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What happens when a creative director experiments with Flow? Our very own Christian Haas shared insight into how he created his short film called, "Found." #MadeWithFlow “I used Flow almost as an actor, trying things out to see what was funnier or more charming. In the scene where the... character is on stage as a cardboard tree, for example, I tried several different gags to see what was going to land better. My initial frame had only the character as a tree, then in Flow I would prompt different things that could happen. Like what if he falls? What if the spotlight can’t find him? What if there are more trees? And so on. Like a director giving notes to an actor on stage, I could watch in real time the result and pick the best take for the edit.”show more

Google Flow

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27,444 views • 10 months ago •via X (Twitter)

Science & Technology Education Arts #MadeWithFlow

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#Magic’s Paolo Banchero on the fifth foul: “It was tough. Never really had anything like that happen before.” "I was trying my best not to foul. I knew I had four fouls. I felt like I stopped short of him going up, and he went up with his elbows out, hit me in the face and they called it on me. Then, he did the same thing to Cory Joseph, they called it on Cory. So not sure what that rule is. Maybe I have a misunderstanding of what the rule is there, but I was trying my best not to foul." "They opened the game up. I mean, that's what happens. If I'm able to be in the game, that doesn't happen. We were playing well, but wasn't in the cards for us."

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Elon Musk says IF he could, he would slow down the advancements of AI & Robotics: “I just want to separate out from what I wish would happen versus what I predict will happen, because people get confused about that. They think that what I predict will happen is what I want it to happen. What I predict to happen is not the same as what I want to happen. If I could, I would certainly slow down AI and robotics, but I can’t. It seems to be advancing at a very rapid pace, whether I like it or not.”

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Treasonous Obama ADMITTED what he was going to do years ago… Obama: “If I could make an arrangement where I had a stand-in…and I was just in my basement…I’d be fine with that.” The ‘JOKE’ was the blueprint The 2020 Election was STOLEN and they used Sleepy Joe as the Puppet

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🇬🇧 Josh Kerr shared an injury update on Instagram about his calf injury and what happened in the World Championships 1500m final. "What happened to me was the last 10 meters or so of the semifinal – obviously a lot of hustle and bustle and a big pack of guys trying to get to the line as racing is. During the fall over the line, I overstretched and I kicked my calf and then strained it with the overstretch and fall. A reasonably mild strain – nothing like crazy. A lot of bruising, but it felt like with the right amount of adrenaline, I could figure out how to make the final happen and still come out with the result I wanted. Relied a lot on my medical team and we got pretty close. Felt pretty confident going into the final. I was just ready to send it. With 600m to go in the World final, I fully pulled my calf. Grade 2 is what I'm getting told. Adrenaline pumping, I was like, 'You're staying in this race.' The plan was to stay in for the full 1500m. I committed to that, but obviously, you saw the result of what that looked like. Definitely did some more damage to that in that last 600m than right away but my job is to get to the finish line as quickly as possible and that's what I wanted to commit to. You never know what can happen with these races."

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˶ᵔ ᵕ ᵔ˶

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While filming this crucial scene in "No Way Out" (1987), Kevin Costner had disagreement with the director on staging of the scene & how Gene Hackman's character reacts to Costner's character. Costner was pissed when things didn't go as he had hoped. When the director asked what Gene Hackman should do, Costner replied, "Gene can do whatever he wants, it's up to Gene what he wants to do." After the shoot for the day ended, Gene Hackman met Costner in the parking lot & asked if he could talk to him. Costner feared that Hackman was going to say, "if you ever do that to another f**ing director in front of me again, I'll ki!! you." Instead Hackman said, "I watched you today and I have been through a divorce and for three years, I've been doing a lot of shitty movies and I've been trying to pay for this divorce. I kind of didn't feel about acting the way I felt for a long time. I watched you today & [I remembered] I used to feel like that. I was really happy to see you do that." He then drove off. Costner considers this conversation with Gene Hackman an important moment in his life. ["Kevin Costner on Working with Gene Hackman | Conversations at the SAG-AFTRA Foundation", 2025]

