Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

This was a fun one to implement because I've also (afai consciously know) never seen "gradient" selections like this. The ::selection pseudo element doesn't support anything other than flat color so, on selection we sample the height the selected element is sitting at against the matching current state of... show more

almonk

20,422 subscribers

42,964 просмотров • 3 месяцев назад •via X (Twitter)

Наука и технологии Образование

Anya Rossi• Live Now

Private livecam show

Комментарии: 22

Фото профиля Dan Hollick

Dan Hollick3 месяцев назад

Really nice.

Фото профиля joshpuckett

joshpuckett3 месяцев назад

@soleio The gradient scroll bar track on mobile is my favorite detail 👌

Фото профиля almonk

almonk3 месяцев назад

@soleio that was @dizzyup's genius that one

Фото профиля Jared Palmer

Jared Palmer3 месяцев назад

svelte spotted 👀

Фото профиля almonk

almonk3 месяцев назад

always 🫶

Фото профиля Michael Grinich

Michael Grinich3 месяцев назад

super well done

Фото профиля nik

nik3 месяцев назад

damn

Фото профиля Tom

Tom3 месяцев назад

thats a touch

Фото профиля 踏空 Sidelined Capital

踏空 Sidelined Capital3 месяцев назад

A fake gradient built from sampled flat colors is exactly the kind of CSS crime that earns respect.

Фото профиля Sandor

Sandor3 месяцев назад

insane dude 🔥

Фото профиля Martin

Martin3 месяцев назад

I’m curious, what’s your method for creating something like this? Do you start by giving it a prompt, or do you begin with some code and then pass it on to an agent?

Фото профиля Markiian

Markiian3 месяцев назад

@soleio Wow. Devil is in the details indeed. Awesome piece.

Фото профиля molaco

molaco3 месяцев назад

i think someone already made this. its called a browser😅🧐

Фото профиля Jacob Jolibois 🇺🇸

Jacob Jolibois 🇺🇸3 месяцев назад

Genuinely delightful! Cue the copycats lol

Фото профиля Philipp Spiess

Philipp Spiess3 месяцев назад

Love this

Фото профиля daniel petho

daniel petho3 месяцев назад

wow this is super cool

Фото профиля John Jeong 🇰🇷🇺🇸

John Jeong 🇰🇷🇺🇸3 месяцев назад

so good

Фото профиля Ryan Zanardi

Ryan Zanardi3 месяцев назад

This is the attention detail I love to see (in a world of slop lol)

Фото профиля pxlgrdnr

pxlgrdnr3 месяцев назад

The track on mobile looks slick

Фото профиля arzafran

arzafran3 месяцев назад

wen debugging tool open sourcedddd?

Фото профиля Michael

Michael3 месяцев назад

This is so cool

Фото профиля matt

matt3 месяцев назад

mini design movement incoming

Похожие видео

"The whole world has stood by, including our elite, & happily endorsed, & indeed enabled, the murder of tens of thousands of children in living color. So I feel things have to change. This is such a defining moral moment that maybe, maybe we won't be able to brush this one off like we did all the other war crimes we're all so familiar with. This is something so ghastly and enormous. Like the Holocaust had a big moral effect on the world, maybe this one has to too. And if it doesn't, we're really doomed. Don't you think?" -Andrew Cockburn VIDEO PREMIERE‼️:

"The whole world has stood by, including our elite, & happily endorsed, & indeed enabled, the murder of tens of thousands of children in living color. So I feel things have to change. This is such a defining moral moment that maybe, maybe we won't be able to brush this one off like we did all the other war crimes we're all so familiar with. This is something so ghastly and enormous. Like the Holocaust had a big moral effect on the world, maybe this one has to too. And if it doesn't, we're really doomed. Don't you think?" -Andrew Cockburn VIDEO PREMIERE‼️:

Briahna Joy Gray

20,422 просмотров • 24 дней назад

I've added a function to propagate a gradient across the mesh (it follows the curvature of the hair), and then copy that gradient to the Windows clipboard as a transparent picture, for use as a selection mask in the image editor

I've added a function to propagate a gradient across the mesh (it follows the curvature of the hair), and then copy that gradient to the Windows clipboard as a transparent picture, for use as a selection mask in the image editor

Haï~

13,311 просмотров • 1 год назад

We finally broke the seal on stream with a few big wins last Friday. This was the one that we finished the stream on. I'm down unfathomable amounts on this game but that doesn't matter, in this moment all that matters is I'm up right now.

