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This is the most impossible launch moments ever captured this close A camera sat beneath Starship’s Super Heavy booster as all 33 Raptor engines ignited at once Inside each Raptor, methane and oxygen produce combustion gases approaching 3,000°C, or roughly 5,400°F Then the full engine array erupts, hammering the... launch mount with supersonic exhaust, violent shockwaves, extreme acoustic energy, vibration, water spray and enormous clouds of steam Yet the camera kept recording through the entire ignition sequence from directly beneath the mount, without the view ever clouding or fogging SpaceX team engineered a way to capture footage from the most brutal launch environments imaginable The camera system behind this shot may be almost as impressive as the footage itselfshow more

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How did SpaceX film inside a 33-Engine Raptor inferno without the camera melting? 🚀🔥 What looks like a camera melting inside a massive explosion is actually a masterclass in extreme aerospace engineering: SpaceX capturing close-up footage of its 33-Engine Raptor ring firing simultaneously. Instead of relying on standard commercial camera housings that would vaporize instantly, this setup uses heavy-duty, customized protective enclosures engineered to withstand thousands of degrees of intense heat and vibrational stress. Paired with optical-grade sapphire crystal viewports and active cooling systems, the lens remains entirely uncompromised as the engine cluster ignites into a blinding wall of fire. At a time when deep-space exploration requires pushed technical boundaries, this unbelievable footage proves that capturing the heart of a rocket blast no longer requires sacrificing the gear. Simply put: Bringing highly specialized thermal shielding to a high-speed camera setup marks a massive evolution in aerospace diagnostic engineering and launch documentation.

How did SpaceX film inside a 33-Engine Raptor inferno without the camera melting? 🚀🔥 What looks like a camera melting inside a massive explosion is actually a masterclass in extreme aerospace engineering: SpaceX capturing close-up footage of its 33-Engine Raptor ring firing simultaneously. Instead of relying on standard commercial camera housings that would vaporize instantly, this setup uses heavy-duty, customized protective enclosures engineered to withstand thousands of degrees of intense heat and vibrational stress. Paired with optical-grade sapphire crystal viewports and active cooling systems, the lens remains entirely uncompromised as the engine cluster ignites into a blinding wall of fire. At a time when deep-space exploration requires pushed technical boundaries, this unbelievable footage proves that capturing the heart of a rocket blast no longer requires sacrificing the gear. Simply put: Bringing highly specialized thermal shielding to a high-speed camera setup marks a massive evolution in aerospace diagnostic engineering and launch documentation.

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BREAKING: SpaceX is preparing to launch Starship Flight 12 as soon as Tuesday, May 19 at 5:30 p.m. CT This mission will debut the next-generation Starship and Super Heavy vehicles for the very first time, powered by upgraded Raptor engines and launching from a newly designed pad at Starbase Flight 12 will test major redesigns across the entire Starship system aimed at enabling full and rapid reusability. The mission also includes deployment of 22 Starlink simulators, an in-space Raptor relight, advanced heat shield analysis tests, and multiple experimental reentry maneuvers

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This video shows a static fire test of the Archimedes rocket engine, developed by Rocket Lab. Archimedes uses liquid methane (LCH.) as fuel and liquid oxygen (LOX) as the oxidizer, a combination known as methalox. During combustion, these cryogenic propellants produce extremely high temperatures (over 3,000°C), hotter than lava. To survive this, the engine circulates cold fuel through its walls before burning it, a technique called regenerative cooling. Multiple Archimedes engines will power Rocket Lab's upcoming Neutron rocket, which is being built to launch satellites and cargo to orbit with lower cost and higher reliability. Rocket Lab is best known for its Electron rocket and is now expanding into larger, reusable launch vehicles with Neutron.

This video shows a static fire test of the Archimedes rocket engine, developed by Rocket Lab. Archimedes uses liquid methane (LCH.) as fuel and liquid oxygen (LOX) as the oxidizer, a combination known as methalox. During combustion, these cryogenic propellants produce extremely high temperatures (over 3,000°C), hotter than lava. To survive this, the engine circulates cold fuel through its walls before burning it, a technique called regenerative cooling. Multiple Archimedes engines will power Rocket Lab's upcoming Neutron rocket, which is being built to launch satellites and cargo to orbit with lower cost and higher reliability. Rocket Lab is best known for its Electron rocket and is now expanding into larger, reusable launch vehicles with Neutron.

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Continuous unbroken shot with image references with Kling 3.0 Omni. Prompt : Hyper-realistic cinematic action sequence using all uploaded images as visual references, presented as one seamless, unbroken continuous shot. A lone motorbike rider begins as a tiny silhouette crossing a glowing meadow beneath an immense, shadowed forest canopy. The camera descends rapidly from a sweeping aerial view, skimming the grass before locking beside the bike as it enters a corridor of colossal moss-covered trees. The rider accelerates through wet earth, drifting around roots and rocks as mud, leaves, water droplets, and mist explode into the air. The camera swings behind the rider for an intense low chase, circles smoothly around the bike, then races ahead while facing backward through shafts of green daylight. Without any cuts, the trail rises onto an abandoned railway bridge covered in vines, passing forgotten overgrown train carriages and a dark tunnel entrance. The camera drops beneath the bridge to reveal the river and vast forest below, then climbs back around the rider as the bridge transforms into a narrow elevated ridge. The motorcycle bursts into a luminous clearing at the edge of a towering grass-covered cliff. The camera pulls dramatically outward into an immense panoramic view, revealing the rider suspended above an endless emerald valley. Maintain consistent rider, bike, lighting, forest geography, momentum, cinematic realism, natural motion blur, atmospheric depth, and fluid camera movement throughout.

