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Tutorial Video: How to make porn with [WAN 3.0 Reference] on Venice Requested by ~𝓓𝓪𝓷𝓲𝓮𝓵🫀 If you found this useful please use my referral link for Venice. When signing up for any pro membership we both get free credits for using the referral. Referral Link: Steps covered in video...

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GPT Image 2 - Character Reference Sheet Prompt You can create a character reference sheet in any style you want for use in your Seedance 2.0 videos. All you need to do is either provide a reference image or describe your character. You can also input random values to generate completely random characters. This reference sheet provides a clear, structured, and highly readable visual breakdown of the character, helping the model maintain strong identity consistency across different outputs. The layout ensures the model focuses on essential visual information rather than stylistic noise, while the inclusion of expressions, head angles, and performance cues improves the model’s ability to generate believable acting and varied poses without losing character integrity. All clips in the demonstration video were generated using the reference sheet image and the same Seedance 2.0 prompt. You can find the prompts in the replies. 👇 GPT Image 2 and Seedance 2.0 are both available on mitte.ai
1:15

GPT Image 2 - Character Reference Sheet Prompt You can create a character reference sheet in any style you want for use in your Seedance 2.0 videos. All you need to do is either provide a reference image or describe your character. You can also input random values to generate completely random characters. This reference sheet provides a clear, structured, and highly readable visual breakdown of the character, helping the model maintain strong identity consistency across different outputs. The layout ensures the model focuses on essential visual information rather than stylistic noise, while the inclusion of expressions, head angles, and performance cues improves the model’s ability to generate believable acting and varied poses without losing character integrity. All clips in the demonstration video were generated using the reference sheet image and the same Seedance 2.0 prompt. You can find the prompts in the replies. 👇 GPT Image 2 and Seedance 2.0 are both available on mitte.ai

Kōda

165,810 görüntüleme • 5 ay önce

Create stunning cinematic videos using Kling 3.0 Omni, character sheets and multi-shot prompts. Here's how ... Kling 3.0 Omni can take up to 7 reference images. Working with a character sheet and passing it to Kling along with the environment and multishot prompts, allows you to quickly put cinematic videos together. Example prompt: cinematic. action movie. VFX. shot 1: close up of the hooded character. It's night. his eyes glow. he hears wolves in the distance and looks around and starts running. shot 2: full body shot of the character running. he looks over his shoulders. shot 3: we see a wolf running through the forest. it's hungry. shot 4:the character is stopped by a pack of wolves. shot 5: he fights the wolves with his stick. Link to Spaces below
0:38

Create stunning cinematic videos using Kling 3.0 Omni, character sheets and multi-shot prompts. Here's how ... Kling 3.0 Omni can take up to 7 reference images. Working with a character sheet and passing it to Kling along with the environment and multishot prompts, allows you to quickly put cinematic videos together. Example prompt: cinematic. action movie. VFX. shot 1: close up of the hooded character. It's night. his eyes glow. he hears wolves in the distance and looks around and starts running. shot 2: full body shot of the character running. he looks over his shoulders. shot 3: we see a wolf running through the forest. it's hungry. shot 4:the character is stopped by a pack of wolves. shot 5: he fights the wolves with his stick. Link to Spaces below

Martin LeBlanc

21,474 görüntüleme • 6 ay önce

Okay, this one is the Grok Imagine version. But here’s something you need to note: I uploaded the character sheet I made with Nano Banana Pro as the base image. So it feels like this fake “Omni reference” kind of style, but it works 😄 Somehow, it’s much more consistent than uploading a still image of your scene with your character, because there’s a chance your character will morph a bit. By using your character sheet as the base model, it helps maintain consistency. The only problem is that when you do the img2vid prompt, you need to retell the setting, the action, the vibe and so on. But for me, I kind of like that approach, LOL 😆 Like I said, I’m getting lazy about animating images one by one. With this approach, I can just focus on dividing the shots, like shot 1: blabla, shot 2: bliblibli, shot 3: blublu, etc. Now for the comparison: In comparison with the Kling 3.0 Omni version, I feel that Grok Imagine is much more dynamic. But in terms of the character performance, it feels a bit over the top. It’s like the AI characters are acting it out 😁 Meanwhile, Kling 3.0 Omni feels much more realistic in terms of the acting and a bit more atmospheric. I honestly love both. If I want to fool around, I guess I’ll use Grok Imagine. But if I want more subtle realism and a candid feel, I’ll go with Kling 3.0.
0:51

Okay, this one is the Grok Imagine version. But here’s something you need to note: I uploaded the character sheet I made with Nano Banana Pro as the base image. So it feels like this fake “Omni reference” kind of style, but it works 😄 Somehow, it’s much more consistent than uploading a still image of your scene with your character, because there’s a chance your character will morph a bit. By using your character sheet as the base model, it helps maintain consistency. The only problem is that when you do the img2vid prompt, you need to retell the setting, the action, the vibe and so on. But for me, I kind of like that approach, LOL 😆 Like I said, I’m getting lazy about animating images one by one. With this approach, I can just focus on dividing the shots, like shot 1: blabla, shot 2: bliblibli, shot 3: blublu, etc. Now for the comparison: In comparison with the Kling 3.0 Omni version, I feel that Grok Imagine is much more dynamic. But in terms of the character performance, it feels a bit over the top. It’s like the AI characters are acting it out 😁 Meanwhile, Kling 3.0 Omni feels much more realistic in terms of the acting and a bit more atmospheric. I honestly love both. If I want to fool around, I guess I’ll use Grok Imagine. But if I want more subtle realism and a candid feel, I’ll go with Kling 3.0.

