正在加载视频...

视频加载失败

加载此视频时出现问题。这可能是由于临时网络问题，或视频可能不可用。

This is hypnotizing 😵 Great anatomy study using Zbrush from Character Director at Santa Monica Studio, Glauco Longhi! Source: #agorastudio #framebyframe #animation #animator #reference #resource #anatomy

FramebyFrame

66,126 subscribers

18,399 次观看 • 1 年前 •via X (Twitter)

艺术 #agorastudio #framebyframe #animation #animator #reference #resource #anatomy

Anya Rossi• Live Now

Private livecam show

0 条评论

暂无评论

原始帖子的评论将显示在这里

相关视频

Wonderful quad breakdown from Daniel Fotheringham with shoulder and hip tracking! Source: #agorastudio #framebyframe #animation #animator #reference #resource #quadrapeds

Wonderful quad breakdown from Daniel Fotheringham with shoulder and hip tracking! Source: #agorastudio #framebyframe #animation #animator #reference #resource #quadrapeds

FramebyFrame

74,431 次观看 • 2 年前

🏃‍♂️ Great tips on a run cycle loop from Sony Senior Anim Chalermphol Wattanawongtrakool! Feel that rhythm! Source: #agorastudio #framebyframe #animation #animator #reference #resource

🏃‍♂️ Great tips on a run cycle loop from Sony Senior Anim Chalermphol Wattanawongtrakool! Feel that rhythm! Source: #agorastudio #framebyframe #animation #animator #reference #resource

FramebyFrame

205,787 次观看 • 1 年前

Four different types of landing, note the differences in each! Great examples from Sony's Senior Anim Chalermphol Wattanawongtrakool! Source: #agorastudio #framebyframe #animation #animator #reference #resource

Four different types of landing, note the differences in each! Great examples from Sony's Senior Anim Chalermphol Wattanawongtrakool! Source: #agorastudio #framebyframe #animation #animator #reference #resource

FramebyFrame

208,990 次观看 • 1 年前

Brendan Body's right way to animate horses! If you ever need to look at equine walk cycles, this is a great tip! Source: #agorastudio #framebyframe #animation #animator #reference #resource #quadruped

Brendan Body's right way to animate horses! If you ever need to look at equine walk cycles, this is a great tip! Source: #agorastudio #framebyframe #animation #animator #reference #resource #quadruped

FramebyFrame

173,443 次观看 • 1 年前

David Badgerow's reference comparison for Bad Guys 2 is a great example of bringing a character to life the way the voice actor intended. Source: #agorastudio #framebyframe #animation #animator #reference #resource #badguys #badguys2 #dreamworks #mrwolf

David Badgerow's reference comparison for Bad Guys 2 is a great example of bringing a character to life the way the voice actor intended. Source: #agorastudio #framebyframe #animation #animator #reference #resource #badguys #badguys2 #dreamworks #mrwolf

FramebyFrame

75,455 次观看 • 9 个月前

Fantastic Rujinu moment and the reference behind this perfect shipping material between our favorite bands from animator Polina Peeva! Source: #agorastudio #framebyframe #animation #animator #reference #resource #huntrix #kpdh #saja #rujinu

Fantastic Rujinu moment and the reference behind this perfect shipping material between our favorite bands from animator Polina Peeva! Source: #agorastudio #framebyframe #animation #animator #reference #resource #huntrix #kpdh #saja #rujinu

FramebyFrame

56,070 次观看 • 7 个月前

Darcy Woodbridge and Studio Spud animated this 1940's style advert and it's mind-blowing! The process alone is fascinating to watch😱 Source: #agorastudio #framebyframe #animation #animator #reference #resource #animationprocess

Darcy Woodbridge and Studio Spud animated this 1940's style advert and it's mind-blowing! The process alone is fascinating to watch😱 Source: #agorastudio #framebyframe #animation #animator #reference #resource #animationprocess

FramebyFrame

72,988 次观看 • 8 个月前

Animation is such a flexible medium with infinite possibilities, take a look at Senior Animator Collin McAtee's Run Cycle he made by Running! Source: #agorastudio #framebyframe #animation #animator #reference #resource #runcycle

Animation is such a flexible medium with infinite possibilities, take a look at Senior Animator Collin McAtee's Run Cycle he made by Running! Source: #agorastudio #framebyframe #animation #animator #reference #resource #runcycle

FramebyFrame

110,582 次观看 • 1 年前

John Pomeroy's acting reference for this tense moment of Milo in Atlantis is such a great learning piece. Notice how much his actions carry into the final! Source: #agorastudio #framebyframe #animation #animator #reference #resource #atlantis

