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Weighed in at 288 lbs today! Another 4 lbs down! That makes 31 pound cut total so far!! Sporting the DadStronk tank in Crunchberry with white briefs! Stay Strok! #strenthtraining #fitness #bear #twink #weightloss

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Dad Stronk

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10,587 Aufrufe • vor 11 Tagen •via X (Twitter)

Gesundheit & WellnessSport#strenthtraining#fitness#bear#twink#weightloss
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>Hezbollah just bombarded the Haifa area and the northern settlements with dozens of rockets >The occupation army announces the death of another soldier today as a result of battles with Hezbollah, hours after the last announcement. 4 other soldiers were wounded in the incident (probably anti-tank fire) >Hezbollah has announced 58 operations so far
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>Hezbollah just bombarded the Haifa area and the northern settlements with dozens of rockets >The occupation army announces the death of another soldier today as a result of battles with Hezbollah, hours after the last announcement. 4 other soldiers were wounded in the incident (probably anti-tank fire) >Hezbollah has announced 58 operations so far

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🇺🇸🇷🇺 Top 5 most powerful bombers in service today: 1. Tu-160 Blackjack – Russia’s supersonic monster, carries 88,000 lbs of missiles at Mach 2. 2. B-2 Spirit – America’s stealth king, invisible to radar while hauling nukes halfway around the world. 3. F-117 Nighthawk – The original stealth assassin, still lurking for precision night strikes. 4. B-1 Lancer – Supersonic low-level beast that can drop 75,000 lbs of bombs at tree-top level. 5. B-52 Stratofortress – The 70-year-old legend is still flying with nukes and cruise missiles. Absolute kings of the sky. Source: VietOfficialQuoc
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🇺🇸🇷🇺 Top 5 most powerful bombers in service today: 1. Tu-160 Blackjack – Russia’s supersonic monster, carries 88,000 lbs of missiles at Mach 2. 2. B-2 Spirit – America’s stealth king, invisible to radar while hauling nukes halfway around the world. 3. F-117 Nighthawk – The original stealth assassin, still lurking for precision night strikes. 4. B-1 Lancer – Supersonic low-level beast that can drop 75,000 lbs of bombs at tree-top level. 5. B-52 Stratofortress – The 70-year-old legend is still flying with nukes and cruise missiles. Absolute kings of the sky. Source: VietOfficialQuoc

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⛲️Trump made another HISTORIC D.C. FOUNTAIN flow again! That makes over 45 in our Capitol so far! After years of neglect under Biden, the historic 300 foot cascading fountain at Meridian Hill Park is now restored and flowing beautifully thanks to Trump. This is what protecting our history instead of tearing it down looks like. 🇺🇸

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Day 5 of my 30-day water fast. Yesterday (Day 4) was the best day I’ve had so far. •Least cravings. •Least anger. •Least frustration. •Least crash-outs. It feels like I’m purging out every negative emotion and toxin that’s lived inside me. I’m having strong emotional responses—crying at things I wouldn’t normally cry at. Even just thinking about food hits different. Taco Bell. Sushi. Kebab. And during Ramadan, knowing my mom is cooking up a storm every night makes it even harder. The vape cravings? Completely gone. But I know that if I think about it too much, my body will remember, so I just keep my mind moving forward. Started at 200 lbs on Day 0 (night time weigh in with food intake and water intake, dropped to 192.2 on Day 1, and today, on Day 5, I’m at 181 lbs. Not trying to lose weight too fast—I need as much on me as possible to survive the next 25 days. But the best part of all this? Being live 24/7. Not just to prove I’m not eating, but because I’m building a real bond with the people watching. It’s just me, them, and Muffin in this cabin. Love you guys. Inshallah, I’ll succeed today and be back tomorrow for a Day 6 update. 💕💦
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Day 5 of my 30-day water fast. Yesterday (Day 4) was the best day I’ve had so far. •Least cravings. •Least anger. •Least frustration. •Least crash-outs. It feels like I’m purging out every negative emotion and toxin that’s lived inside me. I’m having strong emotional responses—crying at things I wouldn’t normally cry at. Even just thinking about food hits different. Taco Bell. Sushi. Kebab. And during Ramadan, knowing my mom is cooking up a storm every night makes it even harder. The vape cravings? Completely gone. But I know that if I think about it too much, my body will remember, so I just keep my mind moving forward. Started at 200 lbs on Day 0 (night time weigh in with food intake and water intake, dropped to 192.2 on Day 1, and today, on Day 5, I’m at 181 lbs. Not trying to lose weight too fast—I need as much on me as possible to survive the next 25 days. But the best part of all this? Being live 24/7. Not just to prove I’m not eating, but because I’m building a real bond with the people watching. It’s just me, them, and Muffin in this cabin. Love you guys. Inshallah, I’ll succeed today and be back tomorrow for a Day 6 update. 💕💦

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Inkling-small is out today! With SGLang, you can get 648 tok/s decode with DSpark (simulated acc len=4) and 288 tok/s w/o DSpark, under the same setup (8x NVIDIA AI B200, TP 8, NVFP4, bs=1). What makes this model different is the size. 276B total with 12B active is a sweet spot for RL, and both LoRA and full-parameter training become well within reach. Miles is ready and verified for multimodal RL on Inkling-small, so you can turn your multimodal data into real capability gains. At ~1/4 the size, Inkling-small matches the bigger version in capability and even wins on some benchmarks. Run Inkling-small with SGLang, and customize it with Miles.
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Inkling-small is out today! With SGLang, you can get 648 tok/s decode with DSpark (simulated acc len=4) and 288 tok/s w/o DSpark, under the same setup (8x NVIDIA AI B200, TP 8, NVFP4, bs=1). What makes this model different is the size. 276B total with 12B active is a sweet spot for RL, and both LoRA and full-parameter training become well within reach. Miles is ready and verified for multimodal RL on Inkling-small, so you can turn your multimodal data into real capability gains. At ~1/4 the size, Inkling-small matches the bigger version in capability and even wins on some benchmarks. Run Inkling-small with SGLang, and customize it with Miles.