MXVDXN // DAN

16,961 görüntüleme • 7 ay önce

google flow + claude + gpt image is actually f*cking cracked i figured out how to lock one AI character across an entire video. same face, same voice, same outfit, every single shot. zero drift. everyone making AI video right now hits the same wall. the character looks different in every clip so you can never tell an actual story. you get 5 second clips, not films. the fix isn't better prompting. it's building the character ONCE before you ever touch video, then referencing it everywhere. here's the workflow: > build the character inside Flow's character section, not a per-clip prompt > design the voice + personality one time and reuse it across every clip > generate a full turnaround sheet (Claude writes the prompt, GPT image renders the angles) > pull the character into any scene with a single @ tag > ingredients vs frames: when to let a shot float vs lock it to your source image > the end-frame loop that chains 4-10 sec clips into one seamless scene > stitch + trim in the timeline editor and export the whole thing as one film i packaged the entire thing. every prompt, the exact tool order, the character sheet template, and the continuity loop nobody actually explains. RT + reply "FLOW" and i'll send it over (must be following so i can dm)
0:25

google flow + claude + gpt image is actually f*cking cracked i figured out how to lock one AI character across an entire video. same face, same voice, same outfit, every single shot. zero drift. everyone making AI video right now hits the same wall. the character looks different in every clip so you can never tell an actual story. you get 5 second clips, not films. the fix isn't better prompting. it's building the character ONCE before you ever touch video, then referencing it everywhere. here's the workflow: > build the character inside Flow's character section, not a per-clip prompt > design the voice + personality one time and reuse it across every clip > generate a full turnaround sheet (Claude writes the prompt, GPT image renders the angles) > pull the character into any scene with a single @ tag > ingredients vs frames: when to let a shot float vs lock it to your source image > the end-frame loop that chains 4-10 sec clips into one seamless scene > stitch + trim in the timeline editor and export the whole thing as one film i packaged the entire thing. every prompt, the exact tool order, the character sheet template, and the continuity loop nobody actually explains. RT + reply "FLOW" and i'll send it over (must be following so i can dm)

Sulfur

35,825 görüntüleme • 2 ay önce

Kling 3 vs Seedance 2 Original image generated by Seedream 5 Prompt: Live-action cinematic sequence. Another young woman, wearing a luxurious black two-piece bathing suit, enters the scene from the left (inside the house) and closes the drapes as they float in the gentle breeze. The woman walks, as the camera tracks her from behind, as she goes inside the room, where a suitcase is open on the bed. The woman is annoyed. We cut to a medium close-up of her. She mumbles to herself: "Fucking Italians... I hate this place!"
0:24

Kling 3 vs Seedance 2 Original image generated by Seedream 5 Prompt: Live-action cinematic sequence. Another young woman, wearing a luxurious black two-piece bathing suit, enters the scene from the left (inside the house) and closes the drapes as they float in the gentle breeze. The woman walks, as the camera tracks her from behind, as she goes inside the room, where a suitcase is open on the bed. The woman is annoyed. We cut to a medium close-up of her. She mumbles to herself: "Fucking Italians... I hate this place!"

Alex Patrascu

437,012 görüntüleme • 7 ay önce

Hedra’s Character-3 is a game-changer for AI storytelling! 🔥✨ Upload an image, add speech and movement prompts, or even drop in an audio file, and it generates the full video for you. The Process is super easy: Image: Freepik Audio: elevenlabs (you can record yourself) Video: Hedra Video prompt: female reporter excitedly reporting the news, holds a microphone, wearing a professional suit, delivering a live broadcast., natural movements You can also use Hedra to generate audio and images! All in one 🚀🔥 What do you think of the result!?
0:27

Hedra’s Character-3 is a game-changer for AI storytelling! 🔥✨ Upload an image, add speech and movement prompts, or even drop in an audio file, and it generates the full video for you. The Process is super easy: Image: Freepik Audio: elevenlabs (you can record yourself) Video: Hedra Video prompt: female reporter excitedly reporting the news, holds a microphone, wearing a professional suit, delivering a live broadcast., natural movements You can also use Hedra to generate audio and images! All in one 🚀🔥 What do you think of the result!?

Amira Zairi

76,782 görüntüleme • 1 yıl önce

Testing Wan 3.0 Anime I hadn't had much luck with Wan 3.0 anime before but seeing the incredible work below made me want to give it another shot. I usually use a skill to turn my ideas into prompts but that approach hadn't worked too well for me with this model. This time, I just used the idea itself as the prompt. I'm happy with the result and might experiment with it some more. *Used a character reference. Prompt was: Start with the character from Image 1 performing a ritual-like dance on top of a tower. She raises her staff and sends a wave of energy into the clouds, not as a thin laser line but as something more fluid and undulating. In the clouds, a magic circle appears and expands. The surrounding clouds are pulled toward it and begin swirling around it. A portal opens at the center, and a giant spaceship emerges from it and descends to Earth.
0:29

Testing Wan 3.0 Anime I hadn't had much luck with Wan 3.0 anime before but seeing the incredible work below made me want to give it another shot. I usually use a skill to turn my ideas into prompts but that approach hadn't worked too well for me with this model. This time, I just used the idea itself as the prompt. I'm happy with the result and might experiment with it some more. *Used a character reference. Prompt was: Start with the character from Image 1 performing a ritual-like dance on top of a tower. She raises her staff and sends a wave of energy into the clouds, not as a thin laser line but as something more fluid and undulating. In the clouds, a magic circle appears and expands. The surrounding clouds are pulled toward it and begin swirling around it. A portal opens at the center, and a giant spaceship emerges from it and descends to Earth.