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Historic Vids

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AI video is remarkably good at imagining historical events. This is a one-shot video from Seedance 2 of Pompeii when Mt. Vesuvius erupted. Prompt is below, you can ask an LLM to rewrite it for any other event 👇 This is handheld documentary footage recorded on an early-2000s consumer DV camcorder from the streets of Pompeii at the moment Mount Vesuvius begins erupting. The footage feels like real, imperfect home video of ordinary people witnessing the beginning of a historic disaster. The recording shows a busy street in Pompeii during the daytime, with merchants, families, children, laborers, and townspeople moving through the city. In the distance, Mount Vesuvius is visible above the rooftops. At first, people are going about normal daily life, but then a strange plume of smoke and ash begins rising from the volcano. The crowd gradually notices it. Some people stop and stare, some point toward the mountain, and others begin shouting to one another in confusion. The camera moves through the street like someone in the crowd trying to capture what is happening. It shows frightened townspeople looking up at the sky, parents pulling children closer, merchants abandoning their stalls, and groups of people beginning to run as ash starts falling. The footage captures the shift from curiosity to fear as the eruption becomes impossible to ignore. There are natural cuts between wider views of the street, the mountain in the distance, and closer views of people reacting in panic. The handheld camera shows natural shake, drifting framing, sudden reactive movement, autofocus mistakes as the person filming swings between the crowd and the volcano, slight exposure problems from bright daylight and ash in the air, and the imperfect look of old DV footage. The movement should feel urgent and unplanned, like someone trying to document the disaster while also staying safe. Natural sound only: the noise of the street, footsteps on stone, people murmuring and then shouting, children crying, distant rumbling from the volcano, debris falling, and the panic of the crowd. No cinematic music added. The result must feel like authentic, raw footage of ordinary people in Pompeii experiencing the beginning of the eruption of Mount Vesuvius, captured on an old DV camcorder.”

AI video is remarkably good at imagining historical events. This is a one-shot video from Seedance 2 of Pompeii when Mt. Vesuvius erupted. Prompt is below, you can ask an LLM to rewrite it for any other event 👇 This is handheld documentary footage recorded on an early-2000s consumer DV camcorder from the streets of Pompeii at the moment Mount Vesuvius begins erupting. The footage feels like real, imperfect home video of ordinary people witnessing the beginning of a historic disaster. The recording shows a busy street in Pompeii during the daytime, with merchants, families, children, laborers, and townspeople moving through the city. In the distance, Mount Vesuvius is visible above the rooftops. At first, people are going about normal daily life, but then a strange plume of smoke and ash begins rising from the volcano. The crowd gradually notices it. Some people stop and stare, some point toward the mountain, and others begin shouting to one another in confusion. The camera moves through the street like someone in the crowd trying to capture what is happening. It shows frightened townspeople looking up at the sky, parents pulling children closer, merchants abandoning their stalls, and groups of people beginning to run as ash starts falling. The footage captures the shift from curiosity to fear as the eruption becomes impossible to ignore. There are natural cuts between wider views of the street, the mountain in the distance, and closer views of people reacting in panic. The handheld camera shows natural shake, drifting framing, sudden reactive movement, autofocus mistakes as the person filming swings between the crowd and the volcano, slight exposure problems from bright daylight and ash in the air, and the imperfect look of old DV footage. The movement should feel urgent and unplanned, like someone trying to document the disaster while also staying safe. Natural sound only: the noise of the street, footsteps on stone, people murmuring and then shouting, children crying, distant rumbling from the volcano, debris falling, and the panic of the crowd. No cinematic music added. The result must feel like authentic, raw footage of ordinary people in Pompeii experiencing the beginning of the eruption of Mount Vesuvius, captured on an old DV camcorder.”

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NEWS: SpaceX has released a statement after today's successful 11th Starship test flight. "Every major objective of the flight test was achieved, providing valuable data as we prepare the next generation of Starship and Super Heavy. The flight test began with Super Heavy igniting all 33 Raptor engines and ascending over the Gulf. The successful first-stage ascent was followed by a hot-staging maneuver, with Starship’s upper stage igniting its six Raptor engines to continue its flight to space. Following stage separation, the Super Heavy booster completed its boostback burn to put it on a course to a pre-planned splashdown zone off the coast of Texas using 12 of the 13 planned engines. Under the same angle of attack tested on the previous flight, the booster descended until successfully igniting all 13 planned engines (including one that did not relight during the boostback burn) for the high-thrust portion of the landing burn. The booster successfully executed a unique landing burn planned for use on the next generation booster. Super Heavy hovered above the water before shutting down its engines and splashing down. After completing a full-duration ascent burn, Starship achieved its planned velocity and trajectory. During flight, Starship successfully deployed eight Starlink simulators and executed the third in-space relight of a Raptor engine, demonstrating a critical capability for future deorbit burns. Starship re-entered the Earth’s atmosphere and was able to gather extensive data on the performance of its heatshield as it was intentionally stressed to test the limits of the vehicle’s capabilities. In the final minutes of flight, Starship performed a dynamic banking maneuver to mimic the trajectory that future missions returning to Starbase will fly. Starship then guided itself using its four flaps to the pre-planned splashdown zone in the Indian Ocean, successfully executing a landing flip, landing burn, and soft splashdown. Focus now turns to the next generation of Starship and Super Heavy, with multiple vehicles currently in active build and preparing for tests. This next iteration will be used for the first Starship orbital flights, operational payload missions, propellant transfer, and more as we iterate to a fully and rapidly reusable vehicle with service to Earth orbit, the Moon, Mars, and beyond."

