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This guy used Opus 5 to build a tiny device that replaced scrolling for him. Imagine a small screen, barely bigger than a watch, with hundreds of glowing blue particles floating inside. When you tilt it, they slide. When you shake it, they splash. When you hold it still,...

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Vaibhav Sisinty

173,793 subscribers

120,808 просмотров • 3 месяцев назад •via X (Twitter)

Наука и технологии
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Woke up to severe rain before 5am this morning. Got a flash flood alert about 6:00. What is falling from the sky right now? It’s more than just water. It’s easy to see with the naked eye but trying to capture it on video is not easy. You might think everything is just a rain drop but these small particles aren’t falling like the rain is, more like floating to the ground. If it was winter I might assume it’s snow but it’s not. On this clip everything that looks like a line is rain. Watch the speed it falls and compare it to the small particles that are traveling much slower. Some of the small bits are flying sideways and up. That’s not rain.
1:00

Woke up to severe rain before 5am this morning. Got a flash flood alert about 6:00. What is falling from the sky right now? It’s more than just water. It’s easy to see with the naked eye but trying to capture it on video is not easy. You might think everything is just a rain drop but these small particles aren’t falling like the rain is, more like floating to the ground. If it was winter I might assume it’s snow but it’s not. On this clip everything that looks like a line is rain. Watch the speed it falls and compare it to the small particles that are traveling much slower. Some of the small bits are flying sideways and up. That’s not rain.

Cody

100,266 просмотров • 1 месяц назад

everyone's sharing motion graphic videos that Opus 5.5 made, and it's genuinely insane everyone says they created it with "one prompt", but my one prompt video looked mid so i went through a bunch of these videos to see how they were actually made, and found the workflow that works here's how to generate pro level motion graphic videos w/ opus: 1. get reference videos to direct from -> pick 1-2 videos whose style you want and tell opus to match them. naming a style works way better than describing one without a reference, opus falls back to its default look: centered text, gradient background, everything fading in that's why so many of these videos look the same. a reference gives it the pacing, the type and the transitions to copy 2. install HyperFrames or Remotion so opus can build the video both let opus write every scene as code and render it straight to mp4. no video editor without one, opus can only describe a video or hand you a rough html page you have to screen record with it, every frame is exact, and when you ask for a change it edits one line and re-renders instead of starting over 3. install 21st for high quality components in the video real buttons, cards and UI components made by design engineers, instead of whatever opus invents on the spot without it, opus draws your product UI from scratch and it looks off. wrong spacing, placeholder boxes, fake-looking buttons anyone who's used good software can feel it in a second, and the whole video reads as cheap 4. steps 1-3 were context + setup. now dump all of it into opus your brand (logo, colors, fonts), screenshots of your real product, the reference video, and a quick braindump of how you see the video then ask for 3 storyboard variants without this, opus guesses your colors, your font and what your product even does. the video could be for any startup with it, it could only be yours. and 3 variants means you pick a direction instead of fixing the first idea it had 5. pick the storyboard you like ask for one still frame per scene before anything moves. fixing a storyboard is way cheaper than fixing a render without this step, you only find out scene 4 is wrong after the whole thing is animated, and every fix means re-rendering. a still frame takes seconds to change 6. let claude cook then give notes like a director: "slow every zoom to 0.7x", "hard cut here", "push in on the button" without notes, the first render is usually 80% there, and that last 20% is what makes it look pro. vague notes like "make it better" get random changes. camera words get exactly the change you want everyone has the same model. the context you give it is what makes it look pro let it cooookk
0:11