John Pomeroy's acting reference for this tense moment of Milo in Atlantis is such a great learning piece. Notice how much his actions carry into the final! Source: #agorastudio #framebyframe #animation #animator #reference #resource #atlantis

FramebyFrame

113,471 次观看 • 1 年前

Let there be lightning! ⚡Kerim Tumer, 2D FX Artist Wizz at The Line, shows off his sparkly electrifying 2D FX enhancements to Hades 2! Source: #agorastudio #framebyframe #animation #animator #reference #resource #fx #2dfx

Let there be lightning! ⚡Kerim Tumer, 2D FX Artist Wizz at The Line, shows off his sparkly electrifying 2D FX enhancements to Hades 2! Source: #agorastudio #framebyframe #animation #animator #reference #resource #fx #2dfx

FramebyFrame

11,186 次观看 • 8 个月前

Seeing these two passes side by side really shows how much those extra 2D FX really adds to the final animation! It's so satisfying! ✨️ Source: #agorastudio #framebyframe #animation #animator #reference #resource #arcane #arcaneseason2

Seeing these two passes side by side really shows how much those extra 2D FX really adds to the final animation! It's so satisfying! ✨️ Source: #agorastudio #framebyframe #animation #animator #reference #resource #arcane #arcaneseason2

FramebyFrame

29,266 次观看 • 1 年前

Animator: Sebastian Hannibal Source: Sebastian absolutely nails the drunk walk feel with having great rhythm, & a solid foundation of body mechanics. #agorastudio #framebyframe #animchallenge #animation FramebyFrame is an initiative of agora.community

Animator: Sebastian Hannibal Source: Sebastian absolutely nails the drunk walk feel with having great rhythm, & a solid foundation of body mechanics. #agorastudio #framebyframe #animchallenge #animation FramebyFrame is an initiative of agora.community

FramebyFrame

28,308 次观看 • 1 年前

Artist: Kang Joo Sung Source: Take a look at these action sequences! #agorastudio #animation #framebyframe #characteranimation #gameanimation #attackanimation #videogames #animchallenge #3hitcombo This study is sponsored by

Artist: Kang Joo Sung Source: Take a look at these action sequences! #agorastudio #animation #framebyframe #characteranimation #gameanimation #attackanimation #videogames #animchallenge #3hitcombo This study is sponsored by

FramebyFrame

72,546 次观看 • 2 年前

Animator: Ryan Woodward ryan woodward Source: Look at how smears help to make the movement more organic and more easy to track. #agorastudio #framebyframe #2danimation #animation FramebyFrame is an initiative of agora.community

Animator: Ryan Woodward ryan woodward Source: Look at how smears help to make the movement more organic and more easy to track. #agorastudio #framebyframe #2danimation #animation FramebyFrame is an initiative of agora.community

FramebyFrame

31,596 次观看 • 2 年前

This deceptively simple yet decisively adorable little bounce is packed with juicy arcs and small secrets Studio: @AgoraStudio_ Source: Artist: @Anamorphia #agorastudio #framebyframe #animation #zoomies FramebyFrame is an initiative of agora.community

This deceptively simple yet decisively adorable little bounce is packed with juicy arcs and small secrets Studio: @AgoraStudio_ Source: Artist: @Anamorphia #agorastudio #framebyframe #animation #zoomies FramebyFrame is an initiative of agora.community

FramebyFrame

13,972 次观看 • 1 年前

Artist: Bryan Konietzko Show: Avatar: The Last Airbender Source: Who else is excited for the Gaang's return? #agorastudio #animation #framebyframe #conceptart #atla #avatar #nickelodeon This study is sponsored by

