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THIS GUY BUILT A FULL TOWER DEFENSE GAME USING CODEX + GPT-5.5 AND THEN ADDED A CUSTOM SOUL EATER MOON 3D ASSET IN A SINGLE SESSION While most people still use AI just for research or generating random images, others are building things like this A fully working map...

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Bonsai 🌳

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16,858 Aufrufe • vor 1 Monat •via X (Twitter)

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Codex isn’t just a coding assistant anymore. It’s becoming a full AI game-dev workspace. 🦫🎮 For this project, Codex handled the workflow by using: 🖼️ GPT Image 2.0 for the visual direction, cards, enemies, and UI assets 🧠 GPT-5.5 for gameplay structure, systems, and iteration 💻 Codex to turn all of that into a real project From cozy capybara shrine images to a real turn-based card battle game. The 2026 AI game dev workflow is getting ridiculous. 🚀 Follow if you’re building games with AI. Want the full prompt I used for this? Comment “CAPYBARA” and I’ll share it.
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Codex isn’t just a coding assistant anymore. It’s becoming a full AI game-dev workspace. 🦫🎮 For this project, Codex handled the workflow by using: 🖼️ GPT Image 2.0 for the visual direction, cards, enemies, and UI assets 🧠 GPT-5.5 for gameplay structure, systems, and iteration 💻 Codex to turn all of that into a real project From cozy capybara shrine images to a real turn-based card battle game. The 2026 AI game dev workflow is getting ridiculous. 🚀 Follow if you’re building games with AI. Want the full prompt I used for this? Comment “CAPYBARA” and I’ll share it.

Givros

70,115 Aufrufe • vor 2 Monaten

This site looks like it was built by a team of 3D developers It wasn't. It's just video. And that's the part nobody expects > he generated two frames with AI > turned them into a clip with Seedance 2.0 > then gave it to Claude 4.8 to wrap into a full immersive scrollable experience Three effects that make the user feel like they're physically moving through a space: > see-through scrub > 3D scroll > mouse tracking None of them are actually 3D. The browser never renders a single polygon. It's a video being controlled by scroll position and cursor movement Most people assume sites like this require a creative developer who specializes in WebGL and weeks of optimization. The actual pipeline is three steps and fits in an afternoon full walkthrough in the article below. bookmark this before you need it
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This site looks like it was built by a team of 3D developers It wasn't. It's just video. And that's the part nobody expects > he generated two frames with AI > turned them into a clip with Seedance 2.0 > then gave it to Claude 4.8 to wrap into a full immersive scrollable experience Three effects that make the user feel like they're physically moving through a space: > see-through scrub > 3D scroll > mouse tracking None of them are actually 3D. The browser never renders a single polygon. It's a video being controlled by scroll position and cursor movement Most people assume sites like this require a creative developer who specializes in WebGL and weeks of optimization. The actual pipeline is three steps and fits in an afternoon full walkthrough in the article below. bookmark this before you need it

monokern

156,368 Aufrufe • vor 13 Tagen

✨ I made a little demo of #vibejam sponsor Tripo and how you can use it to generate assets for your games In this case I'm generating an apartment flat that's half destroyed and open for my drone sim to fly around, take cover and shoot at enemies from First I write the prompt and select Nano Banana to generate an image first, I get a few different ones, and I select the one I like Then that one is converted into a 3d object called a Smart Mesh Smart Mesh is different than regular image-to-3d models because usually you get issues with uneven polygon distribution, too dense geometry and poor edge flow, so while you think you save time with generating it with AI you end up doing lots of editing after to fix the topology which kinda defeats the point Smart Mesh doesn't have any of this, it's fast and clean low-poly models you can drop into your game Anyway, after generating the model I can then see it in 3d, and if I don't like it, regenerate it, or if I like it start texturing it Once that's done, I export it as a GLB, FBX or OBJ and drop it in (usually I use GLB as ThreeJS seems to prefer that), in my case I just drop the URL into Cursor and let it figure out the placement of the asset into my game!
1:20