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Charlton Heston on why 'Soylent Green' (1973) was one of the best movies he acted in: "'Soylent Green' (1973) was one of the best movies I ever did, primarily because of Eddie [Robinson]. He was a wonderful actor and lovely man to work with. He was so good in it. He was dying at the time … and he was undertaking to die in the scene. And talking to him, I was weeping. Because of what it was like for him as an actor to lie there, knowing you were never again going to put on makeup and wardrobe and say words for a film. That must have been what he was thinking" ("Hollywood Flashback: ‘Soylent Green’ Depicted an Overpopulated Planet With a Dark Secret", Seth Abramovitch, The Hollywood Reporter, 2023)

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DepressedBergman

111,953 views • 7 months ago

Ling: It was the first time I've ever been out in public and felt like I needed to find a weapon. I was looking through my bag to see what I had, and I found a sturdy handheld fan. The thought in my head was that if they came at me, I’d have to smash it over their head Orm: P’Ling is about to transform into P’Tawan Orm: I mean I saw what happened, and more or less I knew what had happened. Then P'Ling told me afterward exactly what had happened. If it hasnt happened to you personally, you really cant understand it. It was really terrifying. In all my life, I’ve never had people run straight at me like that before. It even looked like they were trying to get into her car. We didnt know whether they had weapons or not. They came as a group, too. Thats very frightening for a woman They talked about the SSFs thing 😭 you could see all the concern on Orm’s face as she listened to Ling talk about it...

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Ling: It was the first time I've ever been out in public and felt like I needed to find a weapon. I was looking through my bag to see what I had, and I found a sturdy handheld fan. The thought in my head was that if they came at me, I’d have to smash it over their head Orm: P’Ling is about to transform into P’Tawan Orm: I mean I saw what happened, and more or less I knew what had happened. Then P'Ling told me afterward exactly what had happened. If it hasnt happened to you personally, you really cant understand it. It was really terrifying. In all my life, I’ve never had people run straight at me like that before. It even looked like they were trying to get into her car. We didnt know whether they had weapons or not. They came as a group, too. Thats very frightening for a woman They talked about the SSFs thing 😭 you could see all the concern on Orm’s face as she listened to Ling talk about it...

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Jim Jarmusch on how he got the inspiration to make 'Ghost Dog: The Way of the Samurai' (1999): "Interviewer: Can you tell me where the initial idea for 'Ghost Dog' (1999) came from? Jarmusch: I can’t really because I did everything backwards. I started with a really vague idea, but wanting to work with Forest Whitaker was really the beginning. So I was trying to think of what kind of character I could make for the qualities in him as an actor that I liked. That contradiction he has of being both gentle and imposing. So it really started from here. I thought of a warrior character, but with a spiritual side so that I could get both aspects of him as an actor. Then the samurai thing became interesting to me. Unlike Western warriors, who trained just as warriors, Eastern warriors like samurai—or more particularly, Shaolin monks in China—are also priests and teachers. Although samurai are not priests, there is a spiritual depth to their training. So it seemed like an interesting thing. Then to make a kind of Don Quixote character who follows an ancient code that is not part of the modern world seemed interesting to me. I started collecting ideas, as I always do, and eventually I sit down and weave them together and see what the hell I’ve come up with." (Jim Jarmusch's interview with Chris Campion, 2000)

Jim Jarmusch on how he got the inspiration to make 'Ghost Dog: The Way of the Samurai' (1999): "Interviewer: Can you tell me where the initial idea for 'Ghost Dog' (1999) came from? Jarmusch: I can’t really because I did everything backwards. I started with a really vague idea, but wanting to work with Forest Whitaker was really the beginning. So I was trying to think of what kind of character I could make for the qualities in him as an actor that I liked. That contradiction he has of being both gentle and imposing. So it really started from here. I thought of a warrior character, but with a spiritual side so that I could get both aspects of him as an actor. Then the samurai thing became interesting to me. Unlike Western warriors, who trained just as warriors, Eastern warriors like samurai—or more particularly, Shaolin monks in China—are also priests and teachers. Although samurai are not priests, there is a spiritual depth to their training. So it seemed like an interesting thing. Then to make a kind of Don Quixote character who follows an ancient code that is not part of the modern world seemed interesting to me. I started collecting ideas, as I always do, and eventually I sit down and weave them together and see what the hell I’ve come up with." (Jim Jarmusch's interview with Chris Campion, 2000)

DepressedBergman

275,394 views • 5 months ago

#SethMacFarlane says AI was “the right tool for the right job” to transform himself into Bill Clinton on #Ted Season 2: “It’s a really interesting example of how, in the future, AI can be used as a tool without trampling any of the traditional art that we do. I think there is a balance. Sinatra used an RCA ribbon mic for years, and then suddenly the Neumann U47 came along. That’s what he used because it was a better tool for what he needed in the moment. That’s how things are going to land, at least in the immediate future.”