FramebyFrame

18,746 次观看 • 3 年前

📖THE STEP MOST CREATORS SKIP IS WHY THEIR AI ANIMATION LOOKS INCONSISTENT Consistency across clips doesn't come from prompting — it comes from the reference image. The pipeline, step by step: ▪ Start with ChatGPT Image 2 — generate a full character design sheet first, not just a single frame. Multiple angles, expressions, and outfit variations in one image keeps the character consistent across every scene ▪ Build a storyboard inside ChatGPT Image 2 as well — define each shot, camera angle, action, and mood before touching Seedance at all. This is the step most people skip and it's the reason clips look disconnected ▪ Define a color palette and lighting mood early — golden afternoon light, soft warm tones, dramatic shadows. Lock those values and repeat them across every prompt ▪ Take each storyboard frame into Seedance 2.0 as the reference image — one frame becomes one clip ▪ Write the Seedance prompt around the character action, not the scene description. The scene is already in the image. The prompt handles motion, camera behavior, and timing ▪ Keep clip duration between 4-6 seconds per shot — shorter clips give more control over pacing and reduce motion drift on character faces ▪ Match camera movement type across consecutive clips — if one shot dollies in, the next should hold or pull back, not dolly again The consistency across these frames comes from the character design sheet, not from luck. Seedance reads the reference image and the prompt together — if the reference is detailed enough, the output stays on-model. This video was created by ALOKXMEHTA 📥 tomorrow: the exact ChatGPT Image 2 prompt structure used to generate a multi-angle character design sheet like this one 🔖One article covers the entire workflow — it is pinned below, do not scroll past it.

📖THE STEP MOST CREATORS SKIP IS WHY THEIR AI ANIMATION LOOKS INCONSISTENT Consistency across clips doesn't come from prompting — it comes from the reference image. The pipeline, step by step: ▪ Start with ChatGPT Image 2 — generate a full character design sheet first, not just a single frame. Multiple angles, expressions, and outfit variations in one image keeps the character consistent across every scene ▪ Build a storyboard inside ChatGPT Image 2 as well — define each shot, camera angle, action, and mood before touching Seedance at all. This is the step most people skip and it's the reason clips look disconnected ▪ Define a color palette and lighting mood early — golden afternoon light, soft warm tones, dramatic shadows. Lock those values and repeat them across every prompt ▪ Take each storyboard frame into Seedance 2.0 as the reference image — one frame becomes one clip ▪ Write the Seedance prompt around the character action, not the scene description. The scene is already in the image. The prompt handles motion, camera behavior, and timing ▪ Keep clip duration between 4-6 seconds per shot — shorter clips give more control over pacing and reduce motion drift on character faces ▪ Match camera movement type across consecutive clips — if one shot dollies in, the next should hold or pull back, not dolly again The consistency across these frames comes from the character design sheet, not from luck. Seedance reads the reference image and the prompt together — if the reference is detailed enough, the output stays on-model. This video was created by ALOKXMEHTA 📥 tomorrow: the exact ChatGPT Image 2 prompt structure used to generate a multi-angle character design sheet like this one 🔖One article covers the entire workflow — it is pinned below, do not scroll past it.

Zentrix⌚️

12,846 次观看 • 1 个月前

THE DEPTH MAP TRICK THAT FIXED DANCE ACCURACY IN SEEDANCE 2.0 Feed the model a video of someone dancing and it tries to interpret everything- the person, the clothes, the lighting, the room, and somewhere in there, the movement. Feed it a depth map and there's nothing left to interpret but the motion. Most creators trying to transfer a dance to a character reference the source footage directly, then wonder why the choreography drifts. The problem isn't the model - it's that you handed it ten variables when you only wanted one. Here's the workflow 1. Lock the character reference in GPT Image 2 first -face, build, costume, so identity holds independently of whatever motion gets applied to it 2. Convert the source dance footage into a depth map instead of using the raw video -this strips out the original performer's appearance, clothing, and environment entirely 3. Feed the depth map as the motion reference and the character sheet as the identity reference- two separate inputs doing two separate jobs, not one input trying to do both 5. Let the depth map carry only spatial movement -the model receives body position and momentum with no competing information about who's moving or what they look like 6. Keep the character and motion inputs isolated throughout - the moment you mix appearance data into the motion reference, the model starts negotiating between two identities Why this works • Raw footage passes the model everything at once- performer, wardrobe, room, lighting -and the choreography competes with all of it for attention • A depth map is pure spatial information, so the only thing left to transfer is movement • Separating identity from motion means the character can stay locked while the dance stays accurate - normally you're trading one for the other • The accuracy gain isn't the model getting better, it's the model getting fewer decisions to make Use cases: ⁃ Dance and choreography transfer onto original characters ⁃ Motion capture-style workflows without motion capture ⁃ Any sequence where a specific movement needs to survive intact ⁃ Character showcase content built on existing performance footage The character sheet answers who's dancing. The depth map answers how - and keeping those two questions separate is the whole trick.