✨ I made a little demo of #vibejam sponsor Tripo and how you can use it to generate assets for your games In this case I'm generating an apartment flat that's half destroyed and open for my drone sim to fly around, take cover and shoot at enemies from First I write the prompt and select Nano Banana to generate an image first, I get a few different ones, and I select the one I like Then that one is converted into a 3d object called a Smart Mesh Smart Mesh is different than regular image-to-3d models because usually you get issues with uneven polygon distribution, too dense geometry and poor edge flow, so while you think you save time with generating it with AI you end up doing lots of editing after to fix the topology which kinda defeats the point Smart Mesh doesn't have any of this, it's fast and clean low-poly models you can drop into your game Anyway, after generating the model I can then see it in 3d, and if I don't like it, regenerate it, or if I like it start texturing it Once that's done, I export it as a GLB, FBX or OBJ and drop it in (usually I use GLB as ThreeJS seems to prefer that), in my case I just drop the URL into Cursor and let it figure out the placement of the asset into my game!

@levelsio

72,338 Aufrufe • vor 2 Monaten

THIS GUY BUILT A TOOL THAT LETS YOU CREATE INTERACTIVE 3D TOURS WITH JUST AN IPHONE you walk around a room with your iphone, the app scans it, and it spits out a fully interactive 3D tour in minutes no matterport camera, no $3000 equipment, and no photographer needed here's how people are already planning to use it: a german shipping container home builder wants to use it to scan empty containers and visualize custom interiors for clients before they build a homeowner is using it to scan his 100+ year old unfinished basement to plan a renovation and see what the finished space would look like another guy walked around the outside of a trailer to get a full external 3D model real estate agents, interior designers, renovation companies, airbnb hosts, property managers, and architects can all use this every single one of these people currently pays $200-500 per property for matterport scans or hires a photographer to do it this replaces that entire workflow with an iphone and a few minutes of walking around
1:01

THIS GUY BUILT A TOOL THAT LETS YOU CREATE INTERACTIVE 3D TOURS WITH JUST AN IPHONE you walk around a room with your iphone, the app scans it, and it spits out a fully interactive 3D tour in minutes no matterport camera, no $3000 equipment, and no photographer needed here's how people are already planning to use it: a german shipping container home builder wants to use it to scan empty containers and visualize custom interiors for clients before they build a homeowner is using it to scan his 100+ year old unfinished basement to plan a renovation and see what the finished space would look like another guy walked around the outside of a trailer to get a full external 3D model real estate agents, interior designers, renovation companies, airbnb hosts, property managers, and architects can all use this every single one of these people currently pays $200-500 per property for matterport scans or hires a photographer to do it this replaces that entire workflow with an iphone and a few minutes of walking around

Om Patel

88,357 Aufrufe • vor 2 Monaten

SOMEONE BUILT AN OPEN SOURCE GAME ENGINE MADE SPECIFICALLY FOR BUILDING 2.5D GAMES WITH AI instead of using a complex general purpose engine, this one is built from the ground up for the ai workflow it keeps everything the ai needs to control in one small, simple place, so the agent can actually understand the whole engine and build with it instead of getting lost in a giant codebase > generate all your assets with ai, the maps, characters, props, audio and ui, then the agent drops them into a real playable game > a built in server sdk handles the boring stuff, player accounts, cloud saves, even multiplayer, in a line or two > it ships with claude and codex agent setups baked in, so it works with whatever youre already using > free and open source most people vibe code games inside engines that were never meant for it, so he built one where the ai workflow is the whole point the whole idea is dead simple, keep it small enough that an agent can understand all of it at once, then let it go wild this is what tooling built for the agent era actually looks like
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SOMEONE BUILT AN OPEN SOURCE GAME ENGINE MADE SPECIFICALLY FOR BUILDING 2.5D GAMES WITH AI instead of using a complex general purpose engine, this one is built from the ground up for the ai workflow it keeps everything the ai needs to control in one small, simple place, so the agent can actually understand the whole engine and build with it instead of getting lost in a giant codebase > generate all your assets with ai, the maps, characters, props, audio and ui, then the agent drops them into a real playable game > a built in server sdk handles the boring stuff, player accounts, cloud saves, even multiplayer, in a line or two > it ships with claude and codex agent setups baked in, so it works with whatever youre already using > free and open source most people vibe code games inside engines that were never meant for it, so he built one where the ai workflow is the whole point the whole idea is dead simple, keep it small enough that an agent can understand all of it at once, then let it go wild this is what tooling built for the agent era actually looks like