#SethMacFarlane says AI was “the right tool for the right job” to transform himself into Bill Clinton on #Ted Season 2: “It’s a really interesting example of how, in the future, AI can be used as a tool without trampling any of the traditional art that we do. I think there is a balance. Sinatra used an RCA ribbon mic for years, and then suddenly the Neumann U47 came along. That’s what he used because it was a better tool for what he needed in the moment. That’s how things are going to land, at least in the immediate future.”

Variety

113,761 views • 4 months ago

François Truffaut on why he got more pleasure in directing a child actor than an adult in his debut film, "The 400 Blows" (1959): "To shoot a film with children is very enticing beforehand, entails a lot of panic while it is happening (because it is a fearsomely challenging business that is always slipping through one’s fingers), and is immensely satisfying afterwards. Even when I have a feeling that everything is going adrift, there is always something that is salvageable, and no matter what happens, it is always the child who comes across best on the screen. I also think that I get more pleasure from directing a child than an adult because I am just starting out as a director, whereas adults have already had experience at acting. I tend to be intimidated by their “seniority,” and when they don’t want to do what I tell them, I sometimes give up the struggle, or else allow myself to be pulled along when they do their thing, and I am never sure I’m right. A child’s sincerity is something I think I can feel absolutely. For example, through the whole length of the film, I had to wrestle with Jean-Pierre Léaud. He was terrific, but he was scared that he was going to come across as unlikeable, which meant that he continually wanted to smile. For three whole months I prevented him from smiling … and I’m sure I was right. That said, I was amazingly lucky to come across that kid. He was the character. Better still, he improved the film. I had been seeing Antoine as more fragile, more timid, less aggressive, whereas Jean-Pierre gave him his robustness, his truculence, his courage. He was an invaluable collaborator. He was able to find the right gestures spontaneously, he adjusted the script, always for the better, and he used the words that he wanted to use." (Truffaut's interview to Arts, 1959) P.S: On this day, 67 years ago, "The 400 Blows" (1959) premiered at the Cannes Film Festival.

François Truffaut on why he got more pleasure in directing a child actor than an adult in his debut film, "The 400 Blows" (1959): "To shoot a film with children is very enticing beforehand, entails a lot of panic while it is happening (because it is a fearsomely challenging business that is always slipping through one’s fingers), and is immensely satisfying afterwards. Even when I have a feeling that everything is going adrift, there is always something that is salvageable, and no matter what happens, it is always the child who comes across best on the screen. I also think that I get more pleasure from directing a child than an adult because I am just starting out as a director, whereas adults have already had experience at acting. I tend to be intimidated by their “seniority,” and when they don’t want to do what I tell them, I sometimes give up the struggle, or else allow myself to be pulled along when they do their thing, and I am never sure I’m right. A child’s sincerity is something I think I can feel absolutely. For example, through the whole length of the film, I had to wrestle with Jean-Pierre Léaud. He was terrific, but he was scared that he was going to come across as unlikeable, which meant that he continually wanted to smile. For three whole months I prevented him from smiling … and I’m sure I was right. That said, I was amazingly lucky to come across that kid. He was the character. Better still, he improved the film. I had been seeing Antoine as more fragile, more timid, less aggressive, whereas Jean-Pierre gave him his robustness, his truculence, his courage. He was an invaluable collaborator. He was able to find the right gestures spontaneously, he adjusted the script, always for the better, and he used the words that he wanted to use." (Truffaut's interview to Arts, 1959) P.S: On this day, 67 years ago, "The 400 Blows" (1959) premiered at the Cannes Film Festival.

DepressedBergman

25,571 views • 2 months ago

Josh Safdie asked Tyler, The Creator if his creative process as an actor is the same in his other creations: “[...] you built that blueprint for me to jump off of. And I just tried to give it the right care that I would if you gave me a color palette and I had to make you a hat and a sweater and figure out what that look was. The same love and passion went into that”, Tyler said.

