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Total Recall (1990) has aged remarkably well. Long before CGI domination, Verhoeven’s team built stunning practical effects and miniatures that still hold up today. Arnold Schwarzenegger called it one of his favorite roles.

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245,356 görüntüleme • 9 ay önce •via X (Twitter)

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Back in 1990, Total Recall saw Arnold Schwarzenegger pull off a wild mask scene. With limited CGI, effects legend Rob Bottin achieved it the old-school way — using a heavy, practical prosthetic and mechanical mask. Movie magic, built by hand.
0:23

Back in 1990, Total Recall saw Arnold Schwarzenegger pull off a wild mask scene. With limited CGI, effects legend Rob Bottin achieved it the old-school way — using a heavy, practical prosthetic and mechanical mask. Movie magic, built by hand.

Stephen Gibbons

44,571 görüntüleme • 28 gün önce

A long time ago (1990), there was a movie called Total Recall, directed by Paul Verhoeven, in which, an actor called Arnold Schwarzenegger had to do an amazing trick involving a mask. But we didn't have CGI at the time to help much which this, so.... a special make-up effects genius called Rob Bottin simply created a (heavy) prosthetic and mechanical mask. Yep, just as simple as that. 🤯
0:23

A long time ago (1990), there was a movie called Total Recall, directed by Paul Verhoeven, in which, an actor called Arnold Schwarzenegger had to do an amazing trick involving a mask. But we didn't have CGI at the time to help much which this, so.... a special make-up effects genius called Rob Bottin simply created a (heavy) prosthetic and mechanical mask. Yep, just as simple as that. 🤯

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668,975 görüntüleme • 6 ay önce

In Total Recall (1990), the scene where Arnold Schwarzenegger disguises himself with the “large woman” mask at the Mars checkpoint is one of the film’s most iconic moments. When the mask malfunctions and opens up, his real face is revealed in a shocking twist. This practical effect, created with mechanical props rather than CGI, left a strong impression and has become a symbol of 1990s sci‑fi cinema.
0:55

In Total Recall (1990), the scene where Arnold Schwarzenegger disguises himself with the “large woman” mask at the Mars checkpoint is one of the film’s most iconic moments. When the mask malfunctions and opens up, his real face is revealed in a shocking twist. This practical effect, created with mechanical props rather than CGI, left a strong impression and has become a symbol of 1990s sci‑fi cinema.

Love Classical Music and Movies 🎺🎻💖🎥🎬

192,388 görüntüleme • 3 ay önce

RoboCop (1987) has aged better than most of its era. The practical effects still hold up, but it’s the satire that really lands now, corporate greed, privatized policing, all of it feels uncomfortably current, which makes the film hit even harder today.
2:02

RoboCop (1987) has aged better than most of its era. The practical effects still hold up, but it’s the satire that really lands now, corporate greed, privatized policing, all of it feels uncomfortably current, which makes the film hit even harder today.

cinesthetic.

37,016 görüntüleme • 4 ay önce

Total Recall is 35 years old today - MINI THREAD Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Ronny Cox, and Michael Ironside were great in Paul Verhoeven's crazy sci-fi. Composer Jerry Goldsmith considered Total Recall to be one of his best scores. Scroll for more... 1/
2:19

Total Recall is 35 years old today - MINI THREAD Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Ronny Cox, and Michael Ironside were great in Paul Verhoeven's crazy sci-fi. Composer Jerry Goldsmith considered Total Recall to be one of his best scores. Scroll for more... 1/

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Flight of the Navigator (1986) captures that perfect mix of wonder and mystery that defined 80s sci-fi. A kid, a spaceship, and a sense of adventure that feels pure and timeless. Its practical effects still hold up beautifully today.
2:20

Flight of the Navigator (1986) captures that perfect mix of wonder and mystery that defined 80s sci-fi. A kid, a spaceship, and a sense of adventure that feels pure and timeless. Its practical effects still hold up beautifully today.

cinesthetic.

