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“Videodrome” (1983), directed by David Cronenberg, is a surreal exploration of technology, media, and the human body. Set in a dystopian world where television broadcasts can alter reality, it delves deep into the dark intersection between violence, desire, and control. 📺🧠 The story follows Max Renn, a TV executive... who discovers a mysterious broadcast signal known as “Videodrome.” As he becomes obsessed with uncovering its source, he begins to experience disturbing hallucinations that blur the line between flesh and machine. The film’s visceral imagery and philosophical undertones make it a landmark in body horror cinema. 💀📡 Videodrome remains one of Cronenberg’s most thought-provoking works, predicting the dangers of media addiction and technological manipulation long before the digital age. 🔌👁️show more

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in 1983 - James Woods starred in the movie Videodrome. "As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought." this was an early look into the sick world of "snuff films" - and what would later become the dark web.

in 1983 - James Woods starred in the movie Videodrome. "As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought." this was an early look into the sick world of "snuff films" - and what would later become the dark web.

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Happy 83rd birthday, David Cronenberg! David Cronenberg on why his movies are body centric: "I have this deep pool of imagery that I keep fishing in and it’s just there for whatever reason. My films are body centric. For me, the first fact of human existence is the body and the further we move away from the human body the less real things become and have to be invented by us. Maybe the body is the only fact of human existence that we can cling to. And yet it seems to be much ignored in movie making, although maybe not in art generally. One thinks of a lot of strange, interesting performance artists and painters like Francis Bacon. But in movie making there still seems to be this flight from the body in a weird way." (Cronenberg's interview with Richard Porton, Cineaste, 1999) Clip from: Videodrome (1983) Director: David Cronenberg

Happy 83rd birthday, David Cronenberg! David Cronenberg on why his movies are body centric: "I have this deep pool of imagery that I keep fishing in and it’s just there for whatever reason. My films are body centric. For me, the first fact of human existence is the body and the further we move away from the human body the less real things become and have to be invented by us. Maybe the body is the only fact of human existence that we can cling to. And yet it seems to be much ignored in movie making, although maybe not in art generally. One thinks of a lot of strange, interesting performance artists and painters like Francis Bacon. But in movie making there still seems to be this flight from the body in a weird way." (Cronenberg's interview with Richard Porton, Cineaste, 1999) Clip from: Videodrome (1983) Director: David Cronenberg

DepressedBergman

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Fire and Ice (1983) is a heroic fantasy animated film directed by Ralph Bakshi, with visual art and character design by the legendary Frank Frazetta. Set in a primitive world on the brink of a new ice age, the story follows the conflict between the evil sorcerer Nekron and the kingdoms of fire, as the young warrior Larn joins the mysterious Teegra and the enigmatic Darkwolf to stop his advance. Featuring animation created through rotoscoping and an aesthetic that brings Frazetta’s painterly style to the screen, it is a cult classic that blends violence, epic scope, and dark fantasy very much in the spirit of the 80s. 🔥🧊🗡️ Ralph Bakshi Frank Frazetta

Fire and Ice (1983) is a heroic fantasy animated film directed by Ralph Bakshi, with visual art and character design by the legendary Frank Frazetta. Set in a primitive world on the brink of a new ice age, the story follows the conflict between the evil sorcerer Nekron and the kingdoms of fire, as the young warrior Larn joins the mysterious Teegra and the enigmatic Darkwolf to stop his advance. Featuring animation created through rotoscoping and an aesthetic that brings Frazetta’s painterly style to the screen, it is a cult classic that blends violence, epic scope, and dark fantasy very much in the spirit of the 80s. 🔥🧊🗡️ Ralph Bakshi Frank Frazetta

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Videodrome (1983) 🕯️📹 Released on February 4, 1983, “Videodrome” faced a difficult theatrical run due to its transgressive content but eventually found a massive second life through home video and high-quality restorations. The film opened in 600 theaters across North America. It debuted at number 8 on the box office charts, earning approximately $1.19 million in its opening weekend. It was a significant commercial "bomb," grossing a total of $2.12 million against a budget of roughly $5.95 million. Director David Cronenberg noted that the film was difficult to categorize, neither fitting clearly as an "art-house" film nor a standard "exploitation" horror flick. Universal Pictures executives later expressed regret for giving it a wide release rather than treating it as a specialized art film. Home video was instrumental in transitioning “Videodrome” from a financial failure to a revered cult classic. The film was released on VHS and Betamax in the 1980s by companies like CIC Video. In the UK, early versions were heavily censored—cut by nearly three minutes—due to the "video nasty" moral panic of the era. The film's critical status was cemented with its inclusion in the Criterion Collection, which released a landmark DVD in 2004 and a Blu-ray in 2010. These editions featured the "unrated" version and extensive documentaries on its groundbreaking prosthetic effects. Arrow Video released a highly praised dual-format (Blu-ray/DVD) set in the UK with new restorations and archival content in 2015. New 4K restorations, approved by Cronenberg, were released to theaters and home media, further enhancing the film's "techno-surrealist" visuals for modern audiences. Today, the film is widely available for digital streaming on platforms like Peacock and for purchase through boutique labels.