NEWS: SpaceX has released a statement after today's successful 11th Starship test flight. "Every major objective of the flight test was achieved, providing valuable data as we prepare the next generation of Starship and Super Heavy. The flight test began with Super Heavy igniting all 33 Raptor engines and ascending over the Gulf. The successful first-stage ascent was followed by a hot-staging maneuver, with Starship’s upper stage igniting its six Raptor engines to continue its flight to space. Following stage separation, the Super Heavy booster completed its boostback burn to put it on a course to a pre-planned splashdown zone off the coast of Texas using 12 of the 13 planned engines. Under the same angle of attack tested on the previous flight, the booster descended until successfully igniting all 13 planned engines (including one that did not relight during the boostback burn) for the high-thrust portion of the landing burn. The booster successfully executed a unique landing burn planned for use on the next generation booster. Super Heavy hovered above the water before shutting down its engines and splashing down. After completing a full-duration ascent burn, Starship achieved its planned velocity and trajectory. During flight, Starship successfully deployed eight Starlink simulators and executed the third in-space relight of a Raptor engine, demonstrating a critical capability for future deorbit burns. Starship re-entered the Earth’s atmosphere and was able to gather extensive data on the performance of its heatshield as it was intentionally stressed to test the limits of the vehicle’s capabilities. In the final minutes of flight, Starship performed a dynamic banking maneuver to mimic the trajectory that future missions returning to Starbase will fly. Starship then guided itself using its four flaps to the pre-planned splashdown zone in the Indian Ocean, successfully executing a landing flip, landing burn, and soft splashdown. Focus now turns to the next generation of Starship and Super Heavy, with multiple vehicles currently in active build and preparing for tests. This next iteration will be used for the first Starship orbital flights, operational payload missions, propellant transfer, and more as we iterate to a fully and rapidly reusable vehicle with service to Earth orbit, the Moon, Mars, and beyond."

Sawyer Merritt

273,302 görüntüleme • 9 ay önce

Created on seedance 2.0 Prompt:Hyper-realistic cinematic super-speed fight scene inside a massive abandoned industrial warehouse at night. Moonlight streams through broken factory windows, illuminating drifting dust and smoke. Rusted steel pillars, hanging chains, and scattered metal crates fill the dark industrial space. A dark warrior stands silently in the center as multiple enemies rush toward him from all directions. In an instant, he disappears. A violent burst of shadow energy explodes outward as the warrior teleports at extreme speed. Dark shadow trails and ghost-like afterimages remain in the air as he reappears behind an enemy and delivers a devastating punch that sends the attacker flying across the warehouse. Before the body hits the ground, the warrior vanishes again — teleporting across the battlefield in rapid flashes of shadow. Multiple shadow afterimages appear simultaneously, showing the path of his super-speed movement. He moves faster and faster, appearing above enemies, beside them, behind them — striking with powerful kicks and crushing blows. Each teleport creates a swirl of black smoke-like energy and flickering shadow fragments. Enemies try to surround him, but the warrior becomes almost impossible to track. The camera captures brief slow-motion moments as he reappears mid-air, delivering a spinning kick that launches an enemy into a steel pillar. Shockwaves ripple across the dusty floor. Chains swing violently from the ceiling. Metal crates shatter as enemies crash into them. The battlefield fills with streaks of shadow energy and fading afterimages from his super-speed teleportation. The camera smoothly tracks and circles the fight in a continuous cinematic shot, emphasizing the warrior’s impossible speed and supernatural movement. Epic dark atmosphere, hyper-realistic combat choreography, ultra detailed armor, shadow teleportation effects, extreme super speed movement, dramatic cinematic lighting, IMAX action movie style, 8K ultra realism.

Created on seedance 2.0 Prompt:Hyper-realistic cinematic super-speed fight scene inside a massive abandoned industrial warehouse at night. Moonlight streams through broken factory windows, illuminating drifting dust and smoke. Rusted steel pillars, hanging chains, and scattered metal crates fill the dark industrial space. A dark warrior stands silently in the center as multiple enemies rush toward him from all directions. In an instant, he disappears. A violent burst of shadow energy explodes outward as the warrior teleports at extreme speed. Dark shadow trails and ghost-like afterimages remain in the air as he reappears behind an enemy and delivers a devastating punch that sends the attacker flying across the warehouse. Before the body hits the ground, the warrior vanishes again — teleporting across the battlefield in rapid flashes of shadow. Multiple shadow afterimages appear simultaneously, showing the path of his super-speed movement. He moves faster and faster, appearing above enemies, beside them, behind them — striking with powerful kicks and crushing blows. Each teleport creates a swirl of black smoke-like energy and flickering shadow fragments. Enemies try to surround him, but the warrior becomes almost impossible to track. The camera captures brief slow-motion moments as he reappears mid-air, delivering a spinning kick that launches an enemy into a steel pillar. Shockwaves ripple across the dusty floor. Chains swing violently from the ceiling. Metal crates shatter as enemies crash into them. The battlefield fills with streaks of shadow energy and fading afterimages from his super-speed teleportation. The camera smoothly tracks and circles the fight in a continuous cinematic shot, emphasizing the warrior’s impossible speed and supernatural movement. Epic dark atmosphere, hyper-realistic combat choreography, ultra detailed armor, shadow teleportation effects, extreme super speed movement, dramatic cinematic lighting, IMAX action movie style, 8K ultra realism.

