Loading video...

Video Failed to Load

Go Home

"This company (Vapi) is on fire right now." – Gustaf Alströmer, Partner at Y Combinator. Two years ago, if you’d told me that Gustaf would be sharing Vapi’s success story on the YC podcast, I wouldn’t have believed you. At the time, things weren’t going our way. We were...

40,696 views • 1 year ago •via X (Twitter)

11 Comments

Arsen Ibragimov's profile picture
Arsen Ibragimov1 year ago

@gustaf @ycombinator yeah heard of them, curious whats next

Your Daily Post's profile picture
Your Daily Post1 year ago

Why did Two and a Half Men star Angus T. Jones call the show “filth” before leaving it in 2012? Since then, he’s left Hollywood, choosing to focus on his faith and community work. Here's the full story 👇

Vansh's profile picture
Vansh1 year ago

@ycombinator @gustaf Congratulations sir - well deserved

Cryptpal Singh | 🍊's profile picture
Cryptpal Singh | 🍊1 year ago

@gustaf @ycombinator Loving this. Great job 👏🏾👏🏾👏🏾

Brennan McEachran 👨‍🚀's profile picture
Brennan McEachran 👨‍🚀1 year ago

@gustaf @ycombinator Proud of you man

Ruben Harris's profile picture
Ruben Harris1 year ago

@gustaf @ycombinator Heart work pays off 👑❤️💪🏾

quang's profile picture
quang1 year ago

@gustaf @ycombinator came a long way. congrats guys

Artur Meyster's profile picture
Artur Meyster1 year ago

@gustaf @ycombinator I remember hearing this story when we met in your office in Jan 2024! Great job always staying ahead and building critical voice AI infrastructure

helen's profile picture
helen1 year ago

@gustaf @ycombinator LFG

Akash Venkat's profile picture
Akash Venkat1 year ago

@gustaf @ycombinator Congratulations!

Zach's profile picture
Zach1 year ago

@gustaf @ycombinator As someone who is non technical (does that term even exist anymore with ai haha) I’ve loved my vapi experience with what I am trying to build

Related Videos

If you take strong action and it is very different action from what your country has known before...you can only be confident that your action is right if it is founded on strong principles. Mine was founded on the belief that governments are there to serve the liberties of the people under a rule of law, a free enterprise economy, and strong defence. After we lost the election in 1974, and the Labour Government came in, we had departed from our fundamental principles. And I set up a great study with many people—not only politicians but businessmen, academics, journalists—and we redrafted our whole principles. From the principles, we decided the policies and we sorted out what needed to be done and how it was to be done when we got into power. That took four years. I had confidence we were in the right and our policies would achieve the right. Although, as you know, great change means great dislocation. We had to cut expenditure; we had to privatise; we had to get down taxation; we had to cut the bureaucracy. All of the people objected, and for two and a half years my name was marred. It's always difficult to do the right thing. But my father had taught me to persevere: It's easy to be a starter, but are you a sticker-to? It's easy enough to begin a job, it's harder to see it through. And I saw it through. After three years, all of a sudden, the good things in the economy began to show through. At the same time, we had the Falklands, and against all odds we won. Although, the world thought it was really rather astonishing that Britain sent a fleet 8,000 miles away into the bitter cold Antarctic against a foe that had air cover from land when we only had it from aircraft carriers. So the two reinforced one another. But I couldn't have done it unless I had been confident that we had the right principles and that if we persisted, it would show through to the benefit of our people. I was never defeated in an election by the people of my country. That is my proudest boast.

Margaret Thatcher

11,205 views • 1 year ago

EXCLUSIVE: Check out the Mock Trailer that helped us sell Cobra Kai! In 2017, we had the daunting task of trying to explain to buyers in Hollywood what we envisioned Cobra Kai to look and feel like. Sure, we had a detailed pitch and Ralph Macchio and William Zabka joining us in pitch meetings, but the tone of our show was going to be so specific that we wanted to do our best to show streamers how they could potentially sell the overall story and vibe of Cobra Kai. Without actually filming the show, our task was near impossible and it was never going to be perfect, but with the help of our incredibly talented editor friend Jeff Yorkes, we cobbled together footage from Ralph and Billy’s prior work, mixed it was other images that helped tell our story, and threw Thunderstruck under it. We showed this sizzle in all of our pitch meetings to set the tone. But now for the very first time right, I’m sending it to the internet! A couple fun facts… 1) We had different versions of this sizzle tailored for each buyer we went to. This one mentions Netflix, but when we were meeting at YouTube, it said YouTube. Hulu it said Hulu. And so on. 2) We became absolutely obsessed with Thunderstruck from watching this trailer over and over again and always wanted to have it on the show. But it was so expensive, we couldn’t afford it. Instead we had Johnny mention it in passing as a meta nod when he wanted to advertise the dojo in S2. When making S6, we were determined to finally use the song when Johnny and Miguel took back Cobra Kai, so we saved money in other areas of our budget to make it happen. I’m so glad we did! #cobrakai #behindthescenes #netflix #trailer #sizzlereel #karatekid #karate

