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Why Christopher Nolan chose everyday American accents and Travis Scott over traditional cinema voices, and why he says the old way has absolutely no logic. Interviewer: I’m curious about the use of American accents. It felt like an intentional choice. Christopher Nolan: To me, I didn't want to look... back to the Hollywood of the 50s and 60s where everyone spoke with an elevated Mid-Atlantic or British accent. There's no logic to that. We're trying to be what I find in the poem, which is earthy, grounded, accessible, and stunningly relevant. Academics talk about how Homer's story was passed down as oral formulaic poetry, but they'll talk about Yugoslav folk poets instead of looking at rap or a guy like Travis Scott. That's why I've got Travis in the movie. He got it immediately, this is how this story has been handed down, and we have that in our culture today.show more

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Christopher Nolan explains why he chose Travis Scott to open a 3,000-year-old epic instead of following Hollywood tradition "When academics talk about how Homer's story was passed down, they'll always talk about folk poets." "They don't look at rap. They don't look at a guy like Travis Scott." "That's why I've got Travis in the movie." "This is how this story's been handed down. We have that in our culture today. It's such an important part of the culture."

Christopher Nolan explains why he chose Travis Scott to open a 3,000-year-old epic instead of following Hollywood tradition "When academics talk about how Homer's story was passed down, they'll always talk about folk poets." "They don't look at rap. They don't look at a guy like Travis Scott." "That's why I've got Travis in the movie." "This is how this story's been handed down. We have that in our culture today. It's such an important part of the culture."

JayJay⛓️

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Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

‏ً

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Ben Horowitz on what made Travis different as Uber scaled to thousands of employees: "There was nobody in Uber that didn't feel Travis. You talk to people there and they all refer to him. This company was, what, 10,000, 20,000 people? And everybody is like, oh yeah, we're in the Travis review, or when I talk to Travis." "To have that kind of presence at that scale is something not a lot of founders can do at that kind of turn-up intensity." "If you look at the way he thinks about problems, confrontations, getting out of a hole, how do you get to the future, we're talking about one of a very, very few founders that exist in reality." benahorowitz.eth travis kalanick

Ben Horowitz on what made Travis different as Uber scaled to thousands of employees: "There was nobody in Uber that didn't feel Travis. You talk to people there and they all refer to him. This company was, what, 10,000, 20,000 people? And everybody is like, oh yeah, we're in the Travis review, or when I talk to Travis." "To have that kind of presence at that scale is something not a lot of founders can do at that kind of turn-up intensity." "If you look at the way he thinks about problems, confrontations, getting out of a hole, how do you get to the future, we're talking about one of a very, very few founders that exist in reality." benahorowitz.eth travis kalanick

MTS

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Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."

Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."

PrimeNic

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At the Vista Theatre in Los Angeles, one of the last remaining theaters to project 70mm film, director Christopher Nolan told Scott Pelley he believes that movie theaters are here to stay and will be part of the future of cinema. “There's always been confusion about… the economics of the business,” Nolan said. “But the idea of the movie as a communal experience, as a place we come together to experience a story, I'm fully confident that that's a part of our culture forever.”

At the Vista Theatre in Los Angeles, one of the last remaining theaters to project 70mm film, director Christopher Nolan told Scott Pelley he believes that movie theaters are here to stay and will be part of the future of cinema. “There's always been confusion about… the economics of the business,” Nolan said. “But the idea of the movie as a communal experience, as a place we come together to experience a story, I'm fully confident that that's a part of our culture forever.”

