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We're building After Effects for the web. Vector animation that goes from design to production, built on Lottie, the industry-standard for product animation. Describe what you want and Motion Copilot animates it, or generate Lottie straight from Codex/Claude with our MCP. All in the browser. This is Lottie Creator... show more

Nattu

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20,938 просмотров • 1 месяц назад •via X (Twitter)

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Every time a new model drops, someone says designers are dead. Fable 5 is the biggest one yet. So I gave it the LottieFiles Creator MCP and asked it to animate. Real Lottie, one prompt, runs in production. Does this kill motion designers, or finally put it in everyone's hands?

Every time a new model drops, someone says designers are dead. Fable 5 is the biggest one yet. So I gave it the LottieFiles Creator MCP and asked it to animate. Real Lottie, one prompt, runs in production. Does this kill motion designers, or finally put it in everyone's hands?

Nattu

36,042 просмотров • 3 месяцев назад

made this with text to lottie and claude code my workflow: design something in figma or just make a rough draft. then ask claude to animate it you'd be surprised how easy it is to add easings, masks, transforms, text effects and all the motion details you can also ask claude to export it as a gif, mp4, png sequence, resize it in different aspect ratios claude and codex already creates something with taste and if you know what you want to create, this workflow is really useful and btw, it's free

made this with text to lottie and claude code my workflow: design something in figma or just make a rough draft. then ask claude to animate it you'd be surprised how easy it is to add easings, masks, transforms, text effects and all the motion details you can also ask claude to export it as a gif, mp4, png sequence, resize it in different aspect ratios claude and codex already creates something with taste and if you know what you want to create, this workflow is really useful and btw, it's free

Doruk

14,966 просмотров • 3 месяцев назад

Claude Code + Higgsfield MCP is f*cking cracked 🤯 I built an entire DTC ad campaign inside Claude Code using the new Higgsfield MCP. One product URL → hero static, animated hero shot, 2 UGC clips with a creator wearing the product. 5 assets. One Claude conversation. 3 Higgsfield models. All inside Claude Code. Perfect for DTC brands and agencies who need full campaign packages without booking a shoot or briefing a designer. If you're spending hours every week generating statics in one tool, briefing a motion designer for the hero clip, then chasing a UGC creator for the talking-head shots — this MCP eliminates the entire pipeline: → Drop a product URL into Claude Code → Claude pulls the brand brief — voice, hero SKUs, visual style, target customer → Generates the hero static with ChatGPT Images 2.0 → Animates it into a 5-second cinematic opener with Seedance 2.0 → Generates a UGC creator with GPT Image 2 → Drops her in the product and generates 2 native UGC video clips with Seedance 2.0 No tab-switching between tools. No copy-pasting prompts between platforms. No briefing 3 different vendors for one campaign. What you get: → A complete campaign package — static, animation, UGC — from one product URL → Brand-specific outputs that pull from a real brief, not generic AI slop → Claude making creative decisions between every step (which variation wins, which creator fits the persona, which clip needs a re-spin) → A repeatable pipeline you can run for any product in your catalog Built 100% in Claude Code with the Higgsfield MCP. I recorded a full walkthrough showing exactly how this works: the MCP setup, every prompt, every model, the full campaign output. Want the full video walkthrough? > Like this post > Comment "MCP" And I'll send it over (must be following so I can DM)

Mike Futia

29,783 просмотров • 4 месяцев назад

Anyone telling you AI can one-prompt motion videos is bullshitting you Here's what it really takes to produce this kind of work: - Ideation: we have multiple people with years of editing and animation experience come up with ideas, pacing etc - Design: each animation gets designed by multiple professional product designers - Production: absolutely goated motion designers work together on it & art director is making sure that everything is hitting the quality standard One-prompt this, sure

Anyone telling you AI can one-prompt motion videos is bullshitting you Here's what it really takes to produce this kind of work: - Ideation: we have multiple people with years of editing and animation experience come up with ideas, pacing etc - Design: each animation gets designed by multiple professional product designers - Production: absolutely goated motion designers work together on it & art director is making sure that everything is hitting the quality standard One-prompt this, sure

leo

34,208 просмотров • 2 месяцев назад

Hailuo MiniMax (official) MiniMax Design (H3) H3 A prototype motion-graphics landing page for ice cream, built to test just how far H3 can push UI animation, typography, transitions, hover interactions, and product motion. I tried creating similar effects manually in Adobe After Effects but this version is 100% generated with H3. The model handles these complex motion-design elements incredibly well, and the results are STUNNING - Animated Shape Layers - Kinetic Typography - Cursor Hover Update - Bounce Effects - Wiggle Effects - Live Background - Micro Text Renders - Ease in Ease out Keyframes Prompt Below