Josh Safdie asked Tyler, The Creator if his creative process as an actor is the same in his other creations: “[...] you built that blueprint for me to jump off of. And I just tried to give it the right care that I would if you gave me a color palette and I had to make you a hat and a sweater and figure out what that look was. The same love and passion went into that”, Tyler said.

Archive Tyler, The Creator

561,523 views • 6 months ago

Yesterday, after failing to find the man who had built a structure on top of a tree along Jogoo Road, I went back today and was glad to find him. I engaged with him and he shared with me his story, explaining why he had chosen the tree as his home. He shared his desire: if only he could get a mkokoteni, he would use it to transport goods for pay and earn a decent living enough to rent a house rather than continue staying on the tree. With the little I had, I purchased a mkokoteni for him. In addition, I will ensure he secures a rental house with four months’ rent fully paid, giving him a fresh start and a safe place to call home. I was deeply moved to see him smile, and it reminded me how powerful even a small act of kindness can be. If you are out there and have the ability to help someone in need, please do it could change a life.

Yesterday, after failing to find the man who had built a structure on top of a tree along Jogoo Road, I went back today and was glad to find him. I engaged with him and he shared with me his story, explaining why he had chosen the tree as his home. He shared his desire: if only he could get a mkokoteni, he would use it to transport goods for pay and earn a decent living enough to rent a house rather than continue staying on the tree. With the little I had, I purchased a mkokoteni for him. In addition, I will ensure he secures a rental house with four months’ rent fully paid, giving him a fresh start and a safe place to call home. I was deeply moved to see him smile, and it reminded me how powerful even a small act of kindness can be. If you are out there and have the ability to help someone in need, please do it could change a life.

Geoffrey Mosiria

30,384 views • 10 months ago

“Of course Michael would still be alive if I was in his life. I had told some people, some friend that if I don’t get to Michael he ain’t gonna be here for long, he won’t be with us long and I called the shot to exactly what had happened. I just didn’t like to see him laying in the casket. I wouldn’t even go there because I did not want to remember him like that. I wanted to remember him life and dancing on stage. He’s my son! ❤️‍🩹” — Joe Jackson says when he was asked if Michael Jackson would still be alive if he was in his life.

“Of course Michael would still be alive if I was in his life. I had told some people, some friend that if I don’t get to Michael he ain’t gonna be here for long, he won’t be with us long and I called the shot to exactly what had happened. I just didn’t like to see him laying in the casket. I wouldn’t even go there because I did not want to remember him like that. I wanted to remember him life and dancing on stage. He’s my son! ❤️‍🩹” — Joe Jackson says when he was asked if Michael Jackson would still be alive if he was in his life.

Q👽

71,953 views • 1 month ago

#GirlRulesSeriesEP1 #NamtanFilm #น้ำตาลฟิล์ม Namtan: You see… We’ll all see it eventually. What the director told us is something we have to accept as actors that the audience will first interpret the character at face value. Because that’s what the director wants people to see at first. And later on, it will slowly be revealed why they came back and why they did that. The reasons behind the return will all be explained. But for now, the director wants the audience to see this person as a total red flag. Film: Right… Namtan: But even with that ‘red flag,’ I think everyone has a bit of a red flag in them. And those red flags all have their own reasons and backgrounds. Even if someone is a red flag, they’ll eventually learn their own lesson. Film: The difficult part for me is that it’s very far from who I am. And as P’Namtan said, I didn’t really have an image of it in my head. 🗣: How did you picture it? Namtan: It’s a lot of things Film: Like, Bambi’s life is just like this. She lives this way, she thinks this way. My job as an actor is to figure out why this character acts the way she does. And I’m the kind of person who feels that if I can’t find a reason for the character, I can’t perform. I wouldn’t know how to play her. So that’s the struggle trying to find the reason behind the character. 🗣: Like, how to move forward with the character? Film: Yeah, it became really complex because some of the characters' reasons… I just couldn’t quite understand them. I was just like… Namtan: It’s like… It’s like meeting someone in real life and thinking, I would never do what you do. But… I believe that usually, when we don’t like someone, we just don’t get involved with them, right? But as an actor, we have to get involved. We have to understand them so we can show the audience why this person does what they do. So it was quite a heavy feeling for me, because Bambi and I have completely different energies. And on top of that, I had to try to understand someone with that kind of energy. Film: In the end, I realized that everyone grows up differently—different stories, different experiences. 🗣: And acting with Namtan must have been… Namtan: Amazing! But it was a bit difficult because we’re so close that we keep laughing. So the scenes that were supposed to be emotional sometimes turned a bit funny. That was another challenge, because we love laughing together.