We finally broke the seal on stream with a few big wins last Friday. This was the one that we finished the stream on. I'm down unfathomable amounts on this game but that doesn't matter, in this moment all that matters is I'm up right now.

Mayne

17,520 просмотров • 7 месяцев назад

CSS Trick! 🤙 You can create gradient borders on translucent elements using mask-clip and mask-composite with a pseudo-element 🔥 .gradient-border::after { mask-clip: padding-box, border-box; mask-composite: intersect; mask: linear-gradient(transparent, transparent), linear-gradient(white, white); } It's the same "Transparent border trick" from before. But, now you apply it to a pseudo-element 😎 The trick is to create a pseudo-element with a gradient background and then mask it so we only see the part we want, the border ✨ mask-clip defines the area affected by a mask. Similar to how you can define background-size. Using padding-box and border-box constrains the two masks. mask-composite is the magic part ✨ It defines a compositing operation for stacked mask layers. Using intersect means that the parts that overlap get replaced. And this seems to work in all browsers 🙌 As for the rest of the styles... – Make sure you set pointer-events: none on the pseudo-element – Make sure it fills the parent element. You can use position: absolute and inset: 0 – Make sure the background fills the space including the border-width. You can use calc to achieve that: --bg-size: calc(100% + (2px * var(--border))); background: var(--gradient) center center / var(--bg-size) var(--bg-size); That's it! 🚀 Gradient borders on translucent elements. You can set all the backdrop-filter: blur() you like! 😅 CodePen.IO link below! 👇

CSS Trick! 🤙 You can create gradient borders on translucent elements using mask-clip and mask-composite with a pseudo-element 🔥 .gradient-border::after { mask-clip: padding-box, border-box; mask-composite: intersect; mask: linear-gradient(transparent, transparent), linear-gradient(white, white); } It's the same "Transparent border trick" from before. But, now you apply it to a pseudo-element 😎 The trick is to create a pseudo-element with a gradient background and then mask it so we only see the part we want, the border ✨ mask-clip defines the area affected by a mask. Similar to how you can define background-size. Using padding-box and border-box constrains the two masks. mask-composite is the magic part ✨ It defines a compositing operation for stacked mask layers. Using intersect means that the parts that overlap get replaced. And this seems to work in all browsers 🙌 As for the rest of the styles... – Make sure you set pointer-events: none on the pseudo-element – Make sure it fills the parent element. You can use position: absolute and inset: 0 – Make sure the background fills the space including the border-width. You can use calc to achieve that: --bg-size: calc(100% + (2px * var(--border))); background: var(--gradient) center center / var(--bg-size) var(--bg-size); That's it! 🚀 Gradient borders on translucent elements. You can set all the backdrop-filter: blur() you like! 😅 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

269,966 просмотров • 3 лет назад

This is a timelapse of the 3D Gradient Texturing process. This time, I focused on texturing each UV section of the color gradient column separately for each corresponding part of the model's color 🎨 #wip #3dArt #timelapse #speedmodeling

This is a timelapse of the 3D Gradient Texturing process. This time, I focused on texturing each UV section of the color gradient column separately for each corresponding part of the model's color 🎨 #wip #3dArt #timelapse #speedmodeling