Hailuo MiniMax (official) MiniMax Design (H3) H3 A prototype motion-graphics landing page for ice cream, built to test just how far H3 can push UI animation, typography, transitions, hover interactions, and product motion. I tried creating similar effects manually in Adobe After Effects but this version is 100% generated with H3. The model handles these complex motion-design elements incredibly well, and the results are STUNNING - Animated Shape Layers - Kinetic Typography - Cursor Hover Update - Bounce Effects - Wiggle Effects - Live Background - Micro Text Renders - Ease in Ease out Keyframes Prompt Below

Shams

34,729 просмотров • 17 дней назад

Breaking down the lil-Max animation from the rig foundation to the finished render. Lil Max is a cartoony version of our main rig Max. Lil'Max is built for cartoony, flexible animation. You can push timing, exaggerate poses, and explore ideas you normally couldn’t with a standard rig. You can grab it on our asset store: Or complete our Free Mini-Course (3 Day Blender Bender) to get the rig at an 80% discount! #toanimate #blender #animation

Breaking down the lil-Max animation from the rig foundation to the finished render. Lil Max is a cartoony version of our main rig Max. Lil'Max is built for cartoony, flexible animation. You can push timing, exaggerate poses, and explore ideas you normally couldn’t with a standard rig. You can grab it on our asset store: Or complete our Free Mini-Course (3 Day Blender Bender) to get the rig at an 80% discount! #toanimate #blender #animation

TOAnimate

16,823 просмотров • 9 месяцев назад

3. Summarize and explain web pages Copilot can summarize a long web page in just a few words. It's also the best way to explain certain terms or concepts you don't understand. - Go to the web page you want - Click on the Copilot icon - Enter your prompt, specifying that you're talking about the page you're currently on Prompt: "Summarize this web page in 5 short bullet points, then explain the technical terms in simple words". Note: You can also generate new content from the web page. For example, ask Copilot to "Write a new blog post introduction that summarizes this information".

3. Summarize and explain web pages Copilot can summarize a long web page in just a few words. It's also the best way to explain certain terms or concepts you don't understand. - Go to the web page you want - Click on the Copilot icon - Enter your prompt, specifying that you're talking about the page you're currently on Prompt: "Summarize this web page in 5 short bullet points, then explain the technical terms in simple words". Note: You can also generate new content from the web page. For example, ask Copilot to "Write a new blog post introduction that summarizes this information".

Paul Couvert

84,785 просмотров • 2 лет назад

MCP support is rolling out now in Postman! Excited to see what you all are going to be building with MCP and Agents. Thank you for all the early access developers who gave feedback and helped improve the product.

MCP support is rolling out now in Postman! Excited to see what you all are going to be building with MCP and Agents. Thank you for all the early access developers who gave feedback and helped improve the product.

Abhinav Asthana

54,350 просмотров • 1 год назад

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

You don't understand... Higgsfield MCP + Claude just automated AI film making. Every single step you used to grind through to make an AI movie, you can now do 10x faster. Drop the script into Claude Opus 4.8 and say: "Here's my script. Break it into a full shotlist. Shot number, scene, shot type, camera move and the action in each frame." Now the whole film is mapped, shot by shot. - Pull your assets. Ask Claude: "From this shotlist, list every character, every location and every prop across the whole film." That's your build list. The stuff you would need to generate and give as references in next steps. - Build the character sheets. Higgsfield MCP is connected, so Claude has hands now to do stuff directly. It generates the images itself. Have the full body, back view and close up in the character sheet. One per character. Each sheet becomes the locked reference for that face. Same move for locations, generate the empty plate for each one before anyone steps into it. - Generate the frames. Feed Claude the references plus the shot and have it write and fire the Seedance 2.0 prompt. "Using the lead's character sheet and the alley plate, generate shot 4 in Seedance 2.0. Low angle, slow push-in, rain." Claude builds the prompt, calls Seedance 2.0 and the frame lands back in chat. Use a Seedance 2.0 skill to teach Claude how to prompt it properly. Now, there are 3 ways to make the shots. Pick one per scene. - Pure prompting. Fastest one. You describe the action in words and let Seedance interpret it. For consistency across a sequence, feed it a frame from the previous shot so the look carries. - Storyboarding. You hand it a panel and it matches that composition exactly. Way more control over how the shot is framed. The tradeoff is that it can introduce more cuts than you actually want. - Path Control System This is the latest technique Seedance 2.0 technique. Generate a still base plate of the scene. Draw a red line across it to mark the exact path of the movement, then describe what's happening. Seedance follows that line for the action. Also ask Claude to remove the red line when animating. This is the one for anything where motion has to land precisely. The output reads like real live action. - Lastly, generate every clip you need, then cut them together. Get it to Capcut for editing and audio design. And that's it. The pipeline that used to need a full crew and a studio can now run from one Claude chat. 2026 is gonna be wild

