough micro-detail to make your brain keep waiting for the person to behave like a person. HumanPro packages that skin workflow into a Blender add-on instead of making artists rebuild it from scratch every time. The interesting AI angle is not “AI made a realistic girl.” A reusable 3D human can keep the same face across thousands of shots, then be relit, reposed, animated and dropped into completely different scenes without the identity drifting every six frames. Add Claude through Blender MCP and the workflow gets stranger: the model can help assemble scenes, adjust cameras and lighting, inspect renders and correct obvious visual problems, while the character system handles the skin and facial structure. It still does not remove the artist. Someone has to control expression, motion, lighting and the exact moment realism quietly turns into a very expensive mannequin. Most AI influencer projects are still fighting prompt consistency one image at a time. A rigged digital human is less magical, but probably much closer to how this becomes an actual production system.
0:18

This is not camera footage. It is a Blender character with 8K skin, detailed wrinkles, wet eyes, facial controls and enough micro-detail to make your brain keep waiting for the person to behave like a person. HumanPro packages that skin workflow into a Blender add-on instead of making artists rebuild it from scratch every time. The interesting AI angle is not “AI made a realistic girl.” A reusable 3D human can keep the same face across thousands of shots, then be relit, reposed, animated and dropped into completely different scenes without the identity drifting every six frames. Add Claude through Blender MCP and the workflow gets stranger: the model can help assemble scenes, adjust cameras and lighting, inspect renders and correct obvious visual problems, while the character system handles the skin and facial structure. It still does not remove the artist. Someone has to control expression, motion, lighting and the exact moment realism quietly turns into a very expensive mannequin. Most AI influencer projects are still fighting prompt consistency one image at a time. A rigged digital human is less magical, but probably much closer to how this becomes an actual production system.

Rina

109,587 görüntüleme • 1 ay önce

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)
0:18

Beauty ads just changed forever. Free Claude Opus 4.8 + GPT Image 2 + Seedance 2.0 workflow to spin up 100s of video ads. No studio, no model, no macro lens, no shoot day. Here's what nobody in beauty marketing wants to say out loud. That glossy lip shot. The droplet hitting the surface in slow motion. The whip-pan into the next scene. The crystalline product splash. All the stuff that used to need a real set, a real camera op, and a full shoot day. You can generate every frame of it from a text prompt now, and stitch it into a finished ad before your coffee goes cold. The workflow is almost stupidly simple: → Tell Claude Opus 4.8 the beauty shot you want (dewy skin macro, gloss-on-lips contact, ripple transition, the works) → Claude turns it into a shot-by-shot storyboard plus a prompt for every frame → GPT Image 2 generates the photoreal stills, frame by frame → Seedance 2.0 animates each one into a clip with that buttery slow-mo glide → You drop the clips into HeyOz and assemble the full ad in one place The real unlock is volume. This isn't one hero video. Once the workflow is dialed, you spin up hundreds of variations. Different shades, different models, different hooks, different transitions. The exact creative volume Meta rewards, minus the production cost that used to make it impossible. Old way: one shoot, one look, $10k+, weeks of waiting. New way: a hundred angles, any look, a few dollars each, same afternoon. I wrote up the entire workflow. The Claude storyboard prompt, the GPT Image 2 frame prompts, the Seedance motion settings, the full assembly flow. Completely free, no email gate. Want it? Comment "GLOSS" and I'll send it straight over. (make sure you're following so it can actually reach you)

Ahad Shams

11,259 görüntüleme • 3 ay önce

Most video tools can generate clips. Very few can maintain identity. That has been the real bottleneck in AI video creation. Kling O1 changes that. For the first time, creators can carry a character, style, and visual language across scenes without constant fixes. You can reference past clips, assets, or images and the output stays consistently on-model. No visual drift. No rework loops. No “this doesn’t look like the last shot” moments. It feels less like prompting a tool and more like working with a creative collaborator that remembers context. The impact is practical, not theoretical: → Faster production cycles → Lower iteration costs → Noticeably higher output quality This is what mature AI tooling looks like. Not louder features. Not bigger claims. Just reliability where it actually matters. Consistency is no longer the problem.
0:13