Vicente Moscardó Ribes

292,274 просмотров • 1 год назад

Paul Pierce says the way the rookie players are playing in the summer league, it shows you the excitement that we put towards this draft: “It’s the build up coming in we was like this is going to be one of the best drafts. And then for these players to come out there and kind of solidify that kind of in summer league because you like, all right, let’s see you know what they really got. And so I love seeing that because it’s nothing better than seeing these guys because this is the time to be optimistic right here.” (Via No Fouls Given)

Paul Pierce says the way the rookie players are playing in the summer league, it shows you the excitement that we put towards this draft: “It’s the build up coming in we was like this is going to be one of the best drafts. And then for these players to come out there and kind of solidify that kind of in summer league because you like, all right, let’s see you know what they really got. And so I love seeing that because it’s nothing better than seeing these guys because this is the time to be optimistic right here.” (Via No Fouls Given)

NBA Courtside

308,301 просмотров • 3 месяцев назад

Sam Altman says the best advice Peter Thiel ever gave him was to focus on what’s working. Peter was the one who convinced him to double down on ChatGPT early on: “After we launched ChatGPT, it was sort of this weird thing because people didn't really know what to use it for. It was growing super fast, but it felt very unstable, or kind of almost low-value growth.” “A lot of people in the company were like, ‘We gotta figure out something else. This is not sustainable value.’ And we were talking about this list of 5 or 6 other things that we could focus on instead.” “He was like, ‘It's an obvious mistake to do anything but this.’” “Besides the fact that it's growing, which is rare and great, and it was not growing as fast then as it did after, he's like, ‘The power of this is the power of the Google text box. It's like a text box you can type anything into, and it does the right thing.’” “He's like, ‘People have just been chasing the Google business model for 20 years and this is the first thing that's come up, and clearly the empty text box worked for Google, so why don't you just double down on that? It's growing. It's very flexible and it has all of the signs other than it doesn't fit the current Silicon Valley wisdom.’” “And I was like, ‘Okay.’ And so we went super hard on ChatGPT and it was great.”

Sam Altman says the best advice Peter Thiel ever gave him was to focus on what’s working. Peter was the one who convinced him to double down on ChatGPT early on: “After we launched ChatGPT, it was sort of this weird thing because people didn't really know what to use it for. It was growing super fast, but it felt very unstable, or kind of almost low-value growth.” “A lot of people in the company were like, ‘We gotta figure out something else. This is not sustainable value.’ And we were talking about this list of 5 or 6 other things that we could focus on instead.” “He was like, ‘It's an obvious mistake to do anything but this.’” “Besides the fact that it's growing, which is rare and great, and it was not growing as fast then as it did after, he's like, ‘The power of this is the power of the Google text box. It's like a text box you can type anything into, and it does the right thing.’” “He's like, ‘People have just been chasing the Google business model for 20 years and this is the first thing that's come up, and clearly the empty text box worked for Google, so why don't you just double down on that? It's growing. It's very flexible and it has all of the signs other than it doesn't fit the current Silicon Valley wisdom.’” “And I was like, ‘Okay.’ And so we went super hard on ChatGPT and it was great.”

David Senra

45,923 просмотров • 6 дней назад

.Sam Altman says the best advice Peter Thiel ever gave him was to focus on what’s working. Peter was the one who convinced him to double down on ChatGPT early on: “After we launched ChatGPT, it was sort of this weird thing because people didn't really know what to use it for. It was growing super fast, but it felt very unstable, or kind of almost low-value growth.” “A lot of people in the company were like, ‘We gotta figure out something else. This is not sustainable value.’ And we were talking about this list of 5 or 6 other things that we could focus on instead.” “He was like, ‘It's an obvious mistake to do anything but this.’” “Besides the fact that it's growing, which is rare and great, and it was not growing as fast then as it did after, he's like, ‘The power of this is the power of the Google text box. It's like a text box you can type anything into, and it does the right thing.’” “He's like, ‘People have just been chasing the Google business model for 20 years and this is the first thing that's come up, and clearly the empty text box worked for Google, so why don't you just double down on that? It's growing. It's very flexible and it has all of the signs other than it doesn't fit the current Silicon Valley wisdom.’” “And I was like, ‘Okay.’ And so we went super hard on ChatGPT and it was great.”