Kōda

16,941 görüntüleme • 11 gün önce

This character didn't break once across 5 shots, 3 camera angles, and a voice swap. Wan 2.7 is live on OpenArt. Here's what changed: Multimodal control. Text, image, audio, video, all in one generation call. Up to 5 reference inputs plus voice profiles for character locking. Edit existing videos with a sentence. Full creative stack: generate, edit, clone, restyle, extend. The open-source video model that actually acts like a production toolkit.
1:30

This character didn't break once across 5 shots, 3 camera angles, and a voice swap. Wan 2.7 is live on OpenArt. Here's what changed: Multimodal control. Text, image, audio, video, all in one generation call. Up to 5 reference inputs plus voice profiles for character locking. Edit existing videos with a sentence. Full creative stack: generate, edit, clone, restyle, extend. The open-source video model that actually acts like a production toolkit.

OpenArt

2,072,423 görüntüleme • 5 ay önce

A single 2D image → a 110,745-triangle 3D monster with 27 animations, running live in the browser. This is the Abyss Monster, built with img2threejs: The workflow: Image → 3D Reconstruction → Reference GLB + Specs → Rig → Animation Loops → VFX → Interactive Three.js 🔥 Inside this demo: 1/ 110,745 triangles reconstructed from the reference image 2/ 27 animation clips - Spin Flurry, Leap & Stomp, Charge, Collapse & more 3/ Reference-driven rig & animation workflow 4/ Dynamic lighting 5/ Real-time floating ember VFX 6/ Interactive WebGL character What I find most interesting is the workflow itself. The character and scene are built through a multi-prompt workflow, using visual references, GLB specs and animation loops to progressively construct the Three.js experience. Then, for the VFX, I used a single focused prompt to create the floating ember effect and integrate it into the scene. The final result is Three.js + TypeScript code - turning a visual reference into a programmable, interactive web experience. I’ll share the VFX prompt in the comments. 👇 #ThreeJS #WebGL #GameDev #TypeScript #Web3D #img2threejs
1:19

A single 2D image → a 110,745-triangle 3D monster with 27 animations, running live in the browser. This is the Abyss Monster, built with img2threejs: The workflow: Image → 3D Reconstruction → Reference GLB + Specs → Rig → Animation Loops → VFX → Interactive Three.js 🔥 Inside this demo: 1/ 110,745 triangles reconstructed from the reference image 2/ 27 animation clips - Spin Flurry, Leap & Stomp, Charge, Collapse & more 3/ Reference-driven rig & animation workflow 4/ Dynamic lighting 5/ Real-time floating ember VFX 6/ Interactive WebGL character What I find most interesting is the workflow itself. The character and scene are built through a multi-prompt workflow, using visual references, GLB specs and animation loops to progressively construct the Three.js experience. Then, for the VFX, I used a single focused prompt to create the floating ember effect and integrate it into the scene. The final result is Three.js + TypeScript code - turning a visual reference into a programmable, interactive web experience. I’ll share the VFX prompt in the comments. 👇 #ThreeJS #WebGL #GameDev #TypeScript #Web3D #img2threejs

Nick

11,377 görüntüleme • 23 gün önce

This is not a videogame. No engine. No 3D models. No code. I built it with 3 tools: Midjourney 8.2 for the character and the world. Seedance 2.5 for every shot. Topaz Astra to upscale it. The trick is not the tools. It's how you prompt. I described the camera like a game camera. Rigid follow distance. Snap turns. A HUD locked to the screen. The model did the rest. Here's what I learned: Lock your character first. One clean character sheet. Reference it in every generation. This is what stops the drift. Prompt the medium, not just the scene. "Gameplay capture" gives you a different image than "cinematic shot". Flat exposure, deep focus, no film grain. That's what makes it read as a game. Fights come out stiff. Everyone takes turns. Tell the model everything happens at once and re-render until it does. Generate short clips. Cut them yourself. Add music in post. You have more control than one long generation will ever give you. Now the bigger picture. Video models are becoming world models. They are learning how things move, react, collide. The gap between "video that looks like a game" and "a game you can play" is closing. Soon you won't prompt a trailer. You'll prompt the game itself. The world, the character, the rules. Then you walk in. When that happens, the engine won't be the skill. Your ability to direct worlds will be.
3:02

This is not a videogame. No engine. No 3D models. No code. I built it with 3 tools: Midjourney 8.2 for the character and the world. Seedance 2.5 for every shot. Topaz Astra to upscale it. The trick is not the tools. It's how you prompt. I described the camera like a game camera. Rigid follow distance. Snap turns. A HUD locked to the screen. The model did the rest. Here's what I learned: Lock your character first. One clean character sheet. Reference it in every generation. This is what stops the drift. Prompt the medium, not just the scene. "Gameplay capture" gives you a different image than "cinematic shot". Flat exposure, deep focus, no film grain. That's what makes it read as a game. Fights come out stiff. Everyone takes turns. Tell the model everything happens at once and re-render until it does. Generate short clips. Cut them yourself. Add music in post. You have more control than one long generation will ever give you. Now the bigger picture. Video models are becoming world models. They are learning how things move, react, collide. The gap between "video that looks like a game" and "a game you can play" is closing. Soon you won't prompt a trailer. You'll prompt the game itself. The world, the character, the rules. Then you walk in. When that happens, the engine won't be the skill. Your ability to direct worlds will be.