114,789 görüntüleme • 9 ay önce

Labyrinth (1986) never gets the love it should. Jim Henson built a whole fantasy world out of pure craft, Bowie walked in and owned the movie with one raised eyebrow, and the practical effects still go harder than most modern CGI.
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Labyrinth (1986) never gets the love it should. Jim Henson built a whole fantasy world out of pure craft, Bowie walked in and owned the movie with one raised eyebrow, and the practical effects still go harder than most modern CGI.

cinesthetic.

800,969 görüntüleme • 6 ay önce

Back to the Future is one of those films that changed my expectations of Cinema as a kid. Director Robert Zemeckis pulls off half a dozen filmmaking tricks that, at the time, I didn’t know were possible. I still think the special & practical effects in this film hold up well.
3:52

Back to the Future is one of those films that changed my expectations of Cinema as a kid. Director Robert Zemeckis pulls off half a dozen filmmaking tricks that, at the time, I didn’t know were possible. I still think the special & practical effects in this film hold up well.

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Predator is 38 years old today. I had no prior knowledge of what this movie was before seeing it. It was a total surprise and one of the greatest cinematic experiences of my life. 'Get to the chopper!' is Arnold Schwarzenegger's personal favourite line of all of his movies.
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Predator is 38 years old today. I had no prior knowledge of what this movie was before seeing it. It was a total surprise and one of the greatest cinematic experiences of my life. 'Get to the chopper!' is Arnold Schwarzenegger's personal favourite line of all of his movies.

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Joseph's real character is coming out now. He has such a short temper that he can't control it even in public. Check this one of his old videos. The media has covered it all up. His PR team managed him well. Well played, macha. 👏🏼👏🏼
0:44

Joseph's real character is coming out now. He has such a short temper that he can't control it even in public. Check this one of his old videos. The media has covered it all up. His PR team managed him well. Well played, macha. 👏🏼👏🏼

Tathvam-asi

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THE NEVERENDING STORY was released 42 years ago today. The filmmakers built a full-size animatronic Falkor that was nearly 43 feet long and weighed several tons. It remains one of the largest practical fantasy creatures ever created for a film.
3:09

THE NEVERENDING STORY was released 42 years ago today. The filmmakers built a full-size animatronic Falkor that was nearly 43 feet long and weighed several tons. It remains one of the largest practical fantasy creatures ever created for a film.

cinesthetic.

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Arnold Schwarzenegger on his love life: "A conflict grew up in our relationship. She was a well-balanced woman who wanted an ordinary life, and I was not a well-balanced man and hated the very idea of ordinary life. She thought I would settle down, that I would reach the top in my field and level off. But that's a concept that has no place in my thinking. For me, life is continuously being hungry. The meaning of life is not simply to exist, to survive, but to move ahead, to go up, to achieve, to conquer. I wanted to grow. I wanted to continue on. The life she wanted would not permit that." — From episode 309 “Arnold Schwarzenegger Before He Was Successful”
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Arnold Schwarzenegger on his love life: "A conflict grew up in our relationship. She was a well-balanced woman who wanted an ordinary life, and I was not a well-balanced man and hated the very idea of ordinary life. She thought I would settle down, that I would reach the top in my field and level off. But that's a concept that has no place in my thinking. For me, life is continuously being hungry. The meaning of life is not simply to exist, to survive, but to move ahead, to go up, to achieve, to conquer. I wanted to grow. I wanted to continue on. The life she wanted would not permit that." — From episode 309 “Arnold Schwarzenegger Before He Was Successful”

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Bo Bichette tells Steve Gelbs that Citi Field has been one of his favorite stadiums to play in during his career: "Unbelievable fans that hold you to a high standard. I'm excited to meet that standard to try and help this team win a World Series."
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Bo Bichette tells Steve Gelbs that Citi Field has been one of his favorite stadiums to play in during his career: "Unbelievable fans that hold you to a high standard. I'm excited to meet that standard to try and help this team win a World Series."