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Pi is green on a red day $0.08, up 5%. One of the few names higher while total market cap slips and Fear and Greed sits at 33. The move is its own. Pi's book is thin and its holder base is retail, so it doesn't trade with the majors. Today that cut in its favour. The catch: it's a bounce off an all-time low. pi-network:native is still down 19% on the week. Green day, red week. Which one is the signal?
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⚠️ TRIGGER WARNING: JEWISH PRAYER ON JUDAISMS MOST HOLY SITE Today is Jerusalem Day, marking the liberation and reunification of Israel’s capital in 1967, MK Yitzhak Kroizer is seen up on the Temple Mount, the holiest place in Judaism, with his family, and prostrated himself in prayer. Naturally, jihadi circles and the far left are melting down. Which raises the obvious question: Why does a Jew praying at the holiest site in Judaism make so many people lose their minds? Isn't freedom of worship not supposed to be controversial. Muslim's don't have a problem closing down the streets of London to pray. Stay connected, follow Mossad Commentary.

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So apparently there's a place called Big Texan Steak Ranch, Amarillo, Texas where they'll slap down a 4 and a half lbs (72 oz) slab of steak, a baked potato, some salad, dinner roll and shrimp and if you can eat it in an hour - it's free. I dunno, does that sheet of steak look good to you? Anyone know what cut it's supposed to be? For me, give me a couple of those smaller steaks he's got on the grill beside it. I'll take Ribeyes, or T-bone instead, any day. What say you?

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🚨 Enzo Fernandez on getting red card and causing the fall of Argentina in the final: 🗣️" I'm so disappointed in myself..it was a total error from my part..we could have won the game" "I let my team down.. I'm so sorry Messi for letting you down..now you won't win ballon d'Or again.." "We are known to be warriors, another chance is coming to right the wrongs..the referee were not on our side today..just so bad" "I Wil call some of the Spanish players to congratulate them for a victory that they didn't deserve.. Cuccurela is a silly guy..not impressed with his hard tackles in this game..in all we had a great tournament"

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Two weeks apart. Same person. Different choices. This isn’t a “fell off” post. This isn’t shame. This is reality. This is part of the story. After the show, I went from 168.4 lbs to 182.2 lbs. And at this point… it’s a choice. I’ve realized something about myself: When I hit a peak, I tend to sabotage it so I have something to chase again. But the truth is.. Greatness is built by staying disciplined after the high, not restarting from the low. And as someone who’s lived both extremes more times than I can count, I’ll say this with full honesty: The pain of discipline is ALWAYS better than the pain of regret. So here’s the good news… I get to use this moment as fuel. I get to document the entire climb back and show you exactly how I’m going to do it using the same systems I teach in G7 Coaching and the G7 Fitness App. No waiting for New Year’s. No “Diet Starts Tomorrow.” We start today. It’s Game Time. 💪🏾😤
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Two weeks apart. Same person. Different choices. This isn’t a “fell off” post. This isn’t shame. This is reality. This is part of the story. After the show, I went from 168.4 lbs to 182.2 lbs. And at this point… it’s a choice. I’ve realized something about myself: When I hit a peak, I tend to sabotage it so I have something to chase again. But the truth is.. Greatness is built by staying disciplined after the high, not restarting from the low. And as someone who’s lived both extremes more times than I can count, I’ll say this with full honesty: The pain of discipline is ALWAYS better than the pain of regret. So here’s the good news… I get to use this moment as fuel. I get to document the entire climb back and show you exactly how I’m going to do it using the same systems I teach in G7 Coaching and the G7 Fitness App. No waiting for New Year’s. No “Diet Starts Tomorrow.” We start today. It’s Game Time. 💪🏾😤

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Is strength important for speed development? Here’s my take ⤵️⤵️ For context — this is me cleaning 295 lbs at 167 lbs body weight and I credit my abilities in the weight room largely for helping my collegiate career flourish the way it did However… We can’t lift at the expense of speed training and development What that means is when we enter the weight room we can’t do so with blinders on acting as if the only thing in the world that matters is that weight training session or improving your 1RM YES… you need force to move your body through space YES… that force needs to be high relative to your body weight BUT… you must be a skilled mover to apply said force in the right positions, at the right times, with the right vectors for it to mean anything While important to holistic athletic development, we’ve got to stop acting like strength is the ultimate differentiator in speed Lot of “weak” athletes will blow your doors off in sprints Lot of “strong” athletes get folded in speed & power sports Go into the weight room with the idea that you’re complementing your speed and athletic development… not superseding it If your legs are so beaten and broken down from lifting heavy you can’t train for 2-3 days without excessive risk, you’re doing it all wrong. Just some perspective from someone who once pursued 1RMs to no end while my track times stagnated… and then was enlightened by world class coaches who lifted within the context of my sport to take me from a college tryout to D1 All American What’re your thoughts? Let’s discuss in the comments!

