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While I’d rather just breed, Chun Li likes to get teased during our sessions. 😉. #bbc #bull #chunli #mslewd #lewd #sex #rule34 #BACKSHOTS #3d #blacked

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De 1st Bull

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60,935 görüntüleme • 1 yıl önce •via X (Twitter)

NSFW#bbc#bull#chunli#mslewd#lewd#sex#rule34#BACKSHOTS#3d#blacked
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Okay guys, our Cancun vacation is just around the corner so we thought it’d be fun to reveal 5 of the songs you chose for us to perform live during our 30 For 30 fan-voted setlist performance. Our boy Nick Carter’s here to kick it off! Don’t worry, we won’t give too much away. 😉 Want to see us perform “Just Want You To Know” live? Go to to get tickets while you still can. #BSBAtTheBeach
0:37

Okay guys, our Cancun vacation is just around the corner so we thought it’d be fun to reveal 5 of the songs you chose for us to perform live during our 30 For 30 fan-voted setlist performance. Our boy Nick Carter’s here to kick it off! Don’t worry, we won’t give too much away. 😉 Want to see us perform “Just Want You To Know” live? Go to to get tickets while you still can. #BSBAtTheBeach

Backstreet Boys

56,443 görüntüleme • 2 yıl önce

if there were a yg family concert, jihoon would want to do ringa linga with taeyang sbn! 🦋 what kind of stage would you want to do? most people think of back then, like daesung hyung and seungyoon hyung doing Ugly, right? 🦋 what song would you choose if you could form a unit with sunbaenims? 🐶 if i could form a unit???? 🦋 yeah yeah yeah 🐶 with our haengnims????? 🦋 yeah yeah yeah 🐶 if i could make a unit with them AAAAHH what would i do? that’s such a happy dilemma 🐶 i want to do that.. Ringa Linga with youngbae haem 🐶 before ikon hyungs debuted, at a yg family concert, youngbae haem appears right at the bridge, rising up on a lift during the bridge, he had blonde hair back then, and the way he came up… you know it? that’s the kind of stage that comes to mind right now 🐶 for the first verse, i’d take off my top the same way,,, i’d have to really build my body. seriously. i’d even get a tan. i’d tan my body for that day, too. if it got confirmed, i’d work out 8 hours a day starting that day 🐶 same leather pants, leather boots, no top, with a hat and like a cross necklace, all set ok! first verse done 🐶then if youngbae haem comes out, i’d just cry on stage. i’d cry while dancing 🦋 taeyang hyung would probably be surprised like “what’s wrong with him?” 🐶 youngbae haem would be like “what’s with this guy?” i’d be performing with emotions totally unbalanced with the stage
1:10

if there were a yg family concert, jihoon would want to do ringa linga with taeyang sbn! 🦋 what kind of stage would you want to do? most people think of back then, like daesung hyung and seungyoon hyung doing Ugly, right? 🦋 what song would you choose if you could form a unit with sunbaenims? 🐶 if i could form a unit???? 🦋 yeah yeah yeah 🐶 with our haengnims????? 🦋 yeah yeah yeah 🐶 if i could make a unit with them AAAAHH what would i do? that’s such a happy dilemma 🐶 i want to do that.. Ringa Linga with youngbae haem 🐶 before ikon hyungs debuted, at a yg family concert, youngbae haem appears right at the bridge, rising up on a lift during the bridge, he had blonde hair back then, and the way he came up… you know it? that’s the kind of stage that comes to mind right now 🐶 for the first verse, i’d take off my top the same way,,, i’d have to really build my body. seriously. i’d even get a tan. i’d tan my body for that day, too. if it got confirmed, i’d work out 8 hours a day starting that day 🐶 same leather pants, leather boots, no top, with a hat and like a cross necklace, all set ok! first verse done 🐶then if youngbae haem comes out, i’d just cry on stage. i’d cry while dancing 🦋 taeyang hyung would probably be surprised like “what’s wrong with him?” 🐶 youngbae haem would be like “what’s with this guy?” i’d be performing with emotions totally unbalanced with the stage

행복지수 314%

31,020 görüntüleme • 4 ay önce

Isn't it about time we brought the Blue Blur back home to a Sega console?! Presenting Sonic Mania Plus... running on an actual physical Sega Dreamcast! While there's no audio yet, and the 3D effects and stages have yet to be hooked up, developer Michael Fadely, has done an INCREDIBLE job getting this title ported over so far! He worked some serious voodoo to get this game fitting into 16MB of RAM, and has even had to push against VRAM limitations, even with texture paletting being used, due to there just being so many goddamn sprites loaded at once. What you WILL notice here is that she's running at a perfect 60FPS with the DC barely even trying at all for the majority of the game! This is due to his work implementing a custom HW accelerated rendering back-end that directly uses our low-level PVR driver in KallistiOS, rather than the SW renderer used by most ports of the game. While he still has a long way to go, it's incredible how playable the game already is and just how damn good and at home it feels on the Sega Dreamcast!
2:37

Isn't it about time we brought the Blue Blur back home to a Sega console?! Presenting Sonic Mania Plus... running on an actual physical Sega Dreamcast! While there's no audio yet, and the 3D effects and stages have yet to be hooked up, developer Michael Fadely, has done an INCREDIBLE job getting this title ported over so far! He worked some serious voodoo to get this game fitting into 16MB of RAM, and has even had to push against VRAM limitations, even with texture paletting being used, due to there just being so many goddamn sprites loaded at once. What you WILL notice here is that she's running at a perfect 60FPS with the DC barely even trying at all for the majority of the game! This is due to his work implementing a custom HW accelerated rendering back-end that directly uses our low-level PVR driver in KallistiOS, rather than the SW renderer used by most ports of the game. While he still has a long way to go, it's incredible how playable the game already is and just how damn good and at home it feels on the Sega Dreamcast!

Falco Girgis

94,113 görüntüleme • 1 yıl önce

soobin’s reason for buying yeonjun vinyls: ( 🐰 during yeonjun hyung’s birthday live 🐰 LP? he said he’s been collecting LP’s 🐰 i thought about whether to buy something yeonjun hyung likes or something that’s my taste. because he and i have completely different tastes so i thought even if i give him (one that’s my taste) hyung wouldn’t listen to it so i was like ‘should i just find hyung something he likes instead?’ but i just bought him something i like 🐰 (and then) he can try and listen to my favorite songs too 🐰 and um… there’s an album that i listened to on repeat when i was having a hard time and (the store) had the LP of it so 🐰 i ordered that before and i just got a text that it’s in front of our dorm rn 🐰 but now i’m scared someone took it 🐰 but yeonjun hyung and i are complete opposites so tbh like he might get bored listening to the songs i like 🐰 they’re songs i really like listening to and it would be nice if yeonjunie hyung would listen to them so 🐰 among (the album) there’s one song that i really want yeonjun hyung to listen to so i’m gonna tell him that while im giving it to him
1:09

soobin’s reason for buying yeonjun vinyls: ( 🐰 during yeonjun hyung’s birthday live 🐰 LP? he said he’s been collecting LP’s 🐰 i thought about whether to buy something yeonjun hyung likes or something that’s my taste. because he and i have completely different tastes so i thought even if i give him (one that’s my taste) hyung wouldn’t listen to it so i was like ‘should i just find hyung something he likes instead?’ but i just bought him something i like 🐰 (and then) he can try and listen to my favorite songs too 🐰 and um… there’s an album that i listened to on repeat when i was having a hard time and (the store) had the LP of it so 🐰 i ordered that before and i just got a text that it’s in front of our dorm rn 🐰 but now i’m scared someone took it 🐰 but yeonjun hyung and i are complete opposites so tbh like he might get bored listening to the songs i like 🐰 they’re songs i really like listening to and it would be nice if yeonjunie hyung would listen to them so 🐰 among (the album) there’s one song that i really want yeonjun hyung to listen to so i’m gonna tell him that while im giving it to him

💿

50,990 görüntüleme • 1 yıl önce

During our interview with The Invisible Hand, he says that the Bucks are “wood ticks” on the professional wrestling industry, and he wants to take Nick Jackson’s eye as a souvenir. “I would love to be sitting at commentary or even standing at the ring apron seeing those two little punks from Rancho Cucamonga — who have been wood ticks on the professional wrestling business for it seems like 10 or 15 years, sucking the life out of it and destroying everything that was great about it — I would love to see them get crushed firsthand by Okada and Takeshita. I think it’s going to happen if you look at it. The bucks are very good athletes, they’re great wrestlers, they’re a great team. But here’s the thing, you’re going up against a juggernaut. You’re going up against two of the best in-ring wrestlers of the last ten years. Takeshita and Okada are bigger, stronger, and faster and I hope that we don’t just beat them. I’d like a trophy. I tried to take Nick Jackson’s eye a little while ago on television and I didn’t get it. I wouldn’t mind having one of Nick’s eyes or something to hang around like a talisman I could wear on television. I know the fans are too, just not for the same reasons as me.”
1:53

During our interview with The Invisible Hand, he says that the Bucks are “wood ticks” on the professional wrestling industry, and he wants to take Nick Jackson’s eye as a souvenir. “I would love to be sitting at commentary or even standing at the ring apron seeing those two little punks from Rancho Cucamonga — who have been wood ticks on the professional wrestling business for it seems like 10 or 15 years, sucking the life out of it and destroying everything that was great about it — I would love to see them get crushed firsthand by Okada and Takeshita. I think it’s going to happen if you look at it. The bucks are very good athletes, they’re great wrestlers, they’re a great team. But here’s the thing, you’re going up against a juggernaut. You’re going up against two of the best in-ring wrestlers of the last ten years. Takeshita and Okada are bigger, stronger, and faster and I hope that we don’t just beat them. I’d like a trophy. I tried to take Nick Jackson’s eye a little while ago on television and I didn’t get it. I wouldn’t mind having one of Nick’s eyes or something to hang around like a talisman I could wear on television. I know the fans are too, just not for the same reasons as me.”

