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Why has this Sense and Sensibility adaptation fallen flat? The issue shadowing this new high-profile Austen adaptation, featuring Daisy Edgar-Jones and backed by Brit Film powerhouse Working Title, has always been one of contemporaneity. How was the novice film-maker Georgia Oakley, director of the startling Blue Jean, going to... show more

The Times and Sunday Times

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61,545 次观看 • 4 天前 •via X (Twitter)

新闻政治艺术教育

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8 条评论

Chief Scrobbler ✝️ 的头像

Chief Scrobbler ✝️3 天前

Contemporaneity? Present? Frankly the last thing I want are modern mores projected into classic stories.

caroline 🇬🇧 的头像

caroline 🇬🇧3 天前

Fennell's Wuthering Heights is an absolute abomination!

Taz 的头像

Taz3 天前

Why would we want it dragged into the present?

eddie montana 的头像

eddie montana4 天前

Millennials cannot make art.

Liam Stokes 的头像

Liam Stokes3 天前

So much more likely to watch this now I know she's actually made a proper adaptation.

Publius 的头像

Publius3 天前

Half the joy of these stories is they let you escape the Yookay and retreat into the past

The Times and Sunday Times 的头像

The Times and Sunday Times4 天前

Tap here:

Prixpics 的头像

Prixpics3 天前

So what are the good bits?

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“WEAPONS OF MASS MIGRATION” | The New Film Explained in Under 2 Minutes The Open Borders agenda has been weaponized to destroy the United States. The UN, NGO’s, China — and our own leaders — are complicit. How? Why? This new documentary film uncovers the hard truths about one of the most urgent issues of our time. This video produced as an ad partnership with The Epoch Times. Link to watch the full film in threaded post. ⬇️

“WEAPONS OF MASS MIGRATION” | The New Film Explained in Under 2 Minutes The Open Borders agenda has been weaponized to destroy the United States. The UN, NGO’s, China — and our own leaders — are complicit. How? Why? This new documentary film uncovers the hard truths about one of the most urgent issues of our time. This video produced as an ad partnership with The Epoch Times. Link to watch the full film in threaded post. ⬇️

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Tess (1979) opens with the dedication, "For Sharon." Roman Polanski dedicated the film to his late wife, Sharon Tate, whose life was tragically cut short in 1969 by members of the Manson Family. Before that tragedy, Tate had read Thomas Hardy's novel and believed her husband would one day turn it into a great film, hoping to play the lead role herself. The movie was released in theaters exactly ten years after she was gone. This was the ninth screen adaptation of Thomas Hardy's 1891 novel Tess of the d'Urbervilles and is widely regarded as the best-known version. It won three Oscars from six nominations. It also became the breakthrough role for Nastassja Kinski.

Tess (1979) opens with the dedication, "For Sharon." Roman Polanski dedicated the film to his late wife, Sharon Tate, whose life was tragically cut short in 1969 by members of the Manson Family. Before that tragedy, Tate had read Thomas Hardy's novel and believed her husband would one day turn it into a great film, hoping to play the lead role herself. The movie was released in theaters exactly ten years after she was gone. This was the ninth screen adaptation of Thomas Hardy's 1891 novel Tess of the d'Urbervilles and is widely regarded as the best-known version. It won three Oscars from six nominations. It also became the breakthrough role for Nastassja Kinski.

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🎬🍿💙 Rolling out the blue carpet… This evening, The King attended the Film Premiere of ‘Ocean with David Attenborough’. The film highlights how the ocean has shaped the world, and why the future of the planet is intertwined with the health of the ocean. 🌊His Majesty, as Prince of Wales, first marked the issue of oil and plastic pollution in the sea in 1970 when he was 21 years old. Since then, The King has continued to champion the importance of ocean health.