Ivan Flugelman — VVSVS™

217,464 görüntüleme • 1 ay önce

I have been wanting to test performance transfer in Seadance 2.5 since launch, now I have, I am really impressed by the results. I wrote a short script and recorded myself giving a rallying speech as an orc warlord, then fed this and an image of the orc into Seedance with this prompt "A cinematic close up of an orc warlord giving a rallying speech to his army of orcs. Transfer the performance, movement and audio from Video 1 onto the the character Image 1. Do not add any music" I didn't prompt the dialogue or performance in text. The first video you see is a a final cut of the video, the second is the final cut of the video with my video performance. As you can see it's not an exact like-for-like transfer of the performance and voice but more a interpretation by Seedance. It's made my amateur performance better IMHO, more fitting with the creator but retain the essence, nuance and context. So you don't have to feed in a long prompt to get good performance out of your AI actors you can just show them what you want with a video! I used Seedance Enterprise on bytedances lumina platform Lumina link in the comments!
0:33

I have been wanting to test performance transfer in Seadance 2.5 since launch, now I have, I am really impressed by the results. I wrote a short script and recorded myself giving a rallying speech as an orc warlord, then fed this and an image of the orc into Seedance with this prompt "A cinematic close up of an orc warlord giving a rallying speech to his army of orcs. Transfer the performance, movement and audio from Video 1 onto the the character Image 1. Do not add any music" I didn't prompt the dialogue or performance in text. The first video you see is a a final cut of the video, the second is the final cut of the video with my video performance. As you can see it's not an exact like-for-like transfer of the performance and voice but more a interpretation by Seedance. It's made my amateur performance better IMHO, more fitting with the creator but retain the essence, nuance and context. So you don't have to feed in a long prompt to get good performance out of your AI actors you can just show them what you want with a video! I used Seedance Enterprise on bytedances lumina platform Lumina link in the comments!

Uncanny Harry AI

23,517 görüntüleme • 1 ay önce

This level of entitlement shows no bounds... Inside a holding area, a male police officer confronted a handcuffed woman sitting on a bench. He asks her directly, "Why do you steal?" to which she adamantly demands that only female officers handle her case, yelling, "I want a woman to touch me. Woman only!" The male officer agrees to accommodate her request for a female officer but notes that she needs to wear a protective mesh hood first. He places a spit hood (a breathable fabric hood used by law enforcement to protect officers from being b!tten or spit on) over her head. ​A female officer enters to take over the interaction. The woman becomes significantly calmer with her, allowing the female officer to touch her hair and adjust the hood. During this time, the suspect launches into an aggressive verbal rant directed at the male officer, making highly personal insults and accusations regarding his personal life and consent. When the female officer asks her to stand up and walk to another room, the suspect refuses, claiming she cannot move because she is in handcuffs. She then k!cks out her leg at the female officer. ​Because of her physical non-compliance and lashing out, the male officer steps back in to physically lift and secure her. ​The suspect begins screaming and resisting, shouting at him to get his hands off of her. After the struggle, the woman ends up on the floor. The officers explain that they have to get her off the ground so she doesn't hit her head. The suspect openly states: "I don't trust any of them except the black guy." ​A Black officer steps over to assist her, prompting her to reiterate, "I hate white men," multiple times as they successfully lift her back up and continue the booking process. This clip perfectly captures the staggering level of entitlement and delusion some people carry into a jail cell. ​Despite being arrested for theft and actively fighting the booking process, she somehow believes she is in a position to demand a bespoke, customized booking experience. She flips seamlessly from hurling deeply personal, unhinged insults about consent at a male officer, to weaponizing raw racism the second a Black officer steps in to help her off the floor. ​The irony of a white woman screaming "I hate white men" and dropping blatant racial preferences while being restrained for kicking a female officer is as hypocritical as it is exhausting. It is a textbook display of a chaotic, entitled suspect trying—and completely failing—to dictate the rules to the very people holding the handcuffs.
2:23

This level of entitlement shows no bounds... Inside a holding area, a male police officer confronted a handcuffed woman sitting on a bench. He asks her directly, "Why do you steal?" to which she adamantly demands that only female officers handle her case, yelling, "I want a woman to touch me. Woman only!" The male officer agrees to accommodate her request for a female officer but notes that she needs to wear a protective mesh hood first. He places a spit hood (a breathable fabric hood used by law enforcement to protect officers from being b!tten or spit on) over her head. ​A female officer enters to take over the interaction. The woman becomes significantly calmer with her, allowing the female officer to touch her hair and adjust the hood. During this time, the suspect launches into an aggressive verbal rant directed at the male officer, making highly personal insults and accusations regarding his personal life and consent. When the female officer asks her to stand up and walk to another room, the suspect refuses, claiming she cannot move because she is in handcuffs. She then k!cks out her leg at the female officer. ​Because of her physical non-compliance and lashing out, the male officer steps back in to physically lift and secure her. ​The suspect begins screaming and resisting, shouting at him to get his hands off of her. After the struggle, the woman ends up on the floor. The officers explain that they have to get her off the ground so she doesn't hit her head. The suspect openly states: "I don't trust any of them except the black guy." ​A Black officer steps over to assist her, prompting her to reiterate, "I hate white men," multiple times as they successfully lift her back up and continue the booking process. This clip perfectly captures the staggering level of entitlement and delusion some people carry into a jail cell. ​Despite being arrested for theft and actively fighting the booking process, she somehow believes she is in a position to demand a bespoke, customized booking experience. She flips seamlessly from hurling deeply personal, unhinged insults about consent at a male officer, to weaponizing raw racism the second a Black officer steps in to help her off the floor. ​The irony of a white woman screaming "I hate white men" and dropping blatant racial preferences while being restrained for kicking a female officer is as hypocritical as it is exhausting. It is a textbook display of a chaotic, entitled suspect trying—and completely failing—to dictate the rules to the very people holding the handcuffs.