Fightful Wrestling

12,402 görüntüleme • 4 ay önce

🔥 Rupert Lowe DESTROYS BBC on Air for Burying Grooming Gangs Report While Obsessing Over Tommy Robinson! 👊 One of the absolute highlights of last night’s election coverage was Rupert Lowe tearing into the BBC live on air for completely burying his devastating independent grooming gangs report! Laura Kuenssberg was in full pathetic gotcha mode, obsessively badgering him over and over about whether Tommy Robinson might join Restore Britain. Lowe shut her down instantly: “That’s up to him.” She kept pushing like a broken record, so he fired back: “It’s a pretty puerile question frankly.” This lot are dangerously obsessed with Tommy Robinson 🇬🇧 . It’s a free country, he can join any political party he likes. Get over it! Then Rupert flipped the script and absolutely shamed them: “Tommy Robinson I’ve given him credit for what he did on the grooming gangs. I don’t know whether you’ve read our grooming gang report but he was very early out of the traps on identifying this pervasive evil which I’m sad to say the BBC have not covered at all.” “We issued this huge report and I’m not aware that you’ve covered it at all as a national monopoly which is supposed to cover everything of relevance to the British people. I think that’s quite extraordinary.” The BBC are a total disgrace. More obsessed with Tommy Robinson joining a party than the industrial-scale r*pe and abuse of hundreds of thousands of young British girls. Rupert Lowe just exposed them live. Well said, Rupert Lowe MP 👏
2:33

🔥 Rupert Lowe DESTROYS BBC on Air for Burying Grooming Gangs Report While Obsessing Over Tommy Robinson! 👊 One of the absolute highlights of last night’s election coverage was Rupert Lowe tearing into the BBC live on air for completely burying his devastating independent grooming gangs report! Laura Kuenssberg was in full pathetic gotcha mode, obsessively badgering him over and over about whether Tommy Robinson might join Restore Britain. Lowe shut her down instantly: “That’s up to him.” She kept pushing like a broken record, so he fired back: “It’s a pretty puerile question frankly.” This lot are dangerously obsessed with Tommy Robinson 🇬🇧 . It’s a free country, he can join any political party he likes. Get over it! Then Rupert flipped the script and absolutely shamed them: “Tommy Robinson I’ve given him credit for what he did on the grooming gangs. I don’t know whether you’ve read our grooming gang report but he was very early out of the traps on identifying this pervasive evil which I’m sad to say the BBC have not covered at all.” “We issued this huge report and I’m not aware that you’ve covered it at all as a national monopoly which is supposed to cover everything of relevance to the British people. I think that’s quite extraordinary.” The BBC are a total disgrace. More obsessed with Tommy Robinson joining a party than the industrial-scale r*pe and abuse of hundreds of thousands of young British girls. Rupert Lowe just exposed them live. Well said, Rupert Lowe MP 👏

J Stewart

336,541 görüntüleme • 2 ay önce

"Tristan identifies as a trans woman. Her preferred pronouns are she/her." These are the words of BBC Radio Ulster presenter Chris Buckler during today's interview with Fiona McAnena from Sex Matters. About a male guest. They were discussing his recent interview with Tristan Morrow - a young man who left the Orange Order and now identifies as a trans woman. SEEN in Journalism criticised that interview for: - Inaccuracy: using female pronouns for a man - Failing to challenge contested ideological claims - Not mentioning women once - despite covering disputes over women's sex-based spaces We've now had the chance to listen back to today's interview with Fiona (McAnena). While it was encouraging to hear a gender-critical woman given similar airtime, the two interviews could hardly have been more different. Morrow was largely allowed to tell his personal story uninterrupted and with relatively little challenge. McAnena faced repeated interruptions and hostile questioning, much of it relating to the recent controversy over the cancellation of a Women's Rights Network event at the Belfast arts festival Féile an Phobail. Among the questions Buckler put to her - some more than once - were: - Do you accept that people born male should be allowed to live as women? - Do you object to referring to Tristan Morrow as "she"? - How does using female pronouns for trans women impact your rights? - Do you believe trans people have a right to exist? - Do you accept there are adults who feel they are in the wrong body? - Would you welcome a trans person to your event ? McAnena did an admirable job of steering the conversation back to women's rights. Buckler repeatedly returned it to transgender identity. Buckler also made several references to SEEN in Journalism's criticism of his interview with Morrow, but appeared to misunderstand the substance of our argument. We did not say he should have included a female voice to "push back" on Morrow. We said he never mentioned women or women's rights once during a 21-minute interview about a dispute rooted in women's sex-based spaces. That is a different point entirely. We also raised concerns about inaccurate language - using female pronouns to describe a male guest. Rather than engaging with those concerns, Buckler appeared to double down - at one point, appearing to rebuke McAnena for referring to Morrow as "he". But our criticism wasn't about politeness. It was about accuracy. A principle the BBC should hold in the highest regard. At one point, Buckler said he wasn't speaking from either side. Yet across these two interviews, listeners learnt far more about identifying as trans than they did about why women defend sex-based rights. Good journalism should help audiences understand competing perspectives, not steer them towards one.
21:00

"Tristan identifies as a trans woman. Her preferred pronouns are she/her." These are the words of BBC Radio Ulster presenter Chris Buckler during today's interview with Fiona McAnena from Sex Matters. About a male guest. They were discussing his recent interview with Tristan Morrow - a young man who left the Orange Order and now identifies as a trans woman. SEEN in Journalism criticised that interview for: - Inaccuracy: using female pronouns for a man - Failing to challenge contested ideological claims - Not mentioning women once - despite covering disputes over women's sex-based spaces We've now had the chance to listen back to today's interview with Fiona (McAnena). While it was encouraging to hear a gender-critical woman given similar airtime, the two interviews could hardly have been more different. Morrow was largely allowed to tell his personal story uninterrupted and with relatively little challenge. McAnena faced repeated interruptions and hostile questioning, much of it relating to the recent controversy over the cancellation of a Women's Rights Network event at the Belfast arts festival Féile an Phobail. Among the questions Buckler put to her - some more than once - were: - Do you accept that people born male should be allowed to live as women? - Do you object to referring to Tristan Morrow as "she"? - How does using female pronouns for trans women impact your rights? - Do you believe trans people have a right to exist? - Do you accept there are adults who feel they are in the wrong body? - Would you welcome a trans person to your event ? McAnena did an admirable job of steering the conversation back to women's rights. Buckler repeatedly returned it to transgender identity. Buckler also made several references to SEEN in Journalism's criticism of his interview with Morrow, but appeared to misunderstand the substance of our argument. We did not say he should have included a female voice to "push back" on Morrow. We said he never mentioned women or women's rights once during a 21-minute interview about a dispute rooted in women's sex-based spaces. That is a different point entirely. We also raised concerns about inaccurate language - using female pronouns to describe a male guest. Rather than engaging with those concerns, Buckler appeared to double down - at one point, appearing to rebuke McAnena for referring to Morrow as "he". But our criticism wasn't about politeness. It was about accuracy. A principle the BBC should hold in the highest regard. At one point, Buckler said he wasn't speaking from either side. Yet across these two interviews, listeners learnt far more about identifying as trans than they did about why women defend sex-based rights. Good journalism should help audiences understand competing perspectives, not steer them towards one.