Nawal

16,383 görüntüleme • 1 ay önce

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What would you do if a monster charged at you in the middle of the street? Made with Nano Banana 2 + Seedance 2.0 4k on TapNow prompt Beat 1 - The Calm Opening The reference image character is a Western woman with long wavy blonde hair casually drinking a Coke in the middle of a chaotic urban street. Her outfit and cap match Image 1 exactly. Energy is calm, unfazed, and confident. Camera: grounded, cinematic, medium shot. Beat 2 - The Monster Charges A terrifying monster bull charges toward her at full speed. It smashes through debris and scatters people in panic. The street erupts into chaos around the character. Camera: dynamic tracking, wide angle to capture scale of monster and chaos. Beat 3 - The Transformation The young woman stays calm and completely unfazed. She lowers the Coke. She raises one hand. Her arm begins transforming into solid ice from the fingertips upward. Frost spreads across her skin, glowing with cold blue-white energy. Vapor rolls off the arm as the ice transformation builds. Camera: close-up on the arm transformation, slow and deliberate. Beat 4 - The Touch - Slow Motion As the monster lunges, she calmly reaches forward. She touches the monster with her frozen hand. DRAMATIC SLOW MOTION at the moment of contact. Ice rapidly spreads from the point of contact across the monster's body. The monster panics - thrashing and roaring as frost crawls over its claws, chest, face, and eyes. The monster's movement slows as the freezing effect takes over. Camera: extreme close-up on contact point, then pulls out to reveal the spreading ice. Beat 5 - Full Freeze The creature becomes completely encased in crystal-clear ice, frozen mid-attack. A tense pause holds on the frozen monster. Deep cracks spread through the frozen monster. Cracks split across its icy body with sharp crystalline sounds. Detailed cracking ice - realistic frost and crystal texture throughout. Camera: wide shot of the frozen monster, locked and still for the pause beat. Beat 6 - The Walk-Off The young woman casually takes another sip of Coke. She turns away without looking back. She walks off calmly as the frozen monster cracks behind her. Confident calm hero energy. No celebration. No reaction. Just casual. Camera: low angle tracking shot as she walks away, monster in background. Visual Effects Realistic ice transformation - frost spreading from fingertips upward. Frost vapor rolling off the arm during transformation. Cold blue-white glowing energy across frozen skin. Ice rapidly spreading across monster body from point of contact. Detailed cracking ice with sharp crystalline fracture lines. Crystal-clear ice encasing the entire monster mid-attack. Realistic freeze physics - movement slowing as ice covers the creature. Camera Style Dynamic cinematic camera movement throughout. High-action monster attack framing during the charge. Dramatic slow motion at the exact moment of hand contact. Close-up on ice transformation - fingertips to shoulder. Pull-back reveal as ice spreads across the monster's full body. Low angle walk-off shot to close the scene. One continuous take. No cuts. Camera never stops. Character appearance: a beautiful Western woman with long wavy blonde hair flowing naturally beneath the cap, maintaining the same calm, confident, and unfazed presence throughout the entire sequence.

Sharon Riley

58,578 görüntüleme • 1 ay önce

Late-Night Thief Cutting Catalytic Converter Flees When Gunshots Ring Out from Homeowner Tulsa, Oklahoma – November 1, 2025 Home security footage captured a dramatic and chaotic moment when a catalytic converter thief was scared off mid-crime by gunshots fired from the homeowner inside the house. The video shows a hooded suspect lying on his back beneath a pickup truck in the driveway at 2:16 a.m., tools in hand, illuminated only by a porch light and the thief’s small work lamp. The suspect works quickly and confidently, sliding a reciprocating saw against the truck’s exhaust system as sparks flicker across the concrete. The audio picks up the cold buzz of the blade echoing through the quiet neighborhood. He pauses once to adjust his grip, clearly experienced at the job, then resumes cutting with renewed urgency. Just as the catalytic converter begins to loosen, a loud bang erupts from inside the home — followed by a second. The thief freezes. For a split second he’s motionless, one hand gripping the saw, the other bracing against the pavement. Then instinct takes over. He scrambles out from under the truck so fast he nearly hits his head on the axle, leaving tools scattered on the driveway. The camera captures him sprinting into the darkness without even attempting to retrieve the saw or the partially cut converter. Porch lights in nearby homes flick on moments later as startled neighbors step outside to investigate the noise. Police later confirmed the homeowner fired warning shots into the air after hearing the saw and realizing someone was beneath his vehicle. Officers recovered the thief’s tools and requested residents remain vigilant, noting a recent uptick in catalytic converter thefts across the area. This video is created using AI, and the story is for your entertainment.

Late-Night Thief Cutting Catalytic Converter Flees When Gunshots Ring Out from Homeowner Tulsa, Oklahoma – November 1, 2025 Home security footage captured a dramatic and chaotic moment when a catalytic converter thief was scared off mid-crime by gunshots fired from the homeowner inside the house. The video shows a hooded suspect lying on his back beneath a pickup truck in the driveway at 2:16 a.m., tools in hand, illuminated only by a porch light and the thief’s small work lamp. The suspect works quickly and confidently, sliding a reciprocating saw against the truck’s exhaust system as sparks flicker across the concrete. The audio picks up the cold buzz of the blade echoing through the quiet neighborhood. He pauses once to adjust his grip, clearly experienced at the job, then resumes cutting with renewed urgency. Just as the catalytic converter begins to loosen, a loud bang erupts from inside the home — followed by a second. The thief freezes. For a split second he’s motionless, one hand gripping the saw, the other bracing against the pavement. Then instinct takes over. He scrambles out from under the truck so fast he nearly hits his head on the axle, leaving tools scattered on the driveway. The camera captures him sprinting into the darkness without even attempting to retrieve the saw or the partially cut converter. Porch lights in nearby homes flick on moments later as startled neighbors step outside to investigate the noise. Police later confirmed the homeowner fired warning shots into the air after hearing the saw and realizing someone was beneath his vehicle. Officers recovered the thief’s tools and requested residents remain vigilant, noting a recent uptick in catalytic converter thefts across the area. This video is created using AI, and the story is for your entertainment.

