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Tiny Update for Hana: - Pencil tool - Strokes Gradient - Pages - Fill as 3D texture - Copy & Paste from Figma All of this can be animated in real-time, react to interactivity, convert to vectors, combine with booleans, etc.

Spline

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16,543 просмотров • 8 месяцев назад •via X (Twitter)

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3D for Hana is here. The first canvas that combines 3D and 2D in real-time. Convert any shape to a 3D model in a non-destructive process. All systems (vectors, booleans, layouts, events, etc.) work together.

3D for Hana is here. The first canvas that combines 3D and 2D in real-time. Convert any shape to a 3D model in a non-destructive process. All systems (vectors, booleans, layouts, events, etc.) work together.

Spline

114,870 просмотров • 9 месяцев назад

Morw test to more fine-tune the ClayPencil tool, to convert Grease Pencil animations into 3D characters in real time. This time using a reference from the lovely Pedro Alpera #Blender #B3D #ClayPencil #GreasePencil #stopmotion #2D #2danimation

Morw test to more fine-tune the ClayPencil tool, to convert Grease Pencil animations into 3D characters in real time. This time using a reference from the lovely Pedro Alpera #Blender #B3D #ClayPencil #GreasePencil #stopmotion #2D #2danimation

Daniel Martínez Lara 🔶

82,331 просмотров • 1 год назад

Another FANART test to fine-tune the ClayPencil tool, to convert Grease Pencil animations into 3D characters in real time. Using a reference, from the one & only Olov Burman for Nounfest “Golden Goose” Check it out! #Blender #B3D #GreasePencil #stopmotion #2D #2danimation

Another FANART test to fine-tune the ClayPencil tool, to convert Grease Pencil animations into 3D characters in real time. Using a reference, from the one & only Olov Burman for Nounfest “Golden Goose” Check it out! #Blender #B3D #GreasePencil #stopmotion #2D #2danimation

Daniel Martínez Lara 🔶

210,001 просмотров • 1 год назад

We are developing a new design paradigm that enables seamless integration of 2D and 3D on the same canvas in real time. No need for plugins or cumbersome workflows. It's all connected in a single place. All systems (frames, layouts, booleans, vectors, effects, etc.) work in sync across 2D and 3D, non-destructively. This is the starting point of a fully multi-dimensional design process. At some point in the near future, people won't need to refer to '3d design' as a separate part of the process, because it will be all part of the same system. The following is a demo of this in the works within Hana (a design canvas). We will ship this latest development in about a week.

We are developing a new design paradigm that enables seamless integration of 2D and 3D on the same canvas in real time. No need for plugins or cumbersome workflows. It's all connected in a single place. All systems (frames, layouts, booleans, vectors, effects, etc.) work in sync across 2D and 3D, non-destructively. This is the starting point of a fully multi-dimensional design process. At some point in the near future, people won't need to refer to '3d design' as a separate part of the process, because it will be all part of the same system. The following is a demo of this in the works within Hana (a design canvas). We will ship this latest development in about a week.

Spline

56,203 просмотров • 9 месяцев назад

Sharing a great tool here: The Genome Color Tool Is allows you to generate a colour palettes based on your brand, and then import those into Figma as styles You can then combine this with another plugin to spin variables up and save a tonne of time ⏰

luis.

22,029 просмотров • 3 лет назад

I built a tool to create, animate & export pixel art using Figma & now it’s on a billboard in Singapore 🫨 It all started out as a joke & after 384 prompts in Figma Make….I DID IT Thanks Figma for all the love & for featuring it. It’s been my highlight of this year.

I built a tool to create, animate & export pixel art using Figma & now it’s on a billboard in Singapore 🫨 It all started out as a joke & after 384 prompts in Figma Make….I DID IT Thanks Figma for all the love & for featuring it. It’s been my highlight of this year.

Ayaneshu

23,272 просмотров • 11 месяцев назад

Day 5 building the Figma for hardware. Today I kept studying rotary controls, this time turning them into fully customizable knobs: size, shape, grip, depth, rotation and visual details can all be changed depending on the device. The goal is to treat knobs as real hardware components, not fixed 3D assets. One system should be able to generate everything from a tiny precision dial to a large tactile control.

Day 5 building the Figma for hardware. Today I kept studying rotary controls, this time turning them into fully customizable knobs: size, shape, grip, depth, rotation and visual details can all be changed depending on the device. The goal is to treat knobs as real hardware components, not fixed 3D assets. One system should be able to generate everything from a tiny precision dial to a large tactile control.

Tykra

17,503 просмотров • 27 дней назад

If you want to design faster in Figma, Use blocks. → A free library of ready-to-use Figma UI blocks. Copy any component, paste it into your file, and start building instantly. Perfect for landing pages, layouts, and UI sections. Use it for: • landing page sections • UI components • layout structures • quick prototypes • design inspiration you can actually use Stop designing everything from scratch.