SEEN in Journalism

79,364 görüntüleme • 28 gün önce

Check out our latest #Earth2 #creation the #MotorwayMarauder🌍✌️From #ConceptArt to #gameready, gives me #MadMax & #Terminator vibes - love it! Some #IMPORTANT things to remember about #Earth2 #drops leading up to #E2V1👇 1⃣Acquiring #skins is completely optional 2⃣ Notably, the #skins we drop leading up to the #E2V1 release will more likely have a ‘Limited Supply’, something that rewards our early supporters with increased rarity. These Limited Supply drops will become less frequent in the future being replaced with drops of unlimited supply but restricted availability requiring Players to wait for a skin to become available in the skin store or hope to acquire it via game play inside #E2V1 3⃣ Our goal is not to have these early #skin drops sell out during their maiden release, but rather provide an opportunity for our early supporters to secure skins they like at a discounted price with the welcoming guarantee of an all time Limited Supply. 4⃣ Most of the early #skin drops will naturally allow #Players to resell them, but importantly many will also be assigned with a once ever discount rate. #Skins that have Future Price Reduction assigned with “No” means that if the #skin does not sell out on its maiden drop and subsequently gets listed in store again at a future date, #Earth2 will never resell that #skin at any discounted rate. 5⃣ #Earth2 is building a modular clothing system, meaning that most items of clothing, especially if sold separately, will be interchangeable on avatars making them more useful and giving the #Player more ways to mix up their outfits, look the part & express themselves. 6⃣ The version of the skin you see in store is the base version you receive with the skin, however, there will also be opportunities to tailor outfits in game allowing for the adjustment in fabrics, prints, colours and more (be prepared for a little legwork though, unless you want to take your clothing items to another #Player who specialises in tailoring). 7⃣ #Earth2 is proud to have uniquely designed the #skins you listed in our store & it is important to remember that these #skins are the end result of a long and stringent internal character pipeline we have developed. Each skin starts from concept art which is reviewed and iterated on numerous times before being approved. Once approval is given, it is handed to our 3D modelling team for sculpting into high poly, then low poly, while receiving numerous reviews and adhering to our pipeline protocols. When the low poly version is finished, the 3D team then finishes with UV mapping and texture baking and runs their own QA process. Once the entire 3D sculpting process is approved, the models enter the skinning, rigging and weight painting process and are then passed to the animation team for further testing with various animations and another set of QA such as minimising clipping and identifying any other potential flaws in the model. The model then needs to go through the final process with a game developer to ensure it passed the final tests and is game ready for #E2V1. 8⃣ The above steps only represent a light explanation of our character and clothing pipeline, but as you can see we’re not simply selling static concept art images or a high poly 3D model that lacks any kind of optimisations resulting in little chance of it ever being game ready in its advertised state - there is a lot of work that takes place in order to get these skins to the stage our #Players see them in the video footage. Each skin sold helps support different parts of the development of Earth 2 providing us with new opportunities to further expand our team, speed up development and keep stepping closer to our short and long term goals for #E2V1 and #Earth2. 9⃣ We understand that fashion will become a big part of the #Metaverse, but we want to remind people that while some #Players may decide to set rules for certain skins being required for access or a ticket to entry under certain circumstances, from #Earth2’s perspective these skins are for cosmetic purposes only. 🔟 These skin drops also give #Earth2 the chance to show off our ability and versatility in avatar creation and accessories so even if you’re not keen on picking up a skin, remember to have fun and simply enjoy the progress! Also take heart every time you see a #skindrop, if the #E2V1 pre-alpha was not launching this year I wouldn't be dropping skins. We want to have at least some diversity for #avatars inside #E2V1 from the early stages! #Earth2 #Metaverse #Skins #Fashion #Collectibles #3DWorld #WIP #prealpha2024
1:29

Check out our latest #Earth2 #creation the #MotorwayMarauder🌍✌️From #ConceptArt to #gameready, gives me #MadMax & #Terminator vibes - love it! Some #IMPORTANT things to remember about #Earth2 #drops leading up to #E2V1👇 1⃣Acquiring #skins is completely optional 2⃣ Notably, the #skins we drop leading up to the #E2V1 release will more likely have a ‘Limited Supply’, something that rewards our early supporters with increased rarity. These Limited Supply drops will become less frequent in the future being replaced with drops of unlimited supply but restricted availability requiring Players to wait for a skin to become available in the skin store or hope to acquire it via game play inside #E2V1 3⃣ Our goal is not to have these early #skin drops sell out during their maiden release, but rather provide an opportunity for our early supporters to secure skins they like at a discounted price with the welcoming guarantee of an all time Limited Supply. 4⃣ Most of the early #skin drops will naturally allow #Players to resell them, but importantly many will also be assigned with a once ever discount rate. #Skins that have Future Price Reduction assigned with “No” means that if the #skin does not sell out on its maiden drop and subsequently gets listed in store again at a future date, #Earth2 will never resell that #skin at any discounted rate. 5⃣ #Earth2 is building a modular clothing system, meaning that most items of clothing, especially if sold separately, will be interchangeable on avatars making them more useful and giving the #Player more ways to mix up their outfits, look the part & express themselves. 6⃣ The version of the skin you see in store is the base version you receive with the skin, however, there will also be opportunities to tailor outfits in game allowing for the adjustment in fabrics, prints, colours and more (be prepared for a little legwork though, unless you want to take your clothing items to another #Player who specialises in tailoring). 7⃣ #Earth2 is proud to have uniquely designed the #skins you listed in our store & it is important to remember that these #skins are the end result of a long and stringent internal character pipeline we have developed. Each skin starts from concept art which is reviewed and iterated on numerous times before being approved. Once approval is given, it is handed to our 3D modelling team for sculpting into high poly, then low poly, while receiving numerous reviews and adhering to our pipeline protocols. When the low poly version is finished, the 3D team then finishes with UV mapping and texture baking and runs their own QA process. Once the entire 3D sculpting process is approved, the models enter the skinning, rigging and weight painting process and are then passed to the animation team for further testing with various animations and another set of QA such as minimising clipping and identifying any other potential flaws in the model. The model then needs to go through the final process with a game developer to ensure it passed the final tests and is game ready for #E2V1. 8⃣ The above steps only represent a light explanation of our character and clothing pipeline, but as you can see we’re not simply selling static concept art images or a high poly 3D model that lacks any kind of optimisations resulting in little chance of it ever being game ready in its advertised state - there is a lot of work that takes place in order to get these skins to the stage our #Players see them in the video footage. Each skin sold helps support different parts of the development of Earth 2 providing us with new opportunities to further expand our team, speed up development and keep stepping closer to our short and long term goals for #E2V1 and #Earth2. 9⃣ We understand that fashion will become a big part of the #Metaverse, but we want to remind people that while some #Players may decide to set rules for certain skins being required for access or a ticket to entry under certain circumstances, from #Earth2’s perspective these skins are for cosmetic purposes only. 🔟 These skin drops also give #Earth2 the chance to show off our ability and versatility in avatar creation and accessories so even if you’re not keen on picking up a skin, remember to have fun and simply enjoy the progress! Also take heart every time you see a #skindrop, if the #E2V1 pre-alpha was not launching this year I wouldn't be dropping skins. We want to have at least some diversity for #avatars inside #E2V1 from the early stages! #Earth2 #Metaverse #Skins #Fashion #Collectibles #3DWorld #WIP #prealpha2024

Shane Isaac 🌍2️⃣

19,007 görüntüleme • 2 yıl önce

The Empire Only De-Escalates In One Area So It Can Escalate In Another Just as things cool down a bit in the middle east, the US has relocated the USS Gerald Ford from the Mediterranean Sea to the Caribbean while the Trump administration discusses plans to bomb Venezuela. The violence of the empire remains constant. Peace is never the goal. You get happy they’re pulling the world’s largest aircraft carrier away from Iran, then it turns out they’re only doing it so they can move it to Venezuela. You get happy they’re pulling out of Afghanistan, then suddenly they’re waging a proxy war in Ukraine. These days whenever you see the imperial war machinery getting pulled from one area, you know it’s just going to be sent someplace else. Peace is never pursued for its own sake, because there’s nothing in it for the empire. There’s too much power and money in nonstop warmongering for peace to be allowed to become the norm. Which is just insane if you think about it. Every normal person wants peace in their own lives. None of us want our time on this planet to be disturbed by violence, chaos and bloodshed. The western world has created a machine whose behavior goes against every healthy human impulse. The US-led world order has given birth to an out of control monster with an insatiable appetite for human flesh. ❖ Reuters reports that in 2024 the Biden administration had intelligence showing that the IDF was using Palestinians as human shields in Gaza. But Biden continued shipping genocide weapons to the Israelis the entire time he was in office. You’ll still periodically see online liberals trying to shame leftists for not voting for Kamala, but the more information comes out about what the Biden administration was up to during that time the more genocidal they look. Biden-Harris are looking worse with time, not better. ❖ When you see what a large-scale power broker Jeffrey Epstein was for Israeli intelligence, you understand why it’s entirely reasonable to suspect that extensive state resources would be put toward an elaborate plot to murder him in his prison cell and make it look like a suicide. ❖ Vice President JD Vance and Fox News propagandist Sean Hannity spent some time furiously agreeing with each other during a recent interview about how wonderful Elon Musk’s Grok AI is. “I’m a Grok guy. I think it’s the best. It’s also the least woke,” the veep said. It’s wild how Musk just openly showed the entire world in real time how powerful people can build political biases into AI services for their own benefit. He won’t be the only one doing this. Just as trust in the legacy media collapses, the ruling class has created a replacement to retain control of the narrative. ❖ Generative AI stuff only looks impressive to mediocre people for the same reason a chess novice couldn’t tell you whether they were playing against a Grandmaster or just someone who’s pretty good at chess. We can only appreciate something up to the level of our own adeptness. To someone who’s not very bright, an AI’s imitation of reasoning looks sharp. Someone with no aptitude for writing or appreciation for great literature will think its prose reads brilliantly. Its poetry looks good to those who don’t understand poetry. Its “art” looks great to those with no artistic sensibility. It’s music sounds awesome to those with no musical depth. Only those who are emotionally stunted and incapable of meaningful human connection will find them to be stimulating conversationalists and companions. Like so much else capitalism produces, it’s a product that’s designed to appeal to the lowest common denominator. For everyone else it looks vapid and gross, just like daytime talk shows, Hollywood blockbusters, and trashy tabloids always have. That’s just how it works in a society which only elevates that which can generate profits. The food is designed to induce craving rather than facilitate health. The entertainment is designed to distract and sedate rather than to edify. The social media is designed to be addictive rather than to help people connect with each other. It’s all geared to appeal to our baser instincts rather than to improve and inform us. Anyone who is interested in actually growing as a person will have less and less use for anything GenAI has to offer. Past a certain point of personal development, it simply cannot satisfy. Reading by Tim Foley:
5:21