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76,004 Aufrufe • vor 2 Jahren

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🦿Xpeng showed a humanoid robot called IRON whose movement looked so human that the team literally cut it open on stage to prove it is a machine. IRON uses a bionic body with a flexible spine, synthetic muscles, and soft skin so joints and torso can twist smoothly like a person. The system has 82 degrees of freedom in total with 22 in each hand for fine finger control. Compute runs on 3 custom AI chips rated at 2,250 TOPS (Tera Operations Per Second), which is far above typical laptop neural accelerators, so it can handle vision and motion planning on the robot. The AI stack focuses on turning camera input directly into body movement without routing through text, which reduces lag and makes the gait look natural. Xpeng staged the cut-open demo at AI Day in Guangzhou this week, addressing rumors that a performer was inside by exposing internal actuators, wiring, and cooling. Company materials also mention a large physical-world model and a multi-brain control setup for dialogue, perception, and locomotion, hinting at a path from stage demos to service work. Production is targeted for 2026, so near-term tasks will be limited, but the hardware shows a serious step toward human-scale manipulation.

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3,802,543 Aufrufe • vor 9 Monaten

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🇮🇱🇮🇷 Israel hit at the BIGGEST natural gas processing plant at South Pars, which supplies ~70% of Iran’s power generation, is not a "natural escalation." It's a HUMONGOUS shift. They’re no longer just going after missiles and nukes… they’re targeting the energy grid that keeps the lights on. Blackouts could hit in days, not unlike what we're seeing in Cuba right now. With total air superiority, these fixed sites have 0 defense. We’re staring down what could be the biggest energy crisis in history. U.S. oil is trading at a $20+ discount to Brent, while Europe gets absolutely crushed. Natural gas is up another 30% today, and Oman crude is hitting $150/barrel. Europe’s now pricing in rate hikes… The U.S. rate cuts are almost fully gone. The whole global economy just flipped 180 in 3 weeks. Source: Zeihan on Geopolitics

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241,951 Aufrufe • vor 5 Monaten

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The day Marie brought her daughter home from the hospital, she thought the hardest part would be getting some sleep. Instead, she kept watching Tank. Tank is a Great Dane, all 140 pounds of him, and for six years he'd been the baby of the house. Her husband kept saying he'd be fine, but Marie had read all the warnings new parents read online, and she couldn't stop wondering how a dog that big would understand something so tiny. She should've trusted him. From the first afternoon, Tank seemed to give himself a job. Every time they laid the baby down in the nursery, he followed them in, sniffed carefully near the crib, and settled beside it like someone had put him on the night shift. Pretty soon, Marie started finding him there at all hours. If the baby fussed at three in the morning, Tank was already standing by the crib before Marie even made it down the hall. Her husband joked that they didn't need the baby monitor anymore. They already had a 140-pound one. What surprised Marie most was how gentle he made himself. Tank moved through that little room like he was afraid of bumping the crib, and when the baby cried, he never got worked up. He'd rest his chin on the rail, give one slow wag, and wait for Marie like he was reporting for duty. This morning, Marie stood in the doorway and watched him lower himself to the floor beside the crib with a long sigh. Her daughter was asleep, and the room was so quiet Marie could hear her breathing. "You're going to look after her," she said softly. "I know you are." Did you ever have a dog who seemed to know exactly who needed protecting?