Most video tools can generate clips. Very few can maintain identity. That has been the real bottleneck in AI video creation. Kling O1 changes that. For the first time, creators can carry a character, style, and visual language across scenes without constant fixes. You can reference past clips, assets, or images and the output stays consistently on-model. No visual drift. No rework loops. No “this doesn’t look like the last shot” moments. It feels less like prompting a tool and more like working with a creative collaborator that remembers context. The impact is practical, not theoretical: → Faster production cycles → Lower iteration costs → Noticeably higher output quality This is what mature AI tooling looks like. Not louder features. Not bigger claims. Just reliability where it actually matters. Consistency is no longer the problem.

Darshal Jaitwar

141,038 görüntüleme • 8 ay önce

The bros will tell you to lower every weight over five slow, meaningful seconds. Big mistake. You are a third to a half stronger lowering a weight than lifting it. That is just how the body works. So if you can press the thing up at all, you own it on the way down. Easily. However slowly you lower it, you are babysitting a load the muscle already handles with room to spare. You cannot challenge a fibre that finds the weight comfortable. Take ten seconds if you like. It stays completely unbothered. And it gets worse, because the slow negative does not just fail to grow you, it actively costs you. Every long descent drains your energy, so you reach the concentric, the part that actually builds muscle, with fewer good reps left in you. You have spent yourself on the phase that stimulates nothing. Slow eccentrics are not a weak hypertrophy technique. They are hypertrophy in reverse. Lower it under control in two seconds. Then drive hard, where the muscle is weakest and the growth actually happens. The weight was never listening on the way down.
0:13

The bros will tell you to lower every weight over five slow, meaningful seconds. Big mistake. You are a third to a half stronger lowering a weight than lifting it. That is just how the body works. So if you can press the thing up at all, you own it on the way down. Easily. However slowly you lower it, you are babysitting a load the muscle already handles with room to spare. You cannot challenge a fibre that finds the weight comfortable. Take ten seconds if you like. It stays completely unbothered. And it gets worse, because the slow negative does not just fail to grow you, it actively costs you. Every long descent drains your energy, so you reach the concentric, the part that actually builds muscle, with fewer good reps left in you. You have spent yourself on the phase that stimulates nothing. Slow eccentrics are not a weak hypertrophy technique. They are hypertrophy in reverse. Lower it under control in two seconds. Then drive hard, where the muscle is weakest and the growth actually happens. The weight was never listening on the way down.

Sama Hoole

48,342 görüntüleme • 1 ay önce

Jeff Bezos just told you exactly how to price AI. Nobody listened. Bezos: “AI is real and it is going to change every industry. In fact it’s a very unusual technology in that regard in that it’s a horizontal enabling layer.” Horizontal enabling layer. Three words that reprice the entire technology sector. The iPhone was a vertical. One product. One new market. Electricity was a horizontal. One substrate that rewired every market on Earth. Wall Street is pricing AI like it is the next iPhone. Bezos is telling you it is the next electrical grid. Right now, thousands of companies are trying to sell AI as a product. A feature. A tool. A subscription tier. Every single one of them will be priced to zero. You do not sell a horizontal layer. You do not compete with it. You build on top of it or you disappear beneath it. For a century, entire industries survived on one thing. Complexity. The friction of navigating law, medicine, logistics, finance. That was the moat. If you could not memorize the maze, you could not compete. A horizontal layer does not navigate the maze. It dissolves the walls. Electricity did not compete with the candle industry. It erased the need for one. The most dangerous part of a horizontal shift is how quiet it is. It moves underneath the economy. The surface looks normal. Revenue still holds. Every day you operate on the old substrate, you accumulate a debt you cannot see and cannot repay. The internet repriced distribution. AI is repricing cognition itself. When intelligence becomes a utility that runs through the walls of every company on Earth, the premium on human expertise does not erode. It evaporates. This is not a disruption. Disruptions replace products. This replaces the ground you are standing on.
0:16