The Empire Only De-Escalates In One Area So It Can Escalate In Another Just as things cool down a bit in the middle east, the US has relocated the USS Gerald Ford from the Mediterranean Sea to the Caribbean while the Trump administration discusses plans to bomb Venezuela. The violence of the empire remains constant. Peace is never the goal. You get happy they’re pulling the world’s largest aircraft carrier away from Iran, then it turns out they’re only doing it so they can move it to Venezuela. You get happy they’re pulling out of Afghanistan, then suddenly they’re waging a proxy war in Ukraine. These days whenever you see the imperial war machinery getting pulled from one area, you know it’s just going to be sent someplace else. Peace is never pursued for its own sake, because there’s nothing in it for the empire. There’s too much power and money in nonstop warmongering for peace to be allowed to become the norm. Which is just insane if you think about it. Every normal person wants peace in their own lives. None of us want our time on this planet to be disturbed by violence, chaos and bloodshed. The western world has created a machine whose behavior goes against every healthy human impulse. The US-led world order has given birth to an out of control monster with an insatiable appetite for human flesh. ❖ Reuters reports that in 2024 the Biden administration had intelligence showing that the IDF was using Palestinians as human shields in Gaza. But Biden continued shipping genocide weapons to the Israelis the entire time he was in office. You’ll still periodically see online liberals trying to shame leftists for not voting for Kamala, but the more information comes out about what the Biden administration was up to during that time the more genocidal they look. Biden-Harris are looking worse with time, not better. ❖ When you see what a large-scale power broker Jeffrey Epstein was for Israeli intelligence, you understand why it’s entirely reasonable to suspect that extensive state resources would be put toward an elaborate plot to murder him in his prison cell and make it look like a suicide. ❖ Vice President JD Vance and Fox News propagandist Sean Hannity spent some time furiously agreeing with each other during a recent interview about how wonderful Elon Musk’s Grok AI is. “I’m a Grok guy. I think it’s the best. It’s also the least woke,” the veep said. It’s wild how Musk just openly showed the entire world in real time how powerful people can build political biases into AI services for their own benefit. He won’t be the only one doing this. Just as trust in the legacy media collapses, the ruling class has created a replacement to retain control of the narrative. ❖ Generative AI stuff only looks impressive to mediocre people for the same reason a chess novice couldn’t tell you whether they were playing against a Grandmaster or just someone who’s pretty good at chess. We can only appreciate something up to the level of our own adeptness. To someone who’s not very bright, an AI’s imitation of reasoning looks sharp. Someone with no aptitude for writing or appreciation for great literature will think its prose reads brilliantly. Its poetry looks good to those who don’t understand poetry. Its “art” looks great to those with no artistic sensibility. It’s music sounds awesome to those with no musical depth. Only those who are emotionally stunted and incapable of meaningful human connection will find them to be stimulating conversationalists and companions. Like so much else capitalism produces, it’s a product that’s designed to appeal to the lowest common denominator. For everyone else it looks vapid and gross, just like daytime talk shows, Hollywood blockbusters, and trashy tabloids always have. That’s just how it works in a society which only elevates that which can generate profits. The food is designed to induce craving rather than facilitate health. The entertainment is designed to distract and sedate rather than to edify. The social media is designed to be addictive rather than to help people connect with each other. It’s all geared to appeal to our baser instincts rather than to improve and inform us. Anyone who is interested in actually growing as a person will have less and less use for anything GenAI has to offer. Past a certain point of personal development, it simply cannot satisfy. Reading by Tim Foley:

Caitlin Johnstone

20,082 görüntüleme • 9 ay önce

Madame Figaro Hommes Interview cn→en ❓: How have you been recently? What does your daily schedule look like? 🐱: I’ve been very good lately, but… it’s a secret na. Recently I haven’t been feeling too well physically, because I’m in the middle of rehearsing for a concert. The ZeeNuNew “Crazy in Love” concert in Thailand is coming up very soon, so I’ve been practicing really hard. And after the concert, I also hope that one day I’ll be able to go to China to meet everyone. ❓: Since your debut, when have you been the happiest? 🐱: I think it would be the showcase. Because at the showcase I can sing, I can let everyone hear my new songs, and so many fans come to see me. Some fans even flew in from other provinces especially for it, and some were local. I’m really grateful to everyone who came that day to cheer me on. Singing is really a lot of fun. ❓: If you had a day with no work scheduled, how would you arrange it? What would you do? 🐱: I’d want to… sleep. I’d stay at home and sleep, and then watch anime that I like, and I’d also want to play games. Because right now I’ve stockpiled a lot of anime, and there are many games I want to play but haven’t had time for. I’d like to stay at home and just eat and sleep, sleep and eat, that kind of thing—and then get chubby. ❓: What has been the happiest moment for you recently? 🐱: It would probably be when I went on a trip to the seaside in another province. Yeah, I don’t really remember who I went with anymore. But that trip was really happy and really fun; it felt like a real vacation. We didn’t go there for work, we truly went there just to travel. And we stayed quite a while—four days and three nights. ❓: Could you recommend a movie you watched recently and a book you read recently? 🐱: I usually just like watching anime. Recently I’ve gotten hooked on an anime called Kaiju, and I’ve been watching it on Netflix. And as for a book I’ve finished reading recently? When it comes to books, I actually read manga; I don’t really read other kinds of books. If you mean books other than manga, then the last time I read one of those was probably back when I was in school—about two years ago. As for manga, the one I read most recently was Demon Slayer: Kimetsu no Yaiba. ❓: Do you want to visit the cities in China where your fans live? 🐱: I do, I really do. Because normally, I might only get the chance to go because of a concert or some other work. But I feel like I rarely have the opportunity to go to China to see our fans. Usually, it’s the fans who fly over during concerts or other events to come and see us. If I get the chance, I want to go there to find them, so that they don’t have to go out of their way to come see me—I’ll go see them instead. #ZeeNuNew #NuNew
2:46

Madame Figaro Hommes Interview cn→en ❓: How have you been recently? What does your daily schedule look like? 🐱: I’ve been very good lately, but… it’s a secret na. Recently I haven’t been feeling too well physically, because I’m in the middle of rehearsing for a concert. The ZeeNuNew “Crazy in Love” concert in Thailand is coming up very soon, so I’ve been practicing really hard. And after the concert, I also hope that one day I’ll be able to go to China to meet everyone. ❓: Since your debut, when have you been the happiest? 🐱: I think it would be the showcase. Because at the showcase I can sing, I can let everyone hear my new songs, and so many fans come to see me. Some fans even flew in from other provinces especially for it, and some were local. I’m really grateful to everyone who came that day to cheer me on. Singing is really a lot of fun. ❓: If you had a day with no work scheduled, how would you arrange it? What would you do? 🐱: I’d want to… sleep. I’d stay at home and sleep, and then watch anime that I like, and I’d also want to play games. Because right now I’ve stockpiled a lot of anime, and there are many games I want to play but haven’t had time for. I’d like to stay at home and just eat and sleep, sleep and eat, that kind of thing—and then get chubby. ❓: What has been the happiest moment for you recently? 🐱: It would probably be when I went on a trip to the seaside in another province. Yeah, I don’t really remember who I went with anymore. But that trip was really happy and really fun; it felt like a real vacation. We didn’t go there for work, we truly went there just to travel. And we stayed quite a while—four days and three nights. ❓: Could you recommend a movie you watched recently and a book you read recently? 🐱: I usually just like watching anime. Recently I’ve gotten hooked on an anime called Kaiju, and I’ve been watching it on Netflix. And as for a book I’ve finished reading recently? When it comes to books, I actually read manga; I don’t really read other kinds of books. If you mean books other than manga, then the last time I read one of those was probably back when I was in school—about two years ago. As for manga, the one I read most recently was Demon Slayer: Kimetsu no Yaiba. ❓: Do you want to visit the cities in China where your fans live? 🐱: I do, I really do. Because normally, I might only get the chance to go because of a concert or some other work. But I feel like I rarely have the opportunity to go to China to see our fans. Usually, it’s the fans who fly over during concerts or other events to come and see us. If I get the chance, I want to go there to find them, so that they don’t have to go out of their way to come see me—I’ll go see them instead. #ZeeNuNew #NuNew

ชีร์ลี่🫧丨พึกพึก & นูนู่

16,257 görüntüleme • 9 ay önce

India is dying of thirst, but who cares? He only cares about PM Cares. ​Let him not care; we will care. We will care for those who have to walk miles just to get a bucket full of water. We will care for the children who, instead of going to school, spend their days fetching water. We will care for every single citizen for whom water becomes the most precious commodity during the summer. We will care for our future generations. ​The little we can do is: 1) ​Stop wasting water in our daily routines. 2) ​Turn off the tap while brushing your teeth or shaving. 3) ​Use a bucket for bathing instead of running the shower. 4) ​Recycle the wastewater from your RO systems and AC units for cleaning or watering plants. 5) ​Reuse water from washing food (like vegetables, rice, or lentils) to water the plants at home or in your locality. 6) ​Carry a refillable bottle instead of buying single-use plastic mineral water bottles every time. 7) ​Finish the last drop if you do use a plastic water bottle, rather than taking one sip and throwing the rest away. 8) ​Adopt rainwater harvesting in your home or building as much as possible. 9) ​Take a pledge not to pollute water bodies, as millions of people depend on that water directly. 10) ​Start planting more trees to help restore groundwater levels. 11) ​Repost and share this with others and be part of the change.
0:35

India is dying of thirst, but who cares? He only cares about PM Cares. ​Let him not care; we will care. We will care for those who have to walk miles just to get a bucket full of water. We will care for the children who, instead of going to school, spend their days fetching water. We will care for every single citizen for whom water becomes the most precious commodity during the summer. We will care for our future generations. ​The little we can do is: 1) ​Stop wasting water in our daily routines. 2) ​Turn off the tap while brushing your teeth or shaving. 3) ​Use a bucket for bathing instead of running the shower. 4) ​Recycle the wastewater from your RO systems and AC units for cleaning or watering plants. 5) ​Reuse water from washing food (like vegetables, rice, or lentils) to water the plants at home or in your locality. 6) ​Carry a refillable bottle instead of buying single-use plastic mineral water bottles every time. 7) ​Finish the last drop if you do use a plastic water bottle, rather than taking one sip and throwing the rest away. 8) ​Adopt rainwater harvesting in your home or building as much as possible. 9) ​Take a pledge not to pollute water bodies, as millions of people depend on that water directly. 10) ​Start planting more trees to help restore groundwater levels. 11) ​Repost and share this with others and be part of the change.