everyone's sharing motion graphic videos that Opus 5.5 made, and it's genuinely insane everyone says they created it with "one prompt", but my one prompt video looked mid so i went through a bunch of these videos to see how they were actually made, and found the workflow that works here's how to generate pro level motion graphic videos w/ opus: 1. get reference videos to direct from -> pick 1-2 videos whose style you want and tell opus to match them. naming a style works way better than describing one without a reference, opus falls back to its default look: centered text, gradient background, everything fading in that's why so many of these videos look the same. a reference gives it the pacing, the type and the transitions to copy 2. install HyperFrames or Remotion so opus can build the video both let opus write every scene as code and render it straight to mp4. no video editor without one, opus can only describe a video or hand you a rough html page you have to screen record with it, every frame is exact, and when you ask for a change it edits one line and re-renders instead of starting over 3. install 21st for high quality components in the video real buttons, cards and UI components made by design engineers, instead of whatever opus invents on the spot without it, opus draws your product UI from scratch and it looks off. wrong spacing, placeholder boxes, fake-looking buttons anyone who's used good software can feel it in a second, and the whole video reads as cheap 4. steps 1-3 were context + setup. now dump all of it into opus your brand (logo, colors, fonts), screenshots of your real product, the reference video, and a quick braindump of how you see the video then ask for 3 storyboard variants without this, opus guesses your colors, your font and what your product even does. the video could be for any startup with it, it could only be yours. and 3 variants means you pick a direction instead of fixing the first idea it had 5. pick the storyboard you like ask for one still frame per scene before anything moves. fixing a storyboard is way cheaper than fixing a render without this step, you only find out scene 4 is wrong after the whole thing is animated, and every fix means re-rendering. a still frame takes seconds to change 6. let claude cook then give notes like a director: "slow every zoom to 0.7x", "hard cut here", "push in on the button" without notes, the first render is usually 80% there, and that last 20% is what makes it look pro. vague notes like "make it better" get random changes. camera words get exactly the change you want everyone has the same model. the context you give it is what makes it look pro let it cooookk

Rexan Wong

645,965 просмотров • 1 месяц назад

My initial problem with Liquid Glass was that it was terrible for accessibility despite how beautiful it looks it certain places. There is literally only one way to solve this readability issue – make the glass frosted/opaque. And from the public backlash that Apple received it was pretty obvious that it was a matter of time before they made this change. The problem now is that when you make it opaque, it barely looks any different from iOS 18, yet it keeps eating up resources and draining your battery. 3 betas in, and I still feel like this design direction was a big mistake.
0:14

My initial problem with Liquid Glass was that it was terrible for accessibility despite how beautiful it looks it certain places. There is literally only one way to solve this readability issue – make the glass frosted/opaque. And from the public backlash that Apple received it was pretty obvious that it was a matter of time before they made this change. The problem now is that when you make it opaque, it barely looks any different from iOS 18, yet it keeps eating up resources and draining your battery. 3 betas in, and I still feel like this design direction was a big mistake.

Ilya Miskov

174,358 просмотров • 1 год назад

Unity has a weird bug where if you change Physics-related things, it causes WheelColliders to drop through the ground 😂 tho: always kind of cool when a game gets to a point where all the fx apply to bugs too (screen shake, particles)
0:13

Unity has a weird bug where if you change Physics-related things, it causes WheelColliders to drop through the ground 😂 tho: always kind of cool when a game gets to a point where all the fx apply to bugs too (screen shake, particles)

thomas "noio" vandenberg

85,809 просмотров • 10 месяцев назад

Dontayvion Wicks said postgame that he was actually running a clear-out route on his 64-yard catch vs. WAS. The ball never came his way when they repped the play in practice. "It was always just getting out of the way, but you never know with 1 [Hurts.] He might put it up there and you gotta go get it." #Eagles
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Dontayvion Wicks said postgame that he was actually running a clear-out route on his 64-yard catch vs. WAS. The ball never came his way when they repped the play in practice. "It was always just getting out of the way, but you never know with 1 [Hurts.] He might put it up there and you gotta go get it." #Eagles

EJ Smith

478,727 просмотров • 1 месяц назад

THIS 12-YEAR-OLD CHINESE KID JUST BUILT THE IRON MAN INTERFACE WITHOUT WRITING A LINE OF CODE He waves his hand and 6500 particles on the screen behind him morph into Saturn, then a globe, then an alien mountain range. The trick is MediaPipe tracking his fingers through a laptop webcam, mapped to a particle physics engine running in the browser. He didn't write the code. He told Gemini what he wanted to see, copy-pasted the output, and shipped it to GitHub the same night. The ceiling for what a kid in his bedroom can build has quietly become absurd. Last year this was a Stanford grad project and this year it is a Tuesday... Save this time capsule from 2026 ↓
0:13

