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Years before Disney's full length feature, Fleischer Studios produced their version of Cindrella movie "Poor Cinderella" (1934), featuring Betty Boop It was Fleischer Studios' first color film, and the only appearance of Betty Boop in color during the Fleischer era.

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old toons

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4,095,784 просмотров • 1 год назад •via X (Twitter)

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Фото профиля CBelnap
CBelnap1 год назад

Was anyone else surprised that Betty Boop had red hair?

Фото профиля John W. Maly
John W. Maly1 год назад

“JURIS EX MACHINA serves up a potent recipe spiced with an inventive plot, characters to match, constant action, and tension so real you will bite through the inside of your lower lip." -- Kirk Marty (author of Quantum Terra and The Longest Walk)

Фото профиля The Real Rick Rutt
The Real Rick Rutt1 год назад

At that time Fleischer Studios had no license rights to the early version of Technicolor. They used Cinecolor instead.

Фото профиля Michael Aldinger
Michael Aldinger1 год назад

A tiny ass shoe

Фото профиля Meggi9798
Meggi97981 год назад

😁

Фото профиля Captain
Captain1 год назад

What’s going on 😀

Фото профиля Mafalda
Mafalda1 год назад

1934 👏🏻 👏🏻 👏🏻 👏🏻 👏🏻

Фото профиля Aditya Narayan
Aditya Narayan1 год назад

Child Marriage?🤔

Фото профиля Aditya Narayan
Aditya Narayan1 год назад

This would have been a great cartoon at 1934

Фото профиля Aditya Narayan
Aditya Narayan1 год назад

Old is Gold

Фото профиля Randy 🇺🇦
Randy 🇺🇦1 год назад

Man… talk about nice backgrounds.

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Years before Disney's full length feature, Fleischer Studios produced their version of Cindrella movie "Poor Cinderella" (1934), featuring Betty Boop It was Fleischer Studios' first color film, and the only appearance of Betty Boop in color during the Fleischer era.
0:45

Years before Disney's full length feature, Fleischer Studios produced their version of Cindrella movie "Poor Cinderella" (1934), featuring Betty Boop It was Fleischer Studios' first color film, and the only appearance of Betty Boop in color during the Fleischer era.

old toons

2,535,698 просмотров • 9 месяцев назад

Poor Cinderella (1934) was Fleischer Studios first color film
0:45

Poor Cinderella (1934) was Fleischer Studios first color film

Nostalgia

3,050,545 просмотров • 6 месяцев назад

This animation is from 1934 — and it still looks unbelievable. Poor Cinderella (1934) by Fleischer Studios was the only color Betty Boop cartoon, with hand-painted color and fluid motion. Nearly 90 years later, it still holds up.
0:44

This animation is from 1934 — and it still looks unbelievable. Poor Cinderella (1934) by Fleischer Studios was the only color Betty Boop cartoon, with hand-painted color and fluid motion. Nearly 90 years later, it still holds up.

Movies Scenes 🎫

674,425 просмотров • 7 месяцев назад

“Poor Cinderella" (1934) is the only color cartoon starring Betty Boop.
0:58

“Poor Cinderella" (1934) is the only color cartoon starring Betty Boop.

Nostalgia

98,977 просмотров • 5 месяцев назад

“Poor Cinderella" (1934) is the only color cartoon starring Betty Boop.
0:58

“Poor Cinderella" (1934) is the only color cartoon starring Betty Boop.

Nostalgia

56,176 просмотров • 3 месяцев назад

With Quinta Brunson and Fleischer Studios developing an new ‘Betty Boop’ movie, the culture warriors are once again screaming “RACE SWAP??” But has Betty Boop ALWAYS been Black? Here’s the story of Boop, Baby Esther, and Helen Kane!
2:51

With Quinta Brunson and Fleischer Studios developing an new ‘Betty Boop’ movie, the culture warriors are once again screaming “RACE SWAP??” But has Betty Boop ALWAYS been Black? Here’s the story of Boop, Baby Esther, and Helen Kane!

Dave Lee

330,456 просмотров • 2 месяцев назад

I'm intrigued! To go along with this announcement, here's a clip of the real Max Fleischer interacting with Betty Boop in 1934.
1:03

I'm intrigued! To go along with this announcement, here's a clip of the real Max Fleischer interacting with Betty Boop in 1934.

