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This animation is from 1934 — and it still looks unbelievable. Poor Cinderella (1934) by Fleischer Studios was the only color Betty Boop cartoon, with hand-painted color and fluid motion. Nearly 90 years later, it still holds up.

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Years before Disney's full length feature, Fleischer Studios produced their version of Cindrella movie "Poor Cinderella" (1934), featuring Betty Boop It was Fleischer Studios' first color film, and the only appearance of Betty Boop in color during the Fleischer era.

Years before Disney's full length feature, Fleischer Studios produced their version of Cindrella movie "Poor Cinderella" (1934), featuring Betty Boop It was Fleischer Studios' first color film, and the only appearance of Betty Boop in color during the Fleischer era.

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“Poor Cinderella" (1934) is the only color cartoon starring Betty Boop.

“Poor Cinderella" (1934) is the only color cartoon starring Betty Boop.

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“Poor Cinderella" (1934) is the only color cartoon starring Betty Boop.

“Poor Cinderella" (1934) is the only color cartoon starring Betty Boop.

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The incredible opening shot from Dead End (1937) blends miniature effects, forced perspective and clever editing — and nearly 90 years later, it still looks fantastic.

The incredible opening shot from Dead End (1937) blends miniature effects, forced perspective and clever editing — and nearly 90 years later, it still looks fantastic.

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Still Rahul Dravid holds the record for the fastest 50 by a pure batsman for India in ODIs. 22 years later, and it is still unbroken.

Still Rahul Dravid holds the record for the fastest 50 by a pure batsman for India in ODIs. 22 years later, and it is still unbroken.

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He was nearly 71 years old and he moved in a fluid motion that still captivated decades after he was first seen on the silver screen. This is Mr. Fred Astaire.

He was nearly 71 years old and he moved in a fluid motion that still captivated decades after he was first seen on the silver screen. This is Mr. Fred Astaire.

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Halloween (1978) Trailer. The One. The Only. The Classic. 45 years and it still holds up #Halloween45 #MichaelMyers

Halloween (1978) Trailer. The One. The Only. The Classic. 45 years and it still holds up #Halloween45 #MichaelMyers

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This effect is used multiple times throughout Close Encounters and it still looks awesome 50 years later.

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75 years later, the beauty of “So This Is Love” from Cinderella still makes it the perfect song for Valentine’s Day — Disney at its best. ❤️

75 years later, the beauty of “So This Is Love” from Cinderella still makes it the perfect song for Valentine’s Day — Disney at its best. ❤️

Drew Smith

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Watched "Superman: The Magnetic Telescope (1942)." It’s genuinely incredible how well the Fleischer aesthetic holds up 80 years later. Lights falling off the comet and hitting the streets is a masterclass in hand-drawn cinematography. Honourable mention: the Rotoscoping. Gives Supes a fluid motion,a tangible presence in the frame, you can feel the momentum when he flies.

Watched "Superman: The Magnetic Telescope (1942)." It’s genuinely incredible how well the Fleischer aesthetic holds up 80 years later. Lights falling off the comet and hitting the streets is a masterclass in hand-drawn cinematography. Honourable mention: the Rotoscoping. Gives Supes a fluid motion,a tangible presence in the frame, you can feel the momentum when he flies.

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This song is nearly 50 years old and the world still loves it! #Heart

This song is nearly 50 years old and the world still loves it! #Heart

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Flamingo Go Pool Update One of the smaller pools is filled and sone cabanas are up. The main pool still needs some work and it looks like they changed the whole color scheme.

Flamingo Go Pool Update One of the smaller pools is filled and sone cabanas are up. The main pool still needs some work and it looks like they changed the whole color scheme.

Chris Holmes

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Why are suppressors — a basic safety tool — so heavily regulated? The unconstitutional National Firearms Act of 1934 implemented burdensome regulations and a $200 tax on suppressors. Over 90 years later, that tax still exists. It was never about safety — it was about control. Last night, Ways and Means Committee passed my provision to cut that tax to $0. This is step one in tearing down the unconstitutional NFA. We’re just getting started.

Why are suppressors — a basic safety tool — so heavily regulated? The unconstitutional National Firearms Act of 1934 implemented burdensome regulations and a $200 tax on suppressors. Over 90 years later, that tax still exists. It was never about safety — it was about control. Last night, Ways and Means Committee passed my provision to cut that tax to $0. This is step one in tearing down the unconstitutional NFA. We’re just getting started.

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Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations. One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway. Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons. Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals. In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance. "Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience. Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day. Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.

Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations. One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway. Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons. Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals. In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance. "Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience. Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day. Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.

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The animation process of Akira (1988) was groundbreaking. With over 160,000 hand-drawn cels and 327 different shades of color—50 created specifically for the film—it pushed the limits of traditional animation.

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Here it is, the whole thing, 33 years later. First saw it in the theater with my eighth-grade Pop Warner team. When the street scene was still in it. All the lines from it lived on, and hold up. Best sports movie ever.

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