Rez Karim

10,951 просмотров • 3 месяцев назад

Fable 5 just dropped and someone already built a $10k-looking website with it. Here's the full workflow The smooth scrolling, the animations, the transitions, all built with Fable 5. Here's how to get the same result instead of a generic template. 1. Steal a direction first. Go to Mobbin or Godly and find a site whose feel you love. Screenshot it. Fable copies a vibe far better than it invents one. 2. Grab real components. Pull animation-ready blocks from Aceternity UI or Magic UI. These are built for exactly this look (scroll reveals, parallax, gradients). 3. Prompt Fable with all of it. Switch to Fable 5 in Claude Code, drop in your screenshots and the component references, and describe the sections and scroll behavior you want. Let it plan before it builds. 4. Animate with the right tools. Tell it to use GSAP with ScrollTrigger for scroll effects, or Framer Motion for React. This is what separates "nice" from "$10k." 5. Iterate on feel, not code. Preview it, then give Fable specific notes ("slower fade, more spacing on mobile") until it lands. Bookmark this

Fable 5 just dropped and someone already built a $10k-looking website with it. Here's the full workflow The smooth scrolling, the animations, the transitions, all built with Fable 5. Here's how to get the same result instead of a generic template. 1. Steal a direction first. Go to Mobbin or Godly and find a site whose feel you love. Screenshot it. Fable copies a vibe far better than it invents one. 2. Grab real components. Pull animation-ready blocks from Aceternity UI or Magic UI. These are built for exactly this look (scroll reveals, parallax, gradients). 3. Prompt Fable with all of it. Switch to Fable 5 in Claude Code, drop in your screenshots and the component references, and describe the sections and scroll behavior you want. Let it plan before it builds. 4. Animate with the right tools. Tell it to use GSAP with ScrollTrigger for scroll effects, or Framer Motion for React. This is what separates "nice" from "$10k." 5. Iterate on feel, not code. Preview it, then give Fable specific notes ("slower fade, more spacing on mobile") until it lands. Bookmark this

Fokki

72,175 просмотров • 2 месяцев назад

Claude Code + Google Stitch 2.0 is f*cking cracked 🤯 Google just dropped a free AI design agent that solves Claude Code's biggest weakness: frontend design. One screenshot of a high-converting landing page → a production-ready site for your brand in minutes. All inside Google Stitch + Claude Code. Perfect for DTC brands and agencies who are building advertorial pages and product launch pages for Meta but burning days on designer back-and-forth. If you're running Meta ads and need 5-10 different landing pages testing different hooks, angles, and offers — each one targeting a different audience and pain point — you know the bottleneck isn't the ads. It's the pages. Briefing designers, waiting for revisions, paying $2-5K per page. Stitch eliminates the design bottleneck: → Find a high-converting advertorial that's scaling on Meta → Screenshot it and drop it into Stitch (powered by Gemini 3.1) → Stitch redesigns it with your brand's colors, fonts, and imagery using Nano Banana 2 → Edit sections visually — headlines, CTAs, layouts — without touching code → Export the code and paste it into Claude Code → Claude builds the full production site and deploys to Vercel or Netlify in 60 seconds No designer. No $3K per landing page. No Claude Code frontend that looks like a template from 2019. What you get: → Designer-quality landing pages and advertorials built in minutes, not weeks → Visual editing so you actually see the design before you code it → Nano Banana 2 generating on-brand product imagery and hero shots → A repeatable system — new angle, new page, same pipeline Built 100% with Google Stitch 2.0 + Claude Code. I put together a full playbook showing the exact workflow: how to find winning pages, redesign them in Stitch, and deploy with Claude Code. Want it for free? > Like this post > Comment "STITCH" And I'll send it over (must be following so I can DM)