Om Patel

42,173 Aufrufe • vor 7 Tagen

The clarity of the image is really impressive and without the 3D you get a really good scope of how big these screens actually are but that’s what the attraction has become now, just a giant impressive screen without any real immersion. I understand this works better for studio tour operations not having to clean glasses and what not but I think it’s time to do away with these giant (non-3D) screen buildings on the backlot. If they replace the old Supercharged building with something and reuse the screens that will most likely not utilize 3D either. It just feels like what’s the point anymore? It’s not the worst but I think it’s just time to tear them down and build something new Universal Studios Hollywood
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The clarity of the image is really impressive and without the 3D you get a really good scope of how big these screens actually are but that’s what the attraction has become now, just a giant impressive screen without any real immersion. I understand this works better for studio tour operations not having to clean glasses and what not but I think it’s time to do away with these giant (non-3D) screen buildings on the backlot. If they replace the old Supercharged building with something and reuse the screens that will most likely not utilize 3D either. It just feels like what’s the point anymore? It’s not the worst but I think it’s just time to tear them down and build something new Universal Studios Hollywood

Universal HIGH 🌎

30,666 Aufrufe • vor 3 Monaten

AGENCIES ARE CHARGING $50,000 FOR HEAVY, CLUNKY AUTOMATION, WHILE SOLO OPERATORS ARE SELLING THE SAME OUTCOME FOR $5k AND BUILDING IT IN JUST 3 HOURS Most people think building an AI agency requires an expensive stack of tools like n8n, Make, and Zapier to justify high monthly retainers They spend weeks pitching and designing overly complex “spaghetti” workflows for clients In reality, the better approach is to build an AI Operating System directly in VS Code using local Markdown files The cost gap is insane. You pay $20/month for a Claude account and spend a few hours wiring up ClickUp and Google Workspace APIs Then you package that same architecture as a $5k one-time setup and a $2k monthly retainer Right now, founders are paying $15k + for enterprise AI setups that a single operator can build with almost zero overhead And if you want a practical AI OS playbook, I’ve attached an article below Save this post and the article so you can come back later and learn how to build a full AI operating system in just 3 hours
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AGENCIES ARE CHARGING $50,000 FOR HEAVY, CLUNKY AUTOMATION, WHILE SOLO OPERATORS ARE SELLING THE SAME OUTCOME FOR $5k AND BUILDING IT IN JUST 3 HOURS Most people think building an AI agency requires an expensive stack of tools like n8n, Make, and Zapier to justify high monthly retainers They spend weeks pitching and designing overly complex “spaghetti” workflows for clients In reality, the better approach is to build an AI Operating System directly in VS Code using local Markdown files The cost gap is insane. You pay $20/month for a Claude account and spend a few hours wiring up ClickUp and Google Workspace APIs Then you package that same architecture as a $5k one-time setup and a $2k monthly retainer Right now, founders are paying $15k + for enterprise AI setups that a single operator can build with almost zero overhead And if you want a practical AI OS playbook, I’ve attached an article below Save this post and the article so you can come back later and learn how to build a full AI operating system in just 3 hours