#GirlRulesSeriesEP1 #NamtanFilm #น้ำตาลฟิล์ม Namtan: You see… We’ll all see it eventually. What the director told us is something we have to accept as actors that the audience will first interpret the character at face value. Because that’s what the director wants people to see at first. And later on, it will slowly be revealed why they came back and why they did that. The reasons behind the return will all be explained. But for now, the director wants the audience to see this person as a total red flag. Film: Right… Namtan: But even with that ‘red flag,’ I think everyone has a bit of a red flag in them. And those red flags all have their own reasons and backgrounds. Even if someone is a red flag, they’ll eventually learn their own lesson. Film: The difficult part for me is that it’s very far from who I am. And as P’Namtan said, I didn’t really have an image of it in my head. 🗣: How did you picture it? Namtan: It’s a lot of things Film: Like, Bambi’s life is just like this. She lives this way, she thinks this way. My job as an actor is to figure out why this character acts the way she does. And I’m the kind of person who feels that if I can’t find a reason for the character, I can’t perform. I wouldn’t know how to play her. So that’s the struggle trying to find the reason behind the character. 🗣: Like, how to move forward with the character? Film: Yeah, it became really complex because some of the characters' reasons… I just couldn’t quite understand them. I was just like… Namtan: It’s like… It’s like meeting someone in real life and thinking, I would never do what you do. But… I believe that usually, when we don’t like someone, we just don’t get involved with them, right? But as an actor, we have to get involved. We have to understand them so we can show the audience why this person does what they do. So it was quite a heavy feeling for me, because Bambi and I have completely different energies. And on top of that, I had to try to understand someone with that kind of energy. Film: In the end, I realized that everyone grows up differently—different stories, different experiences. 🗣: And acting with Namtan must have been… Namtan: Amazing! But it was a bit difficult because we’re so close that we keep laughing. So the scenes that were supposed to be emotional sometimes turned a bit funny. That was another challenge, because we love laughing together.

Belle

23,470 views • 4 months ago

Rafa Nadal & Roger Federer were asked how they want to be remembered in a new campaign for Louis Vuitton Rafa: “At the end what will make me feel proud and happy is when I leave this world, if the tournament directors, the people who work at the tournaments, staff, ATP, say good things about who I was on the tour, or who I am as a person more than a tennis player. Because as a tennis player, at the end, we have the titles, we have the achievements and that's how it is. I achieved more than what I ever dreamed of. So for me at the end, the legacy in terms of a human being, after achieving all the things that we achieved, for me is the most important thing.” ❤️ Roger: “I hope if I'm remembered not only as a tennis player, but as a person behind what I gave to the game and what I represented to the game, and it was less about all my Wimbledon victories or whatever it was, that would mean a lot to me. If I can be remembered more as the personality rather than just a player, that would be great. And if I was a good role model for kids, that would make me happy too… And it would be nice, like Rafa said, if the people are happy to see us again. Not like ‘oh no, that guy again,’” 😂 These two. 🥹

Rafa Nadal & Roger Federer were asked how they want to be remembered in a new campaign for Louis Vuitton Rafa: “At the end what will make me feel proud and happy is when I leave this world, if the tournament directors, the people who work at the tournaments, staff, ATP, say good things about who I was on the tour, or who I am as a person more than a tennis player. Because as a tennis player, at the end, we have the titles, we have the achievements and that's how it is. I achieved more than what I ever dreamed of. So for me at the end, the legacy in terms of a human being, after achieving all the things that we achieved, for me is the most important thing.” ❤️ Roger: “I hope if I'm remembered not only as a tennis player, but as a person behind what I gave to the game and what I represented to the game, and it was less about all my Wimbledon victories or whatever it was, that would mean a lot to me. If I can be remembered more as the personality rather than just a player, that would be great. And if I was a good role model for kids, that would make me happy too… And it would be nice, like Rafa said, if the people are happy to see us again. Not like ‘oh no, that guy again,’” 😂 These two. 🥹

The Tennis Letter

525,467 views • 2 years ago