Mike Futia

126,275 просмотров • 5 месяцев назад

Seedance 2.0 + Claude Code is f*cking insane 🤯 I built a Claude skill that creates UGC ads on demand. One product + one prompt = the AI creator, the script, the scene-by-scene shot list, and the finished video. All inside Claude Code. Perfect for DTC brands and agencies who can't afford to keep paying $500-$1,500 per UGC video and waiting 2 weeks for revisions. This skill eliminates the entire loop: → Tell Claude the product, ad angle, and length → Skill writes the GPT Image 2.0 prompt to generate the AI creator from scratch → Skill writes every scene prompt, dialogue line, and delivery direction → Pipes it into Seedance 2.0 with character + product + voice locked → Speed up + caption in CapCut → Ship the ad in 20 minutes No more paying $11 per video on Arcads. No more 2-week revision cycles. No more PR boxes to creators who ghost you. What you get: → Perfect character consistency across every scene → Voice consistency that holds clip-to-clip → Real product fidelity using your actual product photo as a reference → Multi-scene day-in-life, testimonial, and action-shot formats out of the box Built 100% with a Claude skill + Seedance 2.0. I recorded a full step-by-step tutorial showing the exact workflow so you can build these AI UGC ads yourself. Want the full breakdown? > Like this post > Comment "UGC" And I'll send it over (must be following so I can DM)

Seedance 2.0 + Claude Code is f*cking insane 🤯 I built a Claude skill that creates UGC ads on demand. One product + one prompt = the AI creator, the script, the scene-by-scene shot list, and the finished video. All inside Claude Code. Perfect for DTC brands and agencies who can't afford to keep paying $500-$1,500 per UGC video and waiting 2 weeks for revisions. This skill eliminates the entire loop: → Tell Claude the product, ad angle, and length → Skill writes the GPT Image 2.0 prompt to generate the AI creator from scratch → Skill writes every scene prompt, dialogue line, and delivery direction → Pipes it into Seedance 2.0 with character + product + voice locked → Speed up + caption in CapCut → Ship the ad in 20 minutes No more paying $11 per video on Arcads. No more 2-week revision cycles. No more PR boxes to creators who ghost you. What you get: → Perfect character consistency across every scene → Voice consistency that holds clip-to-clip → Real product fidelity using your actual product photo as a reference → Multi-scene day-in-life, testimonial, and action-shot formats out of the box Built 100% with a Claude skill + Seedance 2.0. I recorded a full step-by-step tutorial showing the exact workflow so you can build these AI UGC ads yourself. Want the full breakdown? > Like this post > Comment "UGC" And I'll send it over (must be following so I can DM)

Mike Futia

41,004 просмотров • 4 месяцев назад

Hi everyone! I’m happy to share that I’ve been given the opportunity to create a class with Coloso! This low-poly chibi model and animation are what I’ve been building for the class — covering modeling, texturing, rigging, animation, effects, and After Effects compositing. Pre-orders open on Coloso Global next week, and Coloso and I put together a $55 coupon for my followers. Coupon link in the replies! 👇 Coloso Global #Blender #AfterEffects #b3d #3d #animation

Hi everyone! I’m happy to share that I’ve been given the opportunity to create a class with Coloso! This low-poly chibi model and animation are what I’ve been building for the class — covering modeling, texturing, rigging, animation, effects, and After Effects compositing. Pre-orders open on Coloso Global next week, and Coloso and I put together a $55 coupon for my followers. Coupon link in the replies! 👇 Coloso Global #Blender #AfterEffects #b3d #3d #animation

cartridge102

44,440 просмотров • 8 дней назад

Alrighty, everything is ready 😎 here’s an unofficial “2x Codex limits” promo from my side for you all. meet DevSpace — an MCP connector app that turns ChatGPT into Codex. npm install -g @waishnav/devspace After installing, tunnel the MCP server over the internet and enjoy 2x limits. You can use GPT-5.5 Pro, xHigh, or High for planning, then hand off the task to your local Codex/pi/opencode/cursor/claude code instance. Or you can just use it for reviewing code written by other local coding agents Go ahead, experiment with different workflows, and keep the feedback coming on GitHub Issues or in my DMs And let’s thank OpenAI for being so generous by giving us separate ChatGPT and Codex limits and by being so chill around this MCP :) Please use it sparingly, only when you run out of limits. Don’t overuse it — in the end, they do have a button to stop it 🙂

Alrighty, everything is ready 😎 here’s an unofficial “2x Codex limits” promo from my side for you all. meet DevSpace — an MCP connector app that turns ChatGPT into Codex. npm install -g @waishnav/devspace After installing, tunnel the MCP server over the internet and enjoy 2x limits. You can use GPT-5.5 Pro, xHigh, or High for planning, then hand off the task to your local Codex/pi/opencode/cursor/claude code instance. Or you can just use it for reviewing code written by other local coding agents Go ahead, experiment with different workflows, and keep the feedback coming on GitHub Issues or in my DMs And let’s thank OpenAI for being so generous by giving us separate ChatGPT and Codex limits and by being so chill around this MCP :) Please use it sparingly, only when you run out of limits. Don’t overuse it — in the end, they do have a button to stop it 🙂

waishnav

537,610 просмотров • 2 месяцев назад

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?