Videodrome (1983) 🕯️📹 Released on February 4, 1983, “Videodrome” faced a difficult theatrical run due to its transgressive content but eventually found a massive second life through home video and high-quality restorations. The film opened in 600 theaters across North America. It debuted at number 8 on the box office charts, earning approximately $1.19 million in its opening weekend. It was a significant commercial "bomb," grossing a total of $2.12 million against a budget of roughly $5.95 million. Director David Cronenberg noted that the film was difficult to categorize, neither fitting clearly as an "art-house" film nor a standard "exploitation" horror flick. Universal Pictures executives later expressed regret for giving it a wide release rather than treating it as a specialized art film. Home video was instrumental in transitioning “Videodrome” from a financial failure to a revered cult classic. The film was released on VHS and Betamax in the 1980s by companies like CIC Video. In the UK, early versions were heavily censored—cut by nearly three minutes—due to the "video nasty" moral panic of the era. The film's critical status was cemented with its inclusion in the Criterion Collection, which released a landmark DVD in 2004 and a Blu-ray in 2010. These editions featured the "unrated" version and extensive documentaries on its groundbreaking prosthetic effects. Arrow Video released a highly praised dual-format (Blu-ray/DVD) set in the UK with new restorations and archival content in 2015. New 4K restorations, approved by Cronenberg, were released to theaters and home media, further enhancing the film's "techno-surrealist" visuals for modern audiences. Today, the film is widely available for digital streaming on platforms like Peacock and for purchase through boutique labels.

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On this day, 43 years ago, David Cronenberg's 'Videodrome' (1983) was released in the USA & Canada. Here is David Cronenberg explaining how he got the inspiration to make 'Videodrome' (1983): "'Videodrome' came out of two things, I suppose. The first was remembering, as a kid, watching TV late at night, and of course it was black and white television, and when all the regular stations would go off the air you could get these distant, strange stations that were probably all American. The airwaves would be quiet, so you could pick up and we had a rotating antennae, you know, so we could rotate the antennae on our house and get this stuff. But they were always very bad images, and they would fade in and out, and where they came from and what they were was very mysterious. That was many years before I was making movies, I was probably fourteen or fifteen or sixteen. Anyway, these create strange late-night channels, plus bits of Marshall McLuhan, plus I have no idea what, combined to the initial premise that someone been rented, but it had sand-blasted brick in the Toronto style and beams. And there was nothing in the room but a table, a chair and an IBM Selectric, that was it. It was quite a big room, and I was just in the middle of it and I would go there every day and write. And that’s where I wrote 'Videodrome', I can remember that, but I don’t remember any more of the details other than just the normal way that things accumulate around a central concept. receives images on his television set that are fascinating to him, and seem to have an element of danger which makes them more fascinating. I don’t even think I knew, at the time that I started writing, that I would be examining the influence of television or that I would create a character based on Marshall McLuhan [O’Blivion], none of that was really in my mind to begin with. And I can’t really remember how I proposed this to the guys at Film Plan. It was the same thing, you know, the tax money was coming in, they wanted to do another movie, Pierre David and Victor Solnicki. I remember renting a room right across the hall from where Ron Sanders was editing, it was downtown near the waterfront. It was in an old building that had been rented, but it had sand-blasted brick in the Toronto style and beams. And there was nothing in the room but a table, a chair and an IBM Selectric, that was it. It was quite a big room, and I was just in the middle of it and I would go there every day and write. And that’s where I wrote Videodrome, I can remember that, but I don’t remember any more of the details other than just the normal way that things accumulate around a central concept." ('David Cronenberg: Interviews with Serge Grünberg', 2000)

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WHY IS SANSKRIT KNOWN AS THE LANGUAGE OF THE GODS? Sanskrit is not just a language—it is a vibrational science. Rooted in deep phonetic precision, each syllable carries specific harmonic resonances that interact with the body, mind, and the fabric of reality. Unlike most modern languages, which are primarily symbolic in function, Sanskrit is considered a "vibrational language," where the sound of each word has a direct energetic impact. Sanskrit operates as both a language and a technology—a bridge between the seen and the unseen, the inner world and the greater cosmos. Whether through recitation, chanting, or silent contemplation, the resonance of Sanskrit has the power to transform perception, heal the body, and elevate consciousness to its highest potential. ~ Robert Edward Grant ✨🙌🏾💫 Video © 21stcenturyIndian

