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Who Did It Better? After Satluj released, many viewers drew parallels between Honey Trehan's interrogation sequence and Quentin Tarantino's unforgettable tavern scene in Inglourious Basterds. Both rely on sharp dialogue, subtle expressions, and silence that says more than words ever could. Was it a tribute, an inspiration, or just... show more

India Wants To Know: India's First Panel Quiz Show

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33,295 次观看 • 2 个月前 •via X (Twitter)

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5 条评论

Ashish Dixit 的头像

Ashish Dixit2 个月前

While satluj scene was good but that scene of inglorious bastard is of a diff league. Why? In that scene another person was also responding and in 5 min the tone and body language of both the people got changed

DiabolicalCunt 的头像

DiabolicalCunt2 个月前

Who did it better is an incredibly dumb question to ask since Tarantino literally inspired Trehan to design his scene in this way.

Sudhir Bharadhwaj 的头像

Sudhir Bharadhwaj2 个月前

Both are great. No need to compare. They fit in the story perfectly. Both are equally chilling. Satnam communicates more just with his eyes and Suvinder Vicky perhaps delivers the best performance of his life in that scene as Sugga

बेताल पच्चीसी 的头像

बेताल पच्चीसी2 个月前

Shamefull copy

anna 的头像

anna2 个月前

I don't think both can be compared. In IB, the Nazi officer is checking the house. In Satluj, the police officer comes to a junior officer's house. He ate the food his mother. He gives the family a tiny hope that they may be safe and then kills them. Much more horrid.

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Watch RFK Jr. DISMANTLE the lie that rising autism rates are due to “better diagnosis.” “That is NONSENSE.” “If it was just a matter of better diagnosis or better recognition, you would see it in older people.” “The epidemic is taking place in a specific generation—and it’s kids who were born after 1989.” “If it was anything other than an epidemic, why would you only see it in a single generation?”

Watch RFK Jr. DISMANTLE the lie that rising autism rates are due to “better diagnosis.” “That is NONSENSE.” “If it was just a matter of better diagnosis or better recognition, you would see it in older people.” “The epidemic is taking place in a specific generation—and it’s kids who were born after 1989.” “If it was anything other than an epidemic, why would you only see it in a single generation?”

Children’s Health Defense

48,770 次观看 • 1 年前

What if the honey in your kitchen isn’t actually honey? It turns out honey is one of the most forged foods in the world. And here’s the strange part: even as Americans consume more honey than ever, many beekeepers are struggling. Why? Because a lot of what’s sold as honey is diluted, mislabeled, or routed through other countries to avoid tariffs or scrutiny. So the label says one thing. The economics say another. And it’s not just beekeepers who are affected — almond growers have a surprising stake in all of this, too. On this week’s episode of Freakonomics Radio, Steve Levitt explains why it matters. Listen now, wherever you get your podcasts.

What if the honey in your kitchen isn’t actually honey? It turns out honey is one of the most forged foods in the world. And here’s the strange part: even as Americans consume more honey than ever, many beekeepers are struggling. Why? Because a lot of what’s sold as honey is diluted, mislabeled, or routed through other countries to avoid tariffs or scrutiny. So the label says one thing. The economics say another. And it’s not just beekeepers who are affected — almond growers have a surprising stake in all of this, too. On this week’s episode of Freakonomics Radio, Steve Levitt explains why it matters. Listen now, wherever you get your podcasts.

Freakonomics

15,798 次观看 • 5 个月前

📽️ Inglourious Basterds (2009) 🔥🔥🔥 “That’s a Bingo!” 🎯 In this brilliant and tense scene, Colonel Hans Landa (Christoph Waltz) cleverly negotiates with the Basterds after figuring out their plan. With his signature mix of politeness and menace, he proposes a deal that could change the course of the war — all while playfully correcting their use of “That’s a bingo!” Waltz’s performance in this film is widely considered one of the greatest villain portrayals in modern cinema. Did you know that Quentin Tarantino wrote the role of Hans Landa specifically for Christoph Waltz after seeing his work in German television? Waltz won the Academy Award for Best Supporting Actor for the performance. Starring: - Christoph Waltz as Colonel Hans Landa - Brad Pitt as Lt. Aldo Raine - Eli Roth, B.J. Novak, and others as the Basterds Have you seen *Inglourious Basterds*? What’s your favorite Christoph Waltz scene? Drop it below 👇 #MovieClip #MovieScene #Film #Cinema #InglouriousBasterds #ChristophWaltz #QuentinTarantino #ClassicCinema #2000sCinema #TarantinoFilm

