Video wird geladen...

Video konnte nicht geladen werden

Beim Laden dieses Videos ist ein Problem aufgetreten. Dies könnte an einem vorübergehenden Netzwerkproblem liegen oder das Video ist möglicherweise nicht verfügbar.

ViPE: Video Pose Engine for 3D Geometric Perception Contributions: • A robust and efficient framework, ViPE, for estimating camera parameters and dense depth from diverse, in-the-wild videos. • A system design that integrates the strengths of classical SLAM (efficiency, scalability) and learned models (robustness), with key improvements in efficiency,... show more

MrNeRF

16,882 subscribers

42,646 Aufrufe • vor 1 Jahr •via X (Twitter)

Wissenschaft & Technologie Bildung

Anya Rossi• Live Now

Private livecam show

2 Kommentare

Profilbild von MrNeRF

MrNeRFvor 1 Jahr

Paper (pdf): Project: Code (Apache 2.0):

Profilbild von Daniel Lichy

Daniel Lichyvor 1 Jahr

Does it compare to any classical SLAM or SfM frameworks?

Ähnliche Videos

This seemingly obvious prediction didn't take long to become reality. MASt3R-SLAM: Real-Time Dense SLAM with 3D Reconstruction Priors Contributions: • The first real-time SLAM system using the two-view 3D reconstruction prior MASt3R [20] as a foundation. • Efficient techniques for pointmap matching, tracking and local fusion, graph construction and loop closure, and second-order global optimization. • A state-of-the-art dense SLAM system capable of handling generic, time-varying camera models. Abstract: We present a real-time monocular dense SLAM system, designed from the ground up using MASt3R, a two-view 3D reconstruction and matching prior. Equipped with this strong prior, our system remains robust on in-the-wild video sequences, making no assumptions on a fixed or parametric camera model beyond a unique camera center. Key features include: - Efficient methods for pointmap matching, camera tracking, and local fusion - Graph construction and loop closure - Second-order global optimization With known calibration, a simple modification achieves state-of-the-art performance across various benchmarks. Altogether, we propose a plug-and-play monocular SLAM system capable of producing globally-consistent poses and dense geometry while operating at 15 FPS.

This seemingly obvious prediction didn't take long to become reality. MASt3R-SLAM: Real-Time Dense SLAM with 3D Reconstruction Priors Contributions: • The first real-time SLAM system using the two-view 3D reconstruction prior MASt3R [20] as a foundation. • Efficient techniques for pointmap matching, tracking and local fusion, graph construction and loop closure, and second-order global optimization. • A state-of-the-art dense SLAM system capable of handling generic, time-varying camera models. Abstract: We present a real-time monocular dense SLAM system, designed from the ground up using MASt3R, a two-view 3D reconstruction and matching prior. Equipped with this strong prior, our system remains robust on in-the-wild video sequences, making no assumptions on a fixed or parametric camera model beyond a unique camera center. Key features include: - Efficient methods for pointmap matching, camera tracking, and local fusion - Graph construction and loop closure - Second-order global optimization With known calibration, a simple modification achieves state-of-the-art performance across various benchmarks. Altogether, we propose a plug-and-play monocular SLAM system capable of producing globally-consistent poses and dense geometry while operating at 15 FPS.

MrNeRF

29,974 Aufrufe • vor 1 Jahr

The team at NVIDIA AI Developer really nailed it with ViPE!! This SLAM system generated pose, depth, point clouds, etc, in a few seconds! Now to get the output to work with GEN3C... If you are interested in running this yourself, it took about 5 minutes to get up and running from scratch.

The team at NVIDIA AI Developer really nailed it with ViPE!! This SLAM system generated pose, depth, point clouds, etc, in a few seconds! Now to get the output to work with GEN3C... If you are interested in running this yourself, it took about 5 minutes to get up and running from scratch.

Jonathan Stephens

34,947 Aufrufe • vor 1 Jahr

Introducing 👀Stereo4D👀 A method for mining 4D from internet stereo videos. It enables large-scale, high-quality, dynamic, *metric* 3D reconstructions, with camera poses and long-term 3D motion trajectories. We used Stereo4D to make a dataset of over 100k real-world 4D scenes.

Introducing 👀Stereo4D👀 A method for mining 4D from internet stereo videos. It enables large-scale, high-quality, dynamic, metric 3D reconstructions, with camera poses and long-term 3D motion trajectories. We used Stereo4D to make a dataset of over 100k real-world 4D scenes.