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Yesterday, Lue Elizondo did a Q&A on X, and when he was asked about the connection between the phenomenon, the ancient Nephilim, and giants, he said that he was well aware of the stories, as he himself served in Afghanistan and the Middle East. This means that the story about the encounter with the red-haired giant in the desert in Kandahar really circulated among the soldiers and is not a made-up story by the media. The story goes that the red-haired giant emerged from a cave and neutralized one of the soldiers with his spear before he was taken down with heavy gunfire. The giant was clothed as if he were from the Bronze Age. Funny enough, the last time a giant was mentioned in the Bible was during the battle of David and Goliath in the Bronze Age.

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#LIK Synopsis👌: "In a world where everything can be insured, a company dares to insure love. An app predicts heartbreak and controls relationships through calculated risk. The voice behind it believes love is just data until he feels it himself. When the system flags his own relationship as a failure, it begins pulling them apart. He discovers the app doesn’t just predict love it manipulates it. Now, he must choose between the system the whole world believes in set in 2040 and the heart and the purest form of love he can’t silence"

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This seems like a conversation between two comedians, but really it’s a deep reflection of the fundamental difference between the Aryan and the Jew. Norm Macdonald- “Life is what is not what we think it is.” As in reality is what matters not perception. Jerry Seinfeld- “I would say it’s the exact opposite.” As in perception is what matters not reality. The Aryan has long believed that life/ nature has come with a certain set of rules and we are to learn from those rules. That is the foundation of western thought. We observe the world as it is. The Jew believes that he can create his own reality. Create the world the way he wishes to see it, as he does with social science professors and Hollywood. This is why the Aryan pushes for what he sees as “normal.” 2 parent relationships, strong male Leadership, etc. while the Jew pushes for transgenderism, homosexuality, multiculturalism.

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𝐂𝐚𝐬𝐮𝐚𝐥 𝐔𝐥𝐭𝐫𝐚 𝐎𝐟𝐟𝐢𝐜𝐢𝐚𝐥

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According to Bentov, consciousness evolves to the 'absolute' which is the source of all consciousness. Matter, composed of quanta of energy, is the vibrating, changing component of pure consciousness. The absolute is fixed, manifest and invisible. Bentov proposed that the brain acts as a transducer, converting the energy of consciousness into the electrical and chemical signals that are used to communicate information within the body. He also believed that the brain has the ability to tune into different frequencies of consciousness, allowing individuals to experience different states of awareness. Bentov's theory is based on the idea that consciousness is a fundamental aspect of the universe and is not limited to the brain or the body. He argued that consciousness is non-local, meaning it is not bound by space and time and can exist independently of the physical body. Bentov's theory has been influential in the field of consciousness studies, but it remains a subject of debate and is not widely accepted by mainstream science.

According to Bentov, consciousness evolves to the 'absolute' which is the source of all consciousness. Matter, composed of quanta of energy, is the vibrating, changing component of pure consciousness. The absolute is fixed, manifest and invisible. Bentov proposed that the brain acts as a transducer, converting the energy of consciousness into the electrical and chemical signals that are used to communicate information within the body. He also believed that the brain has the ability to tune into different frequencies of consciousness, allowing individuals to experience different states of awareness. Bentov's theory is based on the idea that consciousness is a fundamental aspect of the universe and is not limited to the brain or the body. He argued that consciousness is non-local, meaning it is not bound by space and time and can exist independently of the physical body. Bentov's theory has been influential in the field of consciousness studies, but it remains a subject of debate and is not widely accepted by mainstream science.

Vicky Verma

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"THE SWIMMER [1968] is a surreal, unsettling, and highly stylized masterpiece, featuring an unforgettable performance by Burt Lancaster, and directed by Frank Perry. It is based on the 1964 short story of the same title by author John Cheever. It follows a man’s delusional journey across suburban pools, which serves as a profound allegory for the decline of the American Dream, personal failure, and the loss of youth. A "suburban odyssey" that blends a dreamy, sunny aesthetic with dark, psychological undercurrents, it acts as a blistering satire of upper-middle class affluence, vanity and denial. The film is known for its dream-like, sometimes disjointed narrative, with some viewers seeing it as an interpretation of the descent into Hell."