THIS 12-YEAR-OLD CHINESE KID JUST BUILT THE IRON MAN INTERFACE WITHOUT WRITING A LINE OF CODE He waves his hand and 6500 particles on the screen behind him morph into Saturn, then a globe, then an alien mountain range. The trick is MediaPipe tracking his fingers through a laptop webcam, mapped to a particle physics engine running in the browser. He didn't write the code. He told Gemini what he wanted to see, copy-pasted the output, and shipped it to GitHub the same night. The ceiling for what a kid in his bedroom can build has quietly become absurd. Last year this was a Stanford grad project and this year it is a Tuesday... Save this time capsule from 2026 ↓

slash1s

20,061 просмотров • 4 месяцев назад

The cheapest way to sell an app right now is a face and a screen I'm running it and the conversion is stupid It's one video doing two jobs → A reaction that buys you the first second → Your app running on the screen behind it Neither half has to explain the other That's the whole thing The screen recording never changes You only ever swap the reaction on top An account with 1,584 followers did 908K views and 66.5K saves with this Ten minutes of filming is a month of ads
0:14

The cheapest way to sell an app right now is a face and a screen I'm running it and the conversion is stupid It's one video doing two jobs → A reaction that buys you the first second → Your app running on the screen behind it Neither half has to explain the other That's the whole thing The screen recording never changes You only ever swap the reaction on top An account with 1,584 followers did 908K views and 66.5K saves with this Ten minutes of filming is a month of ads

Adrià Martinez

30,749 просмотров • 2 месяцев назад

🚨 ANOTHER BUG IN DOA6LR🚨 Rachel bug: When you do this combo on the left of the screen, it connects but when you do it on the right of the screen she drops it... (it's the same combo) 🤷🏼‍♀️
0:13

🚨 ANOTHER BUG IN DOA6LR🚨 Rachel bug: When you do this combo on the left of the screen, it connects but when you do it on the right of the screen she drops it... (it's the same combo) 🤷🏼‍♀️

ジルさん ♥︎

20,528 просмотров • 3 месяцев назад

Here’s a fancam of Vernon finding out the small drone was for the big screen then waving it at when he saw he’s on it 😆
0:12

Here’s a fancam of Vernon finding out the small drone was for the big screen then waving it at when he saw he’s on it 😆

vernon content

36,843 просмотров • 11 месяцев назад

Every chastity device ever made did one thing: stop you. This is the first one that tells the keyholder in the moment. When you get close, they know. When you edge, they know. When you take it off, they know. If they want, when you get hard, they know that too. You don’t have to say any of it. They just see it. Don’t tell them. Show them. Over 1,500 of you joined the email list this month. It hears the sale date first. Link in bio.
0:12

Sensitive content

Every chastity device ever made did one thing: stop you. This is the first one that tells the keyholder in the moment. When you get close, they know. When you edge, they know. When you take it off, they know. If they want, when you get hard, they know that too. You don’t have to say any of it. They just see it. Don’t tell them. Show them. Over 1,500 of you joined the email list this month. It hears the sale date first. Link in bio.

Chastity Tek

85,284 просмотров • 13 дней назад

KIMI K3 JUST RECREATED A FUNCTIONAL GAME BOY ADVANCE IN 3D → interactive 3D model, every button and screen modeled → a game loaded and playable right inside it → camera you can rotate and zoom around the device → one single prompt, zero external assets $3 in API with K3. the same result would run about $9 with Fable 5 and $6 with Opus 4.8 this isn't generating a static image of hardware anymore, it's generating a working simulation of it, from the shell to the screen to the game running inside
0:15

KIMI K3 JUST RECREATED A FUNCTIONAL GAME BOY ADVANCE IN 3D → interactive 3D model, every button and screen modeled → a game loaded and playable right inside it → camera you can rotate and zoom around the device → one single prompt, zero external assets $3 in API with K3. the same result would run about $9 with Fable 5 and $6 with Opus 4.8 this isn't generating a static image of hardware anymore, it's generating a working simulation of it, from the shell to the screen to the game running inside

alex

38,248 просмотров • 3 месяцев назад

“Polymarket dev accidentally uploaded a wife-changing money-printer bot and I managed to snatch the code.” My timeline is full of this AI Polymarket slop, all running the same recycled video, lying to you that they have some magical, working code. Most of you have never seen what a real, working terminal actually looks like. Let me tell you this: it doesn’t look pretty, it doesn’t look like that, and it definitely doesn’t have source code scrolling down the screen like an ad. Second ‘be careful out there’ post for today. Drop a follow if you want quality, scam-free posts on your timeline.
0:18

“Polymarket dev accidentally uploaded a wife-changing money-printer bot and I managed to snatch the code.” My timeline is full of this AI Polymarket slop, all running the same recycled video, lying to you that they have some magical, working code. Most of you have never seen what a real, working terminal actually looks like. Let me tell you this: it doesn’t look pretty, it doesn’t look like that, and it definitely doesn’t have source code scrolling down the screen like an ad. Second ‘be careful out there’ post for today. Drop a follow if you want quality, scam-free posts on your timeline.