Jeff Bezos just told you exactly how to price AI. Nobody listened. Bezos: “AI is real and it is going to change every industry. In fact it’s a very unusual technology in that regard in that it’s a horizontal enabling layer.” Horizontal enabling layer. Three words that reprice the entire technology sector. The iPhone was a vertical. One product. One new market. Electricity was a horizontal. One substrate that rewired every market on Earth. Wall Street is pricing AI like it is the next iPhone. Bezos is telling you it is the next electrical grid. Right now, thousands of companies are trying to sell AI as a product. A feature. A tool. A subscription tier. Every single one of them will be priced to zero. You do not sell a horizontal layer. You do not compete with it. You build on top of it or you disappear beneath it. For a century, entire industries survived on one thing. Complexity. The friction of navigating law, medicine, logistics, finance. That was the moat. If you could not memorize the maze, you could not compete. A horizontal layer does not navigate the maze. It dissolves the walls. Electricity did not compete with the candle industry. It erased the need for one. The most dangerous part of a horizontal shift is how quiet it is. It moves underneath the economy. The surface looks normal. Revenue still holds. Every day you operate on the old substrate, you accumulate a debt you cannot see and cannot repay. The internet repriced distribution. AI is repricing cognition itself. When intelligence becomes a utility that runs through the walls of every company on Earth, the premium on human expertise does not erode. It evaporates. This is not a disruption. Disruptions replace products. This replaces the ground you are standing on.

Dustin

542,106 görüntüleme • 4 ay önce

you need to tattoo this Boris Cherny quote into your brain: "coding is the easy part, it's knowing the domain that's the hard part" every week a new startup drops a launch video saying they "killed influencer marketing" or something but they don't get it. creating the thing is NOT the hard part it's understanding what thing you have to create, at what moment, and in what way and that takes years of pattern recognition from actually being in the arena and seeing what works AI can't shortcut that for you
0:18

you need to tattoo this Boris Cherny quote into your brain: "coding is the easy part, it's knowing the domain that's the hard part" every week a new startup drops a launch video saying they "killed influencer marketing" or something but they don't get it. creating the thing is NOT the hard part it's understanding what thing you have to create, at what moment, and in what way and that takes years of pattern recognition from actually being in the arena and seeing what works AI can't shortcut that for you

Ole Lehmann

47,875 görüntüleme • 4 ay önce

AI can generate a video. But turning it into something that actually feels finished is a different story. You still need to source assets, arrange scenes, add motion graphics, fix mistakes, and polish the final edit. Fotor Video Agent handles the whole production workflow with automatic orchestration. It can also generate professional 4K-level motion graphics in minutes, without requiring After Effects skills. And the best part? The motion graphics stay editable. You can change the text, numbers, charts, and other elements directly instead of regenerating the entire graphic. It’s 50× faster and costs about 1/200th of traditional AE production. So AI handles the heavy lifting, while you keep control over the final result. And it recently hit #1 Product of the Day on Product Hunt 🏆 Here’s what it made ↓
0:10

AI can generate a video. But turning it into something that actually feels finished is a different story. You still need to source assets, arrange scenes, add motion graphics, fix mistakes, and polish the final edit. Fotor Video Agent handles the whole production workflow with automatic orchestration. It can also generate professional 4K-level motion graphics in minutes, without requiring After Effects skills. And the best part? The motion graphics stay editable. You can change the text, numbers, charts, and other elements directly instead of regenerating the entire graphic. It’s 50× faster and costs about 1/200th of traditional AE production. So AI handles the heavy lifting, while you keep control over the final result. And it recently hit #1 Product of the Day on Product Hunt 🏆 Here’s what it made ↓