Bonsai 🌳

10,885 Aufrufe • vor 1 Monat

vibe coding metahuman with threejs and codex: spitting FACS ok, i'll admit 3D modeling has a lot of depth, going from a cube to a full facial action coding system is.. a lot of work, but really it isn't all that hard to learn like some people want you to believe it took me about 10 evenings to go from scratch (no idea how to even model in blender beyond the famous donut) to a working rigged and shape keyed expression system the actual vibe coding parts are very manageable, i'm not even hitting any session limits the past week since codex is basically just reading the glb file and it writes the drivers to have a full animation system in a single turn after that i usually notice that some things don't look as professional as i like it to be, followed by codex sending my ass back to blender and telling me what i need to do to make it better so here we are, the expression system is still very very simplified, no micro expressions yet and i believe i will need probably 500+ shape keys to actual achieve realism, but why not? Doing the 52 ARKit expressions for this demo wasn't too hard either, just tedious and boring The final driver in the demo uses a mix of bone movements and blendshapes to smoothly animate the face I might mix up some terminology here but i usually do cause it's been like what, 10 days since i started? Guess next up i'll look into face deformation parameters and then we'll move to the fun part of skinning. Once the head/neck area works (hairs are also still missing), full body next and finally LOD systems and we can call it a day Demo (pls use a desktop i'm not optimizing the ui for mobile):
0:41

vibe coding metahuman with threejs and codex: spitting FACS ok, i'll admit 3D modeling has a lot of depth, going from a cube to a full facial action coding system is.. a lot of work, but really it isn't all that hard to learn like some people want you to believe it took me about 10 evenings to go from scratch (no idea how to even model in blender beyond the famous donut) to a working rigged and shape keyed expression system the actual vibe coding parts are very manageable, i'm not even hitting any session limits the past week since codex is basically just reading the glb file and it writes the drivers to have a full animation system in a single turn after that i usually notice that some things don't look as professional as i like it to be, followed by codex sending my ass back to blender and telling me what i need to do to make it better so here we are, the expression system is still very very simplified, no micro expressions yet and i believe i will need probably 500+ shape keys to actual achieve realism, but why not? Doing the 52 ARKit expressions for this demo wasn't too hard either, just tedious and boring The final driver in the demo uses a mix of bone movements and blendshapes to smoothly animate the face I might mix up some terminology here but i usually do cause it's been like what, 10 days since i started? Guess next up i'll look into face deformation parameters and then we'll move to the fun part of skinning. Once the head/neck area works (hairs are also still missing), full body next and finally LOD systems and we can call it a day Demo (pls use a desktop i'm not optimizing the ui for mobile):

robot

29,357 Aufrufe • vor 2 Monaten

🚨 “WE GOT 3D CHICKEN!” WOMAN FILMS STORE-BOUGHT "PRINTED" MEAT - AND PEOPLE THINK THE FDA IS HIDING SOMETHING A woman just posted one of the most disturbing food videos of the year - and now the people are asking whether we’re eating real poultry or lab-layered Franken-meat. She grabs a raw drumstick… and an entire plastic-looking layer peels off like a sheet of synthetic film. Then it gets worse: • Bubbles under the surface • A gooey, slime-like texture • She cuts into the joint and the inside looks perfectly molded, like it came out of a printer - not a chicken. Layers that look like 3D-printed material - not like actual meat. Her reactions say everything: “We got the 3D chicken!” “What IS that?” “Why is it gooey??” “Is that even skin??” Are we already seeing 3D-engineered meat slipping into the food supply… or is this just another “don’t worry about it” moment the FDA will never explain?
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🚨 “WE GOT 3D CHICKEN!” WOMAN FILMS STORE-BOUGHT "PRINTED" MEAT - AND PEOPLE THINK THE FDA IS HIDING SOMETHING A woman just posted one of the most disturbing food videos of the year - and now the people are asking whether we’re eating real poultry or lab-layered Franken-meat. She grabs a raw drumstick… and an entire plastic-looking layer peels off like a sheet of synthetic film. Then it gets worse: • Bubbles under the surface • A gooey, slime-like texture • She cuts into the joint and the inside looks perfectly molded, like it came out of a printer - not a chicken. Layers that look like 3D-printed material - not like actual meat. Her reactions say everything: “We got the 3D chicken!” “What IS that?” “Why is it gooey??” “Is that even skin??” Are we already seeing 3D-engineered meat slipping into the food supply… or is this just another “don’t worry about it” moment the FDA will never explain?