60 Minutes

26,090 görüntüleme • 4 ay önce

John David Washington says he showed up 30 minutes late to Christopher Nolan's house, barely understood the script the first time he read it........and still walked away with the lead role. Josh Horowitz: "Again, this crazy, amazing honor opportunity. Not many people get to be the protagonist, literally, in a Chris Nolan movie." "Does he deliver a script? Is it a conversation? How does it go down?" David Washington: "Yeah, I was told to be at his house at a certain time, and we're gonna talk about something. That was it." "I was in there like, maybe he's doing research for something else... We talked about movies and we talked about like how I love the movie, like movies. We talked about our love for films and, and just life and sports and stuff like that." "So after the meeting, I was like... I was thirty minutes late to the meeting. I was running up to the gate and like sweating profusely... And Emma greets me at the door, his wife, producing partner, and she's just laughing." "I think she could see how panicked I was... But we end up staying two and two and a half hours, and then after that, I got the call saying, 'Uh, will you be the protagonist?'" "I went crazy. We went, we had like three dinners, like it was like a Super Bowl... I felt like I made the Hall of Fame." On reading the script in Nolan's office: "I'm in Christopher Nolan's office reading a script of his. What is my life? ...I didn't understand that shit. Like, it took about three some plus hours to read it, you know?" "But I really did sincerely understand there's a way into the character... I kinda liked it. I can create, we can create together, and he kinda left that to me. He really trusted me with that. And I really love him for it because he didn't have to." "That's Christopher Nolan. He has his way... But it was quite the opposite. He wanted me to use my instincts."

John David Washington says he showed up 30 minutes late to Christopher Nolan's house, barely understood the script the first time he read it........and still walked away with the lead role. Josh Horowitz: "Again, this crazy, amazing honor opportunity. Not many people get to be the protagonist, literally, in a Chris Nolan movie." "Does he deliver a script? Is it a conversation? How does it go down?" David Washington: "Yeah, I was told to be at his house at a certain time, and we're gonna talk about something. That was it." "I was in there like, maybe he's doing research for something else... We talked about movies and we talked about like how I love the movie, like movies. We talked about our love for films and, and just life and sports and stuff like that." "So after the meeting, I was like... I was thirty minutes late to the meeting. I was running up to the gate and like sweating profusely... And Emma greets me at the door, his wife, producing partner, and she's just laughing." "I think she could see how panicked I was... But we end up staying two and two and a half hours, and then after that, I got the call saying, 'Uh, will you be the protagonist?'" "I went crazy. We went, we had like three dinners, like it was like a Super Bowl... I felt like I made the Hall of Fame." On reading the script in Nolan's office: "I'm in Christopher Nolan's office reading a script of his. What is my life? ...I didn't understand that shit. Like, it took about three some plus hours to read it, you know?" "But I really did sincerely understand there's a way into the character... I kinda liked it. I can create, we can create together, and he kinda left that to me. He really trusted me with that. And I really love him for it because he didn't have to." "That's Christopher Nolan. He has his way... But it was quite the opposite. He wanted me to use my instincts."

Dunmola♋

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Tom Holland says Christopher Nolan sat down with him to talk about how happy he was with his work in ‘THE ODYSSEY’ after the movie was done: “With Chris, he’s able to kind of inspire this endurance to try and impress him and do your best work. And it means a lot to me now that the movie is done, we sat down and he chatted about how happy he was with my work. So for me, everything that I was working towards all those days on set kind of accumulated right at the end.”

Tom Holland says Christopher Nolan sat down with him to talk about how happy he was with his work in ‘THE ODYSSEY’ after the movie was done: “With Chris, he’s able to kind of inspire this endurance to try and impress him and do your best work. And it means a lot to me now that the movie is done, we sat down and he chatted about how happy he was with my work. So for me, everything that I was working towards all those days on set kind of accumulated right at the end.”

