Загрузка видео...

Не удалось загрузить видео

На главную

Waveform on a path in After Effects—this time with two mask controllers! Combining them is really just about adding their amplitude values.

lachamade's profile picture

François Lefebvre

6,702 subscribers

21,101 просмотров • 1 год назад •via X (Twitter)

Наука и технологииФинансы
LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 8

Фото профиля Andre Avila
Andre Avila1 год назад

Are you using any external plugin?

Фото профиля Augury
Augury1 год назад

This makes me so happy I stopped using after effects and went to 3d. This is so much work in AE and like 3 nodes in 3d

Фото профиля François Lefebvre
François Lefebvre1 год назад

Hehe, I guess with After Effects, the question isn’t really ‘how’—it’s ‘why’! 😅

Фото профиля Raphael Pacheco
Raphael Pacheco1 год назад

Nothing but dope!

Фото профиля Joseph
Joseph1 год назад

Damn, this is wild, awesome content

Фото профиля O_SansSus
O_SansSus1 год назад

@Luk4s3518

Фото профиля Lelique knows best
Lelique knows best1 год назад

but… how? 🫤

Фото профиля François Lefebvre
François Lefebvre1 год назад

It's done with an expression on the path property. For more details, take a look at this:

Похожие видео

Another test of path diffraction in After Effects. This time the amplitude is constrained within the mask limits for a fun little effect.
0:59

Another test of path diffraction in After Effects. This time the amplitude is constrained within the mask limits for a fun little effect.

François Lefebvre

24,440 просмотров • 1 год назад

Here's a little behind-the-scenes look at how the waveform rig works in After Effects: It simply subdivides a path, and the mask controls the amplitude of the points based on the distance.
1:07

Here's a little behind-the-scenes look at how the waveform rig works in After Effects: It simply subdivides a path, and the mask controls the amplitude of the points based on the distance.

François Lefebvre

49,508 просмотров • 1 год назад

Manipulating a simple waveform with a mask in After Effects can be 🤩.
0:23

Manipulating a simple waveform with a mask in After Effects can be 🤩.

François Lefebvre

202,452 просмотров • 1 год назад

Just a waveform aligned to a path in After Effects... and it unleashes the organic vibes! 🤣😵‍💫😵‍💫
0:29

Just a waveform aligned to a path in After Effects... and it unleashes the organic vibes! 🤣😵‍💫😵‍💫

François Lefebvre

13,515 просмотров • 1 год назад

This one’s about distance to a path in After Effects. Just visualizing how close it is at every point. 👀
0:39

This one’s about distance to a path in After Effects. Just visualizing how close it is at every point. 👀

François Lefebvre

26,094 просмотров • 1 год назад

So stoked to finally share my new PLUGIN for After Effects: Wave The Path. Waveforms along paths, zero setup. Pick one path to generate the waveform, and use a second path to control where and how the waveform appears. What really surprised me is how responsive it is. GPU accelerated, blazing fast, instant feedback. It’s honestly super fun to use. Alright, a few examples 👇👇👇 (the waveform rotation feature is a treat)
0:46

So stoked to finally share my new PLUGIN for After Effects: Wave The Path. Waveforms along paths, zero setup. Pick one path to generate the waveform, and use a second path to control where and how the waveform appears. What really surprised me is how responsive it is. GPU accelerated, blazing fast, instant feedback. It’s honestly super fun to use. Alright, a few examples 👇👇👇 (the waveform rotation feature is a treat)

François Lefebvre

10,275 просмотров • 6 месяцев назад

When you spend way too much time perfecting a method to curl a path in After Effects, is it reasonable? Curling a path in After Effects coming together. 🫡
0:50

When you spend way too much time perfecting a method to curl a path in After Effects, is it reasonable? Curling a path in After Effects coming together. 🫡

François Lefebvre

14,404 просмотров • 1 год назад

Offset anchor point based on the mask distance: the layers respond as if the mask repels them, creating dynamic movement in After Effects.
1:04

Offset anchor point based on the mask distance: the layers respond as if the mask repels them, creating dynamic movement in After Effects.

François Lefebvre

25,317 просмотров • 9 месяцев назад

When creating a path from nulls in After Effects, by simply using two intermediate null positions in between can generate a naturally smooth Bezier path.
0:26

When creating a path from nulls in After Effects, by simply using two intermediate null positions in between can generate a naturally smooth Bezier path.