A Gene Robinson

963,148 görüntüleme • 7 ay önce

Angel of the Gym, seedance prompt: Presented in the style of raw, handheld iPhone video footage, with all camera settings set to automatic, no post-processing color grading or special effects. The footage features slight hand-held shake and the operator's breathing sensation, occasional autofocus searching, delay, and brief loss of focus, automatic white balance switching between gym lighting and natural light. The image is flat overall, preserving real edge color fringing, slight overexposure, motion blur, and other optical imperfections. Only in-camera natural ambient sounds are used, including gym equipment sounds and faint air conditioning noise. Shot from a first-person handheld perspective, with natural reactive camera movements, occasionally slight swaying due to walking or adjusting angles. Medium and close-up compositions alternate, clearly showing the full body and action details of a plus-size Asian woman. Wearing the reference image of an elegant gold-embroidered long dress, she is exercising in the gym. She is wearing this formal dress, using cable machines and seated machines. At 0 seconds, the camera focuses on the woman from a medium shot, she is standing in front of the cable machine, hands gripping the handles ready to pull, the dress naturally flowing down. She slightly bows her head, quickly glancing at the camera with a hint of shyness. At 1 second, she starts pulling the cable with force, her body swaying back and forth, the sheer shoulder cape and skirt fluttering slightly with the movement. She frowns slightly as she exerts effort, occasionally looking up at the camera with a shy gaze. At 2 seconds, the woman continues pulling the machine, her movements accelerating, the dress fluttering with her body's sway. She looks up with a faint smile on her lips as she gazes at the camera. At 3 seconds, she stops pulling and walks to the nearby seated machine, sitting down, the dress swaying significantly with the movement. She lowers her head to adjust the hem and collar of the dress, her face showing a shy expression. At 4 seconds, she sits on the machine, leaning slightly forward, hands placed on her legs adjusting her posture. As she lowers her head to adjust her clothes, she looks at the camera with a shy gaze. At 5 seconds, she gently places her hands on her chest, slightly tilting her head up as she looks at the camera, a natural, slightly shy smile on her lips. At 6 seconds, she remains seated on the machine, looking at the camera with a soft gaze, a shy yet happy smile on her face, slightly adjusting her sitting posture. At 7 seconds, she stands up from the machine, the camera follows her movement, the dress fluttering slightly as she walks. She looks back at the camera with a shy and gentle smile. The footage presents a genuine, raw, handheld video quality with a documentary-level sense of natural imperfection, without any post-processing color grading or special effects. All camera behaviors conform to the physical characteristics of an iPhone being used in a gym.

Angel of the Gym, seedance prompt: Presented in the style of raw, handheld iPhone video footage, with all camera settings set to automatic, no post-processing color grading or special effects. The footage features slight hand-held shake and the operator's breathing sensation, occasional autofocus searching, delay, and brief loss of focus, automatic white balance switching between gym lighting and natural light. The image is flat overall, preserving real edge color fringing, slight overexposure, motion blur, and other optical imperfections. Only in-camera natural ambient sounds are used, including gym equipment sounds and faint air conditioning noise. Shot from a first-person handheld perspective, with natural reactive camera movements, occasionally slight swaying due to walking or adjusting angles. Medium and close-up compositions alternate, clearly showing the full body and action details of a plus-size Asian woman. Wearing the reference image of an elegant gold-embroidered long dress, she is exercising in the gym. She is wearing this formal dress, using cable machines and seated machines. At 0 seconds, the camera focuses on the woman from a medium shot, she is standing in front of the cable machine, hands gripping the handles ready to pull, the dress naturally flowing down. She slightly bows her head, quickly glancing at the camera with a hint of shyness. At 1 second, she starts pulling the cable with force, her body swaying back and forth, the sheer shoulder cape and skirt fluttering slightly with the movement. She frowns slightly as she exerts effort, occasionally looking up at the camera with a shy gaze. At 2 seconds, the woman continues pulling the machine, her movements accelerating, the dress fluttering with her body's sway. She looks up with a faint smile on her lips as she gazes at the camera. At 3 seconds, she stops pulling and walks to the nearby seated machine, sitting down, the dress swaying significantly with the movement. She lowers her head to adjust the hem and collar of the dress, her face showing a shy expression. At 4 seconds, she sits on the machine, leaning slightly forward, hands placed on her legs adjusting her posture. As she lowers her head to adjust her clothes, she looks at the camera with a shy gaze. At 5 seconds, she gently places her hands on her chest, slightly tilting her head up as she looks at the camera, a natural, slightly shy smile on her lips. At 6 seconds, she remains seated on the machine, looking at the camera with a soft gaze, a shy yet happy smile on her face, slightly adjusting her sitting posture. At 7 seconds, she stands up from the machine, the camera follows her movement, the dress fluttering slightly as she walks. She looks back at the camera with a shy and gentle smile. The footage presents a genuine, raw, handheld video quality with a documentary-level sense of natural imperfection, without any post-processing color grading or special effects. All camera behaviors conform to the physical characteristics of an iPhone being used in a gym.

John

60,570 görüntüleme • 2 ay önce

This from Flux 3 is incredible! Prompt : Four-way CCTV-style split-screen showing the same real-time event inside a convenience shop. Divide the frame into four equal security-camera views with timestamps. Top left: wide ceiling-corner view covering aisles, entrance, and cashier. Top right: overhead view above the central aisle. Bottom left: camera facing the checkout counter. Bottom right: camera near the entrance looking inward. At the 2-second mark, a customer takes a boxed item from a shelf, accidentally bumps a display, catches one falling bottle, then places the box on the checkout counter. The cashier turns, scans it, and hands over a receipt as another shopper crosses behind them. All four views must remain perfectly synchronized, showing identical people, movements, object positions, occlusions, timestamps, lighting, and physical reactions. Use realistic low-resolution CCTV footage, slight lens distortion, fixed cameras, and no cinematic camera movement.