best of tom holland

23,296 görüntüleme • 2 ay önce

Keir Starmer, "On Brexit, the reason I reminded everyone of what Nigel Farage said was because that was the promise he put to the country" "That we'd be stronger, we'd be richer, we'd have lots of money for the NHS, immigration will come down" "It all proved to be false" "Farage is not going back to the country now and saying it was a good thing, you've all benefited" "Farage will talk about almost anything else apart from the consequences of the one thing he delivered for the country, Brexit" "Farage doesn't want to talk about it, and there's a reason for that, it didn't help working people" "It turns out what he said wasn't true" "That's why Farage doesn't want to talk about Brexit" "But we have to talk about it now because we have to address the situation we are in" "We have to give this country a stronger economy, a stronger defence and security arrangement given the world we live in" "That's why I said what I said about being closer to Europe" "And this government being defined by bringing Europe back together and the UK at the heart of Europe"

Keir Starmer, "On Brexit, the reason I reminded everyone of what Nigel Farage said was because that was the promise he put to the country" "That we'd be stronger, we'd be richer, we'd have lots of money for the NHS, immigration will come down" "It all proved to be false" "Farage is not going back to the country now and saying it was a good thing, you've all benefited" "Farage will talk about almost anything else apart from the consequences of the one thing he delivered for the country, Brexit" "Farage doesn't want to talk about it, and there's a reason for that, it didn't help working people" "It turns out what he said wasn't true" "That's why Farage doesn't want to talk about Brexit" "But we have to talk about it now because we have to address the situation we are in" "We have to give this country a stronger economy, a stronger defence and security arrangement given the world we live in" "That's why I said what I said about being closer to Europe" "And this government being defined by bringing Europe back together and the UK at the heart of Europe"

Farrukh

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I sometimes forget that Perry can talk in this show and to be honest I like it Don’t know why it got a British instead of Australian or American but he lives with Lawrence and Ferb so it makes sense #PhineasAndFerb #Chibiverse

I sometimes forget that Perry can talk in this show and to be honest I like it Don’t know why it got a British instead of Australian or American but he lives with Lawrence and Ferb so it makes sense #PhineasAndFerb #Chibiverse

_AgentRose_

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A 26-year-old Tom Cruise on failure, risk, and refusing the "movie star" label: In a 1988 interview around the release of Rain Man, the interviewer pushes Cruise on whether fame has made him emotionally guarded — suggesting that "just out of necessity as a movie star, there is some part of you that has to be cut off." Cruise pushes back immediately: "You have to understand, it's not about being a movie star. This whole interview and every time we sit down — you ask me this, and every time I tell you that there isn't a part of me that's cut off. It is about the work. Being a movie star is a wonderful thing that has happened, but that's not how I approach choosing a film or how I approach my life." He insists he still lives a normal life — going to the movies, the gas station, grocery shopping. No entourage mythology. No mystique. Just work. The interviewer then tries another angle, noting that Cruise has "one of the nicest reputations in Hollywood" but doesn't let people get real close. Cruise's response is disarmingly simple: "I feel like I'm letting you pretty close. I'm doing this to help promote the films and I don't really hold back that much, but there are certain things I don't want to talk about or that aren't important for people to hear." It's not guardedness. It's boundaries — and at 26, he already knew the difference. When asked about confidence and whether it ever gets shaken, Cruise is surprisingly candid: "All the time. Sometimes I look back and wonder where I got off going to New York to say I'm going to be an actor." But then he reveals the mindset that arguably built one of the most durable careers in Hollywood history: "What has helped me is that I don't treat failure as a personal, horrendous defeat. If something didn't work, I want to know why it didn't work so I can evaluate it, learn from it, and lift myself up." b No dramatics. No ego protection. Just a feedback loop: fail, understand why, adjust, move forward. And when the interviewer points out that he seems to court danger — with racing, with risky career moves Cruise doesn't deny it: "I guess I like to have everything on the line. I like to feel that there is something at stake, and I really enjoy that."