Linyi Jin

94,779 Aufrufe • vor 1 Jahr

"DVD: Dynamic Video Depth" TL;DR: Recovers temporally consistent depth from monocular videos using diffusion priors + geometric constraints, handling dynamic scenes and motion robustly.

"DVD: Dynamic Video Depth" TL;DR: Recovers temporally consistent depth from monocular videos using diffusion priors + geometric constraints, handling dynamic scenes and motion robustly.

Alexandre Morgand

11,823 Aufrufe • vor 7 Monaten

🚀 Meta FAIR is releasing several new research artifacts on our road to advanced machine intelligence (AMI). These latest advancements are transforming our understanding of perception. 1️⃣ Meta Perception Encoder: A large-scale vision encoder that excels across several image & video tasks. 2️⃣ Meta Perception Language Model: A fully open & reproducible vision-language model designed to tackle visual recognition tasks. 3️⃣ Meta Locate 3D: An end-to-end model for accurate object localization in 3D environments. 4️⃣ Releasing model weights for our 8B-parameter Dynamic Byte Latent Transformer, an alternative to traditional tokenization methods with the potential to redefine the standards for language model efficiency and reliability. 5️⃣Collaborative Reasoner: A framework for evaluating & improving collaborative reasoning skills in language models. Download the code, datasets, and research papers and learn more about how these artifacts are paving the way for more efficient and accurate AI systems.➡️

🚀 Meta FAIR is releasing several new research artifacts on our road to advanced machine intelligence (AMI). These latest advancements are transforming our understanding of perception. 1️⃣ Meta Perception Encoder: A large-scale vision encoder that excels across several image & video tasks. 2️⃣ Meta Perception Language Model: A fully open & reproducible vision-language model designed to tackle visual recognition tasks. 3️⃣ Meta Locate 3D: An end-to-end model for accurate object localization in 3D environments. 4️⃣ Releasing model weights for our 8B-parameter Dynamic Byte Latent Transformer, an alternative to traditional tokenization methods with the potential to redefine the standards for language model efficiency and reliability. 5️⃣Collaborative Reasoner: A framework for evaluating & improving collaborative reasoning skills in language models. Download the code, datasets, and research papers and learn more about how these artifacts are paving the way for more efficient and accurate AI systems.➡️

AI at Meta

163,663 Aufrufe • vor 1 Jahr

Introducing HO-Cap: A Capture System and Dataset for 3D Reconstruction and Pose Tracking of Hand-Object Interaction. We built a multi-camera system and a semi-automatic method for annotating the shape and pose of hands and objects Project page:

Introducing HO-Cap: A Capture System and Dataset for 3D Reconstruction and Pose Tracking of Hand-Object Interaction. We built a multi-camera system and a semi-automatic method for annotating the shape and pose of hands and objects Project page:

Yu Xiang

57,588 Aufrufe • vor 1 Jahr

Progressively Optimized Local Radiance Fields for Robust View Synthesis paper page: present an algorithm for reconstructing the radiance field of a large-scale scene from a single casually captured video. The task poses two core challenges. First, most existing radiance field reconstruction approaches rely on accurate pre-estimated camera poses from Structure-from-Motion algorithms, which frequently fail on in-the-wild videos. Second, using a single, global radiance field with finite representational capacity does not scale to longer trajectories in an unbounded scene. For handling unknown poses, we jointly estimate the camera poses with radiance field in a progressive manner. We show that progressive optimization significantly improves the robustness of the reconstruction. For handling large unbounded scenes, we dynamically allocate new local radiance fields trained with frames within a temporal window. This further improves robustness (e.g., performs well even under moderate pose drifts) and allows us to scale to large scenes. Our extensive evaluation on the Tanks and Temples dataset and our collected outdoor dataset, Static Hikes, show that our approach compares favorably with the state-of-the-art.