Gabriele Corno

915,368 Aufrufe • vor 1 Monat

Seedance 2.0 on Higgsfield AI The visual fidelity and scene consistency bring this pirate adventure to life like never before.Every cut feels intentional immersive and ready for the big screen. Full open sourced prompts & assets below: SCENE CONTEXT Bright day at sea aboard a sailing galleon. Captain Eduardo bursts out of the sterncastle door onto the deck; his scarlet macaw lands on his LEFT shoulder mid-stride. He runs up to the quarterdeck where a lookout crewman watches the horizon through a brass spyglass, takes the spyglass and looks himself: a distant island, and a violent optical crash zoom finds a small futuristic hard case on the beach. Then a second crewman runs up, grabs his arm and points the OTHER way, astern — Eduardo turns: a black-sailed pirate ship very far behind them, a speck on the horizon. He does not raise the spyglass — he just stands and stares at the distant black sails, holding the look. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; studio sheet layout NOT inherited. >> — scarlet macaw, red body, blue-and-yellow wing feathers, small leather shoulder harness. 100% matches the reference; it flies in and rides Eduardo's left shoulder. >> — weathered pirate crewmen from the reference group (bandana, rough shirt, vest). 100% match the reference; TWO of them appear: the lookout at the quarterdeck rail, and a second runner who arrives in CUT 4 pointing astern. >> — collapsible brass spyglass with dark leather-wrapped barrel sections. 100% matches the reference; starts in the lookout's hands, ends at Eduardo's eye. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle, raised quarterdeck. 100% matches the reference; controls hull, deck, masts and rigging only. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — small lone island: dense dark-green jungle cover, a curved white-sand beach on one side, grey rocky cliff edges, turquoise shallows ringing the shore. 100% matches the reference; it is the island seen on the horizon and inside the spyglass view. >> — small futuristic hard case: matte-black armored corners, neon acid-green side panels, brushed-steel top plate with a glowing green star-shaped button. 100% matches the reference; it appears ONLY inside the zoomed spyglass view of CUT 3, lying on the beach. >> — enemy pirate galleon: black sails, acid-green skull-and-crossed-swords on the mainsail, dark carved hull. 100% matches the reference; revealed VERY far astern in CUT 4 as a tiny silhouette on the horizon — never seen closer in this beat. LOCATION MAP >> under sail on >>, open bright sea. The sterncastle door opens onto the main deck; a short wooden stair leads up to the quarterdeck at the stern. The lookout stands at the quarterdeck rail on the forward side, spyglass raised toward the horizon screen-right. Far on that horizon, 2–3 km out: >> — dense green jungle mass, the white-sand beach catching the sun on its near side, turquoise water at its shore. In the OPPOSITE direction, astern of the ship screen-left: open sea where >> rides VERY FAR OFF — 4–5 km out, right on the horizon line, a tiny dark silhouette almost dissolved in the haze — present in the world from the start, revealed to the camera only in CUT 4. Haze visible at the horizon distance. Sun high, sea glitter everywhere. FIRST FRAME / BLOCKING First frame: the sterncastle door already swinging open, >> mid-stride through it onto the deck, body angled toward the quarterdeck stair screen-right. Crew activity in the background of the deck. The lookout is visible up on the quarterdeck at the rail, spyglass already at his eye, pointed screen-right toward the horizon. FORMAT MODE Sequence of cuts, no timecodes — cuts only at the specified points, the camera does not cut on its own. CUT 1 — 63° handheld follow: the door bursts open, Eduardo comes out in a strange hurried scurry — up on TIPTOE, quick tiny mincing steps, both arms half-raised in front of him with elbows out, hands hovering at chest height, shoulders slightly hunched — comically odd, but FAST, covering the deck at 10 km/h. >> sweeps in from off-frame upper-right, wings braking, and lands on his left shoulder without breaking the scurry. He tiptoe-rushes across the deck and up the quarterdeck stair; the camera chases behind-left, half a beat late. CUT 2 — MS, 47°, on the quarterdeck: the lookout at the rail with >> raised. Eduardo arrives frame-left, the scarlet macaw >> sitting clearly visible ON HIS LEFT SHOULDER through the whole cut. With his RIGHT hand he grabs the spyglass out of the lookout's hands in one firm motion and raises it right-handed to his RIGHT eye toward the horizon screen-right, left eye squeezing shut. The lookout yields a step. CUT 3 — SPYGLASS POV, MONOCULAR: one single round image — the view through ONE lens of a telescope, a single circle centered in frame, black around it. This is a one-eyed spyglass view, never the twin overlapping circles of binoculars. Extreme telephoto image swaying with a hand-held tremor, compressed haze layers stacking toward the island. Distant >> sits small in the circle: dark-green jungle, the curved white-sand beach, turquoise shallows, heat haze. Hold 1 second — then a RAPID CRASH ZOOM, one continuous accelerating optical dive down to the waterline of the beach: >> lying on the wet sand, black-and-acid-green case, steel top plate, green star button glinting. The zoom lands and locks on the case filling half the circle. Hold. CUT 4 — MS, 47°: Eduardo lowering the spyglass, macaw on his left shoulder — a second crewman from >> runs into frame from screen-left, grabs Eduardo's arm and jabs his finger the OTHER way, astern, screen-left, shouting over the wind: "CAP'N! BEHIND US!" — and the macaw on Eduardo's shoulder