A 26-year-old Tom Cruise on failure, risk, and refusing the "movie star" label: In a 1988 interview around the release of Rain Man, the interviewer pushes Cruise on whether fame has made him emotionally guarded — suggesting that "just out of necessity as a movie star, there is some part of you that has to be cut off." Cruise pushes back immediately: "You have to understand, it's not about being a movie star. This whole interview and every time we sit down — you ask me this, and every time I tell you that there isn't a part of me that's cut off. It is about the work. Being a movie star is a wonderful thing that has happened, but that's not how I approach choosing a film or how I approach my life." He insists he still lives a normal life — going to the movies, the gas station, grocery shopping. No entourage mythology. No mystique. Just work. The interviewer then tries another angle, noting that Cruise has "one of the nicest reputations in Hollywood" but doesn't let people get real close. Cruise's response is disarmingly simple: "I feel like I'm letting you pretty close. I'm doing this to help promote the films and I don't really hold back that much, but there are certain things I don't want to talk about or that aren't important for people to hear." It's not guardedness. It's boundaries — and at 26, he already knew the difference. When asked about confidence and whether it ever gets shaken, Cruise is surprisingly candid: "All the time. Sometimes I look back and wonder where I got off going to New York to say I'm going to be an actor." But then he reveals the mindset that arguably built one of the most durable careers in Hollywood history: "What has helped me is that I don't treat failure as a personal, horrendous defeat. If something didn't work, I want to know why it didn't work so I can evaluate it, learn from it, and lift myself up." b No dramatics. No ego protection. Just a feedback loop: fail, understand why, adjust, move forward. And when the interviewer points out that he seems to court danger — with racing, with risky career moves Cruise doesn't deny it: "I guess I like to have everything on the line. I like to feel that there is something at stake, and I really enjoy that."

History Nerd

56,275 görüntüleme • 3 ay önce

🚨 🗣 Mikel Arteta on the decision to award Sunderland a penalty: "Look, the first question we have to discuss is that this is NOT ACCEPTABLE at this level. "It was a beautiful game of football, with two teams and an atmosphere in the stadium that was unbelievable, with Sunderland they are so organised; they are so good in so many phases, they have great players, they created a lot of issues we had to cope with. "We had to cope with all of that, it was a lot in a really difficult week after Chelsea and Napoli, and on top of that we have to go through what we've done today that in my opinion is NOT ACCEPTABLE. "I watched it 20 times, and I CANNOT find a way to understand how they even think to give a penalty in that situation, or the way the VAR has to intervene. "So I don't know what to think, but I'm SAD that we have to discuss in such a beautiful game something at this level that has the gravity of that, because that CHANGES the course of the season and can cost you the championship. "At this level, with all the work that we put in, this cannot happen. I cannot find an explanation - that's why I'm going to try and find an explanation now. "I want to be talking about how good we were, how good Sunderland were, and the level of the league and how beautiful this is - we should not be talking about that. "I cannot find an explanation - that's why I'm going to try and find an explanation now." 🗣️ On a very important victory: "I want to be talking about how good we were, how good Sunderland were, and the level of the league and how beautiful this is - we should not be talking about [refereeing decisions]." 🗣️ on whether the referee gave an explanation: No! (shakes head)

🚨 🗣 Mikel Arteta on the decision to award Sunderland a penalty: "Look, the first question we have to discuss is that this is NOT ACCEPTABLE at this level. "It was a beautiful game of football, with two teams and an atmosphere in the stadium that was unbelievable, with Sunderland they are so organised; they are so good in so many phases, they have great players, they created a lot of issues we had to cope with. "We had to cope with all of that, it was a lot in a really difficult week after Chelsea and Napoli, and on top of that we have to go through what we've done today that in my opinion is NOT ACCEPTABLE. "I watched it 20 times, and I CANNOT find a way to understand how they even think to give a penalty in that situation, or the way the VAR has to intervene. "So I don't know what to think, but I'm SAD that we have to discuss in such a beautiful game something at this level that has the gravity of that, because that CHANGES the course of the season and can cost you the championship. "At this level, with all the work that we put in, this cannot happen. I cannot find an explanation - that's why I'm going to try and find an explanation now. "I want to be talking about how good we were, how good Sunderland were, and the level of the league and how beautiful this is - we should not be talking about that. "I cannot find an explanation - that's why I'm going to try and find an explanation now." 🗣️ On a very important victory: "I want to be talking about how good we were, how good Sunderland were, and the level of the league and how beautiful this is - we should not be talking about [refereeing decisions]." 🗣️ on whether the referee gave an explanation: No! (shakes head)