François Lefebvre

37,825 просмотров • 1 год назад

The nice thing about orienting a wave to a path in After Effects is that it automatically follows the path's direction. No need to worry about adjustments—it just works! #AfterEffects #MotionDesign #AETips
0:23

The nice thing about orienting a wave to a path in After Effects is that it automatically follows the path's direction. No need to worry about adjustments—it just works! #AfterEffects #MotionDesign #AETips

François Lefebvre

19,059 просмотров • 1 год назад

I thought it would be interesting to repost this one to show how a layer can be oriented to a path in After Effects (plus a little scale constraint within a mask).
0:50

I thought it would be interesting to repost this one to show how a layer can be oriented to a path in After Effects (plus a little scale constraint within a mask).

François Lefebvre

127,441 просмотров • 1 год назад

Speech Carries Its Own Hidden Geometry in Phase Space Speech is usually shown as a waveform of amplitude changing in time. Phase-space reconstruction gives a different view by pairing the signal with a delayed version of itself, so the voice is seen as a path rather than just a trace. On the left is the raw sound signal. On the right is the geometric structure formed by rhythm, syllables, and emphasis as the voice unfolds. * Real human speech data from the public GitHub repository voxserv/audio_quality_testing_samples, using the 16 kHz file test01_20s.wav.
0:30

Speech Carries Its Own Hidden Geometry in Phase Space Speech is usually shown as a waveform of amplitude changing in time. Phase-space reconstruction gives a different view by pairing the signal with a delayed version of itself, so the voice is seen as a path rather than just a trace. On the left is the raw sound signal. On the right is the geometric structure formed by rhythm, syllables, and emphasis as the voice unfolds. * Real human speech data from the public GitHub repository voxserv/audio_quality_testing_samples, using the 16 kHz file test01_20s.wav.

Mathelirium

18,725 просмотров • 2 месяцев назад

So this is why actors don't like watching their own movies. Before adding special effects, it is just ridiculous. 😂😂😅
0:31

So this is why actors don't like watching their own movies. Before adding special effects, it is just ridiculous. 😂😂😅

Dera II

785,366 просмотров • 2 месяцев назад

"This is a really really badly constructed team." Gabriele Marcotti on Chelsea after their draw with Ipswich yesterday
1:13

"This is a really really badly constructed team." Gabriele Marcotti on Chelsea after their draw with Ipswich yesterday

ESPN Podcasts

17,429 просмотров • 1 год назад

We pulled this off in just about two weeks, using a mix of tools like After Effects, TouchDesigner, Cavalry, and Blender. I’ll share the parts I worked on and some bts stuff later.
0:30

We pulled this off in just about two weeks, using a mix of tools like After Effects, TouchDesigner, Cavalry, and Blender. I’ll share the parts I worked on and some bts stuff later.

fafa

17,762 просмотров • 2 месяцев назад

Ray Tracing vs Path Tracing in #PRAGMATA . Path Tracing looks stunning, no doubt, but do we really need it for basic effects like casting a shadow or adding shading beneath the car? Or to properly shade characters’ faces? I think the answer is a clear NO.
0:59

Ray Tracing vs Path Tracing in #PRAGMATA . Path Tracing looks stunning, no doubt, but do we really need it for basic effects like casting a shadow or adding shading beneath the car? Or to properly shade characters’ faces? I think the answer is a clear NO.

BenchmarKing

175,561 просмотров • 2 месяцев назад

Mask repeller in After Effects using distance + normal.
0:24

Mask repeller in After Effects using distance + normal.

François Lefebvre

31,182 просмотров • 9 месяцев назад

'This really winds me up.' After Gary Lineker was asked to step back from presenting Match of the Day,Lewis Goodall disagrees with this texter's narrative that 'footballers should just stay in their lane', adding there is 'so much classism in that'.
2:22

'This really winds me up.' After Gary Lineker was asked to step back from presenting Match of the Day,Lewis Goodall disagrees with this texter's narrative that 'footballers should just stay in their lane', adding there is 'so much classism in that'.

LBC

620,683 просмотров • 3 лет назад

In today's digital world, video is more than just content - it's communication. Video editing isn't just about cutting clips or adding effects. It's about rhythm, emotion, and impact.
2:13

In today's digital world, video is more than just content - it's communication. Video editing isn't just about cutting clips or adding effects. It's about rhythm, emotion, and impact.

Its RIX

44,090 просмотров • 8 месяцев назад