HustleBitch

770,591 Aufrufe • vor 7 Monaten

✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!
0:51

✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!

@levelsio

119,210 Aufrufe • vor 1 Jahr

Here is the Geometry Nodes Weighted Normals with Laplacian Blur on a full character (a vroid). It easily improves the shading even on game topology with almost no setup. I built this as part of my quest to improve real time toon shading. 3D anime models are popular, but use of dynamic light is rare even among high quality vtuber models. This is for several reasons, but a big one is simply that it takes a lot of Custom Normals work to make 3D cel shading not look like a jagged mess (other pieces of the puzzle are issues like deformations, multiple lights, etc). And fixing Normals is tedious, especially on existing game topology. I have focused on proxy meshes for priority areas like character faces, but they aren't an efficient solution for the whole body + outfit. I wanted something I could just throw on any model and make it at least not a jagged mess anymore even if it wasn't perfect. As you can see from this clip, this does that very well! And vertex groups can be used to control the style of the effect and power. It still can't smooth beyond what the topology density can support, but the topo itself is no longer a problem (for higher res, could be run on a subdivided version of the model and then baked to a Normal Map.) The only changes I made to this model were adding a weld modifier to merge split edges during interpolation, and a vertex group to select the skirt. I have not yet added full handling and logic for detecting edges with big angles like the skirt, or for handling boundaries like on the hair, so both those areas can get better too. You can also see that while it successfully smooths out the Face, it isn't really stylistically correct there. That is still best done with a proxy mesh to define a new shape. This is part of the tools I am working on for Fondant. We are putting together a Blender Addon to release this + a proxy mesh tool for the face, and are working on resolving other problems in-engine to fully bring dynamic light to real time 3D toon shading. Give us a follow, and send them a DM if you are interested in testing these tools as they develop!
2:17

Here is the Geometry Nodes Weighted Normals with Laplacian Blur on a full character (a vroid). It easily improves the shading even on game topology with almost no setup. I built this as part of my quest to improve real time toon shading. 3D anime models are popular, but use of dynamic light is rare even among high quality vtuber models. This is for several reasons, but a big one is simply that it takes a lot of Custom Normals work to make 3D cel shading not look like a jagged mess (other pieces of the puzzle are issues like deformations, multiple lights, etc). And fixing Normals is tedious, especially on existing game topology. I have focused on proxy meshes for priority areas like character faces, but they aren't an efficient solution for the whole body + outfit. I wanted something I could just throw on any model and make it at least not a jagged mess anymore even if it wasn't perfect. As you can see from this clip, this does that very well! And vertex groups can be used to control the style of the effect and power. It still can't smooth beyond what the topology density can support, but the topo itself is no longer a problem (for higher res, could be run on a subdivided version of the model and then baked to a Normal Map.) The only changes I made to this model were adding a weld modifier to merge split edges during interpolation, and a vertex group to select the skirt. I have not yet added full handling and logic for detecting edges with big angles like the skirt, or for handling boundaries like on the hair, so both those areas can get better too. You can also see that while it successfully smooths out the Face, it isn't really stylistically correct there. That is still best done with a proxy mesh to define a new shape. This is part of the tools I am working on for Fondant. We are putting together a Blender Addon to release this + a proxy mesh tool for the face, and are working on resolving other problems in-engine to fully bring dynamic light to real time 3D toon shading. Give us a follow, and send them a DM if you are interested in testing these tools as they develop!