📽️ Inglourious Basterds (2009) 🔥🔥🔥 “That’s a Bingo!” 🎯 In this brilliant and tense scene, Colonel Hans Landa (Christoph Waltz) cleverly negotiates with the Basterds after figuring out their plan. With his signature mix of politeness and menace, he proposes a deal that could change the course of the war — all while playfully correcting their use of “That’s a bingo!” Waltz’s performance in this film is widely considered one of the greatest villain portrayals in modern cinema. Did you know that Quentin Tarantino wrote the role of Hans Landa specifically for Christoph Waltz after seeing his work in German television? Waltz won the Academy Award for Best Supporting Actor for the performance. Starring: - Christoph Waltz as Colonel Hans Landa - Brad Pitt as Lt. Aldo Raine - Eli Roth, B.J. Novak, and others as the Basterds Have you seen Inglourious Basterds? What’s your favorite Christoph Waltz scene? Drop it below 👇 #MovieClip #MovieScene #Film #Cinema #InglouriousBasterds #ChristophWaltz #QuentinTarantino #ClassicCinema #2000sCinema #TarantinoFilm

BiffBifford™ 🇺🇸

17,096 次观看 • 2 个月前

Novak Djokovic says he hopes to play Wimbledon at least one more time. He says Jannik Sinner was a level or more better than him at Wimbledon “The level is so high these days. Do you intend to come back next year when you’re 40?” Novak: “I’d like to. At least one more time. Let’s see.” “It felt like a boxing match image of you just getting battered and back and back. Did it feel that way physically? That the power was taking you off the court?” Novak: “I was just half a step late basically on any shot. It’s as simple as that. He was just a level or more better than I was. I was just not sharp enough. Not reactive enough. Not balanced enough to play him. That’s it. There was not much I could do on the court.” (via Wimbledon Press)

Novak Djokovic says he hopes to play Wimbledon at least one more time. He says Jannik Sinner was a level or more better than him at Wimbledon “The level is so high these days. Do you intend to come back next year when you’re 40?” Novak: “I’d like to. At least one more time. Let’s see.” “It felt like a boxing match image of you just getting battered and back and back. Did it feel that way physically? That the power was taking you off the court?” Novak: “I was just half a step late basically on any shot. It’s as simple as that. He was just a level or more better than I was. I was just not sharp enough. Not reactive enough. Not balanced enough to play him. That’s it. There was not much I could do on the court.” (via Wimbledon Press)

The Tennis Letter

641,271 次观看 • 3 个月前

Aubrey Plaza jokes that she’d do anything to work with Quentin Tarantino. Aubrey: …even if the script’s, like, really good, or if it’s like, “You gotta work with, you know, Glen Powell,” or whatever, it’s like, I don’t… Amy: But you gotta work with… Aubrey: I know, but I don’t… I don’t want to. Amy: You gotta. Aubrey: (sighs) I can’t. Amy: You can. Aubrey: No. Amy: He’s neighbors with Jack McBrayer. Aubrey: I don’t… Alright, fine, I’ll do it. (Both laugh.) Aubrey: I’m definitely interested in doing the opposite of what I just did. The Honey Don’t! thing, honestly, was mind-blowing that a Coen brother wanted to work with me. I was like, “Oh my God…” Amy: Honey, everybody wants to work with you, honey. Aubrey: Tarantino, where the fuck are you? Amy: Hello, Tarantino! Quentin, Quentin, if you’re listening… Aubrey: Close your ears, close your ears. Tarantino, I’ll do anything. Amy: (laughs) Oh, she’ll do anything, Tarantino. Aubrey: I’ll do anything, Tarantino. Amy: As her manager, she will not do anything. And the feet are off the table, big guy. Aubrey: (mimics phone ringing) Ring, ring, ring. Tarantino, it’s Aubrey. Guess what? I’ll do anything you want, babe. Amy: It’s extra for the feet… Aubrey: Naked in heels, Tarantino.