instantly screams it back in a harsh parrot voice: "BEHIND US! BEHIND US!", wings half-flaring. Eduardo whips around following the point; the camera racks past his shoulder — REVEAL deep in the frame: >> VERY far astern, a TINY black silhouette sitting right on the horizon line — smaller in the frame than Eduardo's fist, under 5% of the frame height, barely bigger than a speck, half-swallowed by haze — but the black sails read unmistakably. Vast empty water fills everything between the rail and that distant speck. Eduardo does NOT raise the spyglass — it stays lowered in his right hand. He simply STANDS and STARES at the tiny black sails, motionless, eyes locked on the horizon. The cut ends on his long look toward the enemy ship against the empty sea. OPTICS CUT 1: 63° observational wide, handheld. CUT 2: 47° neutral. CUT 3: monocular spyglass optics — ONE single circular image (a one-lens telescope, never the twin circles of binoculars), tele compression as at 8°, soft edge inside the circle; the crash zoom is purely optical, horizon compressing, haze layers stacking. CUT 4: 47° neutral with a rack to the deep background on the reveal, then holding on Eduardo's profile against the horizon. No drift mid-segment. CAMERA Handheld operator character throughout the real-world cuts: chases the run at deck level in CUT 1 with visible footstep energy, settles to a 1–2 cm breath on the quarterdeck. Camera stays on the shadow side of Eduardo, sun working across from screen-right. The POV cut carries a hand-tremor sway of 1–2 cm that calms when the zoom locks on the case. ACTION Door kicks open from inside. Eduardo's gait in CUT 1 is deliberately odd: he rushes on the balls of his feet, heels never touching the planks, tiny fast tiptoe steps, arms half-raised with hands floating in front of his chest — hurried and urgent, never slow, sash swaying with the quick mincing rhythm, boot toes tapping the deck. The macaw's landing is physical: wings flare to brake, claws grip the leather waistcoat's shoulder, one small balance flap as he keeps scurrying. The spyglass handover is brisk, captain's-right, two hands to one. In the POV the island rises gently with the ship's sway until the crash zoom pins the case. PERFORMANCE Urgency without panic: breath fast through the nose, eyes fixed forward during the run. At the eyepiece his face stills completely — squint tightens, lips part a fraction when the case appears. In CUT 4 the runner's grip snaps him out of it — head whip, eyes refocusing to the far black sails — then he goes still: eyes fixed on the distant ship, a slow exhale, jaw tightening a fraction — the look held long, unreadable, no words at all. Pore-level skin realism, sun catch-lights, spray-damp sheen on the temples. PHYSICS Ship heels gently on a calm swell; rigging sways against the sky. The parrot has real bird mass — landing compresses the shoulder slightly. Cloth reacts to the run wind. In the POV, heat haze wobbles the island image and glitter fires irregularly off the water; the case sits with real weight in the wet sand, a shallow water film sliding around its base. LIGHTING High bright sun, 5600K daylight, hard key from screen-right with sea-bounce fill from below. Deck in full sun, crisp short shadows. Inside the spyglass POV the image is brighter and milkier — long air column, haze density rising toward the horizon; the case's acid-green panels and glowing star button read as the only saturated color on the pale beach. AUDIO Wind over the deck, sails snapping, boots on planks, macaw squawk on landing, gulls distant. On the POV: the world's sound thins to wind and a faint ring of focus. On the crash zoom a low whoosh rising in pitch, landing on near-silence with only the surf of the far beach, thin and distant. CUT 4: deck sound returns — running boots, the crewman's urgent shout over the wind: "CAP'N! BEHIND US!", answered at once by the macaw's harsh screeching echo: "BEHIND US! BEHIND US!" — then only the wind, a slow exhale, and the creak of the deck. No spoken line from Eduardo. STYLE Photoreal live-action, bright maritime daylight, fine film grain, crisp highlights with gentle roll-off, 8K master. POSITIVE LOCKS >> appears only inside the spyglass POV of CUT 3, lying on the beach at the waterline, star button glowing green in every frame it exists. The island always matches >>: green jungle, white-sand beach, turquoise shallows — and stays screen-right, ahead; the enemy ship stays astern, screen-left, in the opposite direction from the island. The spyglass POV (CUT 3) is MONOCULAR: one single round telescope image per frame. Eduardo handles the spyglass with his RIGHT hand at his RIGHT eye in every cut where he uses it. >> keeps black sails and the green skull mainsail in every appearance and stays VERY FAR AWAY the whole beat — naked-eye, she is only a tiny silhouette on the horizon, under 5% of the frame height in CUT 4; she never gets closer than the horizon line. After the reveal Eduardo keeps the spyglass LOWERED — he never raises it at the enemy ship; he speaks no line and makes no gesture — he simply stands looking at the distant ship, and the beat ends on that look; no cannons and no gunfire anywhere in this beat. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose. In CUT 1 Eduardo moves only in the tiptoe scurry: heels off the deck, quick small steps, arms half-raised at chest height — fast and urgent the whole way. The macaw sits on Eduardo's LEFT shoulder continuously from its landing in CUT 1 through the end of the beat, clearly visible in CUTS 2 and 4. The spyglass is in the lookout's hands in CUT 2's first frame and in Eduardo's hands from then on. Same sun direction, same sea state, same wardrobe in every cut. Cuts only at the specified points.
0:15