aVersionOfReality

14,679 Aufrufe • vor 1 Jahr

AN OPENCLAW AI AGENT JUST DESIGNED A 3D CHARACTER IN BLENDER AND SENT IT TO A 3D PRINTER. SHE DIDN'T TOUCH A SINGLE BUTTON. This is what running an OpenClaw AI agent on a Mac Mini actually looks like. She described what she wanted. The agent did everything else. Blender opened automatically. Character designed. Put in space. Animated with blinking eyes and stomping feet. Landing page built and live. Model sliced. File sent to 3D printer. Printer started moving. All from conversation. Zero code. Zero design skills. Zero manual work. Here's why this matters beyond the demo: Custom 3D printed figures sell for $30-$200 each on Etsy and at conventions. The people making serious money aren't artists. They're the ones who can produce custom designs fast. An AI agent that goes from description to printed figure autonomously is a business model not a toy. "I was just talking to the guy and he made it happen." Bookmark this. Full demo in the video below.
1:29

AN OPENCLAW AI AGENT JUST DESIGNED A 3D CHARACTER IN BLENDER AND SENT IT TO A 3D PRINTER. SHE DIDN'T TOUCH A SINGLE BUTTON. This is what running an OpenClaw AI agent on a Mac Mini actually looks like. She described what she wanted. The agent did everything else. Blender opened automatically. Character designed. Put in space. Animated with blinking eyes and stomping feet. Landing page built and live. Model sliced. File sent to 3D printer. Printer started moving. All from conversation. Zero code. Zero design skills. Zero manual work. Here's why this matters beyond the demo: Custom 3D printed figures sell for $30-$200 each on Etsy and at conventions. The people making serious money aren't artists. They're the ones who can produce custom designs fast. An AI agent that goes from description to printed figure autonomously is a business model not a toy. "I was just talking to the guy and he made it happen." Bookmark this. Full demo in the video below.

SCOTTY BEAM

17,209 Aufrufe • vor 1 Monat

Nah this is actually ins@ne. A whole child sm0k!ng in front of his siblings and the adults there are just watching like it’s entertainment?? Then you people will come online and complain about “the next generation” like you’re not the ones enabling it. What exactly are kids supposed to learn from this? Because this is how b@d behavior gets normalized early and spreads fast. Some of you are more focused on recording than actually parenting and it shows. If this doesn’t alarm you, you’re part of the problem.
0:30

Nah this is actually ins@ne. A whole child sm0k!ng in front of his siblings and the adults there are just watching like it’s entertainment?? Then you people will come online and complain about “the next generation” like you’re not the ones enabling it. What exactly are kids supposed to learn from this? Because this is how b@d behavior gets normalized early and spreads fast. Some of you are more focused on recording than actually parenting and it shows. If this doesn’t alarm you, you’re part of the problem.

GNF SULTAN🥷⏳🤍

541,578 Aufrufe • vor 4 Monaten

I'm not a 3d modeler. I barely know how to open blender let alone do anything functional in it. But with the siddharth ahuja blender MCP and Claude I was able to vibe code an entire environment for my upcoming grow a garden game in Portals Claude used the MCP to assemble and arrange every single asset in this space (i literally don't even know how to import an asset into blender lol) within the spawn of a few hours and with access to a folder of low poly assets. When I had it start doing its own modeling, it even matched the style of the environment to keep things consistent If you are building UGC games and you don't know anything about modeling or design like me, you gotta try it out...
0:45

I'm not a 3d modeler. I barely know how to open blender let alone do anything functional in it. But with the siddharth ahuja blender MCP and Claude I was able to vibe code an entire environment for my upcoming grow a garden game in Portals Claude used the MCP to assemble and arrange every single asset in this space (i literally don't even know how to import an asset into blender lol) within the spawn of a few hours and with access to a folder of low poly assets. When I had it start doing its own modeling, it even matched the style of the environment to keep things consistent If you are building UGC games and you don't know anything about modeling or design like me, you gotta try it out...