This from Flux 3 is incredible! Prompt : Four-way CCTV-style split-screen showing the same real-time event inside a convenience shop. Divide the frame into four equal security-camera views with timestamps. Top left: wide ceiling-corner view covering aisles, entrance, and cashier. Top right: overhead view above the central aisle. Bottom left: camera facing the checkout counter. Bottom right: camera near the entrance looking inward. At the 2-second mark, a customer takes a boxed item from a shelf, accidentally bumps a display, catches one falling bottle, then places the box on the checkout counter. The cashier turns, scans it, and hands over a receipt as another shopper crosses behind them. All four views must remain perfectly synchronized, showing identical people, movements, object positions, occlusions, timestamps, lighting, and physical reactions. Use realistic low-resolution CCTV footage, slight lens distortion, fixed cameras, and no cinematic camera movement.

Umesh

108,035 görüntüleme • 6 gün önce

Stars and the Firmament💫 The water above the firmament consists of liquid oxygen, while the firmament itself is made of frozen, pure oxygen. Oxygen freezes at -218.79 degrees Celsius. As is well known, pure oxygen is blue when frozen. The higher you go, the colder and denser it becomes. This is also how the familiar wave effect is created when rockets launch into the sky. p/s These videos have gained me followers. They were filmed with a Nikon P1000 – the most powerful zoom camera on the market with 125x optical zoom!😉 And they write: Stars are not what we are led to believe. There is no space above the firmament of our planned and immobile Earth! I once told someone a long time ago that stars in videos look like light shining on the bottom of a public swimming pool. That makes perfect sense. "The waters above"💫😉

Stars and the Firmament💫 The water above the firmament consists of liquid oxygen, while the firmament itself is made of frozen, pure oxygen. Oxygen freezes at -218.79 degrees Celsius. As is well known, pure oxygen is blue when frozen. The higher you go, the colder and denser it becomes. This is also how the familiar wave effect is created when rockets launch into the sky. p/s These videos have gained me followers. They were filmed with a Nikon P1000 – the most powerful zoom camera on the market with 125x optical zoom!😉 And they write: Stars are not what we are led to believe. There is no space above the firmament of our planned and immobile Earth! I once told someone a long time ago that stars in videos look like light shining on the bottom of a public swimming pool. That makes perfect sense. "The waters above"💫😉

Andy

11,090 görüntüleme • 8 gün önce

Prompt : A 15-second cinematic action sequence that starts instantly with an epic ultra-wide shot of thousands of armored riders charging across the crest of a tsunami-sized wave beneath a storm-black sky, with giant sea creatures rolling through the water below. The camera is already racing from frame one, skimming low over the wave face past exploding spray, whipping reins, and glinting armor. Premium high-contrast lighting with lightning flashes, moonlit water sheen, and deep storm atmosphere. At 7 seconds enter dramatic slow motion as the lead rider stands on the saddle, jumps across a split in the wave crest, and catches a falling battle standard in midair while water arcs around him like glass. Then snap back to full speed as the landing locks in and the whole cavalry line crashes down the wave face toward the fortress wall.

Prompt : A 15-second cinematic action sequence that starts instantly with an epic ultra-wide shot of thousands of armored riders charging across the crest of a tsunami-sized wave beneath a storm-black sky, with giant sea creatures rolling through the water below. The camera is already racing from frame one, skimming low over the wave face past exploding spray, whipping reins, and glinting armor. Premium high-contrast lighting with lightning flashes, moonlit water sheen, and deep storm atmosphere. At 7 seconds enter dramatic slow motion as the lead rider stands on the saddle, jumps across a split in the wave crest, and catches a falling battle standard in midair while water arcs around him like glass. Then snap back to full speed as the landing locks in and the whole cavalry line crashes down the wave face toward the fortress wall.

Umesh

15,900 görüntüleme • 3 ay önce

Created with Gemini Nano Banana Pro Prompt: A breathtaking cinematic skydiving sequence begins inside a military-style helicopter flying at 15,000 feet above a sea of clouds during golden hour. The camera slowly moves through the helicopter cabin, revealing a fearless young woman skydiver wearing a sleek black wingsuit-inspired jumpsuit, professional parachute harness, tactical gloves, and aerodynamic goggles. Her long dark hair moves gently in the wind coming through the open side door. The helicopter's powerful rotor blades spin overhead, creating realistic motion blur and dynamic vibrations. Sunlight streams through the cabin, casting dramatic rays and cinematic shadows across her determined face. The camera captures an intense close-up of her eyes as she looks toward the endless horizon. As epic orchestral music builds, she steps to the edge of the helicopter. The camera switches to a dramatic low-angle shot showing the vast sky and breathtaking world below. In slow motion, she leaps into the open air. Time seems to freeze as she exits the aircraft, with tiny particles of dust and sunlight sparkling around her. The camera follows her from multiple cinematic angles: front-facing tracking shots, side-profile action shots, over-the-shoulder aerial perspectives, and wide drone-style views. Her body glides smoothly through the atmosphere as clouds rush past. Her hair flows dynamically in the wind while realistic fabric physics animate her suit and parachute straps. Below her lies an incredible landscape of towering mountain ranges, turquoise lakes, winding rivers, deep valleys, dense forests, and snow-capped peaks stretching endlessly to the horizon. Volumetric clouds cast moving shadows across the terrain. The sun creates golden highlights on the mountains and sparkling reflections on the water. The camera circles around her at high speed while she performs controlled aerial maneuvers and graceful spins. Tiny water droplets and cloud mist pass the lens, creating immersive realism. Lens flares, atmospheric haze, HDR lighting, and cinematic depth of field enhance the visual impact. As the music reaches its climax, she bursts through a layer of clouds into brilliant sunlight. The camera captures a stunning 360-degree orbit around her, revealing the entire world beneath. She smiles confidently while freefalling at high speed. Near the end, she reaches for the parachute cord. Time slows dramatically. A close-up shot shows her hand pulling the release handle. Instantly, the parachute deploys with a powerful burst of motion. The colorful canopy opens above her against a vivid blue sky. The final scene shows her peacefully gliding through the sky as the sun sets on the horizon, painting the clouds with orange, pink, and gold colors. The camera pulls back farther and farther until she becomes a tiny silhouette floating above the majestic landscape. Epic cinematic ending, ultra-realistic visuals, Hollywood blockbuster quality, National Geographic aerial cinematography, 8K HDR, hyper-realistic lighting, realistic wind simulation, volumetric clouds, smooth camera movements, masterpiece, viral social media quality.

