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What would THE SHAWSHANK REDEMPTION be without Morgan Freeman? 👀 Roger Deakins and patrick. sat down in the TIFF Film Reference Library to discuss how casting decisions can completely reshape a film.

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13,493 görüntüleme • 2 ay önce •via X (Twitter)

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Roger Deakins earned an Oscar nomination for Best Cinematography for The Shawshank Redemption, a film which earned 7 Oscar nominations in total. Deakins pulls you so much closer to Andy’s journey through prison & it’s a huge reason the film is such a success. I really hope Deakins returns to Cinema again in the near future.
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Roger Deakins earned an Oscar nomination for Best Cinematography for The Shawshank Redemption, a film which earned 7 Oscar nominations in total. Deakins pulls you so much closer to Andy’s journey through prison & it’s a huge reason the film is such a success. I really hope Deakins returns to Cinema again in the near future.

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Morgan Freeman in The Shawshank Redemption (1994) played Red, who in the book was a red-haired Irishman and still made the role completely his own.
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Morgan Freeman in The Shawshank Redemption (1994) played Red, who in the book was a red-haired Irishman and still made the role completely his own.

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Morgan Freeman in The Shawshank Redemption (1994) played Red, who in the book was a red-haired Irishman and still made the role completely his own.
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Morgan Freeman in The Shawshank Redemption (1994) played Red, who in the book was a red-haired Irishman and still made the role completely his own.

cinesthetic.

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Morgan Freeman was not the obvious choice for Red in The Shawshank Redemption because the character was written in Stephen King’s novella as an Irish man with red hair. Frank Darabont ignored that detail and cast Freeman for his presence and voice — a choice that helped turn Red’s narration into one of the most beloved parts of the film. The Shawshank Redemption (1994)
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Morgan Freeman was not the obvious choice for Red in The Shawshank Redemption because the character was written in Stephen King’s novella as an Irish man with red hair. Frank Darabont ignored that detail and cast Freeman for his presence and voice — a choice that helped turn Red’s narration into one of the most beloved parts of the film. The Shawshank Redemption (1994)

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Roger Deakins is the show-stealer in Sicario. I’m not sure how many other times I think of a cinematographer first when I think of a film as good as this, but the more you rewatch Sicario, the more Deakins stands out. This sequence in particular shows everything Deakins can do.
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Roger Deakins is the show-stealer in Sicario. I’m not sure how many other times I think of a cinematographer first when I think of a film as good as this, but the more you rewatch Sicario, the more Deakins stands out. This sequence in particular shows everything Deakins can do.

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Morgan Freeman called the "Shawshank Redemption" script "an absolutely delightful script," one of the best he'd ever read. He told his agent he wanted in, any role. When offered Red, he was shocked: "Wow, I control the movie!" It's still his favorite film of his own.
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Morgan Freeman called the "Shawshank Redemption" script "an absolutely delightful script," one of the best he'd ever read. He told his agent he wanted in, any role. When offered Red, he was shocked: "Wow, I control the movie!" It's still his favorite film of his own.

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Tim Robbins (as Andy Dufresne) and Morgan Freeman (as Ellis ‘Red’ Redding) delivered the performances that made The Shawshank Redemption legendary. Robbins embodies Andy with strength, patience, and intelligence, while Freeman brings warmth and depth to Red, serving as the audience’s emotional anchor. Together, they make the friendship between Andy and Red the heart of the film and elevate the prison escape story into a timeless tale of hope and human dignity.
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Tim Robbins (as Andy Dufresne) and Morgan Freeman (as Ellis ‘Red’ Redding) delivered the performances that made The Shawshank Redemption legendary. Robbins embodies Andy with strength, patience, and intelligence, while Freeman brings warmth and depth to Red, serving as the audience’s emotional anchor. Together, they make the friendship between Andy and Red the heart of the film and elevate the prison escape story into a timeless tale of hope and human dignity.

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PIERS MORGAN CONFRONTED . Hi Piers Morgan let’s sit down properly to discuss my film & give you an opportunity to apologise to the child’s life you ruined . Be the bigger man
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PIERS MORGAN CONFRONTED . Hi Piers Morgan let’s sit down properly to discuss my film & give you an opportunity to apologise to the child’s life you ruined . Be the bigger man

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I sat down with the Director, Writer, and Executive Producer of “Jafaican”, Fredi Nwaka, to discuss the reaction to the film and its recent trailer.
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Film critics Jazz Tangcay and Kyle Kizu discuss Christopher Nolan's #TheOdyssey being the first film ever to be shot completely in IMAX. Click here to watch the full episode of 'Critical Thinking':
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Film critics Jazz Tangcay and Kyle Kizu discuss Christopher Nolan's #TheOdyssey being the first film ever to be shot completely in IMAX. Click here to watch the full episode of 'Critical Thinking':

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it’s a beautiful day to share the first look of NYAME MMA. my film is featured in the Short Film Corner’s Video Library of the ongoing 77th Cannes Film Festival in France 🇫🇷 the film will be exclusively accessible to Short Film Corner participants and industry professionals
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it’s a beautiful day to share the first look of NYAME MMA. my film is featured in the Short Film Corner’s Video Library of the ongoing 77th Cannes Film Festival in France 🇫🇷 the film will be exclusively accessible to Short Film Corner participants and industry professionals

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In Skyfall, the Shanghai fight scene might be the most visually stunning sequence in any James Bond film. It feels like something out of a futuristic sci-fi world, all neon silhouettes and glass reflections. Roger Deakins’ cinematography is pure magic.
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In Skyfall, the Shanghai fight scene might be the most visually stunning sequence in any James Bond film. It feels like something out of a futuristic sci-fi world, all neon silhouettes and glass reflections. Roger Deakins’ cinematography is pure magic.

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The one review Roger Ebert got completely wrong the most has to be his review of DIE HARD, a film he absolutely hated, and Siskel loved.
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Morgan Freeman wasn't the first choice for Se7en. Al Pacino rejected the role of Somerset to film City Hall. Harrison Ford also turned it down, calling the script "too dark." Their mistake allowed Freeman to deliver a legendary performance.
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Morgan Freeman wasn't the first choice for Se7en. Al Pacino rejected the role of Somerset to film City Hall. Harrison Ford also turned it down, calling the script "too dark." Their mistake allowed Freeman to deliver a legendary performance.

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"I think 'Come and See' (1985, Klimov) should be a compulsory viewing because it's the film that nearest nearest depicts certain aspects of the war that I don't think anything else has done." --- Roger Deakins
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"I think 'Come and See' (1985, Klimov) should be a compulsory viewing because it's the film that nearest nearest depicts certain aspects of the war that I don't think anything else has done." --- Roger Deakins

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