Jayden ⛩️

127,317 просмотров • 9 месяцев назад

The thank-you is on the screen. The relationship is in the hand that never puts the spoon down. One of them is cooking and half on his phone. The other walks in and needs to be held right then. That split is the whole domestic contract, and it rarely makes the caption. Gay couples get filmed in kitchens like the kitchen is the proof. Proof of what. That two men can share a stove. Most of us already knew that. What the clip actually shows is uneven timing. Affection arriving mid-task. A neck kiss while the pan is still on. “Thank you for who you’ve been in my life” is a tribute. Tributes are easy to post. They flatten years into a sentence someone else can repost. The daily version is less poetic. Someone wants your face in their hands while you are trying to finish dinner. You let them, and you do not fully stop. The song asks why they do not feel like the stars. Stars do not share a rental kitchen, a vacuum in the corner, or a phone that stays in the free hand. The ordinary is the point, and it is also the part people edit out when they want the relationship to look like gratitude instead of interruption. Staying looks like this more often than it looks like a love note. One person reaching. The other still watching the pot.
0:14

The thank-you is on the screen. The relationship is in the hand that never puts the spoon down. One of them is cooking and half on his phone. The other walks in and needs to be held right then. That split is the whole domestic contract, and it rarely makes the caption. Gay couples get filmed in kitchens like the kitchen is the proof. Proof of what. That two men can share a stove. Most of us already knew that. What the clip actually shows is uneven timing. Affection arriving mid-task. A neck kiss while the pan is still on. “Thank you for who you’ve been in my life” is a tribute. Tributes are easy to post. They flatten years into a sentence someone else can repost. The daily version is less poetic. Someone wants your face in their hands while you are trying to finish dinner. You let them, and you do not fully stop. The song asks why they do not feel like the stars. Stars do not share a rental kitchen, a vacuum in the corner, or a phone that stays in the free hand. The ordinary is the point, and it is also the part people edit out when they want the relationship to look like gratitude instead of interruption. Staying looks like this more often than it looks like a love note. One person reaching. The other still watching the pot.

Su-Ra 🌊✨

182,947 просмотров • 1 месяц назад

a moonshot engineer leaked the benchmark anthropic, openai and xai all buried the same week: kimi k3 beat opus 5, gpt-5.6 and grok 4.6 at $0.94 a task. stop paying anthropic $200 a month for opus 5 and openai $200 for gpt-5.6 when kimi does the same work for $8 the leak showed kimi k3 winning 9 of 12 categories against opus 5, gpt-5.6 and grok 4.6. within 48 hours all three labs quietly pushed pricing pages and one very specific comparison chart off their sites. nobody announced anything. they just deleted, which tells you everything the four numbers they scrubbed: cost per task · $0.94 vs $1.80 -> opus 5 charges $1.80 to finish one task. gpt-5.6 $1.04. grok 4.6 $0.61. kimi k3 $0.94 and it landed 487 of 500 clean -> anthropic is billing you double for a model that lost the benchmark it paid to promote the weights · free, sitting on huggingface right now -> the entire model is a public download. pull it, keep it, run it forever, nobody can switch it off -> a model you can hold cannot be rented at $200 a month. that single fact is what three labs deleted a chart over the switch · one line of bash -> moonshot ships an anthropic-compatible endpoint. one env variable and claude code points at kimi -> same cli, same keybindings, same /model. you change a url, opus 5 never knows it lost the seat the bill · $400 down to $8 -> opus 5 max plus gpt-5.6 pro is $400 a month. kimi runs the same daily work for $8 metered -> that is a 98% cut for output that beat both of them 9 categories to 3 here is the part they will fight me on: the frontier tax died the week this leaked and all three labs know it. once the weights are public the price has a ceiling, because anyone can serve the same model. anthropic, openai and xai are charging 2025 prices on a lead that ended in a benchmark they deleted instead of answered drop your $400/mo ai stack to $8. the run above is kimi k3 finishing the task opus 5 bills $1.80 for. the full breakdown is in the article below
0:19