Vincent Alexander

62,396 просмотров • 2 месяцев назад

🥚Fleischer Studios was the first to feature a witch with green skin color on film! Beating ‘Wizard of Oz’ by 3 years!🥚
0:25

🥚Fleischer Studios was the first to feature a witch with green skin color on film! Beating ‘Wizard of Oz’ by 3 years!🥚

Fleischer Cartoons!

245,657 просмотров • 8 месяцев назад

From: Mr. Bug Goes to Town (1941), dir. Dave Fleischer, Fleischer Studios This film was a key reference point for Hayao Miyazaki, and a favorite film of his around the time of The Castle of Cagliostro
1:03

From: Mr. Bug Goes to Town (1941), dir. Dave Fleischer, Fleischer Studios This film was a key reference point for Hayao Miyazaki, and a favorite film of his around the time of The Castle of Cagliostro

Animation Obsessive

102,459 просмотров • 1 год назад

‘20k Leagues’ was Disney first full live action film and the future of the studio rested on the shoulders of film director, Richard Fleischer, son of Max Fleischer. Fascinating to know that a Fleischer is the reason Disney kept its doors open. #fleischerstudios #disney
1:40

‘20k Leagues’ was Disney first full live action film and the future of the studio rested on the shoulders of film director, Richard Fleischer, son of Max Fleischer. Fascinating to know that a Fleischer is the reason Disney kept its doors open. #fleischerstudios #disney

Fleischer Cartoons!

13,902 просмотров • 3 месяцев назад

Popeye debuted in animation as part of a Betty Boop cartoon. His first animated appearance was in the 1933 short titled "Popeye the Sailor". (It's also the only Betty Boop cartoon owned by Warner Bros.)
0:37

Popeye debuted in animation as part of a Betty Boop cartoon. His first animated appearance was in the 1933 short titled "Popeye the Sailor". (It's also the only Betty Boop cartoon owned by Warner Bros.)

old toons

174,936 просмотров • 1 год назад

Feb 29 is Clark Kent’s birthday. The first theatrical appearance of Superman was by Fleischer Studios, in 1941. The Mechanical Monsters is the 2nd animated film. A restored 35mm print by Fleischer Cartoons! will be shown at the MoMA The Museum of Modern Art next week! #supermanbirthday
2:20

Feb 29 is Clark Kent’s birthday. The first theatrical appearance of Superman was by Fleischer Studios, in 1941. The Mechanical Monsters is the 2nd animated film. A restored 35mm print by Fleischer Cartoons! will be shown at the MoMA The Museum of Modern Art next week! #supermanbirthday

Not An Animation Historian

25,266 просмотров • 2 лет назад

Eddie Muller screened "Armored Car Robbery" (1950) in his first Film Noir Festival [in 1998?] with Richard Fleischer as the guest of honour. Fleischer hadn't seen the movie after he completed post production in 1950. He was nervous about seeing it completely for the first time. Just before the lights went down, Fleischer told Muller, "I'm afraid, I will be embarrassed". After watching the movie completely, Fleischer smiled and said, "Not bad. I gotta say not bad for a kid just starting out." ("Noir Alley", Eddie Muller, TCM) P.S: On this day, 76 years ago, "Armored Car Robbery" (1950) was released in the USA.
1:18

Eddie Muller screened "Armored Car Robbery" (1950) in his first Film Noir Festival [in 1998?] with Richard Fleischer as the guest of honour. Fleischer hadn't seen the movie after he completed post production in 1950. He was nervous about seeing it completely for the first time. Just before the lights went down, Fleischer told Muller, "I'm afraid, I will be embarrassed". After watching the movie completely, Fleischer smiled and said, "Not bad. I gotta say not bad for a kid just starting out." ("Noir Alley", Eddie Muller, TCM) P.S: On this day, 76 years ago, "Armored Car Robbery" (1950) was released in the USA.

DepressedBergman

20,950 просмотров • 1 месяц назад

You know what sucks about this? This will get a bazillion amounts of hate while in reality Betty Boop was based off a black Harlem dancer named “Esther Lee Jones”. Even the Official Betty Boop page acknowledges it. Now if the film is about THAT, I’d be even more excited.
3:35

You know what sucks about this? This will get a bazillion amounts of hate while in reality Betty Boop was based off a black Harlem dancer named “Esther Lee Jones”. Even the Official Betty Boop page acknowledges it. Now if the film is about THAT, I’d be even more excited.