Aubrey Plaza jokes that she’d do anything to work with Quentin Tarantino. Aubrey: …even if the script’s, like, really good, or if it’s like, “You gotta work with, you know, Glen Powell,” or whatever, it’s like, I don’t… Amy: But you gotta work with… Aubrey: I know, but I don’t… I don’t want to. Amy: You gotta. Aubrey: (sighs) I can’t. Amy: You can. Aubrey: No. Amy: He’s neighbors with Jack McBrayer. Aubrey: I don’t… Alright, fine, I’ll do it. (Both laugh.) Aubrey: I’m definitely interested in doing the opposite of what I just did. The Honey Don’t! thing, honestly, was mind-blowing that a Coen brother wanted to work with me. I was like, “Oh my God…” Amy: Honey, everybody wants to work with you, honey. Aubrey: Tarantino, where the fuck are you? Amy: Hello, Tarantino! Quentin, Quentin, if you’re listening… Aubrey: Close your ears, close your ears. Tarantino, I’ll do anything. Amy: (laughs) Oh, she’ll do anything, Tarantino. Aubrey: I’ll do anything, Tarantino. Amy: As her manager, she will not do anything. And the feet are off the table, big guy. Aubrey: (mimics phone ringing) Ring, ring, ring. Tarantino, it’s Aubrey. Guess what? I’ll do anything you want, babe. Amy: It’s extra for the feet… Aubrey: Naked in heels, Tarantino.

Ruzy.hl

944,875 次观看 • 2 个月前

This week, Quentin Tarantino said on a podcast that There Will Be Blood (2007) “would’ve had a better chance of being number one or two if it didn’t have one giant flaw.” According to the director, that flaw would be the presence of actor Paul Dano, who plays the twins Paul and Eli Sunday. “it’s supposed to be a two-hander, but… Dano is weak sauce, man. He’s just such a weak, weak, uninteresting guy. The weakest f*cking actor in SAG”.

This week, Quentin Tarantino said on a podcast that There Will Be Blood (2007) “would’ve had a better chance of being number one or two if it didn’t have one giant flaw.” According to the director, that flaw would be the presence of actor Paul Dano, who plays the twins Paul and Eli Sunday. “it’s supposed to be a two-hander, but… Dano is weak sauce, man. He’s just such a weak, weak, uninteresting guy. The weakest f*cking actor in SAG”.

Love Classical Music and Movies 🎺🎻💖🎥🎬

40,321 次观看 • 9 个月前

Ronda Rousey: What made me exceptional as a martial artist is my grasp of martial arts. Everything that I did in the cage was unprecedented and witty and really smart...Like, people compared me to Mike Tyson, but it wasn't that I was so much stronger or bigger or faster than everybody. Because I'm an incredible martial artist and your mind doesn't stop working on those things. That's one of thing that just gets better and better with time. And, so what made me the best is better than its ever been because I have more experience and because I am older.

Ronda Rousey: What made me exceptional as a martial artist is my grasp of martial arts. Everything that I did in the cage was unprecedented and witty and really smart...Like, people compared me to Mike Tyson, but it wasn't that I was so much stronger or bigger or faster than everybody. Because I'm an incredible martial artist and your mind doesn't stop working on those things. That's one of thing that just gets better and better with time. And, so what made me the best is better than its ever been because I have more experience and because I am older.