Progressively Optimized Local Radiance Fields for Robust View Synthesis paper page: present an algorithm for reconstructing the radiance field of a large-scale scene from a single casually captured video. The task poses two core challenges. First, most existing radiance field reconstruction approaches rely on accurate pre-estimated camera poses from Structure-from-Motion algorithms, which frequently fail on in-the-wild videos. Second, using a single, global radiance field with finite representational capacity does not scale to longer trajectories in an unbounded scene. For handling unknown poses, we jointly estimate the camera poses with radiance field in a progressive manner. We show that progressive optimization significantly improves the robustness of the reconstruction. For handling large unbounded scenes, we dynamically allocate new local radiance fields trained with frames within a temporal window. This further improves robustness (e.g., performs well even under moderate pose drifts) and allows us to scale to large scenes. Our extensive evaluation on the Tanks and Temples dataset and our collected outdoor dataset, Static Hikes, show that our approach compares favorably with the state-of-the-art.

AK

140,624 Aufrufe • vor 3 Jahren

Introducing MegaSaM! 🎥 Accurate, fast, & robust structure + camera estimation from casual monocular videos of dynamic scenes! MegaSaM outputs camera parameters and consistent video depth, scaling to long videos with unconstrained camera paths and complex scene dynamics!

Introducing MegaSaM! 🎥 Accurate, fast, & robust structure + camera estimation from casual monocular videos of dynamic scenes! MegaSaM outputs camera parameters and consistent video depth, scaling to long videos with unconstrained camera paths and complex scene dynamics!

Zhengqi Li

57,067 Aufrufe • vor 1 Jahr

LongSplat: Robust Unposed 3D Gaussian Splatting for Casual Long Videos Contributions: • An incremental joint optimization approach for simultaneous camera pose and 3DGS reconstruction, reducing local minima and ensuring global consistency. • A robust pose estimation module leveraging learned 3D priors for accurate camera pose estimation. • An adaptive Octree Anchor Formation strategy that significantly reduces memory usage while preserving reconstruction quality.

LongSplat: Robust Unposed 3D Gaussian Splatting for Casual Long Videos Contributions: • An incremental joint optimization approach for simultaneous camera pose and 3DGS reconstruction, reducing local minima and ensuring global consistency. • A robust pose estimation module leveraging learned 3D priors for accurate camera pose estimation. • An adaptive Octree Anchor Formation strategy that significantly reduces memory usage while preserving reconstruction quality.

MrNeRF

36,266 Aufrufe • vor 1 Jahr

Magic123: One Image to High-Quality 3D Object Generation Using Both 2D and 3D Diffusion Priors paper page: present Magic123, a two-stage coarse-to-fine approach for high-quality, textured 3D meshes generation from a single unposed image in the wild using both2D and 3D priors. In the first stage, we optimize a neural radiance field to produce a coarse geometry. In the second stage, we adopt a memory-efficient differentiable mesh representation to yield a high-resolution mesh with a visually appealing texture. In both stages, the 3D content is learned through reference view supervision and novel views guided by a combination of 2D and 3D diffusion priors. We introduce a single trade-off parameter between the 2D and 3D priors to control exploration (more imaginative) and exploitation (more precise) of the generated geometry. Additionally, we employ textual inversion and monocular depth regularization to encourage consistent appearances across views and to prevent degenerate solutions, respectively. Magic123 demonstrates a significant improvement over previous image-to-3D techniques, as validated through extensive experiments on synthetic benchmarks and diverse real-world images.

Magic123: One Image to High-Quality 3D Object Generation Using Both 2D and 3D Diffusion Priors paper page: present Magic123, a two-stage coarse-to-fine approach for high-quality, textured 3D meshes generation from a single unposed image in the wild using both2D and 3D priors. In the first stage, we optimize a neural radiance field to produce a coarse geometry. In the second stage, we adopt a memory-efficient differentiable mesh representation to yield a high-resolution mesh with a visually appealing texture. In both stages, the 3D content is learned through reference view supervision and novel views guided by a combination of 2D and 3D diffusion priors. We introduce a single trade-off parameter between the 2D and 3D priors to control exploration (more imaginative) and exploitation (more precise) of the generated geometry. Additionally, we employ textual inversion and monocular depth regularization to encourage consistent appearances across views and to prevent degenerate solutions, respectively. Magic123 demonstrates a significant improvement over previous image-to-3D techniques, as validated through extensive experiments on synthetic benchmarks and diverse real-world images.

AK

305,749 Aufrufe • vor 3 Jahren

We have seen a lot of legged robots doing navigation in the wild. But how about mobile manipulation in the wild? I have been pushing the direction of learning a unified, efficient, and dynamic 3D representation of scenes (for navigation) and objects (for manipulation) for the past two years. And now we have GeFF --- our large-scale, generalizable feature field, that combines the speed of a feed-forward neural network with the rich semantics from Foundation Models, to handle dynamically changing scenes, and enable open-ended, language-grounded scene and object understanding.