✨️Serenitee♡Sam✨️

91,806 görüntüleme • 3 ay önce

Made this video with GPT IMAGE 2 + seedance 2.5 via CapCut Prompt ⤵️ DURATION: 20 seconds ASPECT RATIO: 16:9 STYLE: Ultra-photorealistic live-action cinematic lifestyle vlog, premium commercial quality, natural human movement, realistic skin and hair, realistic clothing physics, soft cinematic lighting, subtle handheld camera feel, shallow depth of field, natural color grading. REFERENCE ASSIGNMENT: irene galbraith = FEMALE HERO / MAIN CHARACTER ĐI MДGĐ = BEDROOM / MORNING imogen = KITCHEN / BREAKFAST CurlyQ2 = WORK / DESK silvercoupe = OUTDOOR / CAFÉ @IMG6 = EVENING / NIGHT Use irene galbraith as the strict identity reference throughout the entire video. CHARACTER CONSISTENCY: The same woman must appear in every scene. Preserve her exact face, facial structure, eyes, nose, lips, hairstyle, skin tone, feminine body proportions and overall identity. Do not change her identity between scenes. 0–3 SECONDS — MORNING Start in the bedroom using ĐI MДGĐ. The woman wakes up naturally and sits on the edge of the bed. Soft morning sunlight enters through the window. She gently opens the curtains and looks toward the morning light. Camera begins with a medium-wide shot and smoothly pushes toward her. Peaceful morning atmosphere. 3–6 SECONDS — BREAKFAST Smooth cinematic transition to imogen. The same woman prepares a simple breakfast in the kitchen. She pours coffee or tea into a ceramic mug and places breakfast on the counter. Natural steam rises from the hot drink. She briefly looks toward the camera with a relaxed morning smile. Use a natural medium tracking shot. 6–10 SECONDS — WORK Transition to CurlyQ2. The same woman sits at her desk and works on her laptop. She types briefly, checks the screen and writes a few notes in her notebook. Natural productive expression. Camera moves slowly from a side angle toward a three-quarter view. Keep the environment realistic and calm. 10–14 SECONDS — OUTDOOR / CAFÉ Transition naturally to silvercoupe. The same woman leaves home and walks through a beautiful modern city street toward an outdoor café. Camera smoothly tracks backward while she walks toward it. She arrives at the café, places her handbag beside the table and sits down. She smiles naturally toward the camera. Warm daylight and realistic city background. 14–17 SECONDS — CAFÉ MOMENT Close cinematic shot. She picks up her coffee/drink and takes a relaxed sip. Subtle background movement from distant pedestrians. Natural handheld lifestyle-vlog feeling. 17–20 SECONDS — NIGHT Transition to @IMG6. The same woman is back home in her cozy bedroom at night. She places her phone on the bedside table and relaxes after the day. She looks toward the window at the city lights, then turns toward the camera with a small peaceful smile. Camera slowly pushes into a close-up. End on her calm expression with warm bedroom lighting and soft city-light bokeh. CUT TO BLACK. CAMERA PRIORITY: Keep the camera cinematic and natural. Use smooth tracking, gentle push-ins, medium shots, close-ups and subtle handheld movement. Avoid excessive camera shake. Keep the woman as the visual focus. Maintain realistic transitions between locations. FINAL RULES: Same female character throughout. Same face and identity throughout. Natural realistic human movement. Realistic lighting and shadows. Realistic clothing and hair movement. No face changes. No character duplication. No extra main characters. No cartoon or anime appearance. No fantasy effects. No excessive motion blur. No distorted hands. No text. No logos. No watermark. The overall feeling should be: A beautiful, realistic cinematic glimpse into one ordinary but aesthetically pleasing day in her life. Reference Image: Create a premium photorealistic female character reference sheet using the uploaded woman as the STRICT identity reference. Preserve her exact facial identity, facial structure, eyes, eyebrows, nose, lips, jawline, skin tone, natural skin texture, hairstyle and overall appearance. Create the same woman as a realistic modern lifestyle vlogger. Show her with natural feminine proportions and realistic anatomy. CHARACTER PRESENTATION: Create a clean professional character sheet containing: 1. Full-body front view 2. Full-body 3/4 view 3. Full-body side view 4. Back view 5. Close-up face portrait 6. Natural smiling expression 7. Neutral expression 8. Casual standing pose Keep the exact same woman in every view. CLOTHING: Use a simple modern casual lifestyle outfit suitable for a daily vlog: a clean neutral-colored fitted top, comfortable casual trousers or jeans, and simple everyday footwear. Keep the outfit realistic, modest and natural. STYLE: Ultra-photorealistic live-action photography, premium lifestyle commercial aesthetic, realistic skin texture, natural hair strands, realistic fabric, physically accurate anatomy, soft cinematic lighting, subtle depth of field, high-end photography, natural colors. The character should look like a real woman photographed for a professional lifestyle vlog. IDENTITY CONSISTENCY IS THE HIGHEST PRIORITY. Do not change her face. Do not change her hairstyle. Do not masculinize her. Do not make her look like a different person. Do not create an anime or cartoon appearance. No fantasy styling. No text. No logo. No watermark. Clean neutral studio background. This character reference will be used as the SAME FEMALE PROTAGONIST throughout a 20-second "A Day in Her Life" cinematic lifestyle vlog.
0:20