Jed I. Goodman ©

354,488 次观看 • 5 个月前

Quentin Tarantino on Clint Eastwood & "Escape from Alcatraz" (1979): "'Escape from Alcatraz' (1979), a film I didn’t like when it came out — I’m sure it was just too dry for the seventeen year old me, proved both fascinating and exhilarating on a re-view a few years ago. Cinematically speaking, its Siegel’s most expressive film. (...) Eastwood, from the very beginning, always had a clear understanding of his own iconic persona, and so did Siegel. No other director, including Leone – judging by the harsh, insulting remarks Sergio made at Clint’s expense during the publicity for 'Once Upon A Time in America' (1984) – understood Eastwood better, nor did Eastwood trust anybody with his carefully crafted persona the way he trusted Don Siegel." (Quentin Tarantino's review of "'Escape from Alcatraz', 2019) P.S: On this day, 47 years ago, "Escape from Alcatraz" (1979) was released in the USA and Canada.

Quentin Tarantino on Clint Eastwood & "Escape from Alcatraz" (1979): "'Escape from Alcatraz' (1979), a film I didn’t like when it came out — I’m sure it was just too dry for the seventeen year old me, proved both fascinating and exhilarating on a re-view a few years ago. Cinematically speaking, its Siegel’s most expressive film. (...) Eastwood, from the very beginning, always had a clear understanding of his own iconic persona, and so did Siegel. No other director, including Leone – judging by the harsh, insulting remarks Sergio made at Clint’s expense during the publicity for 'Once Upon A Time in America' (1984) – understood Eastwood better, nor did Eastwood trust anybody with his carefully crafted persona the way he trusted Don Siegel." (Quentin Tarantino's review of "'Escape from Alcatraz', 2019) P.S: On this day, 47 years ago, "Escape from Alcatraz" (1979) was released in the USA and Canada.

DepressedBergman

157,256 次观看 • 3 个月前

When Quentin Tarantino & a group of other notable filmmakers were asked, "What movie scene they would put in a time capsule to define the meaning and power of cinema in case an Atomic bomb goes off?", Tarantino picked the final action scene of Stanley Tong's "Police Story 3: Super Cop" (1992) starring Jackie Chan & Michelle Yeoh, which he said that the aliens would be amazed if they ever saw it. Here in his own words: "I would frankly tell you the truth. I would probably take a really magnificent cinematic action scene, one of the really great action scenes of all time. (...) The final climax of "Police Story 3: Super Cop" (1992). That is a sequence that aliens would watch and be amazed at what they saw. I could go for some more slickly made action scenes and that could work too but that would be a thing of what Cinema could do that could actually give you an understanding of Cinema in all of its bells and whistles and movement." ("Quentin Tarantino, Ridley Scott, Danny Boyle, Alejandro Inarritu & More | THR Directors Roundtable", 2016) P.S: On this day, 34 years ago, "Police Story 3: Super Cop" (1992) was released in Hong Kong.

When Quentin Tarantino & a group of other notable filmmakers were asked, "What movie scene they would put in a time capsule to define the meaning and power of cinema in case an Atomic bomb goes off?", Tarantino picked the final action scene of Stanley Tong's "Police Story 3: Super Cop" (1992) starring Jackie Chan & Michelle Yeoh, which he said that the aliens would be amazed if they ever saw it. Here in his own words: "I would frankly tell you the truth. I would probably take a really magnificent cinematic action scene, one of the really great action scenes of all time. (...) The final climax of "Police Story 3: Super Cop" (1992). That is a sequence that aliens would watch and be amazed at what they saw. I could go for some more slickly made action scenes and that could work too but that would be a thing of what Cinema could do that could actually give you an understanding of Cinema in all of its bells and whistles and movement." ("Quentin Tarantino, Ridley Scott, Danny Boyle, Alejandro Inarritu & More | THR Directors Roundtable", 2016) P.S: On this day, 34 years ago, "Police Story 3: Super Cop" (1992) was released in Hong Kong.

DepressedBergman

150,012 次观看 • 3 个月前

This video tanks Billy Squier's musical career for a while after it was released - a long while - which is too bad because it's a banger song. I saw him in concert two or three times and it was a great show every time. Thing is, this video is just 42 years ahead of his time. And it's still better than all the music they're putting out today. And one more thing - men wore make up, had long hair and danced like this in the 80s - the younger kids haven't discovered anything new, but GenX did it better.