If you want to design faster in Figma, Use blocks. → A free library of ready-to-use Figma UI blocks. Copy any component, paste it into your file, and start building instantly. Perfect for landing pages, layouts, and UI sections. Use it for: • landing page sections • UI components • layout structures • quick prototypes • design inspiration you can actually use Stop designing everything from scratch.

Kailash

84,239 просмотров • 3 месяцев назад

mangunrok = to yearn for the clouds (?) the king was truly the author of the mangunrok that brought jiyoung all the way to this time! as he creates & name it in real time, the future copy disappeared from her bag 🥹🤨 #BonAppetitYourMajesty #BonAppetitYourMajestyEp4

mangunrok = to yearn for the clouds (?) the king was truly the author of the mangunrok that brought jiyoung all the way to this time! as he creates & name it in real time, the future copy disappeared from her bag 🥹🤨 #BonAppetitYourMajesty #BonAppetitYourMajestyEp4

aida ⋆｡˚ ❀

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Fable 5.1: "Create the Catalog of Ships from the Iliad with a map, etc. i should be able to explore each accurate ship in 3D. there should be real images & archeological data i can draw on. test it with agents to make it accurate & beautiful, then revise"

Fable 5.1: "Create the Catalog of Ships from the Iliad with a map, etc. i should be able to explore each accurate ship in 3D. there should be real images & archeological data i can draw on. test it with agents to make it accurate & beautiful, then revise"

Ethan Mollick

74,768 просмотров • 1 месяц назад

You can now copy & paste the real world, with hyper-realistic detail. All with just a $299 headset. With Hyperscape you can capture your real-world space in just minutes, then creates an immersive, true-to-life digital replica that you can visit from anywhere. Check the thread for some ridiculously good scans 👇

You can now copy & paste the real world, with hyper-realistic detail. All with just a $299 headset. With Hyperscape you can capture your real-world space in just minutes, then creates an immersive, true-to-life digital replica that you can visit from anywhere. Check the thread for some ridiculously good scans 👇

Jake Steinerman 🌎

29,722 просмотров • 1 год назад

On Figma Motion, my demo & review. This is one of those updates that clicked swiftly into my workflow. Like in my 3D pipeline, using this stick shift animation, I emphasize hardware feedback with motion from Figma Motion. Assets are animated in Fig Motion and loaded into Blender as video textures for mesh and material control. It's advantageous since it is built into an ubiquitous ecosystem. A lot of work these days start in Figma even for someone like me that works outside the tool frequently. Can't over-emphasize my appreciation for the schema used to introduce motion to nearly all properties. Reminds me of how motion works in Blender - with better complexity management. Better than introducing more menus for those. Ease curves iD between keyframes is also an improvement over existing systems. Having spent some time on the tool, here are updates I'll like to see to Figma Motion. These are based on my immediate needs as at the time of working on this demo: • Using modifier keys (CMD, Shift, Ctrl) to jump / nudge across the timeline. E.g: holding down Shift key to make the playhead jump 100ms etc. • Jump to previous or next keyframe. • Better anchor point trails • Renaming layers from the timeline as well. • Editable custom bezier styles: after saving a style, I should be able to edit the curve - just as you can edit colour styles. • Enable transform on the timeline. I should be able to flip or scale keyframes. I hope to continue trying more ideas. Craft focused tools have had to take a backseat in recent times. Pleasing to see this come to light.

On Figma Motion, my demo & review. This is one of those updates that clicked swiftly into my workflow. Like in my 3D pipeline, using this stick shift animation, I emphasize hardware feedback with motion from Figma Motion. Assets are animated in Fig Motion and loaded into Blender as video textures for mesh and material control. It's advantageous since it is built into an ubiquitous ecosystem. A lot of work these days start in Figma even for someone like me that works outside the tool frequently. Can't over-emphasize my appreciation for the schema used to introduce motion to nearly all properties. Reminds me of how motion works in Blender - with better complexity management. Better than introducing more menus for those. Ease curves iD between keyframes is also an improvement over existing systems. Having spent some time on the tool, here are updates I'll like to see to Figma Motion. These are based on my immediate needs as at the time of working on this demo: • Using modifier keys (CMD, Shift, Ctrl) to jump / nudge across the timeline. E.g: holding down Shift key to make the playhead jump 100ms etc. • Jump to previous or next keyframe. • Better anchor point trails • Renaming layers from the timeline as well. • Editable custom bezier styles: after saving a style, I should be able to edit the curve - just as you can edit colour styles. • Enable transform on the timeline. I should be able to flip or scale keyframes. I hope to continue trying more ideas. Craft focused tools have had to take a backseat in recent times. Pleasing to see this come to light.

seyi

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What if you could watch a UI generate in real-time as you work with AI? Now you can, with Real Time UI in MagicPath. This is extremely hard to do, especially for interactive React components with states. That’s why you don’t see this anywhere else. This is a first.

What if you could watch a UI generate in real-time as you work with AI? Now you can, with Real Time UI in MagicPath. This is extremely hard to do, especially for interactive React components with states. That’s why you don’t see this anywhere else. This is a first.