ज़िद्दी नागरिक

15,000 görüntüleme • 3 ay önce

This wasn’t supposed to happen. The original plan was simpler: a community-driven project that brought utility, storytelling, and real-world product design to AVAX NFTs. That was NOODs. We flew across the world, met factories, ran the numbers - only to realize what most founders never admit: even if NOODs worked, it wouldn’t return enough value to holders. Not with 5,000+ NFTs. The math didn’t lie. So we didn’t pivot out of desperation. We evolved with purpose. While others launched projects, rugged, then launch another project, we never left. No new token. No new narrative. Just a team that stayed, silent, searching for how to add innovation and real value. Because when we saw the cracks in the ecosystem - accusations, shame boards, cancelled founders, rigged disputes, hidden wallets - we saw a bigger opportunity. The real value wasn’t a product you could touch. It was a product that could change the way trust works. Enter Judge ANON. An AI-powered arbitrator that replaces subjective outrage with neutral, scalable verdicts. Web3 is full of chaos: • DAO drama that never gets resolved. • Founders called scammers with zero evidence. • KOLs accused of rugs with no way to clear their name. • Creators banned by mods who carry personal vendettas. Accusations stick. Proof gets lost. Reputations die without a trial. So we flipped the system. Now? If you’re accused - you launch a market. If you’re right, you profit. If you’re wrong, you’re exposed. Disputes become data. Receipts get judged. The crowd becomes the defense or prosecution, and AI becomes the gavel. But why burn Dokyo? Why not just launch something new? Because that’s what everyone else does. We won’t abandon our holders. We’re turning them into stakeholders. Burning is a choice. To sacrifice comfort for conviction. To say: I’d rather risk everything for something real. Those who burn are no longer bystanders - they become the first to step into the world of AI arbitration. They don’t just get token allocation. They get skin in the future of truth itself. This isn’t about NFTs anymore. This is about solving billion-dollar disputes: DAOs, chargebacks, prenups, prediction markets, fraud claims. Truth, on-chain. Final. Fair. Fast. Judge ANON isn’t a gimmick. It’s infrastructure. A neutral layer of justice for the trustless world. So ask yourself: Will you stay clinging to what was? Or will you burn the mask and become part of what’s next?
0:38

This wasn’t supposed to happen. The original plan was simpler: a community-driven project that brought utility, storytelling, and real-world product design to AVAX NFTs. That was NOODs. We flew across the world, met factories, ran the numbers - only to realize what most founders never admit: even if NOODs worked, it wouldn’t return enough value to holders. Not with 5,000+ NFTs. The math didn’t lie. So we didn’t pivot out of desperation. We evolved with purpose. While others launched projects, rugged, then launch another project, we never left. No new token. No new narrative. Just a team that stayed, silent, searching for how to add innovation and real value. Because when we saw the cracks in the ecosystem - accusations, shame boards, cancelled founders, rigged disputes, hidden wallets - we saw a bigger opportunity. The real value wasn’t a product you could touch. It was a product that could change the way trust works. Enter Judge ANON. An AI-powered arbitrator that replaces subjective outrage with neutral, scalable verdicts. Web3 is full of chaos: • DAO drama that never gets resolved. • Founders called scammers with zero evidence. • KOLs accused of rugs with no way to clear their name. • Creators banned by mods who carry personal vendettas. Accusations stick. Proof gets lost. Reputations die without a trial. So we flipped the system. Now? If you’re accused - you launch a market. If you’re right, you profit. If you’re wrong, you’re exposed. Disputes become data. Receipts get judged. The crowd becomes the defense or prosecution, and AI becomes the gavel. But why burn Dokyo? Why not just launch something new? Because that’s what everyone else does. We won’t abandon our holders. We’re turning them into stakeholders. Burning is a choice. To sacrifice comfort for conviction. To say: I’d rather risk everything for something real. Those who burn are no longer bystanders - they become the first to step into the world of AI arbitration. They don’t just get token allocation. They get skin in the future of truth itself. This isn’t about NFTs anymore. This is about solving billion-dollar disputes: DAOs, chargebacks, prenups, prediction markets, fraud claims. Truth, on-chain. Final. Fair. Fast. Judge ANON isn’t a gimmick. It’s infrastructure. A neutral layer of justice for the trustless world. So ask yourself: Will you stay clinging to what was? Or will you burn the mask and become part of what’s next?

Dokyo

15,586 görüntüleme • 1 yıl önce

🚨EXCLUSIVE: THE YOUNG BRIT WHO JUST EXPOSED THE TRUTH ABOUT THE UK’S COLLAPSE What happened in this interview was bigger than politics. Bigger than left vs right. Bigger than party loyalty. A 19-year-old British journalist — Hayden Appleby — just delivered one of the most blistering, clear-eyed takedowns of the modern UK establishment you will hear anywhere. And he did it with a level of clarity, courage and conviction that puts half of Westminster to shame. Hayden laid it out: • Britain’s freedoms were shredded during COVID • The education system has become a propaganda machine • Police now arrest citizens for speech • The justice system is compromised by political influence • Illegal immigration is a threat created by the elites — not the people • British taxpayers are bled dry while foreign causes are funded • The Labour government is actively dismantling core civil liberties • The BBC is collapsing under the weight of its own corruption This wasn’t a rant. It was a warning — backed by lived experience from a young man who watched his own generation be broken, silenced and betrayed. And then he said the line that will stay with people: “DIVIDED WE FALL, BUT UNITED WE STAND.” He’s right. The enemy is not our neighbour. Not our colleague. Not the person who disagrees with us online. The enemy is the elite class that lies, censors, gaslights, enriches itself, and destroys national identity while calling it “progress.” Hayden’s message to the world was simple and powerful: Keep speaking. Keep questioning. Keep uniting. Because more speech — not less — is how we win. Britain needs voices like his. The West needs voices like his. The future belongs to young people with this level of courage. And as the world gets darker… we get brighter. Hayden Appleby
48:36

🚨EXCLUSIVE: THE YOUNG BRIT WHO JUST EXPOSED THE TRUTH ABOUT THE UK’S COLLAPSE What happened in this interview was bigger than politics. Bigger than left vs right. Bigger than party loyalty. A 19-year-old British journalist — Hayden Appleby — just delivered one of the most blistering, clear-eyed takedowns of the modern UK establishment you will hear anywhere. And he did it with a level of clarity, courage and conviction that puts half of Westminster to shame. Hayden laid it out: • Britain’s freedoms were shredded during COVID • The education system has become a propaganda machine • Police now arrest citizens for speech • The justice system is compromised by political influence • Illegal immigration is a threat created by the elites — not the people • British taxpayers are bled dry while foreign causes are funded • The Labour government is actively dismantling core civil liberties • The BBC is collapsing under the weight of its own corruption This wasn’t a rant. It was a warning — backed by lived experience from a young man who watched his own generation be broken, silenced and betrayed. And then he said the line that will stay with people: “DIVIDED WE FALL, BUT UNITED WE STAND.” He’s right. The enemy is not our neighbour. Not our colleague. Not the person who disagrees with us online. The enemy is the elite class that lies, censors, gaslights, enriches itself, and destroys national identity while calling it “progress.” Hayden’s message to the world was simple and powerful: Keep speaking. Keep questioning. Keep uniting. Because more speech — not less — is how we win. Britain needs voices like his. The West needs voices like his. The future belongs to young people with this level of courage. And as the world gets darker… we get brighter. Hayden Appleby