This video tanks Billy Squier's musical career for a while after it was released - a long while - which is too bad because it's a banger song. I saw him in concert two or three times and it was a great show every time. Thing is, this video is just 42 years ahead of his time. And it's still better than all the music they're putting out today. And one more thing - men wore make up, had long hair and danced like this in the 80s - the younger kids haven't discovered anything new, but GenX did it better.

Redhead Ranting™

158,109 次观看 • 2 个月前

Quentin Tarantino on Sergio Leone: "People sometimes think that Leone was the first Italian to make spaghetti westerns. But of course he wasn’t. Sergio Corbucci was doing a spaghetti western in 1964, the same time Leone was doing Fistful of Dollars. But he wasn’t trying to do something different at that time — he was actually trying to be more like the American westerns, and this is reflected in the music, which isn’t operatic at all. It was Leone who put the music to task and turned it to opera. I know there are examples that will be contrary to what I am saying, but it feels as if Leone is the first guy ever to cut picture to music in that way. Before him it just happened by accident where somebody thought it would be cool for a little sequence, but didn’t think they should do it for the rest of the movie. But the way we cut to music now: you pick some rock song and you cut your scene to that song. That all started with Leone and Morricone, and particularly with The Good, the Bad and the Ugly." — excerpt from Quentin Tarantino's forward to “Once Upon a Time in the West: Shooting a Masterpiece” by Christopher Frayling, published in 2019

Quentin Tarantino on Sergio Leone: "People sometimes think that Leone was the first Italian to make spaghetti westerns. But of course he wasn’t. Sergio Corbucci was doing a spaghetti western in 1964, the same time Leone was doing Fistful of Dollars. But he wasn’t trying to do something different at that time — he was actually trying to be more like the American westerns, and this is reflected in the music, which isn’t operatic at all. It was Leone who put the music to task and turned it to opera. I know there are examples that will be contrary to what I am saying, but it feels as if Leone is the first guy ever to cut picture to music in that way. Before him it just happened by accident where somebody thought it would be cool for a little sequence, but didn’t think they should do it for the rest of the movie. But the way we cut to music now: you pick some rock song and you cut your scene to that song. That all started with Leone and Morricone, and particularly with The Good, the Bad and the Ugly." — excerpt from Quentin Tarantino's forward to “Once Upon a Time in the West: Shooting a Masterpiece” by Christopher Frayling, published in 2019

RadiantFilm

100,797 次观看 • 9 个月前

Makaveli once called "Reasonable Doubt" weak, and it was hilarious. All jokes aside, I do not share that same sentiment, but I do, however, think that album isn't nearly as great as y'all say it is. I also think it doesn't come close to the Killuminati album; it can't compare. I notice that "D'Evils" is the go-to track for Jay Z stans who feel a way about Makaveli calling the album weak, and they'll respond by saying things like Pac could never make anything close to the level of "D'Evils" because he wasn't lyrically skilled enough. They'll either say that type of blasphemous BS in response to that, or in defense of Jay Z allegedly telling Nas that Pac wasn't a lyricist, and publicly stating that Pac lacked technical skill, they tend to move the goalposts to who's the better lyricist or technician and claim that Pac wasn't technical or lyrical compared to Jay Z and never came close to making anything lyrically or technically better or on par with "D'Evils." They also say this type of shit in general conversations about who's better between Jay Z and 2Pac. It's a load of bullshit. Makaveli's "Blasphemy" clears "D'Evils" lyrically and technically, and using their logic, "Reasonable Doubt" is weak in comparison to the heat Makaveli was dropping and had on the way. 2Pac was easily the better lyricist, artist, and poet/rapper back then, and he still is. Objectively speaking, there are maybe one or two aspects that Jay Z technically did better on "D'Evils," but overall, "Blasphemy" clears it technically. Sidenote: Beanie Sigel doesn't belong in the same sentence with 2Pac. Beanie Sigel being a better lyricist than Jay Z is closer to being a good take than Beanie being a better lyricist than Pac.