Yashal Ai

17,581 görüntüleme • 1 ay önce

Can a handcuff made of paper really lock your heart in place? 回帖里还有另一版，哪个更好？ Seedance prompt: 👉👉👊👊Presented in a style that resembles real video footage captured with an unprocessed iPhone handheld camera. All camera settings are automated. The footage features noticeable handheld shake and operator breathing sounds. Autofocus operates quickly in dim environments, frequently searching for targets among colored lights, with delays. Automatic white balance changes dramatically with the shift between purple-blue lighting on the stage and skin highlights. The image is generally dark and noisy, but retains real lens flares, overexposure in high-light areas, motion blur, and severe background blurring. Only in-built environmental sounds are used: low-frequency electronic music from the nightclub (severely distorted through the phone microphone), noise from crowds, and drumbeats with a sense of vibration. The microphone also has significant distortion at low frequencies. The footage is captured from the perspective of real people/audience members. The composition is occasionally imperfect, with slight tilts or cropping at the edges. A young Asian woman is used as a reference for the appearance of the character. She has long black wavy hair, and she is wearing… She wore a golden sequined dress, standing on the stage of the nightclub. At 0-3 seconds, the camera pans slightly within the crowd at the nightclub, with the image being slightly dark, focusing on the stage. In front of her, a black-clothed person wearing a mask handed her several folded white strips of paper. She took the papers, then slowly wrapped them around her wrists, simulating the effect of being tied with ropes. Her movements were deliberate and slow. The white paper left obvious marks on her wrists. From time to time, she would look up at the camera, with a playful smile on her lips. The stage was illuminated by purple-blue lights, with the camera adjusting its exposure between the lights and the person in front of it, resulting in slight overexposure and noise in the image. In the background, we could see the stage lights reflecting off the crowd and equipment, with noisy environmental sounds in the background. At 3-7 seconds, the camera moves forward, switching to a closer handheld perspective.She wore white strips around her wrists (simulating ropes), and began to perform in a seductive dance pose before the first-person camera. Her body moved slowly, with her hands “bound” by the strips, either overlapping or raised forward. Her waist and hips swayed gently to the rhythm of the music, her eyes fixed straight at the camera, with a hint of teasing and inviting gaze. Occasionally, she would look down at her wrists, then raise her head again, her eyes casting an even more suggestive light toward the camera. She leaned forward, her movements full of seduction yet elegant. The golden sequin dress shimmered under the colored lights, and the camera quickly locked onto her image. The male singer and stage lighting in the background were heavily blurred, creating a strong mobile phone-style background blur and light spots. The low-frequency music was severely distorted through the microphone, and the camera shook slightly due to the operator’s proximity, along with the sound of breathing.The entire scene depicts a dark, noisy, and unstable environment, reminiscent of a real nightclub setting. At the end of the scene, the camera focuses on her hands, wrapped in white paper, as she maintains a seductive dancing posture. Her eyes are fixed straight ahead, and the camera moves slightly back and forth.

Can a handcuff made of paper really lock your heart in place? 回帖里还有另一版，哪个更好？ Seedance prompt: 👉👉👊👊Presented in a style that resembles real video footage captured with an unprocessed iPhone handheld camera. All camera settings are automated. The footage features noticeable handheld shake and operator breathing sounds. Autofocus operates quickly in dim environments, frequently searching for targets among colored lights, with delays. Automatic white balance changes dramatically with the shift between purple-blue lighting on the stage and skin highlights. The image is generally dark and noisy, but retains real lens flares, overexposure in high-light areas, motion blur, and severe background blurring. Only in-built environmental sounds are used: low-frequency electronic music from the nightclub (severely distorted through the phone microphone), noise from crowds, and drumbeats with a sense of vibration. The microphone also has significant distortion at low frequencies. The footage is captured from the perspective of real people/audience members. The composition is occasionally imperfect, with slight tilts or cropping at the edges. A young Asian woman is used as a reference for the appearance of the character. She has long black wavy hair, and she is wearing… She wore a golden sequined dress, standing on the stage of the nightclub. At 0-3 seconds, the camera pans slightly within the crowd at the nightclub, with the image being slightly dark, focusing on the stage. In front of her, a black-clothed person wearing a mask handed her several folded white strips of paper. She took the papers, then slowly wrapped them around her wrists, simulating the effect of being tied with ropes. Her movements were deliberate and slow. The white paper left obvious marks on her wrists. From time to time, she would look up at the camera, with a playful smile on her lips. The stage was illuminated by purple-blue lights, with the camera adjusting its exposure between the lights and the person in front of it, resulting in slight overexposure and noise in the image. In the background, we could see the stage lights reflecting off the crowd and equipment, with noisy environmental sounds in the background. At 3-7 seconds, the camera moves forward, switching to a closer handheld perspective.She wore white strips around her wrists (simulating ropes), and began to perform in a seductive dance pose before the first-person camera. Her body moved slowly, with her hands “bound” by the strips, either overlapping or raised forward. Her waist and hips swayed gently to the rhythm of the music, her eyes fixed straight at the camera, with a hint of teasing and inviting gaze. Occasionally, she would look down at her wrists, then raise her head again, her eyes casting an even more suggestive light toward the camera. She leaned forward, her movements full of seduction yet elegant. The golden sequin dress shimmered under the colored lights, and the camera quickly locked onto her image. The male singer and stage lighting in the background were heavily blurred, creating a strong mobile phone-style background blur and light spots. The low-frequency music was severely distorted through the microphone, and the camera shook slightly due to the operator’s proximity, along with the sound of breathing.The entire scene depicts a dark, noisy, and unstable environment, reminiscent of a real nightclub setting. At the end of the scene, the camera focuses on her hands, wrapped in white paper, as she maintains a seductive dancing posture. Her eyes are fixed straight ahead, and the camera moves slightly back and forth.