We have seen a lot of legged robots doing navigation in the wild. But how about mobile manipulation in the wild? I have been pushing the direction of learning a unified, efficient, and dynamic 3D representation of scenes (for navigation) and objects (for manipulation) for the past two years. And now we have GeFF --- our large-scale, generalizable feature field, that combines the speed of a feed-forward neural network with the rich semantics from Foundation Models, to handle dynamically changing scenes, and enable open-ended, language-grounded scene and object understanding.

Xiaolong Wang

43,093 Aufrufe • vor 2 Jahren

Meta presents Sapiens Foundation for Human Vision Models discuss: We present Sapiens, a family of models for four fundamental human-centric vision tasks - 2D pose estimation, body-part segmentation, depth estimation, and surface normal prediction. Our models natively support 1K high-resolution inference and are extremely easy to adapt for individual tasks by simply fine-tuning models pretrained on over 300 million in-the-wild human images. We observe that, given the same computational budget, self-supervised pretraining on a curated dataset of human images significantly boosts the performance for a diverse set of human-centric tasks. The resulting models exhibit remarkable generalization to in-the-wild data, even when labeled data is scarce or entirely synthetic. Our simple model design also brings scalability - model performance across tasks improves as we scale the number of parameters from 0.3 to 2 billion. Sapiens consistently surpasses existing baselines across various human-centric benchmarks. We achieve significant improvements over the prior state-of-the-art on Humans-5K (pose) by 7.6 mAP, Humans-2K (part-seg) by 17.1 mIoU, Hi4D (depth) by 22.4% relative RMSE, and THuman2 (normal) by 53.5% relative angular error.

Meta presents Sapiens Foundation for Human Vision Models discuss: We present Sapiens, a family of models for four fundamental human-centric vision tasks - 2D pose estimation, body-part segmentation, depth estimation, and surface normal prediction. Our models natively support 1K high-resolution inference and are extremely easy to adapt for individual tasks by simply fine-tuning models pretrained on over 300 million in-the-wild human images. We observe that, given the same computational budget, self-supervised pretraining on a curated dataset of human images significantly boosts the performance for a diverse set of human-centric tasks. The resulting models exhibit remarkable generalization to in-the-wild data, even when labeled data is scarce or entirely synthetic. Our simple model design also brings scalability - model performance across tasks improves as we scale the number of parameters from 0.3 to 2 billion. Sapiens consistently surpasses existing baselines across various human-centric benchmarks. We achieve significant improvements over the prior state-of-the-art on Humans-5K (pose) by 7.6 mAP, Humans-2K (part-seg) by 17.1 mIoU, Hi4D (depth) by 22.4% relative RMSE, and THuman2 (normal) by 53.5% relative angular error.

AK

151,732 Aufrufe • vor 2 Jahren

Painting with 3D Gaussian Splat Brushes Contributions: • Designing a set of interactive tools and brush parameters for artistic brush creation and control using 3DGS content. • Computing oriented 3D Gaussian splat brushes for stamp-based painting on 3D surfaces represented as meshes or 3DGS scenes. • Deforming the splats in a brush stamp to ensure a smooth appearance of the painted 3D stroke. • Producing seamless brush strokes despite overlapping brush stamps, using diffusion inpainting. • Efficient modeling and rendering of brush strokes to facilitate 3DGS painting in real time.

Painting with 3D Gaussian Splat Brushes Contributions: • Designing a set of interactive tools and brush parameters for artistic brush creation and control using 3DGS content. • Computing oriented 3D Gaussian splat brushes for stamp-based painting on 3D surfaces represented as meshes or 3DGS scenes. • Deforming the splats in a brush stamp to ensure a smooth appearance of the painted 3D stroke. • Producing seamless brush strokes despite overlapping brush stamps, using diffusion inpainting. • Efficient modeling and rendering of brush strokes to facilitate 3DGS painting in real time.

MrNeRF

23,096 Aufrufe • vor 1 Jahr

I prompted Omma to build a #threejs app with real dynamic lighting on a 3D mesh - generated from a single image, using Depth Anything v2 + Transformers from Hugging Face ⚡ Depth estimation in the browser 🫧 3D mesh from the depth map 💡 Dynamic lighting reacting to the geometry No manual code. Pure AI prompting. The future of 3D on the web feels wide open.