Makaveli once called "Reasonable Doubt" weak, and it was hilarious. All jokes aside, I do not share that same sentiment, but I do, however, think that album isn't nearly as great as y'all say it is. I also think it doesn't come close to the Killuminati album; it can't compare. I notice that "D'Evils" is the go-to track for Jay Z stans who feel a way about Makaveli calling the album weak, and they'll respond by saying things like Pac could never make anything close to the level of "D'Evils" because he wasn't lyrically skilled enough. They'll either say that type of blasphemous BS in response to that, or in defense of Jay Z allegedly telling Nas that Pac wasn't a lyricist, and publicly stating that Pac lacked technical skill, they tend to move the goalposts to who's the better lyricist or technician and claim that Pac wasn't technical or lyrical compared to Jay Z and never came close to making anything lyrically or technically better or on par with "D'Evils." They also say this type of shit in general conversations about who's better between Jay Z and 2Pac. It's a load of bullshit. Makaveli's "Blasphemy" clears "D'Evils" lyrically and technically, and using their logic, "Reasonable Doubt" is weak in comparison to the heat Makaveli was dropping and had on the way. 2Pac was easily the better lyricist, artist, and poet/rapper back then, and he still is. Objectively speaking, there are maybe one or two aspects that Jay Z technically did better on "D'Evils," but overall, "Blasphemy" clears it technically. Sidenote: Beanie Sigel doesn't belong in the same sentence with 2Pac. Beanie Sigel being a better lyricist than Jay Z is closer to being a good take than Beanie being a better lyricist than Pac.

9-FO Tha Negus

29,515 次观看 • 6 个月前

Quentin Tarantino on "Train to Busan" (2016): "I love 'Train to Busan' (2016), I actually showed it to a couple of friends in Tel-Aviv who had never seen it before. And one of them was like, ‘I don’t know if I’ve ever seen a horror film this intense.’ Just that image of the father carrying that little girl running with, like, seemingly a thousand infected people chasing him, like right on his ass. That’s just complete adrenaline. When 'Train to Busan' came out, I was like, ‘There’s no way I can watch another zombie movie or infected people movie, I just can’t do it anymore.'" ("The horror sequel Quentin Tarantino called “terrible”", Scott Campbell, Far out Magazine, 2024)

Quentin Tarantino on "Train to Busan" (2016): "I love 'Train to Busan' (2016), I actually showed it to a couple of friends in Tel-Aviv who had never seen it before. And one of them was like, ‘I don’t know if I’ve ever seen a horror film this intense.’ Just that image of the father carrying that little girl running with, like, seemingly a thousand infected people chasing him, like right on his ass. That’s just complete adrenaline. When 'Train to Busan' came out, I was like, ‘There’s no way I can watch another zombie movie or infected people movie, I just can’t do it anymore.'" ("The horror sequel Quentin Tarantino called “terrible”", Scott Campbell, Far out Magazine, 2024)

DepressedBergman

67,535 次观看 • 6 个月前

What really happened to Ghost's father? Who was really behind his death and did Ghost know more than he was actually letting on? I personally think so. His facial reaction and body language was of someone who was carrying a huge level of guilt around the situation. Whether that's from potentially being indirectly involved, just knowing more, perhaps even being able to put a stop to it knowing that he could have done more, who knows. But I do think Ghost knew more. You guys all know my theory of who could have been behind it. Let's see if it pays out in Power Origins or whether we learn the truth through conversations/flashbacks.

What really happened to Ghost's father? Who was really behind his death and did Ghost know more than he was actually letting on? I personally think so. His facial reaction and body language was of someone who was carrying a huge level of guilt around the situation. Whether that's from potentially being indirectly involved, just knowing more, perhaps even being able to put a stop to it knowing that he could have done more, who knows. But I do think Ghost knew more. You guys all know my theory of who could have been behind it. Let's see if it pays out in Power Origins or whether we learn the truth through conversations/flashbacks.