Sobi Ai

20,496 görüntüleme • 7 gün önce

Reading the comments on this post told me everything I need to know about art. So many of you wrote to say you felt the exact same thing I did standing in front of the Starry Night. That strange pull, the sense that the painting is somehow alive... It turns out the feeling is completely universal. I am not someone who gets emotional easily. But every so often a piece of art really gets to me. And that is exactly what happened the first time i walked up to Van Gogh's magnum opus. I know how that sounds, it is one of the most famous paintings on earth, almost a cliché to be moved by it. But maybe it is that famous for a reason... It genuinely looks like it is moving while you stand there, shifting in a way I cannot explain and have never seen in any of the thousands of paintings I have looked at in my life. The same day I took the photo below, I also filmed this short video. It still comes nowhere near the real thing, but you can at least catch a little more of it here, the thick ridges of paint, the way the stars and swirls lift right off the canvas. This technique is called "impasto", from the Italian for mixture. It means paint laid on so thickly that every brushstroke and ridge stays visible on the surface. Van Gogh piled it on with a loaded brush, building the stars up thick so they would blaze as bright as possible against the dark. But no video and no explanation of technique can really convey what it feels like to stand in front of it. And the fact that so many of you felt the very same thing says something true about what art is really for. Tolstoy said it best: "The receiver of a true artistic impression is so united to the artist that he feels as if the work were his own and not someone else’s, as if what it expresses were just what he had long been wishing to express. A real work of art destroys, in the consciousness of the receiver, the separation between himself and the artist. In this uniting of it with others lies the great attractive force of art."
0:15

Reading the comments on this post told me everything I need to know about art. So many of you wrote to say you felt the exact same thing I did standing in front of the Starry Night. That strange pull, the sense that the painting is somehow alive... It turns out the feeling is completely universal. I am not someone who gets emotional easily. But every so often a piece of art really gets to me. And that is exactly what happened the first time i walked up to Van Gogh's magnum opus. I know how that sounds, it is one of the most famous paintings on earth, almost a cliché to be moved by it. But maybe it is that famous for a reason... It genuinely looks like it is moving while you stand there, shifting in a way I cannot explain and have never seen in any of the thousands of paintings I have looked at in my life. The same day I took the photo below, I also filmed this short video. It still comes nowhere near the real thing, but you can at least catch a little more of it here, the thick ridges of paint, the way the stars and swirls lift right off the canvas. This technique is called "impasto", from the Italian for mixture. It means paint laid on so thickly that every brushstroke and ridge stays visible on the surface. Van Gogh piled it on with a loaded brush, building the stars up thick so they would blaze as bright as possible against the dark. But no video and no explanation of technique can really convey what it feels like to stand in front of it. And the fact that so many of you felt the very same thing says something true about what art is really for. Tolstoy said it best: "The receiver of a true artistic impression is so united to the artist that he feels as if the work were his own and not someone else’s, as if what it expresses were just what he had long been wishing to express. A real work of art destroys, in the consciousness of the receiver, the separation between himself and the artist. In this uniting of it with others lies the great attractive force of art."

James Lucas

54,355 görüntüleme • 2 gün önce

Major major props to aroha for solving a major limitation with Seedance 2.0. If you've tried uploading audio files directly, you know that Seedance 2.0 actually changes the lyrics and even the song itself BUT if you save out a blank video with the song and upload that video as a video omni reference it gives you perfect lipsync and no style drifting of the audio. I personally haven't notice style drift but it's 100% better than a straight audio upload which makes it unusable. This is actually MAJOR!!! Those music videos you've been wanting to generate with Seedance 2.0 are now solved. I tested this myself with some audio from Suno 5.5 which is the example you're watching right now and it works! I just wish Seedance 2.0 would actually fix the audio upload problem but this is an immediate fix. You don't need to type out the lyrics like I did. I think the best use case for using just an audio file is only if you want to keep a characters voice consistent.
0:15

Major major props to aroha for solving a major limitation with Seedance 2.0. If you've tried uploading audio files directly, you know that Seedance 2.0 actually changes the lyrics and even the song itself BUT if you save out a blank video with the song and upload that video as a video omni reference it gives you perfect lipsync and no style drifting of the audio. I personally haven't notice style drift but it's 100% better than a straight audio upload which makes it unusable. This is actually MAJOR!!! Those music videos you've been wanting to generate with Seedance 2.0 are now solved. I tested this myself with some audio from Suno 5.5 which is the example you're watching right now and it works! I just wish Seedance 2.0 would actually fix the audio upload problem but this is an immediate fix. You don't need to type out the lyrics like I did. I think the best use case for using just an audio file is only if you want to keep a characters voice consistent.