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Arnold Schwarzenegger admits he tricked Stallone into taking a bad movie so he could catch up, 'I felt like the only way was if he had a stumble' Host: “One of my favorite stories about you guys was Stop! Or My Mom Will Shoot.” Host: “Because you knew it was a bad script and acted like you wanted it. You got suckered in.” Stallone: “Yeah, so he played me. Yes, he did. He did, and I'm stuck with that forever.” Arnold: “So then I called Roger Spottiswoode, who was the director, who just did the James Bond movie.” Stallone: “You talked to my director? Yeah. Oh my god.” Arnold: “So I was of course absolutely in heaven because I said I felt like the only way that I could catch up with him is if he has a stumble.” Arnold: “Sure enough, the movie came out, it was a disaster.” Arnold: “And everyone was writing, 'What a day. The heydays are over for Sly.' So I said, 'Well, okay, this is now a moment for me to catch up.'”
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Arnold Schwarzenegger admits he tricked Stallone into taking a bad movie so he could catch up, 'I felt like the only way was if he had a stumble' Host: “One of my favorite stories about you guys was Stop! Or My Mom Will Shoot.” Host: “Because you knew it was a bad script and acted like you wanted it. You got suckered in.” Stallone: “Yeah, so he played me. Yes, he did. He did, and I'm stuck with that forever.” Arnold: “So then I called Roger Spottiswoode, who was the director, who just did the James Bond movie.” Stallone: “You talked to my director? Yeah. Oh my god.” Arnold: “So I was of course absolutely in heaven because I said I felt like the only way that I could catch up with him is if he has a stumble.” Arnold: “Sure enough, the movie came out, it was a disaster.” Arnold: “And everyone was writing, 'What a day. The heydays are over for Sly.' So I said, 'Well, okay, this is now a moment for me to catch up.'”

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1:23

Arnold Schwarzenegger reveals he demanded a helicopter-mounted machine gun for Predator specifically to out-do Stallone's Rambo weapon Arnold: “We ended up kind of like, 'You killed 28 people in the movie. I killed 32.' I got to top that.” Arnold: “It was not the body count, and then it was kind of like, 'Well, what was your body fat?' You know, I was down to 7%. So I said, 'I was down to 10%.' So it became a competition with the body.” Arnold: “'Well Arnold, you can never hold that.' I said, 'We'll figure out a way. Don't worry about it. I got to have a bigger gun, a bigger machine gun than Sly used in Rambo.'” Arnold: “So then he killed, you know, 80 people, and I had to kill 87 people. And you got sucked into it too, because the difference between Rambo 1 and 2 and 3 and 4, you got bigger guns, bigger body count, the whole thing.”

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I stepped into one of the most hostile rooms I’ve faced to debate a motion built on a false premise. The outcome was decided long before I spoke. A crowd of European keffiyeh-wearing students made it clear that facts were irrelevant. Showing up still mattered.
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I stepped into one of the most hostile rooms I’ve faced to debate a motion built on a false premise. The outcome was decided long before I spoke. A crowd of European keffiyeh-wearing students made it clear that facts were irrelevant. Showing up still mattered.

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Five years ago today, my world was irrevocably shattered into a billion pieces and I am still picking up the pieces. People tell me that time heals all wounds but I still have not found that to be true. Maybe enough has not yet passed. This video I have shared before, but it has some of my favorite memories of my time with John.

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Kurt Russell is starring in a new show alongside Michelle Pfeiffer called The Madison that at least three people have called or texted me to tell me is worth watching. I may give it a go considering Russell has long been one of my favorite actors. He’s 75 & still prolific as hell
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Kurt Russell is starring in a new show alongside Michelle Pfeiffer called The Madison that at least three people have called or texted me to tell me is worth watching. I may give it a go considering Russell has long been one of my favorite actors. He’s 75 & still prolific as hell

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