Connor Humm

129,844 görüntüleme • 1 ay önce

Travis Scott reveals Christopher Nolan personally called him to star in The Odyssey “My phone went off and it just said, ‘Chris.’ I'm thinking, okay, I don't know what this is about. Maybe he wants to go to a show” “I pick up and he's like, ‘Would you be interested in acting in a movie?’ I'm like I mean I guess... I didn't even think it was for him” “He's like, ‘Well, I'm working on this movie. I haven't really told people about it yet and I want you to be in it” “I'm like whoa, wait you know I make music?” “He gave me his whole thesis on why. He's a real mentor of mine, so I was like whatever you're down with, I'm down” “I showed up thinking it was just going to be me and maybe some extras. I didn't know it was going to be Anne Hathaway, Tom Holland, Robert Pattinson and all these amazing people”

Travis Scott reveals Christopher Nolan personally called him to star in The Odyssey “My phone went off and it just said, ‘Chris.’ I'm thinking, okay, I don't know what this is about. Maybe he wants to go to a show” “I pick up and he's like, ‘Would you be interested in acting in a movie?’ I'm like I mean I guess... I didn't even think it was for him” “He's like, ‘Well, I'm working on this movie. I haven't really told people about it yet and I want you to be in it” “I'm like whoa, wait you know I make music?” “He gave me his whole thesis on why. He's a real mentor of mine, so I was like whatever you're down with, I'm down” “I showed up thinking it was just going to be me and maybe some extras. I didn't know it was going to be Anne Hathaway, Tom Holland, Robert Pattinson and all these amazing people”

Jack

1,813,073 görüntüleme • 2 ay önce

From THE GOD DEBATE: Me: Why should you care for the needy? Why should you donate blood? Why should you refrain from murder and robbery? You can't possibly say that the only reason to do it is because God will punish you in an afterlife. If God's back was turned, does that mean it would be okay to kill and rob or let people drown or starve? I can think of plenty of secular reasons to do it. Namely, I would not want to be left to starve or drown or die of lack of blood. I would not want to be the victim of murder or robbery. There's nothing special about me, and therefore what I demand of everyone else, I have to accept for myself. It is clear that we would all be better off in a world where everyone helped each other and refrained from hurting each other compared to a society where everyone was a rapacious psychopath. That's why we should be moral. God has nothing to do with it. Ross Douthat (Ross Douthat): What happens in Dr. Pinker's argument is that as an heir of Jewish and Christian civilization, he imports, as this kind of commonsensical position, metaphysical propositions about the existence of these human rights that no one has ever seen of or heard of. He cannot show me a human right under a microscope. He cannot prove to me in a mathematical theorem why segregation was wrong, why it was wrong to murder people in the gulag or the concentration camp for the sake of a better tomorrow. He asserts that it's necessary for, again, sort of decency and order and so on, and often it is, but there has to be a stronger reason when you find yourself in a position where what the society says is out of joint with what you think are the fundamental truths about the universe.