Hugh MFER (PORTALS Guy)

180,363 Aufrufe • vor 5 Monaten

This is insane Just built a fully working AI Room Designer in minutes, no coding, no API keys, just chatting with OnSpace AI. I use Nano Banana Pro for generation and handles UI, logic, and integration automatically. Not a demo. A real app: • No API setup required – Just told OnSpace to use Nano Banana Pro for content generation and it worked instantly • Full app, not a prototype – Complete UI, logic, and AI integration handled automatically • Actually works – Nails my tone every single time The whole thing came together through conversation. No design work. No wrestling with code. Just described the app and OnSpace made it real. This is what building with AI should feel like. Check my app link in the thread and try it yourself
0:37

This is insane Just built a fully working AI Room Designer in minutes, no coding, no API keys, just chatting with OnSpace AI. I use Nano Banana Pro for generation and handles UI, logic, and integration automatically. Not a demo. A real app: • No API setup required – Just told OnSpace to use Nano Banana Pro for content generation and it worked instantly • Full app, not a prototype – Complete UI, logic, and AI integration handled automatically • Actually works – Nails my tone every single time The whole thing came together through conversation. No design work. No wrestling with code. Just described the app and OnSpace made it real. This is what building with AI should feel like. Check my app link in the thread and try it yourself

AI Frontliner

70,013 Aufrufe • vor 7 Monaten

From 1 May, Maharashtra is applying a rule of knowing basic Marathi on Auto and Taxi drivers in state. They will go to a registration centre to read, write, and speak Marathi. I support it. While some might feel this is outrageous and unions are deciding to protest, it is not really a high expectation. I don’t understand how you never tried to learn the language while working in Maharashtra for decades. Most signboards are in Marathi, you meet Marathi speaking people daily, you just catch the language naturally. You have to be stubborn to not to use it. While I support this language requirement for auto & taxi drivers, I would also like to see it applied in corporate & other jobs as they are the ones who are most ignorant for the language. Just add some more days for learning how to write. Marathis love the literature. Most people I know have read some poet or some writer. Many of them love to write on their own. The language sentiment comes from this love for literature. They cannot see it perish and we must respect it. Jai Maharashtra!
2:06

From 1 May, Maharashtra is applying a rule of knowing basic Marathi on Auto and Taxi drivers in state. They will go to a registration centre to read, write, and speak Marathi. I support it. While some might feel this is outrageous and unions are deciding to protest, it is not really a high expectation. I don’t understand how you never tried to learn the language while working in Maharashtra for decades. Most signboards are in Marathi, you meet Marathi speaking people daily, you just catch the language naturally. You have to be stubborn to not to use it. While I support this language requirement for auto & taxi drivers, I would also like to see it applied in corporate & other jobs as they are the ones who are most ignorant for the language. Just add some more days for learning how to write. Marathis love the literature. Most people I know have read some poet or some writer. Many of them love to write on their own. The language sentiment comes from this love for literature. They cannot see it perish and we must respect it. Jai Maharashtra!

Siddharth's Echelon

33,820 Aufrufe • vor 2 Monaten

Jensen Huang explains the AI industry as a five layer cake, and why "model only" companies are missing the real map. "AI is not just a model. AI is really a five layer cake to think about it." "From the lowest level, it requires energy because AI is produced, generated in real time, just like you and I right now. We need calories, we need energy." "The next level is chips. This is where Nvidia is and where a lot of the companies in Taiwan are." "The layer above that is infrastructure: land, power, data center, as well as the cloud service software that turns the chips into a cloud service." "The layer above that is where most people think about when they think about AI, which is models. ChatGPT was revolutionary. Claude Code is now incredibly successful. But AI is much more than just human language." Most people are still debating the model layer. Jensen is describing an industrial stack: energy, chips, infrastructure, models, and applications. If you are building in AI, this is the map that matters. The winning product may look like software, but the bottlenecks are calories, land, power, data centers, chips, and distribution. - Jensen Huang (NVIDIA), CEO of Nvidia, on CNA
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Jensen Huang explains the AI industry as a five layer cake, and why "model only" companies are missing the real map. "AI is not just a model. AI is really a five layer cake to think about it." "From the lowest level, it requires energy because AI is produced, generated in real time, just like you and I right now. We need calories, we need energy." "The next level is chips. This is where Nvidia is and where a lot of the companies in Taiwan are." "The layer above that is infrastructure: land, power, data center, as well as the cloud service software that turns the chips into a cloud service." "The layer above that is where most people think about when they think about AI, which is models. ChatGPT was revolutionary. Claude Code is now incredibly successful. But AI is much more than just human language." Most people are still debating the model layer. Jensen is describing an industrial stack: energy, chips, infrastructure, models, and applications. If you are building in AI, this is the map that matters. The winning product may look like software, but the bottlenecks are calories, land, power, data centers, chips, and distribution. - Jensen Huang (NVIDIA), CEO of Nvidia, on CNA