.Sam Altman says the best advice Peter Thiel ever gave him was to focus on what’s working. Peter was the one who convinced him to double down on ChatGPT early on: “After we launched ChatGPT, it was sort of this weird thing because people didn't really know what to use it for. It was growing super fast, but it felt very unstable, or kind of almost low-value growth.” “A lot of people in the company were like, ‘We gotta figure out something else. This is not sustainable value.’ And we were talking about this list of 5 or 6 other things that we could focus on instead.” “He was like, ‘It's an obvious mistake to do anything but this.’” “Besides the fact that it's growing, which is rare and great, and it was not growing as fast then as it did after, he's like, ‘The power of this is the power of the Google text box. It's like a text box you can type anything into, and it does the right thing.’” “He's like, ‘People have just been chasing the Google business model for 20 years and this is the first thing that's come up, and clearly the empty text box worked for Google, so why don't you just double down on that? It's growing. It's very flexible and it has all of the signs other than it doesn't fit the current Silicon Valley wisdom.’” “And I was like, ‘Okay.’ And so we went super hard on ChatGPT and it was great.”

David Senra

415,225 просмотров • 2 месяцев назад

Did you know that holding shift while using the color picker in #substancepainter will sample from the base color channel instead of the viewport? Finding out this little trick was a game changer for me! #substance3d

Did you know that holding shift while using the color picker in #substancepainter will sample from the base color channel instead of the viewport? Finding out this little trick was a game changer for me! #substance3d

Wes McDermott

25,737 просмотров • 3 лет назад

CSS Trick 📜 You can trigger text highlights on scroll with scroll-driven animations 😎 mark { animation: highlight; animation-timeline: view(); } @keyframes highlight { to { --lit: 1; }} mark span { background-position: calc(var(--lit) * -110%) 0; transition: background 1s; } The trick is using a scroll-driven animation to flip a custom property on a element 🎚️ You flip the value between 0 and 1, and that transitions the background position of the element mark { --lit: 0; animation: highlight steps(1) both; animation-timeline: view(); animation-range: entry 100% cover 10%; } The background has to be applied on a child of the mark to see the change in the custom property 👀 mark span { background: linear-gradient( 120deg, yellow 50%, transparent 50%) 110% 0 / 220% 100% no-repeat; background-position: calc(var(--lit) * 110%) 0; transition: background-position 1s; } The trick is to set the background-size so that it's bigger than the element and then split the background-color in the middle using a linear-gradient 🤙 And the property flips fills in the color 🫶 That's it! If there isn't support for scroll-driven animations, use JavaScript's IntersectionObserver API. The code for this is in the demo 😎 Cool example of using CSS as an IntersectionObserver! CodePen.IO link below 👇

CSS Trick 📜 You can trigger text highlights on scroll with scroll-driven animations 😎 mark { animation: highlight; animation-timeline: view(); } @keyframes highlight { to { --lit: 1; }} mark span { background-position: calc(var(--lit) * -110%) 0; transition: background 1s; } The trick is using a scroll-driven animation to flip a custom property on a element 🎚️ You flip the value between 0 and 1, and that transitions the background position of the element mark { --lit: 0; animation: highlight steps(1) both; animation-timeline: view(); animation-range: entry 100% cover 10%; } The background has to be applied on a child of the mark to see the change in the custom property 👀 mark span { background: linear-gradient( 120deg, yellow 50%, transparent 50%) 110% 0 / 220% 100% no-repeat; background-position: calc(var(--lit) * 110%) 0; transition: background-position 1s; } The trick is to set the background-size so that it's bigger than the element and then split the background-color in the middle using a linear-gradient 🤙 And the property flips fills in the color 🫶 That's it! If there isn't support for scroll-driven animations, use JavaScript's IntersectionObserver API. The code for this is in the demo 😎 Cool example of using CSS as an IntersectionObserver! CodePen.IO link below 👇

jhey ʕ•ᴥ•ʔ

208,555 просмотров • 2 лет назад

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 просмотров • 1 год назад

"We're all celebrating. We get to the sideline, we sit down. We're all done, then they blow the whistle. I've never seen a flag come in this late." Amon-Ra reflects on the Jared Goff touchdown that was called back on the Lions opening drive 🗣️