Made this video with GPT IMAGE 2 + seedance 2.5 via CapCut Prompt ⤵️ DURATION: 20 seconds ASPECT RATIO: 16:9 STYLE: Ultra-photorealistic live-action cinematic lifestyle vlog, premium commercial quality, natural human movement, realistic skin and hair, realistic clothing physics, soft cinematic lighting, subtle handheld camera feel, shallow depth of field, natural color grading. REFERENCE ASSIGNMENT: irene galbraith = FEMALE HERO / MAIN CHARACTER ĐI MДGĐ = BEDROOM / MORNING imogen = KITCHEN / BREAKFAST CurlyQ2 = WORK / DESK silvercoupe = OUTDOOR / CAFÉ @IMG6 = EVENING / NIGHT Use irene galbraith as the strict identity reference throughout the entire video. CHARACTER CONSISTENCY: The same woman must appear in every scene. Preserve her exact face, facial structure, eyes, nose, lips, hairstyle, skin tone, feminine body proportions and overall identity. Do not change her identity between scenes. 0–3 SECONDS — MORNING Start in the bedroom using ĐI MДGĐ. The woman wakes up naturally and sits on the edge of the bed. Soft morning sunlight enters through the window. She gently opens the curtains and looks toward the morning light. Camera begins with a medium-wide shot and smoothly pushes toward her. Peaceful morning atmosphere. 3–6 SECONDS — BREAKFAST Smooth cinematic transition to imogen. The same woman prepares a simple breakfast in the kitchen. She pours coffee or tea into a ceramic mug and places breakfast on the counter. Natural steam rises from the hot drink. She briefly looks toward the camera with a relaxed morning smile. Use a natural medium tracking shot. 6–10 SECONDS — WORK Transition to CurlyQ2. The same woman sits at her desk and works on her laptop. She types briefly, checks the screen and writes a few notes in her notebook. Natural productive expression. Camera moves slowly from a side angle toward a three-quarter view. Keep the environment realistic and calm. 10–14 SECONDS — OUTDOOR / CAFÉ Transition naturally to silvercoupe. The same woman leaves home and walks through a beautiful modern city street toward an outdoor café. Camera smoothly tracks backward while she walks toward it. She arrives at the café, places her handbag beside the table and sits down. She smiles naturally toward the camera. Warm daylight and realistic city background. 14–17 SECONDS — CAFÉ MOMENT Close cinematic shot. She picks up her coffee/drink and takes a relaxed sip. Subtle background movement from distant pedestrians. Natural handheld lifestyle-vlog feeling. 17–20 SECONDS — NIGHT Transition to @IMG6. The same woman is back home in her cozy bedroom at night. She places her phone on the bedside table and relaxes after the day. She looks toward the window at the city lights, then turns toward the camera with a small peaceful smile. Camera slowly pushes into a close-up. End on her calm expression with warm bedroom lighting and soft city-light bokeh. CUT TO BLACK. CAMERA PRIORITY: Keep the camera cinematic and natural. Use smooth tracking, gentle push-ins, medium shots, close-ups and subtle handheld movement. Avoid excessive camera shake. Keep the woman as the visual focus. Maintain realistic transitions between locations. FINAL RULES: Same female character throughout. Same face and identity throughout. Natural realistic human movement. Realistic lighting and shadows. Realistic clothing and hair movement. No face changes. No character duplication. No extra main characters. No cartoon or anime appearance. No fantasy effects. No excessive motion blur. No distorted hands. No text. No logos. No watermark. The overall feeling should be: A beautiful, realistic cinematic glimpse into one ordinary but aesthetically pleasing day in her life. Reference Image: Create a premium photorealistic female character reference sheet using the uploaded woman as the STRICT identity reference. Preserve her exact facial identity, facial structure, eyes, eyebrows, nose, lips, jawline, skin tone, natural skin texture, hairstyle and overall appearance. Create the same woman as a realistic modern lifestyle vlogger. Show her with natural feminine proportions and realistic anatomy. CHARACTER PRESENTATION: Create a clean professional character sheet containing: 1. Full-body front view 2. Full-body 3/4 view 3. Full-body side view 4. Back view 5. Close-up face portrait 6. Natural smiling expression 7. Neutral expression 8. Casual standing pose Keep the exact same woman in every view. CLOTHING: Use a simple modern casual lifestyle outfit suitable for a daily vlog: a clean neutral-colored fitted top, comfortable casual trousers or jeans, and simple everyday footwear. Keep the outfit realistic, modest and natural. STYLE: Ultra-photorealistic live-action photography, premium lifestyle commercial aesthetic, realistic skin texture, natural hair strands, realistic fabric, physically accurate anatomy, soft cinematic lighting, subtle depth of field, high-end photography, natural colors. The character should look like a real woman photographed for a professional lifestyle vlog. IDENTITY CONSISTENCY IS THE HIGHEST PRIORITY. Do not change her face. Do not change her hairstyle. Do not masculinize her. Do not make her look like a different person. Do not create an anime or cartoon appearance. No fantasy styling. No text. No logo. No watermark. Clean neutral studio background. This character reference will be used as the SAME FEMALE PROTAGONIST throughout a 20-second "A Day in Her Life" cinematic lifestyle vlog.