From THE GOD DEBATE: Me: Why should you care for the needy? Why should you donate blood? Why should you refrain from murder and robbery? You can't possibly say that the only reason to do it is because God will punish you in an afterlife. If God's back was turned, does that mean it would be okay to kill and rob or let people drown or starve? I can think of plenty of secular reasons to do it. Namely, I would not want to be left to starve or drown or die of lack of blood. I would not want to be the victim of murder or robbery. There's nothing special about me, and therefore what I demand of everyone else, I have to accept for myself. It is clear that we would all be better off in a world where everyone helped each other and refrained from hurting each other compared to a society where everyone was a rapacious psychopath. That's why we should be moral. God has nothing to do with it. Ross Douthat (Ross Douthat): What happens in Dr. Pinker's argument is that as an heir of Jewish and Christian civilization, he imports, as this kind of commonsensical position, metaphysical propositions about the existence of these human rights that no one has ever seen of or heard of. He cannot show me a human right under a microscope. He cannot prove to me in a mathematical theorem why segregation was wrong, why it was wrong to murder people in the gulag or the concentration camp for the sake of a better tomorrow. He asserts that it's necessary for, again, sort of decency and order and so on, and often it is, but there has to be a stronger reason when you find yourself in a position where what the society says is out of joint with what you think are the fundamental truths about the universe.

Steven Pinker

79,917 görüntüleme • 6 ay önce

Cohen: Why you are proud to be an American, and how do you view our country today Chappelle: Boy, that's a loaded question. Now I see why Trump gets mad at y'all all the time. Why would you ask me that? I got an answer for that. I don't agree with everything that our government does. But the one thing that I've really consistently believe in that I love about being an American is my countrymen. If I'm, if I'm overseas or around the world, anytime I see an American over there, we just give each other the fight club look, because we live in a madness that only we really understand what it's all about. And I have faith in my countrymen, no matter how crazy all of this will make it feel that the sun will rise and that I feel like I'm part of a very incredible community. So god bless my countrymen and let us make this country absolutely great. And Mr. Trump please leave those Haitians in Springfield alone. We love them. We love the Haitians.

Cohen: Why you are proud to be an American, and how do you view our country today Chappelle: Boy, that's a loaded question. Now I see why Trump gets mad at y'all all the time. Why would you ask me that? I got an answer for that. I don't agree with everything that our government does. But the one thing that I've really consistently believe in that I love about being an American is my countrymen. If I'm, if I'm overseas or around the world, anytime I see an American over there, we just give each other the fight club look, because we live in a madness that only we really understand what it's all about. And I have faith in my countrymen, no matter how crazy all of this will make it feel that the sun will rise and that I feel like I'm part of a very incredible community. So god bless my countrymen and let us make this country absolutely great. And Mr. Trump please leave those Haitians in Springfield alone. We love them. We love the Haitians.

Acyn

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“I genuinely cried when Christopher Nolan wanted to meet me." Samantha Morton starring as the sorceress Circe in Christopher Nolan’s The Odyssey reveals what it was really like to land a role in the epic film Samantha Morton; I've had times when I haven't worked for a year since making The Odyssey, and at 49, the industry's politics have changed massively, but for me, getting to work with Christopher Nolan in my lifetime is everything, I'm happy now, when I got the call that he wanted to meet me, I genuinely cried. Being part of The Odyssey is incredible because we live in the age of the ego, and this film is the exact opposite of that, it's a deeply human spiritual experience Josh Horowitz: Well, it's funny because you talk about like, I mean, your body of work is amazing

“I genuinely cried when Christopher Nolan wanted to meet me." Samantha Morton starring as the sorceress Circe in Christopher Nolan’s The Odyssey reveals what it was really like to land a role in the epic film Samantha Morton; I've had times when I haven't worked for a year since making The Odyssey, and at 49, the industry's politics have changed massively, but for me, getting to work with Christopher Nolan in my lifetime is everything, I'm happy now, when I got the call that he wanted to meet me, I genuinely cried. Being part of The Odyssey is incredible because we live in the age of the ego, and this film is the exact opposite of that, it's a deeply human spiritual experience Josh Horowitz: Well, it's funny because you talk about like, I mean, your body of work is amazing

zainy

552,895 görüntüleme • 2 ay önce

Danny McBride reveals the surreal story of Kanye West asking him to star in his biopic "It was one of the most surreal encounters I've had in this career" "he called me out of nowhere. I didn't believe it was him. It was just like, he's like 'this is Ye' and I was like 'pfft, yeah right'" "he flew down there with one of his buddies and we just spent this afternoon cruising around on my friend's boat just talking about life and all this crazy stuff" "in your comedy you don't care and that's what I think the person has to play me has to have" "I didn't want to pander, but I also just wanted to have something so that he knew like, yeah, McBride listens to stuff that's kind of cool" "He's like, 'can we turn the music off? I'm just thinking about too much.' I was like, yeah, I don't know why my wife put music on. Such a bad idea"