THE DEPTH MAP TRICK THAT FIXED DANCE ACCURACY IN SEEDANCE 2.0 Feed the model a video of someone dancing and it tries to interpret everything- the person, the clothes, the lighting, the room, and somewhere in there, the movement. Feed it a depth map and there's nothing left to interpret but the motion. Most creators trying to transfer a dance to a character reference the source footage directly, then wonder why the choreography drifts. The problem isn't the model - it's that you handed it ten variables when you only wanted one. Here's the workflow 1. Lock the character reference in GPT Image 2 first -face, build, costume, so identity holds independently of whatever motion gets applied to it 2. Convert the source dance footage into a depth map instead of using the raw video -this strips out the original performer's appearance, clothing, and environment entirely 3. Feed the depth map as the motion reference and the character sheet as the identity reference- two separate inputs doing two separate jobs, not one input trying to do both 5. Let the depth map carry only spatial movement -the model receives body position and momentum with no competing information about who's moving or what they look like 6. Keep the character and motion inputs isolated throughout - the moment you mix appearance data into the motion reference, the model starts negotiating between two identities Why this works • Raw footage passes the model everything at once- performer, wardrobe, room, lighting -and the choreography competes with all of it for attention • A depth map is pure spatial information, so the only thing left to transfer is movement • Separating identity from motion means the character can stay locked while the dance stays accurate - normally you're trading one for the other • The accuracy gain isn't the model getting better, it's the model getting fewer decisions to make Use cases: ⁃ Dance and choreography transfer onto original characters ⁃ Motion capture-style workflows without motion capture ⁃ Any sequence where a specific movement needs to survive intact ⁃ Character showcase content built on existing performance footage The character sheet answers who's dancing. The depth map answers how - and keeping those two questions separate is the whole trick.

Nexlow

83,830 次观看 • 15 天前

3D $ANIME ? Using 3D in anime or a complete series in 3D style, how does this affect the anime industry? Probably the most hated anime after which people hated 3D in anime was Berserk in 2016, it was really terrible, but 3D in anime is no longer what it was in 2010-20. Let's look at the pros and cons of 3D in anime and what series can be called good 3D anime Pros of 3D Animation: 🟢Dynamic camera angles & smooth motion 🟢Saves time & production costs 🟢Consistent character proportions Cons of 3D Animation: 🔴Can look stiff or "plastic" 🔴Limited facial expressions 🔴Often disliked by traditional anime fans Top 3D $ANIME series in my opinion: 🔵Houseki no Kuni – stunning visuals & fluid animation 🔵Dorohedoro – dark, gritty style perfectly fits CGI 🔵Beastars – expressive character animation 🔵Trigun: Stampede – cinematic action & high-quality CGI The best studio that combines 2D and 3D well is, I think, Ufotable Ufotable blends 2D & 3D seamlessly: 🟡3D backgrounds + 2D character animation 🟡Anime-style shading makes 3D look hand-drawn 🟡Frame-by-frame touch-ups for smooth motion 🟡Mixing 2D effects (fire, water) with 3D for impact Example: "Demon Slayer" – epic battle scenes like Tanjiro’s Water Breathing, using 3D camera movement while preserving 2D aesthetics. Which 3D $ANIME impressed you the most?

3D $ANIME ? Using 3D in anime or a complete series in 3D style, how does this affect the anime industry? Probably the most hated anime after which people hated 3D in anime was Berserk in 2016, it was really terrible, but 3D in anime is no longer what it was in 2010-20. Let's look at the pros and cons of 3D in anime and what series can be called good 3D anime Pros of 3D Animation: 🟢Dynamic camera angles & smooth motion 🟢Saves time & production costs 🟢Consistent character proportions Cons of 3D Animation: 🔴Can look stiff or "plastic" 🔴Limited facial expressions 🔴Often disliked by traditional anime fans Top 3D $ANIME series in my opinion: 🔵Houseki no Kuni – stunning visuals & fluid animation 🔵Dorohedoro – dark, gritty style perfectly fits CGI 🔵Beastars – expressive character animation 🔵Trigun: Stampede – cinematic action & high-quality CGI The best studio that combines 2D and 3D well is, I think, Ufotable Ufotable blends 2D & 3D seamlessly: 🟡3D backgrounds + 2D character animation 🟡Anime-style shading makes 3D look hand-drawn 🟡Frame-by-frame touch-ups for smooth motion 🟡Mixing 2D effects (fire, water) with 3D for impact Example: "Demon Slayer" – epic battle scenes like Tanjiro’s Water Breathing, using 3D camera movement while preserving 2D aesthetics. Which 3D $ANIME impressed you the most?

Kvintestar⛩️ Anime Artist

15,599 次观看 • 1 年前