Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

We’re bringing Gaussian Splats to After Effects. We built a FREE, open-source plugin that lets you render 3DGS directly in AE. From splat to final frame—inside After Effects. 🎬

KIRI_Engine_App's profile picture

KIRI Engine - 3D Scanner App

6,690 subscribers

18,613 görüntüleme • 1 ay önce •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

shader effects for 3d gaussian splats are a fun way to add reality bending effects to your 3d scans. made using sparkjs which is an open source 3dgs renderer for threejs.
0:40

shader effects for 3d gaussian splats are a fun way to add reality bending effects to your 3d scans. made using sparkjs which is an open source 3dgs renderer for threejs.

Bilawal Sidhu

45,359 görüntüleme • 6 ay önce

We made a small open source project with 3D Gaussian Splatting. KIRI-Maker lets you turn your 3DGS scans into something more than static captures: ✨ Particle effects 🎥 Camera path animations 🖐️ Gesture controls 🎬 Exportable videos Explore, animate, and play with your 3D scans.
0:28

We made a small open source project with 3D Gaussian Splatting. KIRI-Maker lets you turn your 3DGS scans into something more than static captures: ✨ Particle effects 🎥 Camera path animations 🖐️ Gesture controls 🎬 Exportable videos Explore, animate, and play with your 3D scans.

KIRI Engine - 3D Scanner App

29,754 görüntüleme • 1 ay önce

We are excited to introduce the Text to Sound Effects API. To showcase it - we've built the first Video to Sounds Effects app. This app is available for free online and fully open-source.
0:57

We are excited to introduce the Text to Sound Effects API. To showcase it - we've built the first Video to Sounds Effects app. This app is available for free online and fully open-source.

ElevenLabs

120,703 görüntüleme • 2 yıl önce

This is the power of VFX and AI now.. Creating volumetric effects in AI and then using AfterEffects and Premiere to layer and edit + Topaz Labs to upscale, you can visually achieve the same effects that would have taken me A LOT longer in Cinema4D/Blender. This is really amazing, only because if I can do this now with what we have, imagine where it will be in 6-mo 🔥 it will only get better. Soon we’ll be able to do a lot more within 3D environments with gaussian splats and volumetric effects. It won’t be long after that before Cinema, blender and others integrate gaussian splats and generative prompting directly into the software design and render process. At that point things are going to get REALLY BADASS! I’m chillin tonight, finally a night off lol. But tomorrow I’ll show you guys how I did this ❤️
0:53

This is the power of VFX and AI now.. Creating volumetric effects in AI and then using AfterEffects and Premiere to layer and edit + Topaz Labs to upscale, you can visually achieve the same effects that would have taken me A LOT longer in Cinema4D/Blender. This is really amazing, only because if I can do this now with what we have, imagine where it will be in 6-mo 🔥 it will only get better. Soon we’ll be able to do a lot more within 3D environments with gaussian splats and volumetric effects. It won’t be long after that before Cinema, blender and others integrate gaussian splats and generative prompting directly into the software design and render process. At that point things are going to get REALLY BADASS! I’m chillin tonight, finally a night off lol. But tomorrow I’ll show you guys how I did this ❤️

Dustin Hollywood

19,760 görüntüleme • 10 ay önce

WIP: A new plugin for #AfterEffects! I've been working on it for quite a while👀 It enables artists to create, edit, and animate curved 3D surfaces directly inside After Effects. #motiondesign #animation #vfx
1:18

WIP: A new plugin for #AfterEffects! I've been working on it for quite a while👀 It enables artists to create, edit, and animate curved 3D surfaces directly inside After Effects. #motiondesign #animation #vfx

Motion Princess

16,514 görüntüleme • 8 ay önce

In exclusive collaboration with the Womp team, we’ve crafted a unique approach that lets you create the most astonishing animations inside After Effects. Enroll here:
0:57

In exclusive collaboration with the Womp team, we’ve crafted a unique approach that lets you create the most astonishing animations inside After Effects. Enroll here:

Motion Design School

20,753 görüntüleme • 2 yıl önce

If you want to create your own💨stylized smoke puff effects💨 directly in After Effects, here's a quick and easy solution for you! #2dfx #realtimevfx #vfx #aftereffects
0:39

If you want to create your own💨stylized smoke puff effects💨 directly in After Effects, here's a quick and easy solution for you! #2dfx #realtimevfx #vfx #aftereffects

Lucas Malaquias

104,165 görüntüleme • 2 yıl önce

someone built a free, open source app that lets you run codex, claude code, code editor, terminal, and your entire dev environment directly from your phone app link:
0:40

someone built a free, open source app that lets you run codex, claude code, code editor, terminal, and your entire dev environment directly from your phone app link:

Gruz

49,909 görüntüleme • 4 ay önce

What happens if you try to push and squash a Gaussian splat? :) Been playing with adding simplified deformation and a lightweight physics simulation layer to Gaussian splats, running directly in real time on mobile. Instead of simulating every splat, this uses a small CPU lattice to drive the deformation, plus a per-splat transform so they actually stretch and compress properly. No mesh conversion, no retraining. Just layered on top of the renderer. You can push, bend, squash a scan and it holds together surprisingly well... Still early, but I can see the potential in making splats feel more real, from static captures to something more tactile, something you can touch, throw, bounce around… or well just fold and squash on the floor :) #GaussianSplatting #3DGS #Unity
0:39