Karl Mehta

14,946 Aufrufe • vor 13 Tagen

🚨 PEOPLE ARE LOSING IT OVER A “3D” LINE IN THE SKY - AND IT DOESN’T LOOK NORMAL A woman records a strange vertical streak cutting straight through the sunset sky - and it doesn’t behave like a normal contrail. It doesn’t spread. It doesn’t drift. It just hangs there, rigid, layered, and almost three-dimensional, like it’s slicing through the clouds instead of blending into them. You can hear the confusion in her voice as she keeps zooming in: “It’s weird… it’s like 3D… this is creepy.” No wind distortion. No fading. Just a perfectly straight line suspended where it shouldn’t be. Some say “optical illusion.” Others say it doesn’t match anything they’ve ever seen in the sky. So let’s stop pretending this looks normal. Is this just another coincidence we’re supposed to ignore… or did someone catch something on camera they weren’t meant to notice? What does this actually look like to YOU?
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🚨 PEOPLE ARE LOSING IT OVER A “3D” LINE IN THE SKY - AND IT DOESN’T LOOK NORMAL A woman records a strange vertical streak cutting straight through the sunset sky - and it doesn’t behave like a normal contrail. It doesn’t spread. It doesn’t drift. It just hangs there, rigid, layered, and almost three-dimensional, like it’s slicing through the clouds instead of blending into them. You can hear the confusion in her voice as she keeps zooming in: “It’s weird… it’s like 3D… this is creepy.” No wind distortion. No fading. Just a perfectly straight line suspended where it shouldn’t be. Some say “optical illusion.” Others say it doesn’t match anything they’ve ever seen in the sky. So let’s stop pretending this looks normal. Is this just another coincidence we’re supposed to ignore… or did someone catch something on camera they weren’t meant to notice? What does this actually look like to YOU?

HustleBitch

390,409 Aufrufe • vor 6 Monaten

🚨 NASA IS LIGHTING FIRES ON THE MOON — WHAT THE HELL ARE THEY HIDING UP THERE? This is becoming increasingly strange. While NASA and private companies push forward with new lunar missions, many are asking a serious question: Why are they conducting what appear to be fire or energy experiments on the moon? Some see it as nothing more than a massive money grab. Others like David Icke believe something far deeper is going on. That the moon may not be natural at all. That it was brought here, could be hollow, and is being used as a massive sensor or control system for humanity. The moon has long been surrounded by anomalies that defy conventional explanation. The official narrative has more holes than it has answers. And many of the public faces of these missions look and feel more like actors than explorers. Why the hell is NASA lighting fires on the moon, and what are they really using it for?
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🚨 NASA IS LIGHTING FIRES ON THE MOON — WHAT THE HELL ARE THEY HIDING UP THERE? This is becoming increasingly strange. While NASA and private companies push forward with new lunar missions, many are asking a serious question: Why are they conducting what appear to be fire or energy experiments on the moon? Some see it as nothing more than a massive money grab. Others like David Icke believe something far deeper is going on. That the moon may not be natural at all. That it was brought here, could be hollow, and is being used as a massive sensor or control system for humanity. The moon has long been surrounded by anomalies that defy conventional explanation. The official narrative has more holes than it has answers. And many of the public faces of these missions look and feel more like actors than explorers. Why the hell is NASA lighting fires on the moon, and what are they really using it for?

HustleBitch

21,133 Aufrufe • vor 9 Tagen

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.
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Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.

Jerome | InsaneUnreal

17,267 Aufrufe • vor 4 Monaten