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🧠Understanding rarely forms all at once. 🍀 nformation unfolds in layers through interaction. 🌐At DSJEX, structured presentation supports this natural process. 📊When information flows in sequence, clarity becomes easier to sustain. #DSJEX #BG #UserExperience #DigitalPlatform

27,036 Aufrufe • vor 4 Monaten •via X (Twitter)

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SHE IS PLAYING A PATTERN FOUND IN NATURE The Fibonacci sequence is a numerical pattern in which each number is the sum of the two before it: 1, 1, 2, 3, 5, 8, 13, 21… This sequence appears throughout nature in growth processes, spiral formations, branching systems, and proportional structures. While living systems do not always follow Fibonacci numbers perfectly, the underlying principle remains profound… Complex form often emerges through ordered relationships built from what came before. That same principle can be applied to rhythm. In music, timing is organized through recurring intervals, subdivisions, accents, and coordinated patterns that unfold through time. In drumming, this becomes especially remarkable because the brain and body must synchronize multiple limbs at once while maintaining a coherent rhythmic structure. When a drummer translates Fibonacci-based counting into performance, mathematics unfolds via movement. The numerical pattern becomes embodied timing. To do this, the nervous system must convert number into temporal spacing, temporal spacing into coordinated motion, and coordinated motion into sound. What makes this so powerful is that Fibonacci is a recursive structure, meaning that every new value emerges from the relationship between the previous two. That means the pattern carries memory, continuity, and expansion all at once. Rhythm works in a similar way. Each phrase is shaped by what came before it and by how it resolves into the next. So when Fibonacci logic is expressed through drumming, we are witnessing proportional growth translated into sound. The bottom line is that rhythm, mathematics, and biological coordination are far more interconnected than most people realize. This is a beautiful example of how numerical order can be felt, heard, and embodied as music. Did this expand your consciousness? ✨🙌🏾💫

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Hello everyone. I've been working every day on my port of Mega Man II SNES 16-BIT. I'd like to showcase the following video, what I have to do in order for the giant BG fish in Bubble Man's stage, to disappear in 16-BIT mode. I like how in Mega Man X, a defeated enemy will have it's image fluctuate from being present on the screen, to not being present on the screen during it's destruction, this happens every other frame. I needed to do something like that in my situation, since I'm using multiple BG layers, and if I simply do what the original 1988 version does, a simple palette fade to blue like the water, the bg image of the fish will still be present. So I've had to create alot of custom asm for the destruction, and non drawing, of the defeated giant bg fish. 1: create new death sequence by modifying the tilemap where the giant fish is located, and alternate it's tileset via a DMA buffer with it's tiles in 1 frame, and blank tiles in another frame 2: at the end of the death sequence, create a flag in ram indicating one of the bg giant fish (there are 2) has been defeated 3: modify the games level construction engine, to read against defeated fish flag to see if it's set, if not, allow the original 16x16 blocks to be drawn, it set, bypass the original 16x16 blocks for bg giant fish and replace with a blank 16x16 block 4: clear defeated bg fish flags when you get a game over, or when bubble man is defeated All of that I've had to code, just for that, heh.

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