"We're all celebrating. We get to the sideline, we sit down. We're all done, then they blow the whistle. I've never seen a flag come in this late." Amon-Ra reflects on the Jared Goff touchdown that was called back on the Lions opening drive 🗣️

St. Brown Podcast

303,949 просмотров • 1 год назад

Rich Roll on why waiting to "feel like it" is a trap: "You can't think your way into the mood that you seek or the state of mind that you aspire to inhabit. Action is the only thing that can trigger that change." Rich uses running as the perfect illustration of this principle. Imagine you wake up in the morning and you're supposed to do a run because you're training for a race. You don't feel like it. So what do most of us do? "We all resort to that state where we think, 'Well, I don't want to do it right now. I'll just wait until I feel like doing it and then I'll do it then.'" But here's the problem with that logic: "If you're waiting until you feel like doing something, chances are you're probably never going to get to it." The mood you're hoping will arrive on its own? It's not coming. Not without action first. "To take the action despite how you feel about it is the thing that catalyzes the state change." You don't run because you feel motivated. You feel motivated because you ran. He points to what every runner knows from experience: "When they finish the run, they're always glad that they did it. They don't generally regret it. And then they feel better." Notice the sequence. The good feeling comes after the action, not before it. The state change is the reward for showing up, not the prerequisite. And this isn't just about running. As Rich puts it: "That example is applicable to all areas of life." The workout you're avoiding. The conversation you're delaying. The project you're putting off until you're "in the right headspace." You're waiting for a feeling that only exists on the other side of doing the thing.

Rich Roll on why waiting to "feel like it" is a trap: "You can't think your way into the mood that you seek or the state of mind that you aspire to inhabit. Action is the only thing that can trigger that change." Rich uses running as the perfect illustration of this principle. Imagine you wake up in the morning and you're supposed to do a run because you're training for a race. You don't feel like it. So what do most of us do? "We all resort to that state where we think, 'Well, I don't want to do it right now. I'll just wait until I feel like doing it and then I'll do it then.'" But here's the problem with that logic: "If you're waiting until you feel like doing something, chances are you're probably never going to get to it." The mood you're hoping will arrive on its own? It's not coming. Not without action first. "To take the action despite how you feel about it is the thing that catalyzes the state change." You don't run because you feel motivated. You feel motivated because you ran. He points to what every runner knows from experience: "When they finish the run, they're always glad that they did it. They don't generally regret it. And then they feel better." Notice the sequence. The good feeling comes after the action, not before it. The state change is the reward for showing up, not the prerequisite. And this isn't just about running. As Rich puts it: "That example is applicable to all areas of life." The workout you're avoiding. The conversation you're delaying. The project you're putting off until you're "in the right headspace." You're waiting for a feeling that only exists on the other side of doing the thing.

Kevin Tanaka

10,256 просмотров • 6 месяцев назад

This man helps a homeless veteran out with some food and gets emotional when the veteran tells him that he’s waiting for a bed to open up. This is the kind of energy that we need. In this country, we should have no veterans living on the street. Period. They deserve so much better.

This man helps a homeless veteran out with some food and gets emotional when the veteran tells him that he’s waiting for a bed to open up. This is the kind of energy that we need. In this country, we should have no veterans living on the street. Period. They deserve so much better.