Danny McBride reveals the surreal story of Kanye West asking him to star in his biopic "It was one of the most surreal encounters I've had in this career" "he called me out of nowhere. I didn't believe it was him. It was just like, he's like 'this is Ye' and I was like 'pfft, yeah right'" "he flew down there with one of his buddies and we just spent this afternoon cruising around on my friend's boat just talking about life and all this crazy stuff" "in your comedy you don't care and that's what I think the person has to play me has to have" "I didn't want to pander, but I also just wanted to have something so that he knew like, yeah, McBride listens to stuff that's kind of cool" "He's like, 'can we turn the music off? I'm just thinking about too much.' I was like, yeah, I don't know why my wife put music on. Such a bad idea"

Ruzy

82,241 görüntüleme • 1 ay önce

Christopher Nolan on Robin Williams's creepy performance in "Insomnia" (2002): "Nolan: You wouldn't notice him sitting next to you on the bus. To me that's why he's so creepy, because he's a very ordinary guy who's crossed this line and he's trying to figure out where that's going to take him, I've seen his performance in this movie, one way or another, thousands of times at this point, and it's totally real. It absolutely stands up to multiple viewings. Most performances don't. Most performances, after you've watched them and watched them and watched them, you start to see the tricks. It starts to get stale. Interviewer: What isn't ordinary about the character is that his mind is so meticulous. Watching Williams, you get the sense that everything he does is premeditated, even when he's winging it. Nolan: Right. but if you watch the film again, if you step outside Pacino's perception of the situation, he's not as sharp as you think he is. Al is progressively strung out. He's missing things. Interviewer: So was it hard to get such a reserved performance out of the famously hyperactive Williams? Nolan: I didn't find it so, to be quite honest. What I found was that all of the control he has as a performer- that allows him to create these various characters be they manic or whatever -- it's exactly the same control that allows him to reign it in." (Christopher Nolan's interview with Rob Blackwelder, Splicedwire, 2002) P.S: On this day, 24 years ago, "Insomnia" (2002) was released in the USA and Canada.

Christopher Nolan on Robin Williams's creepy performance in "Insomnia" (2002): "Nolan: You wouldn't notice him sitting next to you on the bus. To me that's why he's so creepy, because he's a very ordinary guy who's crossed this line and he's trying to figure out where that's going to take him, I've seen his performance in this movie, one way or another, thousands of times at this point, and it's totally real. It absolutely stands up to multiple viewings. Most performances don't. Most performances, after you've watched them and watched them and watched them, you start to see the tricks. It starts to get stale. Interviewer: What isn't ordinary about the character is that his mind is so meticulous. Watching Williams, you get the sense that everything he does is premeditated, even when he's winging it. Nolan: Right. but if you watch the film again, if you step outside Pacino's perception of the situation, he's not as sharp as you think he is. Al is progressively strung out. He's missing things. Interviewer: So was it hard to get such a reserved performance out of the famously hyperactive Williams? Nolan: I didn't find it so, to be quite honest. What I found was that all of the control he has as a performer- that allows him to create these various characters be they manic or whatever -- it's exactly the same control that allows him to reign it in." (Christopher Nolan's interview with Rob Blackwelder, Splicedwire, 2002) P.S: On this day, 24 years ago, "Insomnia" (2002) was released in the USA and Canada.

DepressedBergman

45,737 görüntüleme • 4 ay önce