Lee Robinson

148,937 просмотров • 1 год назад

How I built with Claude 👇 Prompt: "Design an agency site where services are presented as supermarket product packaging in 3D" Use Three.js with WebGL to render all products in real time in the browser Use Blender to model the packaging then export as GLTF to load in Three.js Use GSAP for the smooth product rotation and hover interactions Save this if you want a portfolio that makes clients feel they are buying something premium 🛒

How I built with Claude 👇 Prompt: "Design an agency site where services are presented as supermarket product packaging in 3D" Use Three.js with WebGL to render all products in real time in the browser Use Blender to model the packaging then export as GLTF to load in Three.js Use GSAP for the smooth product rotation and hover interactions Save this if you want a portfolio that makes clients feel they are buying something premium 🛒

FHILY👑

76,325 просмотров • 3 месяцев назад

Fuzey Fam, I am asking for all of your support here... I spent the past year and half building this for you. Our blood, sweat and tears went into this for you. We believe this is the product that will take your stream and growth to that next level without having to hire a professional designer! If you believe in what we're building and support this community, use it. build with it. make your stream beautiful with it. I guarantee you're going to LOVE it. IS NOW LIVE 💛 Love Fuzey

Fuzey Fam, I am asking for all of your support here... I spent the past year and half building this for you. Our blood, sweat and tears went into this for you. We believe this is the product that will take your stream and growth to that next level without having to hire a professional designer! If you believe in what we're building and support this community, use it. build with it. make your stream beautiful with it. I guarantee you're going to LOVE it. IS NOW LIVE 💛 Love Fuzey

Fuzey

377,910 просмотров • 1 год назад

Before the part ever touches the machine, it's already been built. This is a 5-axis toolpath, programmed in CAM to map every angle, every pass and every cut. When it's ready, that program goes straight to our DMG MORI. The machine rotates and the tool engages. Then, it executes exactly what you see on screen, with extreme precision. Five axes of motion provide complex geometry in a single setup, with better accuracy. This is precision manufacturing for satellites at our factory in Northern California. 🇺🇸

Before the part ever touches the machine, it's already been built. This is a 5-axis toolpath, programmed in CAM to map every angle, every pass and every cut. When it's ready, that program goes straight to our DMG MORI. The machine rotates and the tool engages. Then, it executes exactly what you see on screen, with extreme precision. Five axes of motion provide complex geometry in a single setup, with better accuracy. This is precision manufacturing for satellites at our factory in Northern California. 🇺🇸

Astranis Space Technologies

12,599 просмотров • 4 месяцев назад

I’ve been craving a video editor with motion baked in, designed to work with my own AI agents. Claude, Codex, whatever I want to use. I don’t want to be blocked by someone else’s credit system for every little interaction. I also wanted a Figma-like canvas/editor for when I want to jump in and tweak any little detail. So we built it: Video & audio editing: cut, zoom, speed up, add B-roll. Motion, animation, 3D, custom shaders & effects, custom 3D models, dynamic components & templates, audio and beat matching. And it’s all programmable. Design your own assets directly on the canvas, bring them in from Figma or the web, or just let the agent find them, mock them up, or record what it needs automatically. You can even drop in your screen recordings and just let loose. Supercut users: yes, it’ll have first-class support for your recordings, but it’ll work with anything. I’m going to be dropping a lot more examples and tutorials, so follow along. DM me for early access if you’re willing to give feedback. We’ll open it up to everyone very soon.

I’ve been craving a video editor with motion baked in, designed to work with my own AI agents. Claude, Codex, whatever I want to use. I don’t want to be blocked by someone else’s credit system for every little interaction. I also wanted a Figma-like canvas/editor for when I want to jump in and tweak any little detail. So we built it: Video & audio editing: cut, zoom, speed up, add B-roll. Motion, animation, 3D, custom shaders & effects, custom 3D models, dynamic components & templates, audio and beat matching. And it’s all programmable. Design your own assets directly on the canvas, bring them in from Figma or the web, or just let the agent find them, mock them up, or record what it needs automatically. You can even drop in your screen recordings and just let loose. Supercut users: yes, it’ll have first-class support for your recordings, but it’ll work with anything. I’m going to be dropping a lot more examples and tutorials, so follow along. DM me for early access if you’re willing to give feedback. We’ll open it up to everyone very soon.

Neil

23,042 просмотров • 1 месяц назад