Jon Hurwitz

92,607 views • 1 year ago

FNC Boaster: “These events are, as you can probably imagine, quite tiring. We go from the upper bracket into three games in a row for the final days. That, on top of lots of media, lots of features, lots of just random stuff that we do. Not to mention the fact that when we go into our games, there’s a lot of adrenaline. After every game, my body aches and my head hurts, and then we have to somehow get to sleep, and then we’ve got to wake up early and stuff. So there’s loads of factors into this. It’s not just simply, you go in and you play. And I think we started slow today, especially on Corrode and Lotus. A big map was Lotus for us, and we weren’t able to, just everything wasn’t going our way. The Odin was completely annihilating us. Then when we got to Abyss, we were like, ‘This is the last chance.’ And I felt very confident that we could win this one, because I felt like I knew everything they did on the attack side. And then, what were we like 1–11 down or something? I was like, ‘Oh bloody hell, this one’s going to be a tough one, isn’t it?’ We managed to do it, and then I was like, ‘Holy guacamole, the dream is alive!’ And it felt amazing, hearing the crowd and being able to just do that, because it would’ve been so disappointing of a final to just bomb out there. But in the FNATIC way, we fight back. Ascent, we’re starting to feel the kind of momentum. And then it gets to Sunset, a map that was the one kind of perma-ban we had, but we had some stuff on it. Unfortunately, it was just the crucial map for us to get the win, and some of the rounds just didn’t go our way, and that’s how VALORANT goes, you know. It felt like the rounds that we needed to win, we lost, and then they had an ultimate the next round, and that’s how brutal it is on defense. If we had just been able to win one of those rounds, like the bonus round, holy guacamole, we would’ve been loving life. And it was the difference of like a 1v1 in the end. So yeah, I mean, we tried our best. That’s why I’m not that [sad]. I am sad, obviously, but I’m not like how I was in Toronto, because I felt like we pushed, we tried our best, and I’m very happy with the boys. It would’ve been nice to win, but there’s only one winner, so it’s just a blessing to compete instead.” #VALORANTChampions via Pedro Romero

VALO2ASIA

159,942 views • 9 months ago

Harold Lloyd on how the stunts in "Safety Last!" (1923) were filmed: “In the first place, we used four buildings. We picked out a structure we wanted for the actual building. Then we chose a two story, four story, or whatever height building we needed. Then we built our own sets on top of them. We started the film with a one-story building and built our set right on the edge of the real building’s roof. We built it so that we could put platforms out and constructed the scaffolding on the side so that the camera man could be up there and shoot down. I remember how we had to put the platform low enough and narrow enough so that the camera man could miss it when he was shooting down at an angle. The platform would be fourteen feet or so below us. From above it looked no bigger than a postage stamp! It was loaded with mattresses in order to break our fall if we did slip as we went through our antics. We didn’t want to commit suicide just to make somebody laugh. But we were always in danger despite this precaution. Falling even a short distance was no small matter. Besides, we could easily roll off the platform because it didn’t have any railings around it. In those days, we didn’t want to divulge how we performed our stunts. We didn’t want to give away any of our techniques for fear of making the public disillusioned with the thrill of it all. Looking back, it seems strange that we would have this worry, for the thrills were far from artificial. The danger, while not as great as it might appear to the public, was nevertheless still very real." ("Harold Lloyd's World of Comedy", William Cahn, 1964) P.S: On this day, 103 years ago, "Safety Last!" was released in the USA.

DepressedBergman

12,914 views • 3 months ago

EMIBONNIEANY MID YEAR SALE #EucerinxEmiBonnieAny 🎤: What was the moment that you were most impressed with during Blush Blossom Fan Fest? 🦊: "หัวไหล่ตูด (Head, Shoulders, Butt)" which was one of the songs we performed, bc the shows on the first and second day of the concert were different. We changed a bit of the choreography on the second day. When we had spare moments on the second day, we would practice. We used our limited break time to practice and make it a different show, so that the fans could feel awed. 🐰: I was going to say the same thing as P'Mi. 🦊: Really? 🐰: Yeah. 🦊: It was a pretty amazing shot. 🐰: Yeah, it was a moment that we didn't dance the same on both days. 🦊: And we thought that very morning like, why don't we make the shows not the same? 🐰: Yeah. And when we were doing the (photo) benefits, the fans might've seen us looking dazed. We were dazed, but inside we were thinking, what should we do? What should we do? 🦊: What should we do for the fans to be even more excited? 🐰: We were reviewing the moves in our head. 🎤: There was a comment just now saying, "You did amazing. The shows were not the same." 🦊: We were a bit anxious, bc we didn't have time to do a run through at all. We practiced in the room and then performed it on stage. I was nervous abt whether we would be able to do it. Usually, I can't remember choreography that quickly. So I was a bit nervous abt whether we'd be able to do it. It was definitely a memorable moment. 🎤: But it came out very memorable. 🦊: Yeah, it came out exactly as we envisioned. Even better, actually.

K-bab

49,781 views • 23 days ago