AmericanPapaBear™

207,478 просмотров • 1 год назад

Anthropic put a model on a bacterium dragged out of a place nothing should survive, and it turns out the thing feeds on an element that kills almost everything else. What it eats is only half of it. The other half is that it does the job faster than the organisms we engineer for the same task. > ISOLATE - the strain separated from the site, no lab-friendly conditions added > FEED - every input it accepts tested one at a time, including the toxic ones > TRACE - each element followed through the cell to see what it becomes > SWAP - the pathway compared against the version every other microbe uses > LOAD - the strain pushed until output stops, to find where the limit sits > MATCH - the result measured against the engineered strains built for this job Toxicity is usually a wall. An element that wrecks a normal cell stops the process before anything useful comes out. This one built a route around the damage. The same element goes in, and the pathway simply refuses to break. Nobody designed that. It evolved somewhere the alternative was not surviving at all. The engineered strains we use for this cost years of work and still run slower than something that was already there. That gap matters more than the discovery itself. Nature solved it under pressure nobody would choose to reproduce in a lab. Most environments like this one are written off before sampling, because nothing is expected to be alive in them. Every input it accepts, the pathway map and the throughput numbers sit in the breakdown below.

Anthropic put a model on a bacterium dragged out of a place nothing should survive, and it turns out the thing feeds on an element that kills almost everything else. What it eats is only half of it. The other half is that it does the job faster than the organisms we engineer for the same task. > ISOLATE - the strain separated from the site, no lab-friendly conditions added > FEED - every input it accepts tested one at a time, including the toxic ones > TRACE - each element followed through the cell to see what it becomes > SWAP - the pathway compared against the version every other microbe uses > LOAD - the strain pushed until output stops, to find where the limit sits > MATCH - the result measured against the engineered strains built for this job Toxicity is usually a wall. An element that wrecks a normal cell stops the process before anything useful comes out. This one built a route around the damage. The same element goes in, and the pathway simply refuses to break. Nobody designed that. It evolved somewhere the alternative was not surviving at all. The engineered strains we use for this cost years of work and still run slower than something that was already there. That gap matters more than the discovery itself. Nature solved it under pressure nobody would choose to reproduce in a lab. Most environments like this one are written off before sampling, because nothing is expected to be alive in them. Every input it accepts, the pathway map and the throughput numbers sit in the breakdown below.

wast3

23,470 просмотров • 1 месяц назад

Never forget that THIS is how Nickelodeon rebooted the Are You Afraid of the Dark? franchise in 2019. This was the opening scene to the revival of a horror series we all grew up with. Right out of the gate, they got it. Forever grateful we ended up with three seasons.

Never forget that THIS is how Nickelodeon rebooted the Are You Afraid of the Dark? franchise in 2019. This was the opening scene to the revival of a horror series we all grew up with. Right out of the gate, they got it. Forever grateful we ended up with three seasons.

Horror4Kids

16,917 просмотров • 9 месяцев назад

#WATCH | Didwana, Rajasthan: RSS chief Mohan Bhagwat says, "The rest of the world did not get to know something important. Our ancestors did get to know of it. What is that? We might look different from each other, but in our foundation, we are one. That is why we might look different but we are one - remember this. We are one means that everyone is ours. If everyone is ours, then dignity comes into the way of life all on its own...Life in this world goes on simultaneously. What makes this go on is called 'Dharma'...The rest of the world doesn't know this 'Dharma' because they don't know the truth behind this; our ancestors knew this..."

#WATCH | Didwana, Rajasthan: RSS chief Mohan Bhagwat says, "The rest of the world did not get to know something important. Our ancestors did get to know of it. What is that? We might look different from each other, but in our foundation, we are one. That is why we might look different but we are one - remember this. We are one means that everyone is ours. If everyone is ours, then dignity comes into the way of life all on its own...Life in this world goes on simultaneously. What makes this go on is called 'Dharma'...The rest of the world doesn't know this 'Dharma' because they don't know the truth behind this; our ancestors knew this..."

ANI

18,414 просмотров • 9 месяцев назад