Seedance 2.0 on Higgsfield AI The visual fidelity and scene consistency bring this pirate adventure to life like never before.Every cut feels intentional immersive and ready for the big screen. Full open sourced prompts & assets below: SCENE CONTEXT Bright day at sea aboard a sailing galleon. Captain Eduardo bursts out of the sterncastle door onto the deck; his scarlet macaw lands on his LEFT shoulder mid-stride. He runs up to the quarterdeck where a lookout crewman watches the horizon through a brass spyglass, takes the spyglass and looks himself: a distant island, and a violent optical crash zoom finds a small futuristic hard case on the beach. Then a second crewman runs up, grabs his arm and points the OTHER way, astern — Eduardo turns: a black-sailed pirate ship very far behind them, a speck on the horizon. He does not raise the spyglass — he just stands and stares at the distant black sails, holding the look. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; studio sheet layout NOT inherited. >> — scarlet macaw, red body, blue-and-yellow wing feathers, small leather shoulder harness. 100% matches the reference; it flies in and rides Eduardo's left shoulder. >> — weathered pirate crewmen from the reference group (bandana, rough shirt, vest). 100% match the reference; TWO of them appear: the lookout at the quarterdeck rail, and a second runner who arrives in CUT 4 pointing astern. >> — collapsible brass spyglass with dark leather-wrapped barrel sections. 100% matches the reference; starts in the lookout's hands, ends at Eduardo's eye. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle, raised quarterdeck. 100% matches the reference; controls hull, deck, masts and rigging only. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — small lone island: dense dark-green jungle cover, a curved white-sand beach on one side, grey rocky cliff edges, turquoise shallows ringing the shore. 100% matches the reference; it is the island seen on the horizon and inside the spyglass view. >> — small futuristic hard case: matte-black armored corners, neon acid-green side panels, brushed-steel top plate with a glowing green star-shaped button. 100% matches the reference; it appears ONLY inside the zoomed spyglass view of CUT 3, lying on the beach. >> — enemy pirate galleon: black sails, acid-green skull-and-crossed-swords on the mainsail, dark carved hull. 100% matches the reference; revealed VERY far astern in CUT 4 as a tiny silhouette on the horizon — never seen closer in this beat. LOCATION MAP >> under sail on >>, open bright sea. The sterncastle door opens onto the main deck; a short wooden stair leads up to the quarterdeck at the stern. The lookout stands at the quarterdeck rail on the forward side, spyglass raised toward the horizon screen-right. Far on that horizon, 2–3 km out: >> — dense green jungle mass, the white-sand beach catching the sun on its near side, turquoise water at its shore. In the OPPOSITE direction, astern of the ship screen-left: open sea where >> rides VERY FAR OFF — 4–5 km out, right on the horizon line, a tiny dark silhouette almost dissolved in the haze — present in the world from the start, revealed to the camera only in CUT 4. Haze visible at the horizon distance. Sun high, sea glitter everywhere. FIRST FRAME / BLOCKING First frame: the sterncastle door already swinging open, >> mid-stride through it onto the deck, body angled toward the quarterdeck stair screen-right. Crew activity in the background of the deck. The lookout is visible up on the quarterdeck at the rail, spyglass already at his eye, pointed screen-right toward the horizon. FORMAT MODE Sequence of cuts, no timecodes — cuts only at the specified points, the camera does not cut on its own. CUT 1 — 63° handheld follow: the door bursts open, Eduardo comes out in a strange hurried scurry — up on TIPTOE, quick tiny mincing steps, both arms half-raised in front of him with elbows out, hands hovering at chest height, shoulders slightly hunched — comically odd, but FAST, covering the deck at 10 km/h. >> sweeps in from off-frame upper-right, wings braking, and lands on his left shoulder without breaking the scurry. He tiptoe-rushes across the deck and up the quarterdeck stair; the camera chases behind-left, half a beat late. CUT 2 — MS, 47°, on the quarterdeck: the lookout at the rail with >> raised. Eduardo arrives frame-left, the scarlet macaw >> sitting clearly visible ON HIS LEFT SHOULDER through the whole cut. With his RIGHT hand he grabs the spyglass out of the lookout's hands in one firm motion and raises it right-handed to his RIGHT eye toward the horizon screen-right, left eye squeezing shut. The lookout yields a step. CUT 3 — SPYGLASS POV, MONOCULAR: one single round image — the view through ONE lens of a telescope, a single circle centered in frame, black around it. This is a one-eyed spyglass view, never the twin overlapping circles of binoculars. Extreme telephoto image swaying with a hand-held tremor, compressed haze layers stacking toward the island. Distant >> sits small in the circle: dark-green jungle, the curved white-sand beach, turquoise shallows, heat haze. Hold 1 second — then a RAPID CRASH ZOOM, one continuous accelerating optical dive down to the waterline of the beach: >> lying on the wet sand, black-and-acid-green case, steel top plate, green star button glinting. The zoom lands and locks on the case filling half the circle. Hold. CUT 4 — MS, 47°: Eduardo lowering the spyglass, macaw on his left shoulder — a second crewman from >> runs into frame from screen-left, grabs Eduardo's arm and jabs his finger the OTHER way, astern, screen-left, shouting over the wind: "CAP'N! BEHIND US!" — and the macaw on Eduardo's shoulder instantly screams it back in a harsh parrot voice: "BEHIND US! BEHIND US!", wings half-flaring. Eduardo whips around following the point; the camera racks past his shoulder — REVEAL deep in the frame: >> VERY far astern, a TINY black silhouette sitting right on the horizon line — smaller in the frame than Eduardo's fist, under 5% of the frame height, barely bigger than a speck, half-swallowed by haze — but the black sails read unmistakably. Vast empty water fills everything between the rail and that distant speck. Eduardo does NOT raise the spyglass — it stays lowered in his right hand. He simply STANDS and STARES at the tiny black sails, motionless, eyes locked on the horizon. The cut ends on his long look toward the enemy ship against the empty sea. OPTICS CUT 1: 63° observational wide, handheld. CUT 2: 47° neutral. CUT 3: monocular spyglass optics — ONE single circular image (a one-lens telescope, never the twin circles of binoculars), tele compression as at 8°, soft edge inside the circle; the crash zoom is purely optical, horizon compressing, haze layers stacking. CUT 4: 47° neutral with a rack to the deep background on the reveal, then holding on Eduardo's profile against the horizon. No drift mid-segment. CAMERA Handheld operator character throughout the real-world cuts: chases the run at deck level in CUT 1 with visible footstep energy, settles to a 1–2 cm breath on the quarterdeck. Camera stays on the shadow side of Eduardo, sun working across from screen-right. The POV cut carries a hand-tremor sway of 1–2 cm that calms when the zoom locks on the case. ACTION Door kicks open from inside. Eduardo's gait in CUT 1 is deliberately odd: he rushes on the balls of his feet, heels never touching the planks, tiny fast tiptoe steps, arms half-raised with hands floating in front of his chest — hurried and urgent, never slow, sash swaying with the quick mincing rhythm, boot toes tapping the deck. The macaw's landing is physical: wings flare to brake, claws grip the leather waistcoat's shoulder, one small balance flap as he keeps scurrying. The spyglass handover is brisk, captain's-right, two hands to one. In the POV the island rises gently with the ship's sway until the crash zoom pins the case. PERFORMANCE Urgency without panic: breath fast through the nose, eyes fixed forward during the run. At the eyepiece his face stills completely — squint tightens, lips part a fraction when the case appears. In CUT 4 the runner's grip snaps him out of it — head whip, eyes refocusing to the far black sails — then he goes still: eyes fixed on the distant ship, a slow exhale, jaw tightening a fraction — the look held long, unreadable, no words at all. Pore-level skin realism, sun catch-lights, spray-damp sheen on the temples. PHYSICS Ship heels gently on a calm swell; rigging sways against the sky. The parrot has real bird mass — landing compresses the shoulder slightly. Cloth reacts to the run wind. In the POV, heat haze wobbles the island image and glitter fires irregularly off the water; the case sits with real weight in the wet sand, a shallow water film sliding around its base. LIGHTING High bright sun, 5600K daylight, hard key from screen-right with sea-bounce fill from below. Deck in full sun, crisp short shadows. Inside the spyglass POV the image is brighter and milkier — long air column, haze density rising toward the horizon; the case's acid-green panels and glowing star button read as the only saturated color on the pale beach. AUDIO Wind over the deck, sails snapping, boots on planks, macaw squawk on landing, gulls distant. On the POV: the world's sound thins to wind and a faint ring of focus. On the crash zoom a low whoosh rising in pitch, landing on near-silence with only the surf of the far beach, thin and distant. CUT 4: deck sound returns — running boots, the crewman's urgent shout over the wind: "CAP'N! BEHIND US!", answered at once by the macaw's harsh screeching echo: "BEHIND US! BEHIND US!" — then only the wind, a slow exhale, and the creak of the deck. No spoken line from Eduardo. STYLE Photoreal live-action, bright maritime daylight, fine film grain, crisp highlights with gentle roll-off, 8K master. POSITIVE LOCKS >> appears only inside the spyglass POV of CUT 3, lying on the beach at the waterline, star button glowing green in every frame it exists. The island always matches >>: green jungle, white-sand beach, turquoise shallows — and stays screen-right, ahead; the enemy ship stays astern, screen-left, in the opposite direction from the island. The spyglass POV (CUT 3) is MONOCULAR: one single round telescope image per frame. Eduardo handles the spyglass with his RIGHT hand at his RIGHT eye in every cut where he uses it. >> keeps black sails and the green skull mainsail in every appearance and stays VERY FAR AWAY the whole beat — naked-eye, she is only a tiny silhouette on the horizon, under 5% of the frame height in CUT 4; she never gets closer than the horizon line. After the reveal Eduardo keeps the spyglass LOWERED — he never raises it at the enemy ship; he speaks no line and makes no gesture — he simply stands looking at the distant ship, and the beat ends on that look; no cannons and no gunfire anywhere in this beat. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose. In CUT 1 Eduardo moves only in the tiptoe scurry: heels off the deck, quick small steps, arms half-raised at chest height — fast and urgent the whole way. The macaw sits on Eduardo's LEFT shoulder continuously from its landing in CUT 1 through the end of the beat, clearly visible in CUTS 2 and 4. The spyglass is in the lookout's hands in CUT 2's first frame and in Eduardo's hands from then on. Same sun direction, same sea state, same wardrobe in every cut. Cuts only at the specified points.