Elsa Ai

26,379 görüntüleme • 1 ay önce

Veo3 → Getting my absurdity fix. 30 dumb minutes to make this 😂 PROMPT STRUCTURE: [Scene description], [dialog], [character look], [tonality], [enviornment] PROMPT EXAMPLE: From the male barista’s perspective, a hand-held static shot captures a woman walking towards the counter and ordering simultaneously, ambient lighting that halos her form with soft glow. She says: “Skinny vanilla latte, no foam, extra hot, 8 pumps sugar-free vanilla, in a holiday cup — even though it’s July. Now!" Wearing: 50 year old woman dressed in Blonde bob, leopard print blouse, Louis Vuitton knockoff. Her voice: Loud, demanding, ready to Yelp. but she speaks really fast with a staten island accent. Environment: The Starbucks environment behind her remains modern and corporate with a view of the front door with black window panes. #google #veo3 #promptshare
1:14

Veo3 → Getting my absurdity fix. 30 dumb minutes to make this 😂 PROMPT STRUCTURE: [Scene description], [dialog], [character look], [tonality], [enviornment] PROMPT EXAMPLE: From the male barista’s perspective, a hand-held static shot captures a woman walking towards the counter and ordering simultaneously, ambient lighting that halos her form with soft glow. She says: “Skinny vanilla latte, no foam, extra hot, 8 pumps sugar-free vanilla, in a holiday cup — even though it’s July. Now!" Wearing: 50 year old woman dressed in Blonde bob, leopard print blouse, Louis Vuitton knockoff. Her voice: Loud, demanding, ready to Yelp. but she speaks really fast with a staten island accent. Environment: The Starbucks environment behind her remains modern and corporate with a view of the front door with black window panes. #google #veo3 #promptshare

Rory Flynn

56,950 görüntüleme • 1 yıl önce

One common question under this post is "How do hyenas mate, considering how strange the female genitalia is?" Let's go! Amongst hyenas, the female is the dominant sex and they typically control the mating process. The male approaches the female cautiously due to the potential for aggression. Yes, the female bullies the male most times. Anyways, he sniffs and licks her genital region to assess her receptivity. All these while, he will be showing submissive behaviour to avoid being dealt with. When the female is receptive, she adopts a special posture to facilitate mating. She stands still with her hind legs apart and lifts her tail to the side. She then retracts and inverts her elongated clitoris which looks like a penis. This process involves her pulling the clitoral tube back into her body, creating an opening that allows for penile insertion. This inversion essentially turns the clitoris inside out, creating a functional vagina for copulation. The male, upon sensing the female's readiness through her postural and behavioral cues, mounts her from behind. He then attempts to align his penis with the opening created by the inverted clitoris. This step requires precision and often involves several adjustments and attempts. The alignment of the male’s penis with the female’s pseudo-penis is difficult, leading to numerous failed attempts before successful mating occurs. The male often has to adjust his position multiple times. Some male even fall down due to exhaustion. In the video below, mating did not accur at all. If the male is lucky enough to achieve penetration, the mating act proceeds similarly to other mammals, with the male ejaculating into the female. Tainkyu ✌🏾
0:45

One common question under this post is "How do hyenas mate, considering how strange the female genitalia is?" Let's go! Amongst hyenas, the female is the dominant sex and they typically control the mating process. The male approaches the female cautiously due to the potential for aggression. Yes, the female bullies the male most times. Anyways, he sniffs and licks her genital region to assess her receptivity. All these while, he will be showing submissive behaviour to avoid being dealt with. When the female is receptive, she adopts a special posture to facilitate mating. She stands still with her hind legs apart and lifts her tail to the side. She then retracts and inverts her elongated clitoris which looks like a penis. This process involves her pulling the clitoral tube back into her body, creating an opening that allows for penile insertion. This inversion essentially turns the clitoris inside out, creating a functional vagina for copulation. The male, upon sensing the female's readiness through her postural and behavioral cues, mounts her from behind. He then attempts to align his penis with the opening created by the inverted clitoris. This step requires precision and often involves several adjustments and attempts. The alignment of the male’s penis with the female’s pseudo-penis is difficult, leading to numerous failed attempts before successful mating occurs. The male often has to adjust his position multiple times. Some male even fall down due to exhaustion. In the video below, mating did not accur at all. If the male is lucky enough to achieve penetration, the mating act proceeds similarly to other mammals, with the male ejaculating into the female. Tainkyu ✌🏾

Arojinle

113,573 görüntüleme • 2 yıl önce

A 19-euro tool just replaced 8,000 Meta employees. Here’s the exact workflow a TikTok creator used to build AI influencer videos from scratch — no camera, no team, no budget. Step 1. Open Pinterest. Search “Girl Self.” Save the image you like. Open Nanobanana Pro. Step 2. Swap the face using a single prompt. (Link at the bottom.) Step 3. Take your generated photo into Crust. Currently the easiest video-from-image tool on the market. Step 4. Create 3 nodes: reference image, text, video generator. Step 5. Drop your photo into the image node. Write a video prompt into the text field. This is what makes the photo move. Step 6. Connect the nodes. Text to text-in. Image to image-in. Select Kling 2.6. Set duration. Toggle sound. Step 7. Hit generate. 2 prompts. 1 AI girl. 0 employees. Meta spent $14B on Reality Labs last year to build digital humans. This creator built one in 7 minutes for less than a dinner. The prompts are free in the reply.
0:45

A 19-euro tool just replaced 8,000 Meta employees. Here’s the exact workflow a TikTok creator used to build AI influencer videos from scratch — no camera, no team, no budget. Step 1. Open Pinterest. Search “Girl Self.” Save the image you like. Open Nanobanana Pro. Step 2. Swap the face using a single prompt. (Link at the bottom.) Step 3. Take your generated photo into Crust. Currently the easiest video-from-image tool on the market. Step 4. Create 3 nodes: reference image, text, video generator. Step 5. Drop your photo into the image node. Write a video prompt into the text field. This is what makes the photo move. Step 6. Connect the nodes. Text to text-in. Image to image-in. Select Kling 2.6. Set duration. Toggle sound. Step 7. Hit generate. 2 prompts. 1 AI girl. 0 employees. Meta spent $14B on Reality Labs last year to build digital humans. This creator built one in 7 minutes for less than a dinner. The prompts are free in the reply.