Jim Ferguson

195,400 görüntüleme • 9 ay önce

#ProvamedxWilliam #WilliamEst 🎸: To be honest, we don’t really know our limits, because sometimes we wake up the next day and we’re completely unable to function. But there’s still a pattern we can kind of catch—this happens a lot during filming periods. It really happens very often. Because now we’re filming two series at the same time, it’s actually quite difficult to manage our daily routines. For example, in a week there are seven days, right? We might already be out filming four or five days. When you’re shooting two projects at once, even reading scripts becomes hard. Like, we just finished an event at night, and we still have to read scripts first, because the next day we need to wake up at 5 a.m. to go to set. It slowly becomes a daily habit. 🎸: We’re both very tired, because we’re working on the same set of projects—two series, Peach and Me, right, and You Maniac. We’re filming both together, so we understand each other and can really feel what the other is going through since we’re on the same production. We also share updates with each other, like “how are you doing?” and things like that. Because we’re both exhausted, we just think, okay, since it’s like this, let’s give ourselves some time. The trip itself wasn’t packed at all. It was basically like: okay, we go eat at the restaurant we already booked, and then we go… MC: Who was the first to suggest this trip? 🎸: Phi Est. It was Phi Est. When he has free time, his mindset is a bit different from mine. When he’s free, he likes to travel, while I prefer to sleep. So he was the one who first came up with the idea. He basically presented a plan to us, like “does this work?” Then he’d say we’re going to take a boat tour, go here, go there, and so on. He basically planned the whole itinerary in detail. MC: Can you really switch out of that heavy, exhausted state and detach properly? 🎸: Yes, we can. Because it feels like we finally have time to breathe again—a deep breath into the lungs. So I just lay by the sea, let the boat carry us, and look at the sky. That was honestly one of the most satisfying moments of my life, because I felt like that alone was enough. MC: Because your travel styles are similar—he and you like the same kind of travel. 🎸: The style is similar, but he’s a bit more adventurous. Phi Est would go surfing and things like that, right? But this time he didn’t surf. We were both tired, so he mostly focused on taking photos, while I just immersed myself in the atmosphere, looking at the sky and letting my thoughts wander. MC: He just stayed quiet. 🎸: Yeah, that was enough. MC: So how did you divide responsibilities on this trip? What did he do, and what did you do? 🎸: Have you seen that meme? Like, he handles planning the trip, booking restaurants, arranging everything, while I just do the “good morning, good night” part. He basically took care of everything. MC: So you just followed the schedule he already arranged. 🎸: Yes. MC: How can we be sure he won’t make mistakes in planning, that what he arranges is actually the best option? 🎸: I think he understands what I want better. Our tastes are actually quite similar. 🎸: He already arranged everything very well. Even things like booking the car—he handled it and drove it himself. Honestly, it made me feel like I just wanted to applaud him. It was really well done. MC: So you feel both admiration and pride. 🎸: If we did it ourselves, we’d probably just end up taking a small car. For example, if there were a lot of suitcases, he would handle it properly—like choosing the right size car, figuring out how to store the luggage, even things like folding the seats down. He’s very professional about all of that. But me, if I saw a supercar available for rent, I’d probably just want to rent it without thinking at all about where the luggage would go. I’m just like that. So it’s better to let him handle the planning.
3:50

#ProvamedxWilliam #WilliamEst 🎸: To be honest, we don’t really know our limits, because sometimes we wake up the next day and we’re completely unable to function. But there’s still a pattern we can kind of catch—this happens a lot during filming periods. It really happens very often. Because now we’re filming two series at the same time, it’s actually quite difficult to manage our daily routines. For example, in a week there are seven days, right? We might already be out filming four or five days. When you’re shooting two projects at once, even reading scripts becomes hard. Like, we just finished an event at night, and we still have to read scripts first, because the next day we need to wake up at 5 a.m. to go to set. It slowly becomes a daily habit. 🎸: We’re both very tired, because we’re working on the same set of projects—two series, Peach and Me, right, and You Maniac. We’re filming both together, so we understand each other and can really feel what the other is going through since we’re on the same production. We also share updates with each other, like “how are you doing?” and things like that. Because we’re both exhausted, we just think, okay, since it’s like this, let’s give ourselves some time. The trip itself wasn’t packed at all. It was basically like: okay, we go eat at the restaurant we already booked, and then we go… MC: Who was the first to suggest this trip? 🎸: Phi Est. It was Phi Est. When he has free time, his mindset is a bit different from mine. When he’s free, he likes to travel, while I prefer to sleep. So he was the one who first came up with the idea. He basically presented a plan to us, like “does this work?” Then he’d say we’re going to take a boat tour, go here, go there, and so on. He basically planned the whole itinerary in detail. MC: Can you really switch out of that heavy, exhausted state and detach properly? 🎸: Yes, we can. Because it feels like we finally have time to breathe again—a deep breath into the lungs. So I just lay by the sea, let the boat carry us, and look at the sky. That was honestly one of the most satisfying moments of my life, because I felt like that alone was enough. MC: Because your travel styles are similar—he and you like the same kind of travel. 🎸: The style is similar, but he’s a bit more adventurous. Phi Est would go surfing and things like that, right? But this time he didn’t surf. We were both tired, so he mostly focused on taking photos, while I just immersed myself in the atmosphere, looking at the sky and letting my thoughts wander. MC: He just stayed quiet. 🎸: Yeah, that was enough. MC: So how did you divide responsibilities on this trip? What did he do, and what did you do? 🎸: Have you seen that meme? Like, he handles planning the trip, booking restaurants, arranging everything, while I just do the “good morning, good night” part. He basically took care of everything. MC: So you just followed the schedule he already arranged. 🎸: Yes. MC: How can we be sure he won’t make mistakes in planning, that what he arranges is actually the best option? 🎸: I think he understands what I want better. Our tastes are actually quite similar. 🎸: He already arranged everything very well. Even things like booking the car—he handled it and drove it himself. Honestly, it made me feel like I just wanted to applaud him. It was really well done. MC: So you feel both admiration and pride. 🎸: If we did it ourselves, we’d probably just end up taking a small car. For example, if there were a lot of suitcases, he would handle it properly—like choosing the right size car, figuring out how to store the luggage, even things like folding the seats down. He’s very professional about all of that. But me, if I saw a supercar available for rent, I’d probably just want to rent it without thinking at all about where the luggage would go. I’m just like that. So it’s better to let him handle the planning.

SUDA

159,658 görüntüleme • 2 ay önce

Nam Yejun recently became able to control his dreams... Apparently before he could only control things after partially waking up first like moving just one finger to break out of sleep paralysis or something like that, but now even without waking up, he can consciously control his actions inside the dream itself 😨 💙: Rather than calling it a scary experience… there’s actually something I realized recently. You know sleep paralysis, right? I became able to completely control it 💙: I never used to have that kind of ability. But now I can control the situation inside the sleep paralysis 🩷: How? Like a lucid dream? 💙: Not like that, I can move however I want inside the sleep paralysis… it’s not a dream 💙: Even while still unable to wake up, I can do things however I want in that state now. Before, I had to stay still and force myself to move even just one finger for it to break. But now even if I don’t physically move, if there’s something I wanna move toward or something I see, I can kind of pass by it or move around like that, I can do that now 💙: There are sounds too and sometimes I see scary things, so every time I got sleep paralysis it used to be really miserable for me. I’d keep waking up in the middle of the night and naps were even worse 💙: I got sleep paralysis a lot during naps so constantly waking up was exhausting. But now when I get sleep paralysis, I’m relatively freer inside it, so it doesn’t stress me out anymore 🖤: How did you suddenly become free like that? What triggered it? 💙: I gave up on trying to wake myself up. I just thought, ‘Eventually I’ll fall back asleep again anyway’ But instead, it kind of turned into me gaining control over it 🖤: What does it feel like? Like floating or something? You know how there’s a certain sensation? 💙: It’s kind of like… you know when you’re filming something and there’s a camera zooming in? Like your point of view suddenly zooms forward like this 🖤: Like in Sudden Attack? 💙: Exactly, it’s exactly like that
2:22

Nam Yejun recently became able to control his dreams... Apparently before he could only control things after partially waking up first like moving just one finger to break out of sleep paralysis or something like that, but now even without waking up, he can consciously control his actions inside the dream itself 😨 💙: Rather than calling it a scary experience… there’s actually something I realized recently. You know sleep paralysis, right? I became able to completely control it 💙: I never used to have that kind of ability. But now I can control the situation inside the sleep paralysis 🩷: How? Like a lucid dream? 💙: Not like that, I can move however I want inside the sleep paralysis… it’s not a dream 💙: Even while still unable to wake up, I can do things however I want in that state now. Before, I had to stay still and force myself to move even just one finger for it to break. But now even if I don’t physically move, if there’s something I wanna move toward or something I see, I can kind of pass by it or move around like that, I can do that now 💙: There are sounds too and sometimes I see scary things, so every time I got sleep paralysis it used to be really miserable for me. I’d keep waking up in the middle of the night and naps were even worse 💙: I got sleep paralysis a lot during naps so constantly waking up was exhausting. But now when I get sleep paralysis, I’m relatively freer inside it, so it doesn’t stress me out anymore 🖤: How did you suddenly become free like that? What triggered it? 💙: I gave up on trying to wake myself up. I just thought, ‘Eventually I’ll fall back asleep again anyway’ But instead, it kind of turned into me gaining control over it 🖤: What does it feel like? Like floating or something? You know how there’s a certain sensation? 💙: It’s kind of like… you know when you’re filming something and there’s a camera zooming in? Like your point of view suddenly zooms forward like this 🖤: Like in Sudden Attack? 💙: Exactly, it’s exactly like that

