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They’re lying in the same bed, pretending everything feels completely normal. But the quiet glances, nervous smiles, and shrinking space between them tell a different story. #GayRomance #BL #BoysLove #GayShortFilm #LGBTQRomance #Shorts

BL Story Lab

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11,814 görüntüleme • 1 ay önce •via X (Twitter)

#GayRomance #BL #BoysLove #GayShortFilm #LGBTQRomance #Shorts

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/// tadc spoilers . . . . . . . . . like im sorry but you cannot tell me objectively the pomni from this scene and the pomni in ep 9 are the same characters 😭😭😭 we have a very similar scenario of jax walking off depressed but two completely different responses

/// tadc spoilers . . . . . . . . . like im sorry but you cannot tell me objectively the pomni from this scene and the pomni in ep 9 are the same characters 😭😭😭 we have a very similar scenario of jax walking off depressed but two completely different responses

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Save this for the next time your typography feels weird and you can’t explain why. Nine times out of ten, it’s line-height - the vertical space between lines of text that decides whether type feels confident or clumsy, readable or tiring. Headlines Compress them. ~1.05–1.25 is usually right. Headlines aren’t meant to be read carefully line by line. They’re meant to land as a shape. Tighter leading pulls words into a single visual block and makes the headline feel confident and intentional. One hard rule: ascenders and descenders should never touch. If your t’s and l’s are colliding with g’s and y’s, you’ve gone too far. Body text Do the opposite. Give it air. ~1.4–1.7, depending on the typeface, its x-height, and the line length. Body text is about endurance. Your reader shouldn’t notice the typography at all. If they’re aware of the type, something’s off. The goal is that they just keep going, paragraph after paragraph, without friction. In Framer, you can find the Line-height settings in the Text Panel > Line. And yes, this applies even if you’re using the same font for headlines and body text! Same font, same page, but they have completely different jobs - and different line height. Sometimes, choosing a good type isn’t enough - you need to know how much space to give letters so they can do their work.

Save this for the next time your typography feels weird and you can’t explain why. Nine times out of ten, it’s line-height - the vertical space between lines of text that decides whether type feels confident or clumsy, readable or tiring. Headlines Compress them. ~1.05–1.25 is usually right. Headlines aren’t meant to be read carefully line by line. They’re meant to land as a shape. Tighter leading pulls words into a single visual block and makes the headline feel confident and intentional. One hard rule: ascenders and descenders should never touch. If your t’s and l’s are colliding with g’s and y’s, you’ve gone too far. Body text Do the opposite. Give it air. ~1.4–1.7, depending on the typeface, its x-height, and the line length. Body text is about endurance. Your reader shouldn’t notice the typography at all. If they’re aware of the type, something’s off. The goal is that they just keep going, paragraph after paragraph, without friction. In Framer, you can find the Line-height settings in the Text Panel > Line. And yes, this applies even if you’re using the same font for headlines and body text! Same font, same page, but they have completely different jobs - and different line height. Sometimes, choosing a good type isn’t enough - you need to know how much space to give letters so they can do their work.

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Sleeping together feels like a world paused in peace, our breaths finding rhythm in the quiet of night. Waking up in your arms feels like sunlight wrapped in warmth, where time forgets to move. Your hug is my home, our bed the universe where dreams stay real a little longer. Every morning, I open my eyes and see love resting beside me, soft and certain, like forever whispered between us.

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Canova sculpted the same lovers twice, but they barely feel like the same couple. The one on the left is the dramatic version. Cupid just dropped out of the sky, and Psyche is waking up from that cursed sleep after opening Persephone’s jar. Their faces are inches apart, frozen right before the kiss. The whole thing is full of movement. You really have to walk around it to take it all in. From the back, you see the quiver, the arrows, and the jar that almost killed her. A few years later, he made them standing up. It's smaller, quieter and almost innocent. No huge wings this time. Psyche is just placing a butterfly in Cupid’s hand, and they're both staring at it. In Greek psyche means both soul and butterfly, which really sums up the whole piece. Canova himself saw them as two different sides of love. The reclining one is pure passion. The standing one is more about a quiet, gentle connection. The same Scottish colonel actually ordered both, but he couldn't afford the shipping. So Joachim Murat (Napoleon’s brother-in-law) bought them instead. Eventually, they both ended up with Napoleon. So these two completely different takes on love traveled together, like two sides of the same coin.

Canova sculpted the same lovers twice, but they barely feel like the same couple. The one on the left is the dramatic version. Cupid just dropped out of the sky, and Psyche is waking up from that cursed sleep after opening Persephone’s jar. Their faces are inches apart, frozen right before the kiss. The whole thing is full of movement. You really have to walk around it to take it all in. From the back, you see the quiver, the arrows, and the jar that almost killed her. A few years later, he made them standing up. It's smaller, quieter and almost innocent. No huge wings this time. Psyche is just placing a butterfly in Cupid’s hand, and they're both staring at it. In Greek psyche means both soul and butterfly, which really sums up the whole piece. Canova himself saw them as two different sides of love. The reclining one is pure passion. The standing one is more about a quiet, gentle connection. The same Scottish colonel actually ordered both, but he couldn't afford the shipping. So Joachim Murat (Napoleon’s brother-in-law) bought them instead. Eventually, they both ended up with Napoleon. So these two completely different takes on love traveled together, like two sides of the same coin.

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These videos are nearly a year apart, filmed in the exact same place. First with Charlie and RFK, now with Erika walking without him. Same spot, completely different circumstances. It is emotional to return to these places, but we feel Charlie’s spirit so tangibly. Erika is literally walking the same footsteps to honor her husband.

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Tonight will probably be another massive attack. Yes, it’s still scary. Yes, we still can’t get used to it. Because this is not normal. And it never will be. So before the sirens begin and the sky fills with drones again, I’m making borsht and trying to enjoy a few quiet hours. This is what life in Ukraine looks like sometimes: waiting for the worst, while cooking dinner and pretending everything is okay.

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Great night down at Dalymount. A lot of comparisons between our league and the League of Ireland are unfair with entirely different circumstances at play, but they’re doing so much right down there re: match day experience, identity, supporter buy in etc.

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