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They’re lying in the same bed, pretending everything feels completely normal. But the quiet glances, nervous smiles, and shrinking space between them tell a different story. #GayRomance #BL #BoysLove #GayShortFilm #LGBTQRomance #Shorts

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BL Story Lab

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11,814 просмотров • 1 месяц назад •via X (Twitter)

#GayRomance#BL#BoysLove#GayShortFilm#LGBTQRomance#Shorts
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/// tadc spoilers . . . . . . . . . like im sorry but you cannot tell me objectively the pomni from this scene and the pomni in ep 9 are the same characters 😭😭😭 we have a very similar scenario of jax walking off depressed but two completely different responses
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/// tadc spoilers . . . . . . . . . like im sorry but you cannot tell me objectively the pomni from this scene and the pomni in ep 9 are the same characters 😭😭😭 we have a very similar scenario of jax walking off depressed but two completely different responses

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Save this for the next time your typography feels weird and you can’t explain why. Nine times out of ten, it’s line-height - the vertical space between lines of text that decides whether type feels confident or clumsy, readable or tiring. Headlines Compress them. ~1.05–1.25 is usually right. Headlines aren’t meant to be read carefully line by line. They’re meant to land as a shape. Tighter leading pulls words into a single visual block and makes the headline feel confident and intentional. One hard rule: ascenders and descenders should never touch. If your t’s and l’s are colliding with g’s and y’s, you’ve gone too far. Body text Do the opposite. Give it air. ~1.4–1.7, depending on the typeface, its x-height, and the line length. Body text is about endurance. Your reader shouldn’t notice the typography at all. If they’re aware of the type, something’s off. The goal is that they just keep going, paragraph after paragraph, without friction. In Framer, you can find the Line-height settings in the Text Panel > Line. And yes, this applies even if you’re using the same font for headlines and body text! Same font, same page, but they have completely different jobs - and different line height. Sometimes, choosing a good type isn’t enough - you need to know how much space to give letters so they can do their work.
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Save this for the next time your typography feels weird and you can’t explain why. Nine times out of ten, it’s line-height - the vertical space between lines of text that decides whether type feels confident or clumsy, readable or tiring. Headlines Compress them. ~1.05–1.25 is usually right. Headlines aren’t meant to be read carefully line by line. They’re meant to land as a shape. Tighter leading pulls words into a single visual block and makes the headline feel confident and intentional. One hard rule: ascenders and descenders should never touch. If your t’s and l’s are colliding with g’s and y’s, you’ve gone too far. Body text Do the opposite. Give it air. ~1.4–1.7, depending on the typeface, its x-height, and the line length. Body text is about endurance. Your reader shouldn’t notice the typography at all. If they’re aware of the type, something’s off. The goal is that they just keep going, paragraph after paragraph, without friction. In Framer, you can find the Line-height settings in the Text Panel > Line. And yes, this applies even if you’re using the same font for headlines and body text! Same font, same page, but they have completely different jobs - and different line height. Sometimes, choosing a good type isn’t enough - you need to know how much space to give letters so they can do their work.

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While you slept last night, completely motionless in your bed, our galaxy shifted millions of kilometers through the cosmos. You woke up in the same room, on the same planet, but unimaginably far from where you were the night before. The Milky Way does not glide silently through the universe. It is racing through space at about 600 kilometers per second, carrying with it billions of stars, planets, and everything they contain on the journey. It is a good reminder that, even when life seems motionless, you are always in motion.

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