Nawal

18,336 Aufrufe • vor 1 Monat

If you ever get the chance to go to Normandy, take it. Don't just visit it-take your time and let it sink in, because it is one of the most humbling experiences I've ever had. Standing there, looking out across those beaches, you can almost feel the weight of what happened there. It's hard to fully understand what those soldiers went through until you're standing in that place, realizing the courage it took just to run toward that shore. The beauty of Normandy is quiet and powerful, but so is the sacrifice it represents. The rows of white crosses, the history in the ground, the silence in the air-it all reminds you that freedom came at a tremendous cost. It's the kind of place that stays with you long after you leave. It makes you grateful, reflective, and a little more aware of how much was given for the life we live today. Normandy is more than a battlefield. It is a lesson in sacrifice, bravery, and remembrance. 🙏🇺🇸🙏
0:15

If you ever get the chance to go to Normandy, take it. Don't just visit it-take your time and let it sink in, because it is one of the most humbling experiences I've ever had. Standing there, looking out across those beaches, you can almost feel the weight of what happened there. It's hard to fully understand what those soldiers went through until you're standing in that place, realizing the courage it took just to run toward that shore. The beauty of Normandy is quiet and powerful, but so is the sacrifice it represents. The rows of white crosses, the history in the ground, the silence in the air-it all reminds you that freedom came at a tremendous cost. It's the kind of place that stays with you long after you leave. It makes you grateful, reflective, and a little more aware of how much was given for the life we live today. Normandy is more than a battlefield. It is a lesson in sacrifice, bravery, and remembrance. 🙏🇺🇸🙏

G-PA

178,883 Aufrufe • vor 2 Monaten

I hate best of lists, so I thought I’d make one 😂. These are the top 10 things I ate in 2025, based on one criteria, how much I personally liked it… the list isn’t force ranked, as it was hard enough to narrow it down to 10… I might also mention, that while not on the list below, my favorite overall dinning experience would be dinner with my wife at The Eighty Six in NYC. And if you do take the time to read this whole post, which of these 10 would you like to try most? Have to start the list with the amazing Pasta ala Presse at Major Food Group’s The Grill in NYC, still my favorite pasta dish in all of NYC The White Truffle Pasta at Orsini in Zurich Roast Chicken at Maison Close in NYC, their wine list isn’t great and they don’t allow corkage, so I haven’t been back, but that chicken was spectacular Caramelized Onion Pizza with Gruyère, Nueske’s Bacon, and Morels, finished with fresh herbs and Maldon’s Salt in our Ooni, my backyard in Connecticut CONIGLIO AL FORNO - roasted rabbit saddle, confit legs and rabbit cappellacci at Santi NYC While service was a major miss, and the duck wasn’t served hot, it was room temperature, the honey lavender duck from three Michelin star Eleven Madison Park in NYC still makes the list, a true testament to how great this dish is… Hand-Dived Scallop with Cafe de Paris Butter at Noble Rot Mayfair in London which I paired with the 2020 Charles Lachaux, Bourgogne Aligote 'Les Champs d'Argent' which was a brilliant match A sphere made from puffed gluten, filled with smoke and topped with cream, a langoustine tartare, almond cream and some osetra caviar at The Alchemist in Copenhagen The A5 Wagyu Sando at NYC’s Sip & Guzzle Chef David’s A5 Wagyu topped with osetra caviar at Cote NYC. My post on this dish got a number of haters, I might mention all haters who never tried this… the saltiness of the caviar worked well with the fat of the Wagyu, and it was a perfect single morsel of ‘land & sea’
0:11