nanas

35,351 görüntüleme • 3 ay önce

Has been a while since I've given an update so here's a breakdown of where Sappy is at right now and what we're focusing on going into this year. Pre-amble: With altcoins & NFTs the market is definitely not the same as it was before. I think this is obvious to everyone but I've noticed there are still japanese soldiers that are convinced old tricks and mechanics work. They don't. Liquidity is thin; people want to bid assets that feel like "real companies" not vacuous memecoins. There's still room for memecoins, social currencies, and "utility tokens" (I would say without these functions, tokens are hard to justify versus equities). I'm not part of the camp that thinks there will never be hyperspeculation in crypto again, because there will be; we all love ponzis and PvPing each other onchain. Just not with solved games -- people need something new and fresh. So the overarching plan is to continue building for users, sustainable revenues that aren't tied to directly to crypto, and doubling down on the areas that we've already found PMF / Brand Market Fit. Then leaning into crypto during cyclical periods where liquidity is sloshing around at an accelerated rate. Where we've found early PMF / what we're leaning into: Roblox: we're going to continue to go hard and accelerate here. It's our main objective to ship more seal/brainrot focused games across most genres to cast as wide of a net as we can for the brand, and to also iterate and see what works and stays sticky. Our initial incursion into Roblox was very successful peaking at 2M+ MAU and still sustaining a large portion of that player base... for all of its success, that was a relatively amateur first attempt; we've been setting up better AI pipelines for Roblox development that makes it reasonable to ship many more games and 10x those player counts in totality. It's my belief that Roblox is the sandbox whose audience will be the most valuable on the internet once they are grown up. That intense feeling you get when you see a TikTok referencing an old game you enjoyed on the PS2 or the Gamecube, or when you see a Pokemon card is the exact same feeling the youth of today will get when reminiscing on the things they enjoyed engaging with when they were younger. Fortnite and Roblox are functional equivalents to the old school consoles and exactly where that is taking place. Which is why as much as I care about scaling revenues through Roblox, the long term brand equity gained purely through being popular on the platform is totally invaluable. It also can heavily convert to merchandise sales today if all touchpoints for the brand are dialed in (which is why brands get overcharged so much by Roblox dev shops for the same ROI that only cost us a few thousand $). We have the playbook, it's just about iterating new concepts and then aggressively scaling. Brand Expansion & Merchandising: I've started to create a content pipeline that is easily repeatable, cost efficient (costs next to nothing through either AI or smart reusable concepts), while still being very tasteful and meeting our quality standards for the brand. We are mostly focusing here on reaching people where they're at through nostalgic/emotional content, or just being visually stimulating through carefully curated aesthetics. Content that isn't superficial and touches people in a memorable way. I've attached some examples to the post so you can see what I mean rather than just read it. I don't think it's long until larger brands start doing this at scale, but it's always good to be ahead of the curve and most importantly winning on taste -- knowing what will resonate with people and what won't has always been our edge. The purpose for these accounts is not only to rack up attention but also to begin converting those into sales of both of physicals (plushies & gacha collectibles) and digital avenues like our games, and any other apps we produce. Because they're offshoot accounts it's also a lot easier to be aggressive/experimental with said conversion strategies. Sappy Studio: I'm wrapping everything like Omnia, and everything else into this category because they're all tangentially related. Beginning with Omnia, our current focus is gearing up for Season 0 which involves players competing in the ranked ladder for a prize pool that has rewards through Monad Momentum as well as a player-funded prize pool. This season will be fairly simple with us mostly logging retention, deck building habits, as well as qualitatively observing how aggressively players push the combat system. Deeper monetization wont exist yet outside of the player buy-in (to be eligible for P2E rewards). Beyond that our overarching principle this year is to focus heavily on risk-to-earn mechanics where a portion of that excess value is circular i.e. revenues flow back to prize pools or other parts of the economy, treating the game almost like a protocol where the objective is to amass TVL or player liquidity. Social is also a big focus, and that means implementing the Open World hub which from an infrastructure perspective has already been built out and tested by all of you previously. Right now we are scaffolding the environment in 3D and working through how that hub should look and feel, so players are excited to hang out & idle together while they're queuing. For sappydotlol, what I'm about to say is still early days from a design perspective so a lot can change, but I'm pushing the site in the direction of being a virtual game console. An intersection between Nintendo & Myspace where users can play, trade, and socially interact in a way that's deeply personalised; a breathe of fresh air from the hostility of the current internet. If you go back to my thesis on Roblox above and the game console references, you can kind of see how this will all sequentially tie together. In essence, the strategy is to acquire a critical mass of players through traditional platforms like Roblox, and use that attention and trust to provide an onboarding funnel for web2 users into our own sandbox filled with a mixture of our own browser-based experiences as well as an aggregation of others. The aim is to make the platform a breath of fresh air & bunker from the enshittified platforms like TikTok/IG/X where users are actually served in ways that delight rather than agitate, and where self-expression is incentivised. Closing: As always everything here is subject to change but I've never felt more conviction in our direction until now; I know exactly what we need to do and how, with everything aligning with our team's strengths. Very excited and grinding through things to the point where I'm getting headaches and can't sleep from being hyperfocused for long periods of time lol. There probably has never been a better time to join the ecosystem from a price to fuck around and find out perspective.
1:00

Has been a while since I've given an update so here's a breakdown of where Sappy is at right now and what we're focusing on going into this year. Pre-amble: With altcoins & NFTs the market is definitely not the same as it was before. I think this is obvious to everyone but I've noticed there are still japanese soldiers that are convinced old tricks and mechanics work. They don't. Liquidity is thin; people want to bid assets that feel like "real companies" not vacuous memecoins. There's still room for memecoins, social currencies, and "utility tokens" (I would say without these functions, tokens are hard to justify versus equities). I'm not part of the camp that thinks there will never be hyperspeculation in crypto again, because there will be; we all love ponzis and PvPing each other onchain. Just not with solved games -- people need something new and fresh. So the overarching plan is to continue building for users, sustainable revenues that aren't tied to directly to crypto, and doubling down on the areas that we've already found PMF / Brand Market Fit. Then leaning into crypto during cyclical periods where liquidity is sloshing around at an accelerated rate. Where we've found early PMF / what we're leaning into: Roblox: we're going to continue to go hard and accelerate here. It's our main objective to ship more seal/brainrot focused games across most genres to cast as wide of a net as we can for the brand, and to also iterate and see what works and stays sticky. Our initial incursion into Roblox was very successful peaking at 2M+ MAU and still sustaining a large portion of that player base... for all of its success, that was a relatively amateur first attempt; we've been setting up better AI pipelines for Roblox development that makes it reasonable to ship many more games and 10x those player counts in totality. It's my belief that Roblox is the sandbox whose audience will be the most valuable on the internet once they are grown up. That intense feeling you get when you see a TikTok referencing an old game you enjoyed on the PS2 or the Gamecube, or when you see a Pokemon card is the exact same feeling the youth of today will get when reminiscing on the things they enjoyed engaging with when they were younger. Fortnite and Roblox are functional equivalents to the old school consoles and exactly where that is taking place. Which is why as much as I care about scaling revenues through Roblox, the long term brand equity gained purely through being popular on the platform is totally invaluable. It also can heavily convert to merchandise sales today if all touchpoints for the brand are dialed in (which is why brands get overcharged so much by Roblox dev shops for the same ROI that only cost us a few thousand $). We have the playbook, it's just about iterating new concepts and then aggressively scaling. Brand Expansion & Merchandising: I've started to create a content pipeline that is easily repeatable, cost efficient (costs next to nothing through either AI or smart reusable concepts), while still being very tasteful and meeting our quality standards for the brand. We are mostly focusing here on reaching people where they're at through nostalgic/emotional content, or just being visually stimulating through carefully curated aesthetics. Content that isn't superficial and touches people in a memorable way. I've attached some examples to the post so you can see what I mean rather than just read it. I don't think it's long until larger brands start doing this at scale, but it's always good to be ahead of the curve and most importantly winning on taste -- knowing what will resonate with people and what won't has always been our edge. The purpose for these accounts is not only to rack up attention but also to begin converting those into sales of both of physicals (plushies & gacha collectibles) and digital avenues like our games, and any other apps we produce. Because they're offshoot accounts it's also a lot easier to be aggressive/experimental with said conversion strategies. Sappy Studio: I'm wrapping everything like Omnia, and everything else into this category because they're all tangentially related. Beginning with Omnia, our current focus is gearing up for Season 0 which involves players competing in the ranked ladder for a prize pool that has rewards through Monad Momentum as well as a player-funded prize pool. This season will be fairly simple with us mostly logging retention, deck building habits, as well as qualitatively observing how aggressively players push the combat system. Deeper monetization wont exist yet outside of the player buy-in (to be eligible for P2E rewards). Beyond that our overarching principle this year is to focus heavily on risk-to-earn mechanics where a portion of that excess value is circular i.e. revenues flow back to prize pools or other parts of the economy, treating the game almost like a protocol where the objective is to amass TVL or player liquidity. Social is also a big focus, and that means implementing the Open World hub which from an infrastructure perspective has already been built out and tested by all of you previously. Right now we are scaffolding the environment in 3D and working through how that hub should look and feel, so players are excited to hang out & idle together while they're queuing. For sappydotlol, what I'm about to say is still early days from a design perspective so a lot can change, but I'm pushing the site in the direction of being a virtual game console. An intersection between Nintendo & Myspace where users can play, trade, and socially interact in a way that's deeply personalised; a breathe of fresh air from the hostility of the current internet. If you go back to my thesis on Roblox above and the game console references, you can kind of see how this will all sequentially tie together. In essence, the strategy is to acquire a critical mass of players through traditional platforms like Roblox, and use that attention and trust to provide an onboarding funnel for web2 users into our own sandbox filled with a mixture of our own browser-based experiences as well as an aggregation of others. The aim is to make the platform a breath of fresh air & bunker from the enshittified platforms like TikTok/IG/X where users are actually served in ways that delight rather than agitate, and where self-expression is incentivised. Closing: As always everything here is subject to change but I've never felt more conviction in our direction until now; I know exactly what we need to do and how, with everything aligning with our team's strengths. Very excited and grinding through things to the point where I'm getting headaches and can't sleep from being hyperfocused for long periods of time lol. There probably has never been a better time to join the ecosystem from a price to fuck around and find out perspective.