RGK

188,100 görüntüleme • 3 ay önce

So Runway Gen 4.5 finally adds image-to-video, the workflow most pros rely on for consistency. We put it head to head with Kling AI and Google Flow VEO using the same reference images and prompts (below) to evaluate motion quality, stability, and cinematic realism. 1. Action/WaterPhysics Test Prompt: Cinematic, wide-shot of a man running in a shallow river. The camera is tracking the man from behind as he runs up the river. Handheld camera shake as the camera follows the man. 2. Fire Physics Test Prompt: Cinematic, wide-shot of terrified woman running towards her burning barn. She abruptly stops, and puts in hands on her head as she watches her barn burn down. 3. VFX test prompt: Cinematic, wide-shot of a hooded figure. Flashes of purple magic and smoke whirl around the figure. The figure lifts its arms as the purple magic and smoke intensifies. 4. 2D Animation Test Prompt: 2D animated shot of a waiting at a bus stop in a thunderstorm. The man turns, walks to the bench, and sits down. 5. 3D Animation Test Prompt: 3D animated shot of an octopus. The octopus reaches into a coral and picks up a glowing white gem. 6. Conversation Test Prompt: slow camera push-in as two friends are having a conversation at a coffee shop Overall verdict: Despite the “world’s best” claim, Runway Gen 4.5 is not there yet. Prompt adherence is solid, but motion, physics, and cinematic realism still lag behind tools like Kling and VEO. Great platform, mid-tier model for now.
0:47

So Runway Gen 4.5 finally adds image-to-video, the workflow most pros rely on for consistency. We put it head to head with Kling AI and Google Flow VEO using the same reference images and prompts (below) to evaluate motion quality, stability, and cinematic realism. 1. Action/WaterPhysics Test Prompt: Cinematic, wide-shot of a man running in a shallow river. The camera is tracking the man from behind as he runs up the river. Handheld camera shake as the camera follows the man. 2. Fire Physics Test Prompt: Cinematic, wide-shot of terrified woman running towards her burning barn. She abruptly stops, and puts in hands on her head as she watches her barn burn down. 3. VFX test prompt: Cinematic, wide-shot of a hooded figure. Flashes of purple magic and smoke whirl around the figure. The figure lifts its arms as the purple magic and smoke intensifies. 4. 2D Animation Test Prompt: 2D animated shot of a waiting at a bus stop in a thunderstorm. The man turns, walks to the bench, and sits down. 5. 3D Animation Test Prompt: 3D animated shot of an octopus. The octopus reaches into a coral and picks up a glowing white gem. 6. Conversation Test Prompt: slow camera push-in as two friends are having a conversation at a coffee shop Overall verdict: Despite the “world’s best” claim, Runway Gen 4.5 is not there yet. Prompt adherence is solid, but motion, physics, and cinematic realism still lag behind tools like Kling and VEO. Great platform, mid-tier model for now.

Curious Refuge

25,712 görüntüleme • 8 ay önce

"This is how GPT-4 sees and hears the human soul" I used GPT-4 to describe the human soul. Then I used its description to generate an image, a video based on this image, and a soundtrack. Tools I used: GPT-4, Midjourney, Kaiber AI, Mubert, RunwayML This is the description I used that GPT-4 had of the human soul as a prompt to text-to-image, image-to-video, and text-to-music. I put the video and sound together in RunwayML: "Imagine a translucent, radiant figure in the shape of a human body, composed of shimmering, colorful energy representing an individual's unique character and personality. This figure is surrounded by a soft, glowing aura that reflects the person's spiritual essence. Inside the figure's head, a small, luminous orb is suspended, symbolizing the seat of consciousness, self-awareness, and decision-making. This orb is connected to the rest of the radiant body by threads of light, representing the interplay between the physical and spiritual realms. The figure appears to be gently floating above the ground, evoking the eternal aspect of the soul and its ability to transcend the physical world. The background could feature various symbols or representations of the afterlife, reincarnation, or merging with a higher power, highlighting the diverse spiritual and religious beliefs about the soul's journey beyond the physical body."
0:59

"This is how GPT-4 sees and hears the human soul" I used GPT-4 to describe the human soul. Then I used its description to generate an image, a video based on this image, and a soundtrack. Tools I used: GPT-4, Midjourney, Kaiber AI, Mubert, RunwayML This is the description I used that GPT-4 had of the human soul as a prompt to text-to-image, image-to-video, and text-to-music. I put the video and sound together in RunwayML: "Imagine a translucent, radiant figure in the shape of a human body, composed of shimmering, colorful energy representing an individual's unique character and personality. This figure is surrounded by a soft, glowing aura that reflects the person's spiritual essence. Inside the figure's head, a small, luminous orb is suspended, symbolizing the seat of consciousness, self-awareness, and decision-making. This orb is connected to the rest of the radiant body by threads of light, representing the interplay between the physical and spiritual realms. The figure appears to be gently floating above the ground, evoking the eternal aspect of the soul and its ability to transcend the physical world. The background could feature various symbols or representations of the afterlife, reincarnation, or merging with a higher power, highlighting the diverse spiritual and religious beliefs about the soul's journey beyond the physical body."

Kris Kashtanova

465,347 görüntüleme • 3 yıl önce