I hate best of lists, so I thought I’d make one 😂. These are the top 10 things I ate in 2025, based on one criteria, how much I personally liked it… the list isn’t force ranked, as it was hard enough to narrow it down to 10… I might also mention, that while not on the list below, my favorite overall dinning experience would be dinner with my wife at The Eighty Six in NYC. And if you do take the time to read this whole post, which of these 10 would you like to try most? Have to start the list with the amazing Pasta ala Presse at Major Food Group’s The Grill in NYC, still my favorite pasta dish in all of NYC The White Truffle Pasta at Orsini in Zurich Roast Chicken at Maison Close in NYC, their wine list isn’t great and they don’t allow corkage, so I haven’t been back, but that chicken was spectacular Caramelized Onion Pizza with Gruyère, Nueske’s Bacon, and Morels, finished with fresh herbs and Maldon’s Salt in our Ooni, my backyard in Connecticut CONIGLIO AL FORNO - roasted rabbit saddle, confit legs and rabbit cappellacci at Santi NYC While service was a major miss, and the duck wasn’t served hot, it was room temperature, the honey lavender duck from three Michelin star Eleven Madison Park in NYC still makes the list, a true testament to how great this dish is… Hand-Dived Scallop with Cafe de Paris Butter at Noble Rot Mayfair in London which I paired with the 2020 Charles Lachaux, Bourgogne Aligote 'Les Champs d'Argent' which was a brilliant match A sphere made from puffed gluten, filled with smoke and topped with cream, a langoustine tartare, almond cream and some osetra caviar at The Alchemist in Copenhagen The A5 Wagyu Sando at NYC’s Sip & Guzzle Chef David’s A5 Wagyu topped with osetra caviar at Cote NYC. My post on this dish got a number of haters, I might mention all haters who never tried this… the saltiness of the caviar worked well with the fat of the Wagyu, and it was a perfect single morsel of ‘land & sea’

James Walker

14,773 Aufrufe • vor 8 Monaten

happy 24th birthday, ziyu 𑣲⋆ it’s hard to put into words how grateful i am that someone like you exists. you may only see this as another birthday, another year passing by, but to so many people, today is the day we get to celebrate someone who has brought so much warmth, comfort, and happiness into our lives. thank you for every smile you’ve shared, every laugh that made someone’s day a little brighter, every moment of kindness that showed the kind of person you truly are. your talent is incredible, but what makes people stay is your heart. the way you care for others, the way you work so hard, and the quiet strength you carry even through difficult moments are all things that make you so deeply admirable. i hope 24 becomes a year where happiness finds you just as often as you’ve helped others find theirs. i hope you experience days filled with laughter that makes your cheeks hurt, moments that make you stop and think, “i’m really happy,” and people who remind you just how loved you are. please don’t ever feel like your efforts go unnoticed. even from far away, you’ve made a difference in people’s lives in ways you probably can’t imagine. you’ve been someone’s comfort after a hard day, someone’s reason to smile, someone’s source of inspiration to keep going. thank you for simply being you. i hope this new chapter brings you good health, endless opportunities, beautiful memories, and dreams that slowly become reality. i hope you continue to grow while never losing the gentle, genuine light that makes you so special. wherever life takes you next, i’ll always be cheering you on. happy 24th birthday, ziyu. you deserve every beautiful thing this world has to offer, today and always. thank you for making this world a little brighter just by being in it. happy birthday. 🤍
0:18

happy 24th birthday, ziyu 𑣲⋆ it’s hard to put into words how grateful i am that someone like you exists. you may only see this as another birthday, another year passing by, but to so many people, today is the day we get to celebrate someone who has brought so much warmth, comfort, and happiness into our lives. thank you for every smile you’ve shared, every laugh that made someone’s day a little brighter, every moment of kindness that showed the kind of person you truly are. your talent is incredible, but what makes people stay is your heart. the way you care for others, the way you work so hard, and the quiet strength you carry even through difficult moments are all things that make you so deeply admirable. i hope 24 becomes a year where happiness finds you just as often as you’ve helped others find theirs. i hope you experience days filled with laughter that makes your cheeks hurt, moments that make you stop and think, “i’m really happy,” and people who remind you just how loved you are. please don’t ever feel like your efforts go unnoticed. even from far away, you’ve made a difference in people’s lives in ways you probably can’t imagine. you’ve been someone’s comfort after a hard day, someone’s reason to smile, someone’s source of inspiration to keep going. thank you for simply being you. i hope this new chapter brings you good health, endless opportunities, beautiful memories, and dreams that slowly become reality. i hope you continue to grow while never losing the gentle, genuine light that makes you so special. wherever life takes you next, i’ll always be cheering you on. happy 24th birthday, ziyu. you deserve every beautiful thing this world has to offer, today and always. thank you for making this world a little brighter just by being in it. happy birthday. 🤍

mag ⋆. 𐙚 ˚

14,075 Aufrufe • vor 1 Monat

🇭🇰 MASSIVE FIRE ENGULFS HONG KONG HOUSING BLOCK A towering blaze ripped through bamboo scaffolding in Hong Kong’s Tai Po on Wednesday, leaving two people with severe burns and several more trapped as flames jumped from one building to another. The fire started at Wang Fuk Court and was so intense, it escalated to a No. 4 alarm in under 45 minutes - on a scale that maxes out at 5. Hong Kong has been under a red fire danger warning for days, meaning conditions are perfect for a disaster like this - dry air, strong winds, and flammable materials everywhere. Residents were told to stay inside, seal windows, and stay calm - not easy advice to follow when flaming bamboo is falling from the sky. Source: SCMP, Reuters, Visegrád 24
0:03

🇭🇰 MASSIVE FIRE ENGULFS HONG KONG HOUSING BLOCK A towering blaze ripped through bamboo scaffolding in Hong Kong’s Tai Po on Wednesday, leaving two people with severe burns and several more trapped as flames jumped from one building to another. The fire started at Wang Fuk Court and was so intense, it escalated to a No. 4 alarm in under 45 minutes - on a scale that maxes out at 5. Hong Kong has been under a red fire danger warning for days, meaning conditions are perfect for a disaster like this - dry air, strong winds, and flammable materials everywhere. Residents were told to stay inside, seal windows, and stay calm - not easy advice to follow when flaming bamboo is falling from the sky. Source: SCMP, Reuters, Visegrád 24

Mario Nawfal

73,851 Aufrufe • vor 8 Monaten