Travis Davids

52,581 görüntüleme • 4 ay önce

fal's release today is mind-boggling on all the benchmarks. But the most important thing to me is that they’ve shown that video models can move towards real-time direction. When you make AI generation so fast that it becomes interactive rather than minutes of prompt-and-wait, it opens up a different creative experience for designers and directors. You can iterate quickly. The work becomes truly editable. It becomes a new experience...and I think we'll see an incredible amount of innovation (both technical and creative) follow soon.
0:10

fal's release today is mind-boggling on all the benchmarks. But the most important thing to me is that they’ve shown that video models can move towards real-time direction. When you make AI generation so fast that it becomes interactive rather than minutes of prompt-and-wait, it opens up a different creative experience for designers and directors. You can iterate quickly. The work becomes truly editable. It becomes a new experience...and I think we'll see an incredible amount of innovation (both technical and creative) follow soon.

Todd Jackson

15,907 görüntüleme • 14 gün önce

As always everyone is blind staring at the progress of LLMs for coding and chat But meanwhile the new SOTA video model Seedance 2.5 has been slowly rolling out and it's really quite exceptional It's made by ByteDance (TikTok) who of course have lots of training data With just a few reference pics, it can get quite close to how you look IRL and you can do quite professional video shots with just a prompt I'd say it's the first video model that's now at the level of image models with the level of character likeness, cracking that in image models also took about 3 years (2022-2025) Generating 15 seconds takes about 4 minutes I put it live now on Photo AI, you can use it under [ Make video ] from the sidebar with just a prompt and your model selected! So you don't need to take an AI photo first and then turn that into a video! Saves lots of time :D It's more expensive than but I kept the credits the same (30 for 1 video) It also works inside the new video editor and you can make changes in your video with [ Magic edit ] in both the main app and the video editor Also a message for my server guy Daniel Lockyer (it can do voice too and you can even submit a voice sample of yourself, but I didn't here)
0:15

As always everyone is blind staring at the progress of LLMs for coding and chat But meanwhile the new SOTA video model Seedance 2.5 has been slowly rolling out and it's really quite exceptional It's made by ByteDance (TikTok) who of course have lots of training data With just a few reference pics, it can get quite close to how you look IRL and you can do quite professional video shots with just a prompt I'd say it's the first video model that's now at the level of image models with the level of character likeness, cracking that in image models also took about 3 years (2022-2025) Generating 15 seconds takes about 4 minutes I put it live now on Photo AI, you can use it under [ Make video ] from the sidebar with just a prompt and your model selected! So you don't need to take an AI photo first and then turn that into a video! Saves lots of time :D It's more expensive than but I kept the credits the same (30 for 1 video) It also works inside the new video editor and you can make changes in your video with [ Magic edit ] in both the main app and the video editor Also a message for my server guy Daniel Lockyer (it can do voice too and you can even submit a voice sample of yourself, but I didn't here)

@levelsio

710,766 görüntüleme • 1 ay önce

We were taught the derivative as a formula to memorise. A definition to recite. A rule to apply. Something that "gives you the slope." But nobody told us what the formula was actually saying. Every symbol is a sentence. Every fraction is a question. Every limit is a story about getting closer and closer to something you can never quite touch. The top of the fraction? That's a change. A difference. A before and after. The bottom? That's how long you waited to see it. The limit? That's you, zooming in, refusing to settle for an approximation - chasing the truth all the way down to an interval so small it almost disappears. Put it all together, and you get the most honest question in calculus: How fast is something changing - right now, in this exact instant? Not on average. Not over a minute. Not eventually. Right now. That's it. That's the derivative. It's not a trick. It's not a rule. It's a beautifully precise way of asking a very human question: what's happening, in this moment? We spent years solving these. Maybe it's time we actually understood them.
0:12