a moonshot engineer leaked the benchmark anthropic, openai and xai all buried the same week: kimi k3 beat opus 5, gpt-5.6 and grok 4.6 at $0.94 a task. stop paying anthropic $200 a month for opus 5 and openai $200 for gpt-5.6 when kimi does the same work for $8 the leak showed kimi k3 winning 9 of 12 categories against opus 5, gpt-5.6 and grok 4.6. within 48 hours all three labs quietly pushed pricing pages and one very specific comparison chart off their sites. nobody announced anything. they just deleted, which tells you everything the four numbers they scrubbed: cost per task · $0.94 vs $1.80 -> opus 5 charges $1.80 to finish one task. gpt-5.6 $1.04. grok 4.6 $0.61. kimi k3 $0.94 and it landed 487 of 500 clean -> anthropic is billing you double for a model that lost the benchmark it paid to promote the weights · free, sitting on huggingface right now -> the entire model is a public download. pull it, keep it, run it forever, nobody can switch it off -> a model you can hold cannot be rented at $200 a month. that single fact is what three labs deleted a chart over the switch · one line of bash -> moonshot ships an anthropic-compatible endpoint. one env variable and claude code points at kimi -> same cli, same keybindings, same /model. you change a url, opus 5 never knows it lost the seat the bill · $400 down to $8 -> opus 5 max plus gpt-5.6 pro is $400 a month. kimi runs the same daily work for $8 metered -> that is a 98% cut for output that beat both of them 9 categories to 3 here is the part they will fight me on: the frontier tax died the week this leaked and all three labs know it. once the weights are public the price has a ceiling, because anyone can serve the same model. anthropic, openai and xai are charging 2025 prices on a lead that ended in a benchmark they deleted instead of answered drop your $400/mo ai stack to $8. the run above is kimi k3 finishing the task opus 5 bills $1.80 for. the full breakdown is in the article below

starmex

33,133 просмотров • 2 месяцев назад

#WangHerun on using real swords in #MysteriousLotusCasebook and fight scenes with #ChengYi “we had a lot of fight scenes opposite each other. i joined the filming crew early to do a lot of fight scene training beforehand, a lot of action, while he's had a lot of past experience with fight scenes. the way he strikes with his sword and offers a move is extremely light and graceful. the way he flies is light and graceful and the way he moves in a fight is light and graceful. ... we filmed during the summer last year when it was 42°c in hengdian. my costume was heavy and the sword was heavy. we used real swords, not prop swords. my arm would shake even when i (held it out like this). for the close-up, i used all my strength to hold it. the next day, my entire arm would be stiff. ... just by looking at him, you wouldn't think he excels at martial arts but he really is extremely outstanding at action scenes. he also gave us a lot of help on set. for example, when i wasn't confident during an action scene, he would say, ‘meimei, it's okay, let's go again.’ he would teach me some little techniques: ‘engage your core to strike and exert with your arm like this. it looks handsome when you fight like this. it looks good on camera like this.’ i think cheng yi laoshi gives me the strongest sense of contrast inside and outside the drama because inside the drama, he is my target. he is my enemy, i want revenge and i want to make him d!e. but outside the drama, he's an extremely good person. he taught me during action scenes and he also gave me little suggestions for our scenes opposite each other. we would build the scene together and make it better and better. it's very important to have a good opponent — that's how you make a scene come alive. all good scenes come from your opponent. establishing a powerful opponent is extremely important to me. in life, i'm also very grateful for this opponent, for this ‘enemy’ in quotation marks 😁” #CDrama
1:50

#WangHerun on using real swords in #MysteriousLotusCasebook and fight scenes with #ChengYi “we had a lot of fight scenes opposite each other. i joined the filming crew early to do a lot of fight scene training beforehand, a lot of action, while he's had a lot of past experience with fight scenes. the way he strikes with his sword and offers a move is extremely light and graceful. the way he flies is light and graceful and the way he moves in a fight is light and graceful. ... we filmed during the summer last year when it was 42°c in hengdian. my costume was heavy and the sword was heavy. we used real swords, not prop swords. my arm would shake even when i (held it out like this). for the close-up, i used all my strength to hold it. the next day, my entire arm would be stiff. ... just by looking at him, you wouldn't think he excels at martial arts but he really is extremely outstanding at action scenes. he also gave us a lot of help on set. for example, when i wasn't confident during an action scene, he would say, ‘meimei, it's okay, let's go again.’ he would teach me some little techniques: ‘engage your core to strike and exert with your arm like this. it looks handsome when you fight like this. it looks good on camera like this.’ i think cheng yi laoshi gives me the strongest sense of contrast inside and outside the drama because inside the drama, he is my target. he is my enemy, i want revenge and i want to make him d!e. but outside the drama, he's an extremely good person. he taught me during action scenes and he also gave me little suggestions for our scenes opposite each other. we would build the scene together and make it better and better. it's very important to have a good opponent — that's how you make a scene come alive. all good scenes come from your opponent. establishing a powerful opponent is extremely important to me. in life, i'm also very grateful for this opponent, for this ‘enemy’ in quotation marks 😁” #CDrama