Pietro Schirano

51,983 просмотров • 1 год назад

A designer who can ship code is one of the most valuable hires in tech today. Here's my new episode with Felix Lee (CEO of ADPList) where he showed me how to use Claude Code and Figma MCP to go from: ✅ Figma → Code: Design to website in 15 min ✅ Code → Figma: App back to editable design Felix also demoed a few apps he's designed and built in Claude Code, including a 3D globe website and a landing page analyzer. Some takeaways from Felix: 1. Stop pasting screenshots into Claude Code. Instead, use Figma MCP to pull in all your assets, icons, and images automatically. 2. You can use the same MCP to convert code back into editable Figma layers to explore more variations. 3. An underrated way to build: Use FigJam to plan a flowchart of your app first, then paste the link into Claude Code with the MCP. 📌 Watch now: Thanks to our sponsors: Replit ⠕: Plan, design, and build with AI agents Linear: The AI agent platform for modern teams

A designer who can ship code is one of the most valuable hires in tech today. Here's my new episode with Felix Lee (CEO of ADPList) where he showed me how to use Claude Code and Figma MCP to go from: ✅ Figma → Code: Design to website in 15 min ✅ Code → Figma: App back to editable design Felix also demoed a few apps he's designed and built in Claude Code, including a 3D globe website and a landing page analyzer. Some takeaways from Felix: 1. Stop pasting screenshots into Claude Code. Instead, use Figma MCP to pull in all your assets, icons, and images automatically. 2. You can use the same MCP to convert code back into editable Figma layers to explore more variations. 3. An underrated way to build: Use FigJam to plan a flowchart of your app first, then paste the link into Claude Code with the MCP. 📌 Watch now: Thanks to our sponsors: Replit ⠕: Plan, design, and build with AI agents Linear: The AI agent platform for modern teams

Peter Yang

77,115 просмотров • 6 месяцев назад

Here’s a sneak peek at the upcoming Prefab Preview UI element which will be included in this week’s pre-release (Update 5, Part 7)! 👀 As you can see from the clip, there is full mouse-controlled rotation, tilt, zoom, and pan. It can also be configured for custom server UIs! Lots of amazing opportunities for this! Everything from cosmetic builds/map previews for minigames, RTS buildings in menus, etc. We genuinely can’t wait to see what modders and server owners do with this tool! #Hytale

Here’s a sneak peek at the upcoming Prefab Preview UI element which will be included in this week’s pre-release (Update 5, Part 7)! 👀 As you can see from the clip, there is full mouse-controlled rotation, tilt, zoom, and pan. It can also be configured for custom server UIs! Lots of amazing opportunities for this! Everything from cosmetic builds/map previews for minigames, RTS buildings in menus, etc. We genuinely can’t wait to see what modders and server owners do with this tool! #Hytale

Hytale

155,041 просмотров • 5 месяцев назад

the vibe marketing playbook (free) hours of capturing and documenting real AI marketing work, packaged into a playbook for you to copy and apply same exact stuff I use to grow my own businesses - how to stack prompts, skills, mcps - tools I use - Claude Code for marketing / knowledge work - agencies, saas, ecom, creator business use cases - real examples of output - quick start checklist - everything real from live sessions and transcripts - frameworks/systems/outputs for search, ads, email, landing pages / websites and more... you can get it here: if you want to use ai with it, I included a handy copy/paste .md in there as well

the vibe marketing playbook (free) hours of capturing and documenting real AI marketing work, packaged into a playbook for you to copy and apply same exact stuff I use to grow my own businesses - how to stack prompts, skills, mcps - tools I use - Claude Code for marketing / knowledge work - agencies, saas, ecom, creator business use cases - real examples of output - quick start checklist - everything real from live sessions and transcripts - frameworks/systems/outputs for search, ads, email, landing pages / websites and more... you can get it here: if you want to use ai with it, I included a handy copy/paste .md in there as well

The Boring Marketer

68,501 просмотров • 8 месяцев назад

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,070 просмотров • 2 лет назад

HOLY SHIT! Sparc 3D is INSANE! All they need to do now is enable PBR texture support, object separation and decimation and this in my opinion completely replaces photogrammetry. The quality of the reconstruction of these 3D objects from a single image is mind blowing to me. Yes, the model is insanely dense to allow all of this detail but the fact that AI can generate with this level of fidelity is CRAZY!!! You can try it for free on Huggingface

HOLY SHIT! Sparc 3D is INSANE! All they need to do now is enable PBR texture support, object separation and decimation and this in my opinion completely replaces photogrammetry. The quality of the reconstruction of these 3D objects from a single image is mind blowing to me. Yes, the model is insanely dense to allow all of this detail but the fact that AI can generate with this level of fidelity is CRAZY!!! You can try it for free on Huggingface

Travis Davids

18,230 просмотров • 1 год назад

My v5 update will cover animated product ads. I made this in 1 hour for a client. This isn’t “Seedance” or anything people can be lazy with. It’s smart prompting, scripting & brand/story alignment. Real high converting ads require attention to detail. Don’t believe the BS.

Franky Shaw

15,027 просмотров • 7 месяцев назад