We were taught the derivative as a formula to memorise. A definition to recite. A rule to apply. Something that "gives you the slope." But nobody told us what the formula was actually saying. Every symbol is a sentence. Every fraction is a question. Every limit is a story about getting closer and closer to something you can never quite touch. The top of the fraction? That's a change. A difference. A before and after. The bottom? That's how long you waited to see it. The limit? That's you, zooming in, refusing to settle for an approximation - chasing the truth all the way down to an interval so small it almost disappears. Put it all together, and you get the most honest question in calculus: How fast is something changing - right now, in this exact instant? Not on average. Not over a minute. Not eventually. Right now. That's it. That's the derivative. It's not a trick. It's not a rule. It's a beautifully precise way of asking a very human question: what's happening, in this moment? We spent years solving these. Maybe it's time we actually understood them.

The Math Flow

22,498 görüntüleme • 3 ay önce

THE FINAL STRETCH BEFORE EVERYTHING CHANGES….💫🛸💫 💥Note to Anons- Patriots: You have been through more than you let on, more than anyone knows, the sleepless nights, the relatives, friends and strangers that laughed at you. Moments you questioned yourself-times you had nothing left; but still chose to believe. You held on when others folded. You stayed when it would of been easier to walk away. That makes you rare, dangerous and destined. “You may not feel it right now,” but this is THE FINAL STRETCH before everything changes. There will come a day when you sit in stillness and remember the version of you who refused to “Give Up.” The one who showed up broke, exhausted and ridiculed; but never let go of the vision. That day is coming—and when it does you will cry; not because you are hurting-because it all finally made sense. All the pain, doubt, delays and all the missed exits. It wasn’t punishment; It was preparation. You weren’t meant to get rich fast, You were meant to become someone “Unshakable.” You are awake,alive and know this matters. Now, you’re too far in to turn around and way too close to fold under pressure. The storm is loud but your intuition is louder and it’s been screaming from the beginning; “Hold On-Just Hold.” This moment is once in a lifetime, you won’t see it again. NOT LIKE THIS-NOT AT THIS PRICE-NOT WITH THIS SETUP. So breathe, trust your gut, Silence the noise and when this ends-when it finally ENDS-you’ll be the one they come to asking “HOW YOU KNEW?” And you’ll smile 🙂because deep down, way down; “YOU ALWAYS KNEW.” I’m proud of you, you’re almost there; Finish The Mission-I Love You.
0:14

THE FINAL STRETCH BEFORE EVERYTHING CHANGES….💫🛸💫 💥Note to Anons- Patriots: You have been through more than you let on, more than anyone knows, the sleepless nights, the relatives, friends and strangers that laughed at you. Moments you questioned yourself-times you had nothing left; but still chose to believe. You held on when others folded. You stayed when it would of been easier to walk away. That makes you rare, dangerous and destined. “You may not feel it right now,” but this is THE FINAL STRETCH before everything changes. There will come a day when you sit in stillness and remember the version of you who refused to “Give Up.” The one who showed up broke, exhausted and ridiculed; but never let go of the vision. That day is coming—and when it does you will cry; not because you are hurting-because it all finally made sense. All the pain, doubt, delays and all the missed exits. It wasn’t punishment; It was preparation. You weren’t meant to get rich fast, You were meant to become someone “Unshakable.” You are awake,alive and know this matters. Now, you’re too far in to turn around and way too close to fold under pressure. The storm is loud but your intuition is louder and it’s been screaming from the beginning; “Hold On-Just Hold.” This moment is once in a lifetime, you won’t see it again. NOT LIKE THIS-NOT AT THIS PRICE-NOT WITH THIS SETUP. So breathe, trust your gut, Silence the noise and when this ends-when it finally ENDS-you’ll be the one they come to asking “HOW YOU KNEW?” And you’ll smile 🙂because deep down, way down; “YOU ALWAYS KNEW.” I’m proud of you, you’re almost there; Finish The Mission-I Love You.

Danielle knows a lot

45,877 görüntüleme • 1 ay önce