What happens if you try to push and squash a Gaussian splat? :) Been playing with adding simplified deformation and a lightweight physics simulation layer to Gaussian splats, running directly in real time on mobile. Instead of simulating every splat, this uses a small CPU lattice to drive the deformation, plus a per-splat transform so they actually stretch and compress properly. No mesh conversion, no retraining. Just layered on top of the renderer. You can push, bend, squash a scan and it holds together surprisingly well... Still early, but I can see the potential in making splats feel more real, from static captures to something more tactile, something you can touch, throw, bounce around… or well just fold and squash on the floor :) #GaussianSplatting #3DGS #Unity

𝐑𝐔𝐁𝐄𝐍🥽𝐅𝐑𝐎

51,325 görüntüleme • 5 ay önce

When you don't render any pixels in the composition, the After Effects expressions engine feels like it switches to turbo mode. 😅
0:48

When you don't render any pixels in the composition, the After Effects expressions engine feels like it switches to turbo mode. 😅

François Lefebvre

26,241 görüntüleme • 2 yıl önce

Spark 2.0 is here! 🚀 We’re redefining what’s possible on the web with a streamable LoD system for 3D Gaussian Splatting. Built on Three.js, you can now stream massive 100M+ splat worlds to any device from mobile to VR using WebGL2. All open-source. Dive into the tech 👇
0:39

Spark 2.0 is here! 🚀 We’re redefining what’s possible on the web with a streamable LoD system for 3D Gaussian Splatting. Built on Three.js, you can now stream massive 100M+ splat worlds to any device from mobile to VR using WebGL2. All open-source. Dive into the tech 👇

spark

420,187 görüntüleme • 5 ay önce

When you spend way too much time perfecting a method to curl a path in After Effects, is it reasonable? Curling a path in After Effects coming together. 🫡
0:50

When you spend way too much time perfecting a method to curl a path in After Effects, is it reasonable? Curling a path in After Effects coming together. 🫡

François Lefebvre

14,404 görüntüleme • 2 yıl önce

Hidden Features of After Effects — Position Guides It's easy to add a guide to an After Effects composition, but how do you position them accurately? We find out in this handy tip! How many of you know about this one?
0:32

Hidden Features of After Effects — Position Guides It's easy to add a guide to an After Effects composition, but how do you position them accurately? We find out in this handy tip! How many of you know about this one?

Matt Volp

20,410 görüntüleme • 2 yıl önce

I can't believe my eyes! I compared Cavalry render speed to After effects and this happened: forget about that Cavalry rendered a complicated Motion graphic piece without a single lag and very minimal Layer usage that would take a ton of work in after effects, but when I RENDERED animation and gave it to After effects It had a problem playing the RENDERED MP4 VIDEO! and during that it used more ram to play a normal video than Cavalry to just play the raw project file with all the layers and effects. this is just crazy. we might be witnessing a new era of motion design.
0:50

I can't believe my eyes! I compared Cavalry render speed to After effects and this happened: forget about that Cavalry rendered a complicated Motion graphic piece without a single lag and very minimal Layer usage that would take a ton of work in after effects, but when I RENDERED animation and gave it to After effects It had a problem playing the RENDERED MP4 VIDEO! and during that it used more ram to play a normal video than Cavalry to just play the raw project file with all the layers and effects. this is just crazy. we might be witnessing a new era of motion design.

Adam | Editor

40,887 görüntüleme • 4 ay önce

The latest After Effects update now allows you to natively add 3D primitives directly into your comp without an outside app! AE team really been pushing on the 3D side!
0:24

The latest After Effects update now allows you to natively add 3D primitives directly into your comp without an outside app! AE team really been pushing on the 3D side!

E.J. Hassenfratz

11,274 görüntüleme • 7 ay önce

ADOBE EDITORS JUST GOT THEIR BIGGEST UPGRADE IN YEARS. and this time, it came from outside. Higgsfield is now inside Premiere Pro and After Effects as a native plugin. 5 tools, zero exports: → reframe to any ratio — subject stays centered → remove BG without green screen → upscale to 4K or 8K → draw on the frame to edit it → generate clips from a prompt, direct to timeline the workflow that used to eat your entire afternoon? it's now one panel inside Adobe. if you edit video, you need to try this. look at this result ⬇️
0:26

ADOBE EDITORS JUST GOT THEIR BIGGEST UPGRADE IN YEARS. and this time, it came from outside. Higgsfield is now inside Premiere Pro and After Effects as a native plugin. 5 tools, zero exports: → reframe to any ratio — subject stays centered → remove BG without green screen → upscale to 4K or 8K → draw on the frame to edit it → generate clips from a prompt, direct to timeline the workflow that used to eat your entire afternoon? it's now one panel inside Adobe. if you edit video, you need to try this. look at this result ⬇️

marcus

85,027 görüntüleme • 3 ay önce

Gaussian Splatting is pretty wild. Being able to take dense collections of assets and package them into fast, real-time splats opens up a ton of new possibilities for look-dev, previs, and interactive scenes. For this test, I built a pile of 400 skulls - roughly 40+ million polygons (and over 400 8K texture instances) - rendered out a 600 frame dataset on The Render Network with OTOY OctaneRender and then converted the result into a single splat asset. Now it runs in real-time as one compact Gaussian Splat.
1:55

Gaussian Splatting is pretty wild. Being able to take dense collections of assets and package them into fast, real-time splats opens up a ton of new possibilities for look-dev, previs, and interactive scenes. For this test, I built a pile of 400 skulls - roughly 40+ million polygons (and over 400 8K texture instances) - rendered out a 600 frame dataset on The Render Network with OTOY OctaneRender and then converted the result into a single splat asset. Now it runs in real-time as one compact Gaussian Splat.

Spenser Dickerson

46,560 görüntüleme • 10 ay önce