tiff ☕

35,284 просмотров • 2 лет назад

This is a cultural hivemind philosophy. Turn up when the chip is in hand. The most important games of your career are ahead of you. You already have efficiency inconsistencies and instead of working in the gym to become your best version for these games, you are out here "making it rain" with people who complain online about your "finals" not being moved to a larger arena but refuse to spend money to make that a possibiilty. Valks sweep. By 5+ or more per game. Blame this video when it happens.
0:11

This is a cultural hivemind philosophy. Turn up when the chip is in hand. The most important games of your career are ahead of you. You already have efficiency inconsistencies and instead of working in the gym to become your best version for these games, you are out here "making it rain" with people who complain online about your "finals" not being moved to a larger arena but refuse to spend money to make that a possibiilty. Valks sweep. By 5+ or more per game. Blame this video when it happens.

IDX-Texas

86,539 просмотров • 1 месяц назад

A GUY WITH A MEGAPHONE GAVE THE CUE AND A WHOLE MINIATURE AIRPORT GOT WIPED OFF THE MAP 1.5M likes. 72.4M views → a scale model airport sits in a blue screen studio, jets parked at the terminal → lightning strikes and a tsunami rises right behind the runway → meteors start raining down and the terminal goes up in flames → one private jet makes it off the runway, then takes a hit midair and drops into the water Generated here None of this was filmed. 15 seconds, all AI What gets me is the set around the disaster. Tracking crosses on the blue wall, dolly rails on the floor, a guy in an Effects Crew shirt just watching it all go down. It looks exactly like a practical effects shoot, so your brain never questions it You can make a scene like this with Seedance 2.5 in Picsart Be honest, did you think that jet was going to make it?
0:15

A GUY WITH A MEGAPHONE GAVE THE CUE AND A WHOLE MINIATURE AIRPORT GOT WIPED OFF THE MAP 1.5M likes. 72.4M views → a scale model airport sits in a blue screen studio, jets parked at the terminal → lightning strikes and a tsunami rises right behind the runway → meteors start raining down and the terminal goes up in flames → one private jet makes it off the runway, then takes a hit midair and drops into the water Generated here None of this was filmed. 15 seconds, all AI What gets me is the set around the disaster. Tracking crosses on the blue wall, dolly rails on the floor, a guy in an Effects Crew shirt just watching it all go down. It looks exactly like a practical effects shoot, so your brain never questions it You can make a scene like this with Seedance 2.5 in Picsart Be honest, did you think that jet was going to make it?

Asteri

27,772 просмотров • 4 дней назад

People say running is bad and that it makes you look old and wastes away your muscle People are dumb That only happens if you run for to long at to high of a heart rate If you run at 130-140 beats per minute with a smile on your face it’s actually some of the best therapy there is If you are running and you can’t smile and it looks like you are in agony and can’t hold a pleasant conversation you are doing it wrong and that’s what will cause you to look old and frail This is called “the sweet spot” folks and it can be used for way more than just running
0:19

People say running is bad and that it makes you look old and wastes away your muscle People are dumb That only happens if you run for to long at to high of a heart rate If you run at 130-140 beats per minute with a smile on your face it’s actually some of the best therapy there is If you are running and you can’t smile and it looks like you are in agony and can’t hold a pleasant conversation you are doing it wrong and that’s what will cause you to look old and frail This is called “the sweet spot” folks and it can be used for way more than just running

Thor Torrens

19,510 просмотров • 8 месяцев назад

The McDonald’s Hot Fudge Sundae used to only cost 99 cents American shows what it looks like now, and they have resisted the price to $4 It looks much smaller, they don’t fill it all the way and it no longer comes with a pack of chopped peanuts But it’s now 4x the price….
0:17

The McDonald’s Hot Fudge Sundae used to only cost 99 cents American shows what it looks like now, and they have resisted the price to $4 It looks much smaller, they don’t fill it all the way and it no longer comes with a pack of chopped peanuts But it’s now 4x the price….

Wall Street Apes

117,936 просмотров • 7 месяцев назад