I prompted Omma to build a #threejs app with real dynamic lighting on a 3D mesh - generated from a single image, using Depth Anything v2 + Transformers from Hugging Face ⚡ Depth estimation in the browser 🫧 3D mesh from the depth map 💡 Dynamic lighting reacting to the geometry No manual code. Pure AI prompting. The future of 3D on the web feels wide open.

Joseph Azar

14,041 Aufrufe • vor 6 Monaten

Alibaba presents MIMO Controllable Character Video Synthesis with Spatial Decomposed Modeling Character video synthesis aims to produce realistic videos of animatable characters within lifelike scenes. As a fundamental problem in the computer vision and graphics community, 3D works typically require multi-view captures for per-case training, which severely limits their applicability of modeling arbitrary characters in a short time. Recent 2D methods break this limitation via pre-trained diffusion models, but they struggle for pose generality and scene interaction. To this end, we propose MIMO, a novel framework which can not only synthesize character videos with controllable attributes (i.e., character, motion and scene) provided by simple user inputs, but also simultaneously achieve advanced scalability to arbitrary characters, generality to novel 3D motions, and applicability to interactive real-world scenes in a unified framework. The core idea is to encode the 2D video to compact spatial codes, considering the inherent 3D nature of video occurrence. Concretely, we lift the 2D frame pixels into 3D using monocular depth estimators, and decompose the video clip to three spatial components (i.e., main human, underlying scene, and floating occlusion) in hierarchical layers based on the 3D depth. These components are further encoded to canonical identity code, structured motion code and full scene code, which are utilized as control signals of synthesis process. The design of spatial decomposed modeling enables flexible user control, complex motion expression, as well as 3D-aware synthesis for scene interactions. Experimental results demonstrate effectiveness and robustness of the proposed method.

Alibaba presents MIMO Controllable Character Video Synthesis with Spatial Decomposed Modeling Character video synthesis aims to produce realistic videos of animatable characters within lifelike scenes. As a fundamental problem in the computer vision and graphics community, 3D works typically require multi-view captures for per-case training, which severely limits their applicability of modeling arbitrary characters in a short time. Recent 2D methods break this limitation via pre-trained diffusion models, but they struggle for pose generality and scene interaction. To this end, we propose MIMO, a novel framework which can not only synthesize character videos with controllable attributes (i.e., character, motion and scene) provided by simple user inputs, but also simultaneously achieve advanced scalability to arbitrary characters, generality to novel 3D motions, and applicability to interactive real-world scenes in a unified framework. The core idea is to encode the 2D video to compact spatial codes, considering the inherent 3D nature of video occurrence. Concretely, we lift the 2D frame pixels into 3D using monocular depth estimators, and decompose the video clip to three spatial components (i.e., main human, underlying scene, and floating occlusion) in hierarchical layers based on the 3D depth. These components are further encoded to canonical identity code, structured motion code and full scene code, which are utilized as control signals of synthesis process. The design of spatial decomposed modeling enables flexible user control, complex motion expression, as well as 3D-aware synthesis for scene interactions. Experimental results demonstrate effectiveness and robustness of the proposed method.

AK

149,079 Aufrufe • vor 2 Jahren

Extract accurate depth from your 3D gaussians! Fast, accurate, and easy to use. Code of RaDe-GS is released! project page: code: paper: No need to change your 3D GS representations, we propose a play-and-plug rasterizer to extract accurate depth and normal from 3D gaussians, leading to the possibility of high-quality geometry reconstruction. It's quite efficient and fast, achieving 0.69mm errors on DTU dataset in only 5 minutes. Very easy to adopt the rasterizer in your any 3dgs projects.

Extract accurate depth from your 3D gaussians! Fast, accurate, and easy to use. Code of RaDe-GS is released! project page: code: paper: No need to change your 3D GS representations, we propose a play-and-plug rasterizer to extract accurate depth and normal from 3D gaussians, leading to the possibility of high-quality geometry reconstruction. It's quite efficient and fast, achieving 0.69mm errors on DTU dataset in only 5 minutes. Very easy to adopt the rasterizer in your any 3dgs projects.