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Never Give Up: The Short Film This production was made in collaboration with my friend and film director, Hélvio Avelar. My life has always been about breathing art. From the stage to the screen. From clown to artist. Today I have the support I never had before, and thanks to you, I can give even more purpose to my art. This short film is just the tip of the iceberg. Today I have an even greater understanding of how much I can explore this art globally. I hope to count on everyone's engagement in this work. This is just the beginning. I'm watching all the likes, retweets, and comments... NEVER GIVE UP

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Prior to shooting of "The Story of Temple Drake" (1933), the Hays Office objected to any filmed adaptation of William Faulkner's novel 'Sanctuary', and later forbade any reference to the novel in advertising for the film. Joseph I. Breen, in charge of public relations for the Hays Office, admitted that he had not read the novel but was convinced that people would say that the filmmakers had adapted for the screen "the vilest book of the present years." It was Breen's opinion, however, that the picture was so tame in comparison to the novel that readers of the book who saw the picture would "charge us with fraud." The movie was so controversial upon release because of its subject matter. After only a few few screenings, the film was quickly shelved by the Production Code Administration, never to be seen again until decades later. (AFI Catalog & "Out of the Vaults and onto the Screen", Katie Trainor, MOMA, 2010) P.S: On this day, 93 years ago, "The Story of Temple Drake" (1933) premiered in New York City, USA.

Prior to shooting of "The Story of Temple Drake" (1933), the Hays Office objected to any filmed adaptation of William Faulkner's novel 'Sanctuary', and later forbade any reference to the novel in advertising for the film. Joseph I. Breen, in charge of public relations for the Hays Office, admitted that he had not read the novel but was convinced that people would say that the filmmakers had adapted for the screen "the vilest book of the present years." It was Breen's opinion, however, that the picture was so tame in comparison to the novel that readers of the book who saw the picture would "charge us with fraud." The movie was so controversial upon release because of its subject matter. After only a few few screenings, the film was quickly shelved by the Production Code Administration, never to be seen again until decades later. (AFI Catalog & "Out of the Vaults and onto the Screen", Katie Trainor, MOMA, 2010) P.S: On this day, 93 years ago, "The Story of Temple Drake" (1933) premiered in New York City, USA.

DepressedBergman

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"The film didn't show anything new, all of this has been reported on by Palestinian journalists" This is largely true, as stated by Yuval himself. Nonetheless, confessions of the perpetrators are adding to the body of evidence of the Gaza genocide, and confessions always hold more weight than accusations. For many this may be THE tipping point, unfortunately.

"The film didn't show anything new, all of this has been reported on by Palestinian journalists" This is largely true, as stated by Yuval himself. Nonetheless, confessions of the perpetrators are adding to the body of evidence of the Gaza genocide, and confessions always hold more weight than accusations. For many this may be THE tipping point, unfortunately.

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🚨 NEW: Fox’s Brit Hume on the Texas Senate primary race: “An endorsement by the President has repeatedly proved to be a leg up in these primaries.” “But this is an interesting case because Cornyn really hasn’t been an opponent of the President in any meaningful sense. By and large he’s been an ally of the President. It’s not entirely clear why he chose Paxton.”

🚨 NEW: Fox’s Brit Hume on the Texas Senate primary race: “An endorsement by the President has repeatedly proved to be a leg up in these primaries.” “But this is an interesting case because Cornyn really hasn’t been an opponent of the President in any meaningful sense. By and large he’s been an ally of the President. It’s not entirely clear why he chose Paxton.”

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Has one of Hitler's mysteries finally been sold?⁠ ⁠ In September 1931, just as Adolf Hitler was beginning to build real momentum at the ballot boxes of the late Weimar republic, a 23-year-old woman was found dead in his Munich apartment with a gunshot wound in one of her lungs.⁠ ⁠ This was Geli Raubal, the daughter of his half-sister, Angela. She had moved into her “Uncle Alf’s” spacious flat on Prinzregentenplatz in 1929.⁠ ⁠ A few days later, the police report concluded she had taken her own life with his Walther pistol.⁠ ⁠ Now, a historian has reopened the cold case⁠ ⁠ 🔗 Tap the link to read more 👇

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