"THE SWIMMER [1968] is a surreal, unsettling, and highly stylized masterpiece, featuring an unforgettable performance by Burt Lancaster, and directed by Frank Perry. It is based on the 1964 short story of the same title by author John Cheever. It follows a man’s delusional journey across suburban pools, which serves as a profound allegory for the decline of the American Dream, personal failure, and the loss of youth. A "suburban odyssey" that blends a dreamy, sunny aesthetic with dark, psychological undercurrents, it acts as a blistering satire of upper-middle class affluence, vanity and denial. The film is known for its dream-like, sometimes disjointed narrative, with some viewers seeing it as an interpretation of the descent into Hell."

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At one point in our episode with billΞ.eth, we went down a bit of a dystopian rabbit hole. The conversation started with creativity, AI, and the speed at which ideas can now become real, but quickly moved into a bigger question: what happens when the world around us becomes easier to generate, manipulate, and personalize? Billy reflected on a future where AI does not just help us create faster, but begins to reshape how we experience reality itself. The line between imagination, media, identity, and environment starts getting thinner, and that creates both incredible possibilities and very real risks.

At one point in our episode with billΞ.eth, we went down a bit of a dystopian rabbit hole. The conversation started with creativity, AI, and the speed at which ideas can now become real, but quickly moved into a bigger question: what happens when the world around us becomes easier to generate, manipulate, and personalize? Billy reflected on a future where AI does not just help us create faster, but begins to reshape how we experience reality itself. The line between imagination, media, identity, and environment starts getting thinner, and that creates both incredible possibilities and very real risks.

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Time Masters (1982), directed by René Laloux, is a French animated sci-fi film known for its surreal visuals designed by iconic artist Mœbius ✨ The story follows a young boy named Piel who is stranded on a dangerous alien planet after his parents are killed. While he tries to survive, a group of space travelers races across the galaxy to rescue him, uncovering strange worlds and deep mysteries along the way 👽 A cult classic in European animation, it blends space adventure with philosophical undertones. If you liked Fantastic Planet, this one’s a must-watch 🍿

Time Masters (1982), directed by René Laloux, is a French animated sci-fi film known for its surreal visuals designed by iconic artist Mœbius ✨ The story follows a young boy named Piel who is stranded on a dangerous alien planet after his parents are killed. While he tries to survive, a group of space travelers races across the galaxy to rescue him, uncovering strange worlds and deep mysteries along the way 👽 A cult classic in European animation, it blends space adventure with philosophical undertones. If you liked Fantastic Planet, this one’s a must-watch 🍿

Heavy Metal

28,686 Aufrufe • vor 8 Monaten

Time Masters (1982), directed by René Laloux, is a French animated sci-fi film known for its surreal visuals designed by iconic artist Mœbius ✨ The story follows a young boy named Piel who is stranded on a dangerous alien planet after his parents are killed. While he tries to survive, a group of space travelers races across the galaxy to rescue him, uncovering strange worlds and deep mysteries along the way 👽 A cult classic in European animation, it blends space adventure with philosophical undertones. If you liked Fantastic Planet, this one’s a must-watch 🍿

Time Masters (1982), directed by René Laloux, is a French animated sci-fi film known for its surreal visuals designed by iconic artist Mœbius ✨ The story follows a young boy named Piel who is stranded on a dangerous alien planet after his parents are killed. While he tries to survive, a group of space travelers races across the galaxy to rescue him, uncovering strange worlds and deep mysteries along the way 👽 A cult classic in European animation, it blends space adventure with philosophical undertones. If you liked Fantastic Planet, this one’s a must-watch 🍿

Heavy Metal

24,039 Aufrufe • vor 1 Jahr

Clint Eastwood 🎩🪄 High Plains Drifter (1973) One of the most unique Westerns ever made. Part revenge tale, part mystery, part ghost story, it blurs the line between Western, thriller, and horror in a way few films ever have. The eerie ending still sparks debate: was the Stranger a man, a ghost, or something in between? Directed by and starring Clint Eastwood, High Plains Drifter remains one of his boldest films, proving a Western could be unsettling, supernatural, and unforgettable all at once. A haunting classic that lingers long after the final scene.

Clint Eastwood 🎩🪄 High Plains Drifter (1973) One of the most unique Westerns ever made. Part revenge tale, part mystery, part ghost story, it blurs the line between Western, thriller, and horror in a way few films ever have. The eerie ending still sparks debate: was the Stranger a man, a ghost, or something in between? Directed by and starring Clint Eastwood, High Plains Drifter remains one of his boldest films, proving a Western could be unsettling, supernatural, and unforgettable all at once. A haunting classic that lingers long after the final scene.

Music Jim 🎩🪄

40,513 Aufrufe • vor 1 Monat