Xiao-Xiao Long

31,305 Aufrufe • vor 2 Jahren

Excited to share this demo from Over the Reality! Watch our Unitree Go2 robodog navigating our office while reconstructing the 3D space in real-time using the VGGT-based foundation vision model. This is a prime example of machine perception in action, turning raw RGB camera feeds into rich, detailed 3D maps! The robodog's RGB cam generates a dense, textured 3D reconstruction via VGGT from a few photograms, capturing nuances like object shapes and surfaces with impressive fidelity (main view). Compare that to the standard LiDAR system (top right), it's sparser, more point-cloud focused, lacking the visual richness. Vision models are closing the gap fast! What's powering this? VGGT, a cutting-edge foundation model for 3D perception, trained on datasets orders of magnitude smaller than our massive OVER 3D maps dataset. Imagine the leap when we apply OVER's scale to VGGT-like transformer based architectures, denser reconstructions, better generalization, revolutionary for robotics, machine perception & AR! Stay tuned for more breakthroughs at the intersection of AI, robotics, and DePIN. We're building the future of Physical AI and Spatial Computing at Over the Reality 🌐 What do you think, ready for robodogs in your world? Drop your thoughts! 🤖🌐

Excited to share this demo from Over the Reality! Watch our Unitree Go2 robodog navigating our office while reconstructing the 3D space in real-time using the VGGT-based foundation vision model. This is a prime example of machine perception in action, turning raw RGB camera feeds into rich, detailed 3D maps! The robodog's RGB cam generates a dense, textured 3D reconstruction via VGGT from a few photograms, capturing nuances like object shapes and surfaces with impressive fidelity (main view). Compare that to the standard LiDAR system (top right), it's sparser, more point-cloud focused, lacking the visual richness. Vision models are closing the gap fast! What's powering this? VGGT, a cutting-edge foundation model for 3D perception, trained on datasets orders of magnitude smaller than our massive OVER 3D maps dataset. Imagine the leap when we apply OVER's scale to VGGT-like transformer based architectures, denser reconstructions, better generalization, revolutionary for robotics, machine perception & AR! Stay tuned for more breakthroughs at the intersection of AI, robotics, and DePIN. We're building the future of Physical AI and Spatial Computing at Over the Reality 🌐 What do you think, ready for robodogs in your world? Drop your thoughts! 🤖🌐

Over the Reality 🌐

359,779 Aufrufe • vor 1 Jahr

PointOdyssey: A Large-Scale Synthetic Dataset for Long-Term Point Tracking paper page: introduce PointOdyssey, a large-scale synthetic dataset, and data generation framework, for the training and evaluation of long-term fine-grained tracking algorithms. Our goal is to advance the state-of-the-art by placing emphasis on long videos with naturalistic motion. Toward the goal of naturalism, we animate deformable characters using real-world motion capture data, we build 3D scenes to match the motion capture environments, and we render camera viewpoints using trajectories mined via structure-from-motion on real videos. We create combinatorial diversity by randomizing character appearance, motion profiles, materials, lighting, 3D assets, and atmospheric effects. Our dataset currently includes 104 videos, averaging 2,000 frames long, with orders of magnitude more correspondence annotations than prior work. We show that existing methods can be trained from scratch in our dataset and outperform the published variants. Finally, we introduce modifications to the PIPs point tracking method, greatly widening its temporal receptive field, which improves its performance on PointOdyssey as well as on two real-world benchmarks.

PointOdyssey: A Large-Scale Synthetic Dataset for Long-Term Point Tracking paper page: introduce PointOdyssey, a large-scale synthetic dataset, and data generation framework, for the training and evaluation of long-term fine-grained tracking algorithms. Our goal is to advance the state-of-the-art by placing emphasis on long videos with naturalistic motion. Toward the goal of naturalism, we animate deformable characters using real-world motion capture data, we build 3D scenes to match the motion capture environments, and we render camera viewpoints using trajectories mined via structure-from-motion on real videos. We create combinatorial diversity by randomizing character appearance, motion profiles, materials, lighting, 3D assets, and atmospheric effects. Our dataset currently includes 104 videos, averaging 2,000 frames long, with orders of magnitude more correspondence annotations than prior work. We show that existing methods can be trained from scratch in our dataset and outperform the published variants. Finally, we introduce modifications to the PIPs point tracking method, greatly widening its temporal receptive field, which improves its performance on PointOdyssey as well as on two real-world benchmarks.

AK

122,567 Aufrufe • vor 3 Jahren