wab.eth

18,242 görüntüleme • 7 ay önce

woonhak’s first impression of jaehyun! 🧸🐶♥️ 🧸 okay next.. next is jaehyun hyung, i’ll proceed in order of age. my first impression of jaehyun hyung… i’ll say it straight, if i had to describe it as a colour, it was full of purple energy. but not a deep purple… more like an ambiguous light purple? but at the same time, slightly deep too… how do i say it, it felt like this kind of shimmering energy was spreading out from his body. 🧸 back then, jaehyun hyung came in with a bridge hairstyle, wearing really strong perfume, and even had his jeans on inside out.. this is such a well-known talk, right. he came, and while he was greeting us, he seemed a bit shy around new people. we had high expectations, because.. how do i say it.. we’d heard that a really cool hyung was joining, so we were like “oh, the vibe is good, this hyung, okay, let’s go.” i immediately tried to get close to him. 🧸 even though he was shy, i kept approaching him non-stop. back then, i kept asking him things, what do you want to eat, what do you want to do, what kind of music do you like, and even had 1:1 talks with him in the studio. that was also when i had just started making songs, so i would play him the songs i made. looking back now, i think “wow, that song was actually really good.” to me, at least. they were cute songs quality-wise, and i’d let jaehyun hyung listen to them. back then, he said they were really good, probably out of politeness, but later on he even teased me about them. 🧸 i got closer to hyung by listening to the songs he made, and that’s how we became close. originally, we had this thing where we’d kind of do talent shows for fun, like when the energy got high, we’d just act crazy and play around. and there was always someone in charge of raising the energy, and that was me. but once jaehyun hyung came along, that role got split between the two of us. i’m really grateful for that. 🧸 we always… like i mentioned, i’d open with three songs, and in our practice room we had LED lights, so when we turned all the lights off and just left the LEDs on, we really loved playing around like that. we’d play music, k-pop and stuff, and what i did back then was play songs like ‘bohemian rhapsody’ or ‘crooked,’ and i’d go crazy in front of the hyungs. they’d enjoy it, and i remember that. i’d imitate michael jackson too, and they’d find it fun… honestly, i don’t even know, but we had times like that. when we got tired from practice as trainees, before going home, we’d just play music, play around, and laugh among ourselves. 🧸 ah right, we also had time to wrap up the day, like we’d all gather and talk about things like what time to come in the next day, stuff like that. we’d kind of organise the day. and then there was this thing where one of the hyungs from the new development team would come and guide us, so while waiting for that, we’d play around like that and end the day in a fun way. 🧸 but after jaehyun hyung joined, thanks to him my pressure got lighter. from then on, it felt more like something we could all enjoy together, and the overall vibe became more shared and fun. and through that, jaehyun hyung also got closer with the other hyungs too.
4:55

woonhak’s first impression of jaehyun! 🧸🐶♥️ 🧸 okay next.. next is jaehyun hyung, i’ll proceed in order of age. my first impression of jaehyun hyung… i’ll say it straight, if i had to describe it as a colour, it was full of purple energy. but not a deep purple… more like an ambiguous light purple? but at the same time, slightly deep too… how do i say it, it felt like this kind of shimmering energy was spreading out from his body. 🧸 back then, jaehyun hyung came in with a bridge hairstyle, wearing really strong perfume, and even had his jeans on inside out.. this is such a well-known talk, right. he came, and while he was greeting us, he seemed a bit shy around new people. we had high expectations, because.. how do i say it.. we’d heard that a really cool hyung was joining, so we were like “oh, the vibe is good, this hyung, okay, let’s go.” i immediately tried to get close to him. 🧸 even though he was shy, i kept approaching him non-stop. back then, i kept asking him things, what do you want to eat, what do you want to do, what kind of music do you like, and even had 1:1 talks with him in the studio. that was also when i had just started making songs, so i would play him the songs i made. looking back now, i think “wow, that song was actually really good.” to me, at least. they were cute songs quality-wise, and i’d let jaehyun hyung listen to them. back then, he said they were really good, probably out of politeness, but later on he even teased me about them. 🧸 i got closer to hyung by listening to the songs he made, and that’s how we became close. originally, we had this thing where we’d kind of do talent shows for fun, like when the energy got high, we’d just act crazy and play around. and there was always someone in charge of raising the energy, and that was me. but once jaehyun hyung came along, that role got split between the two of us. i’m really grateful for that. 🧸 we always… like i mentioned, i’d open with three songs, and in our practice room we had LED lights, so when we turned all the lights off and just left the LEDs on, we really loved playing around like that. we’d play music, k-pop and stuff, and what i did back then was play songs like ‘bohemian rhapsody’ or ‘crooked,’ and i’d go crazy in front of the hyungs. they’d enjoy it, and i remember that. i’d imitate michael jackson too, and they’d find it fun… honestly, i don’t even know, but we had times like that. when we got tired from practice as trainees, before going home, we’d just play music, play around, and laugh among ourselves. 🧸 ah right, we also had time to wrap up the day, like we’d all gather and talk about things like what time to come in the next day, stuff like that. we’d kind of organise the day. and then there was this thing where one of the hyungs from the new development team would come and guide us, so while waiting for that, we’d play around like that and end the day in a fun way. 🧸 but after jaehyun hyung joined, thanks to him my pressure got lighter. from then on, it felt more like something we could all enjoy together, and the overall vibe became more shared and fun. and through that, jaehyun hyung also got closer with the other hyungs too.

노이

12,375 görüntüleme • 4 ay önce

🐤:It feels like your peak form from 2005 is coming back. You feel it too, right? 🦚: Ah, don’t say things like that… it’s a bit embarrassing to hear now. Honestly, when did I start becoming afraid of the stage? It was around our debut, when I was in the hospital and was told, “This leg might never be usable again.” After that, during Black Suit, I only appeared at the end of the MV, right? 🐤:Yes, that’s right. 🦚: Back in Sorry, Sorry, even though I only appeared for 4 seconds, I was like, “Wow! I’m Kim Heechul—so what?” (very confident). But during Black Suit, because I knew my physical condition wasn’t good, my mentality collapsed. I felt embarrassed standing on stage and became very withdrawn… So at that time, I kept telling Jungsoo, “Jungsoo, I think it would be better if I leave Super Junior. Because of me, even the choreography has to be changed.” But he always told me this: “Heechul, just participate for now… never give up the name Super Junior.” At that time, I had the mindset of, “If I can’t do it properly, I’d rather not do it at all.” I kept telling Jungsoo that I would quit, and I even asked the company to release a statement saying, “Kim Heechul leaves Super Junior.” But after all that struggle, and after such a long time, coming back and participating again… I truly felt happy. 🐤: That’s right, really. 🦚: Even though my body is tired, I’m really happy. Even though I’m now 44 years old (Korean age), I’ve started dreaming again of standing on stage. 🐤: Ah, thank you. Right now, there are over 2,600 fans watching, and the reactions are very enthusiastic! 🦚: What are they saying? They’re not telling me to just rest, right? 🐤: Haha! No, not at all. Everyone says they’re very touched and think you’re amazing. 🦚: While preparing for this 20th anniversary, I felt truly grateful to everyone. If I compare everything to a game console from the fans’ perspective, I feel like I only have one last coin left. With this last coin, I don’t want to say “I’m sorry” to the fans anymore. Like before, I want to confidently say: “Hey! Please love me again.
1:59

🐤:It feels like your peak form from 2005 is coming back. You feel it too, right? 🦚: Ah, don’t say things like that… it’s a bit embarrassing to hear now. Honestly, when did I start becoming afraid of the stage? It was around our debut, when I was in the hospital and was told, “This leg might never be usable again.” After that, during Black Suit, I only appeared at the end of the MV, right? 🐤:Yes, that’s right. 🦚: Back in Sorry, Sorry, even though I only appeared for 4 seconds, I was like, “Wow! I’m Kim Heechul—so what?” (very confident). But during Black Suit, because I knew my physical condition wasn’t good, my mentality collapsed. I felt embarrassed standing on stage and became very withdrawn… So at that time, I kept telling Jungsoo, “Jungsoo, I think it would be better if I leave Super Junior. Because of me, even the choreography has to be changed.” But he always told me this: “Heechul, just participate for now… never give up the name Super Junior.” At that time, I had the mindset of, “If I can’t do it properly, I’d rather not do it at all.” I kept telling Jungsoo that I would quit, and I even asked the company to release a statement saying, “Kim Heechul leaves Super Junior.” But after all that struggle, and after such a long time, coming back and participating again… I truly felt happy. 🐤: That’s right, really. 🦚: Even though my body is tired, I’m really happy. Even though I’m now 44 years old (Korean age), I’ve started dreaming again of standing on stage. 🐤: Ah, thank you. Right now, there are over 2,600 fans watching, and the reactions are very enthusiastic! 🦚: What are they saying? They’re not telling me to just rest, right? 🐤: Haha! No, not at all. Everyone says they’re very touched and think you’re amazing. 🦚: While preparing for this 20th anniversary, I felt truly grateful to everyone. If I compare everything to a game console from the fans’ perspective, I feel like I only have one last coin left. With this last coin, I don’t want to say “I’m sorry” to the fans anymore. Like before, I want to confidently say: “Hey! Please love me again.

らがど||🐤

19,940 görüntüleme • 4 ay önce