John

15,923 görüntüleme • 2 ay önce

#BREAKING: Israeli F-16 and F-35 Fighter Jets Confirmed at Somaliland’s Berbera Air Base. Onlookers captured footage of Israeli F-16 and F-35 stealth fighter jets taking off from Berbera Military Air Base in Somaliland, as the aircraft took part in an operation to secure Somaliland’s airspace during the official visit of Israeli Foreign Minister Gideon Saar. The video confirms, for the first time, the presence of Israeli fighter jets in Somaliland’s Gulf of Aden region—previously the subject of unverified reports and speculation. Earlier this week, satellite imagery revealed hardened aircraft shelters at Berbera Military Air Base, located near a deep-water port and in close proximity to the Bab el-Mandeb maritime chokepoint, one of the world’s most critical corridors for global trade and energy flows. Berbera’s port and airport offer significant strategic value and could be leveraged by Israel, the United Arab Emirates, and the United States, either independently or through joint arrangements. Its location provides a forward operating base for intelligence, surveillance, and reconnaissance activities, as well as the capacity to support rapid-response or precision strike operations across the Red Sea, directly opposite Houthi-controlled areas in Yemen.

#BREAKING: Israeli F-16 and F-35 Fighter Jets Confirmed at Somaliland’s Berbera Air Base. Onlookers captured footage of Israeli F-16 and F-35 stealth fighter jets taking off from Berbera Military Air Base in Somaliland, as the aircraft took part in an operation to secure Somaliland’s airspace during the official visit of Israeli Foreign Minister Gideon Saar. The video confirms, for the first time, the presence of Israeli fighter jets in Somaliland’s Gulf of Aden region—previously the subject of unverified reports and speculation. Earlier this week, satellite imagery revealed hardened aircraft shelters at Berbera Military Air Base, located near a deep-water port and in close proximity to the Bab el-Mandeb maritime chokepoint, one of the world’s most critical corridors for global trade and energy flows. Berbera’s port and airport offer significant strategic value and could be leveraged by Israel, the United Arab Emirates, and the United States, either independently or through joint arrangements. Its location provides a forward operating base for intelligence, surveillance, and reconnaissance activities, as well as the capacity to support rapid-response or precision strike operations across the Red Sea, directly opposite Houthi-controlled areas in Yemen.

Inside Africa

127,235 görüntüleme • 6 ay önce

On the 16th of March 2025, Earshot was contacted by activists in Serbia to investigate the potential use of sonic weapons by the government on a crowd of protestors as they were holding a silent vigil for the victims of the Novi Sad railway station canopy collapse. Earshot received 12 videos that document the moments where a weapon was allegedly used against the protestors. 4 of these videos contain a sound consistent with the noise produced by a Vortex Ring Gun or Vortex Cannon. As this weapon pushes gas out of its cylinder at speeds of 185mph, its expulsion produces a howling noise which has been compared to a jet engine, along with vortex rings that may be ionized. This would create electromagnetic interference with devices such as hearing aids, corroborating reports made by witnesses at the protest. Should this be the vortex cannon, these recordings would be more than 700m away. At this distance the combustion of the weapon is no longer audible; only the distinct whistling sound of the pressure wave as it travels away from the shooter location and towards the crowd can be heard, causing mass panic. As Earshot is looking to further investigate this incident, we ask anyone with video footage from that night that captures the specific sound that can be heard in this post to get in touch with us.

On the 16th of March 2025, Earshot was contacted by activists in Serbia to investigate the potential use of sonic weapons by the government on a crowd of protestors as they were holding a silent vigil for the victims of the Novi Sad railway station canopy collapse. Earshot received 12 videos that document the moments where a weapon was allegedly used against the protestors. 4 of these videos contain a sound consistent with the noise produced by a Vortex Ring Gun or Vortex Cannon. As this weapon pushes gas out of its cylinder at speeds of 185mph, its expulsion produces a howling noise which has been compared to a jet engine, along with vortex rings that may be ionized. This would create electromagnetic interference with devices such as hearing aids, corroborating reports made by witnesses at the protest. Should this be the vortex cannon, these recordings would be more than 700m away. At this distance the combustion of the weapon is no longer audible; only the distinct whistling sound of the pressure wave as it travels away from the shooter location and towards the crowd can be heard, causing mass panic. As Earshot is looking to further investigate this incident, we ask anyone with video footage from that night that captures the specific sound that can be heard in this post to get in touch with us.

earshot.ngo

825,059 görüntüleme • 1 yıl önce