TASK the Ol’ Nerdy Bastard #OnYourLeftist

13,936 просмотров • 2 месяцев назад

Produced by Paramount as a response to Disney’s Snow White, Gulliver’s Travels (1939) was the studio’s first animated feature. Based on Jonathan Swift’s novel, this Fleischer Studio film, used 'rotoscoping', a new animation technique developed by Max Fleischer. The process involves tracing live-action footage frame-by-frame; Sam Parker, the actor who performed the voice of Gulliver, also modeled as the character's live-action reference. Gulliver was a success at the box office and earned two Oscar nominations.
0:45

Produced by Paramount as a response to Disney’s Snow White, Gulliver’s Travels (1939) was the studio’s first animated feature. Based on Jonathan Swift’s novel, this Fleischer Studio film, used 'rotoscoping', a new animation technique developed by Max Fleischer. The process involves tracing live-action footage frame-by-frame; Sam Parker, the actor who performed the voice of Gulliver, also modeled as the character's live-action reference. Gulliver was a success at the box office and earned two Oscar nominations.

old toons

104,713 просмотров • 7 месяцев назад

Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations. One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway. Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons. Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals. In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance. "Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience. Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day. Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.
1:00

Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations. One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway. Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons. Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals. In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance. "Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience. Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day. Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.

Historic Vids

21,297,059 просмотров • 3 лет назад

Emmy Award Winner Quinta Brunson set to play the iconic BETTY BOOP in a new film made in collaboration with the creator's grandson!!! Betty Boop is one of my favorite past characters from old Hollywood and Quinta Brunson perfectly capsulate her bubbly and sparkly personality. I already know this casting is going to be met with immense amount of racism and pushback, but you would think after 100 years of black face and whitewashing in cinema conservatives would see the hypocrisy in they’re outrage but I guess that’s asking too of white America. Betty Boop has also been recently played by Tony-nominated actress Jasmine Amy Rogers on Broadway in ‘BOOP! The Musical’, becoming the first Black woman to officially portray the Iconic character on stage. With the creators family involved I’m super excited and I hope Disney Searchlight Pictures picks it up for award season. #BettyBoop #AbbottElementary #Disney #Broadway #SearchlightPictures
0:39

Emmy Award Winner Quinta Brunson set to play the iconic BETTY BOOP in a new film made in collaboration with the creator's grandson!!! Betty Boop is one of my favorite past characters from old Hollywood and Quinta Brunson perfectly capsulate her bubbly and sparkly personality. I already know this casting is going to be met with immense amount of racism and pushback, but you would think after 100 years of black face and whitewashing in cinema conservatives would see the hypocrisy in they’re outrage but I guess that’s asking too of white America. Betty Boop has also been recently played by Tony-nominated actress Jasmine Amy Rogers on Broadway in ‘BOOP! The Musical’, becoming the first Black woman to officially portray the Iconic character on stage. With the creators family involved I’m super excited and I hope Disney Searchlight Pictures picks it up for award season. #BettyBoop #AbbottElementary #Disney #Broadway #SearchlightPictures

Bella (🍿🫶🏾Cinematically Emotional)

35,799 просмотров • 2 месяцев назад

Frankenstein was released 116 years ago today. It was produced by Edison Studios, making it one of the very first film adaptations of Mary Shelley’s novel, arriving decades before the character became a horror icon in later Hollywood versions.
2:06

Frankenstein was released 116 years ago today. It was produced by Edison Studios, making it one of the very first film adaptations of Mary Shelley’s novel, arriving decades before the character became a horror icon in later Hollywood versions.

cinesthetic.

20,317 просмотров • 4 месяцев назад

Welcome to the public domain, MYSTERIOUS MOSE (1930)! ⚡️ 🎩👻 In her fourth & final appearance of 1930, Betty Boop is startled awake on a stormy night & searches for the source while singing the song Mysterious Mose. Strange events unfold, and the mysterious visitor appears. Full film ⤵️ #PublicDomainDay #PublicDomain #CreativeCommons #CopyrightFree #BettyBoop
1:11

Welcome to the public domain, MYSTERIOUS MOSE (1930)! ⚡️ 🎩👻 In her fourth & final appearance of 1930, Betty Boop is startled awake on a stormy night & searches for the source while singing the song Mysterious Mose. Strange events unfold, and the mysterious visitor appears. Full film ⤵️ #PublicDomainDay #PublicDomain #CreativeCommons #CopyrightFree #BettyBoop

Internet Archive

26,950 просмотров • 2 месяцев назад