MOVIE BOT

18,082 次观看 • 7 个月前

You just had to be there for ‘W.I.T.C.H.’ — one or Jetix’s best shows ever. There’s a special bond for those of us who watched the series while it was on the air & collecting the comics. The TV show was unfortunately cancelled way too early, as it was handled poorly by Disney and it could have gone for at least another season, however the comics ran for 139 issues up until 2012. I’d argue it has aged better than its contemporaries and that it was ahead of its time. Did you have any of the magazine issues?

You just had to be there for ‘W.I.T.C.H.’ — one or Jetix’s best shows ever. There’s a special bond for those of us who watched the series while it was on the air & collecting the comics. The TV show was unfortunately cancelled way too early, as it was handled poorly by Disney and it could have gone for at least another season, however the comics ran for 139 issues up until 2012. I’d argue it has aged better than its contemporaries and that it was ahead of its time. Did you have any of the magazine issues?

Flashbacks Hub

129,490 次观看 • 4 个月前

NICOLAS CAGE JUST BROKE TELEVISION Spider-Noir dropped all 8 episodes at once, and you can watch the entire show two ways - authentic black and white or full color. No series has ever shipped both versions before. Critics and fans are losing it. - It holds 91% critics and 94% audience on Rotten Tomatoes - That 94% is Cage's highest Spider-Man score ever, above Spider-Verse - It hit number one on Prime Video in over a dozen countries day one - Every scene was lit and shot twice so both versions look intentional A movie star finally did TV - then did it in two formats at once.

NICOLAS CAGE JUST BROKE TELEVISION Spider-Noir dropped all 8 episodes at once, and you can watch the entire show two ways - authentic black and white or full color. No series has ever shipped both versions before. Critics and fans are losing it. - It holds 91% critics and 94% audience on Rotten Tomatoes - That 94% is Cage's highest Spider-Man score ever, above Spider-Verse - It hit number one on Prime Video in over a dozen countries day one - Every scene was lit and shot twice so both versions look intentional A movie star finally did TV - then did it in two formats at once.

BuBBliK

2,133,023 次观看 • 4 个月前

AMAZING highlight from the Allison Inquiry. “Public” broadcaster vs. STATE broadcaster. Award-winning journalist, and former Producer at CBC explains the difference between a “public” broadcaster and a STATE broadcaster, and how the CBC became a state broadcaster no better than the propaganda in countries like North Korea or China. And Adrienne Arsenault do you have any comment on this segment you did? Where you called it crazy and stupid that the Covid virus came from a lab in China, and that we should disregard family members who suggested it?

AMAZING highlight from the Allison Inquiry. “Public” broadcaster vs. STATE broadcaster. Award-winning journalist, and former Producer at CBC explains the difference between a “public” broadcaster and a STATE broadcaster, and how the CBC became a state broadcaster no better than the propaganda in countries like North Korea or China. And Adrienne Arsenault do you have any comment on this segment you did? Where you called it crazy and stupid that the Covid virus came from a lab in China, and that we should disregard family members who suggested it?

Viva Frei

40,424 次观看 • 28 天前

“Israel admits it murdered Hind Rajab.” It doesn’t. It says troops fired on a car driving the wrong way up an evacuation route, and that the criminal probe is into “alleged failures” coordinating an ambulance. It doesn’t say who killed Hind Rajab, or when, or how. She was alive for hours after that gunfire. Nobody has established what happened in between, which is what an investigation is for. You spent two years demanding an investigation. Now there’s an investigation.

“Israel admits it murdered Hind Rajab.” It doesn’t. It says troops fired on a car driving the wrong way up an evacuation route, and that the criminal probe is into “alleged failures” coordinating an ambulance. It doesn’t say who killed Hind Rajab, or when, or how. She was alive for hours after that gunfire. Nobody has established what happened in between, which is what an investigation is for. You spent two years demanding an investigation. Now there’s an investigation.

Max 📟

12,273 次观看 • 1 个月前