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Yesterday we shared a video on how lighting works in Simulon. While a 360 HDRI sets the stage for believable lighting, its scope is inherently limited. Simulon ensures perspective correct reflections and refraction based on the real world environment, giving complex materials like glass a life-like touch.

Divesh Naidoo

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46,059 Aufrufe • vor 2 Jahren •via X (Twitter)

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Simulon's Next Chapter 🌌 Thank you for your excitement and invaluable feedback. As we've started to reveal more about Simulon, one thing has become clear: the creative community is ready and eager for a fresh chapter in VFX. In every creative endeavor, there are defining moments—when art meets technology, when vision becomes reality, and when creators discover their tools. This is the essence of Simulon. We're aiming to make cinematic-quality VFX accessible to all creators, no matter their background. Simulon has been 3.5 years in the making and our focus from day one has been to harmonize simplicity and power with the human creator at the core of the experience. What's Next - Closed Beta: We're close to sharing Simulon with a select group of creators and studios to help us finesse the final touches. - Community Insights: Keep an eye out for updates and stories we'll be sharing along the way. Your feedback is crucial as we move toward a version of Simulon available to everyone. - Public Launch: We're gearing up for a full release early next year. It's a significant moment, one that promises a new chapter for all creators. - Knowledge Sharing: In the lead-up to the launch, we will compile a series of tutorials, tips, and maybe a surprise or two, to help you maximize Simulon's potential. - Constant Evolution: in an industry that never stands still, neither will Simulon. Stay tuned for regular updates on our exciting R&D progress across social media. As we enter this new phase, your engagement and support continues to inspire us. Thank you for joining us on this creative journey! The Simulon Team 🌟 (Video shot with Simulon on iPhone)

Simulon's Next Chapter 🌌 Thank you for your excitement and invaluable feedback. As we've started to reveal more about Simulon, one thing has become clear: the creative community is ready and eager for a fresh chapter in VFX. In every creative endeavor, there are defining moments—when art meets technology, when vision becomes reality, and when creators discover their tools. This is the essence of Simulon. We're aiming to make cinematic-quality VFX accessible to all creators, no matter their background. Simulon has been 3.5 years in the making and our focus from day one has been to harmonize simplicity and power with the human creator at the core of the experience. What's Next - Closed Beta: We're close to sharing Simulon with a select group of creators and studios to help us finesse the final touches. - Community Insights: Keep an eye out for updates and stories we'll be sharing along the way. Your feedback is crucial as we move toward a version of Simulon available to everyone. - Public Launch: We're gearing up for a full release early next year. It's a significant moment, one that promises a new chapter for all creators. - Knowledge Sharing: In the lead-up to the launch, we will compile a series of tutorials, tips, and maybe a surprise or two, to help you maximize Simulon's potential. - Constant Evolution: in an industry that never stands still, neither will Simulon. Stay tuned for regular updates on our exciting R&D progress across social media. As we enter this new phase, your engagement and support continues to inspire us. Thank you for joining us on this creative journey! The Simulon Team 🌟 (Video shot with Simulon on iPhone)

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Disney's new research on neural rendering really upped the game. They start by path tracing and then running light gathering on those paths. Then they train a little network, kinda like a NERF, to produce those lighting results directly. It essentially keeps the lighting team from requiring a full (complex) re-render every-time they move a light. But it keeps the lighting team fully in the driver's seat creatively. Definitely a great use of AI for advanced storytelling and animation.

Disney's new research on neural rendering really upped the game. They start by path tracing and then running light gathering on those paths. Then they train a little network, kinda like a NERF, to produce those lighting results directly. It essentially keeps the lighting team from requiring a full (complex) re-render every-time they move a light. But it keeps the lighting team fully in the driver's seat creatively. Definitely a great use of AI for advanced storytelling and animation.

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Also implemented some simplistic "real-time GI" that works in both lighting and the froxel fog. It's similar to Crytek's LPV in spirit (as it propagates SH in a volume), but does it via downsampling (like you do for bloom)...

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We are getting absurdly close to the point where “learning Blender” means learning how to direct an AI. A shot like this looks soft and playful on the surface, but under it is the usual 3D pain: modeling, layout, materials, lighting, atmosphere, animation, and endless tiny fixes until the frame stops looking dead. That is why Kimi K3 matters. With Blender MCP, you can describe a scene like a robotic goat walking through a dreamy field and let the model help build the environment, place the camera, shape the materials, script the motion, and iterate inside the real Blender project. The real shift is not text-to-image. It is text-to-workflow. Kimi K3 does not just give you a pretty output and disappear. It can help move the actual scene from rough setup to something that looks art-directed. Soon the hardest part of 3D will not be the software. It will be whether your imagination is good enough to deserve tools like this.

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One thing that’s been helping my image generations a lot lately is using environment distribution prompts, kinda like the color distribution ones I shared a couple days ago. Instead of only describing objects, I structure scenes almost like cinematic set design. Basic structure: Foreground → what exists close to camera to create depth Midground → the main focal area / primary environment Background → distant scenery or atmospheric storytelling Lighting → where light comes from + warm/cool contrast Color distribution → where accent colors are concentrated Camera placement → how the viewer sees the environment Visual hierarchy → what the eye notices first Simple formula you can follow: Foreground contains [close-up framing elements]. Midground contains [main environment and focal area]. Background reveals [distant scenery or atmosphere]. Main light source comes from [direction/source]. Accent colors concentrated around [important areas]. Camera positioned [angle/composition]. Environment should feel [mood/emotion]. Example: Ultra-detailed realistic cozy room interior captured from the high upper corner of the room during daytime heavy rain, clean but lived-in aesthetic, cinematic architectural photography with strong environmental storytelling and calming atmosphere. Foreground contains softly blurred hanging plants, warm lamp glow, subtle reflections on glass, ceramic cups, and leafy greenery partially framing the edges of the image to create natural depth without clutter. Midground focuses on a clean realistic workspace and sleeping area with light wood furniture, soft neutral bedding, ergonomic desk chair, dual monitors, subtle ambient lighting, carefully placed décor, small plants, candles, and minimal cozy accessories. A sleeping cat curled up comfortably on the bed adds warmth and life to the scene. Background dominated by massive floor-to-ceiling windows revealing dense green trees outside during a windy rainstorm. Lighting should feel realistic and cinematic with cool diffused storm daylight entering through the windows while warm practical lights softly illuminate the interior. Dominant palette consists of soft beige, warm cream, pale oak wood, muted forest greens, foggy gray-blue shadows, and restrained warm amber lighting accents. Environment should feel peaceful, immersive, cozy during bad weather, and emotionally comforting.

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For the second day in a row, everyone has been laughing at this video. Yesterday, Putin, dressed in military uniform, allegedly made a rare visit to the front line, to one of the auxiliary command posts. In reality, it was a film set inside a bunker. As we can see, they have a lot of props in that bunker: 😅 A camouflage net was hung inside the building. 😅 The flooring, lighting, and acoustics all look like those of a studio. I wonder how many times they rehearsed it?

For the second day in a row, everyone has been laughing at this video. Yesterday, Putin, dressed in military uniform, allegedly made a rare visit to the front line, to one of the auxiliary command posts. In reality, it was a film set inside a bunker. As we can see, they have a lot of props in that bunker: 😅 A camouflage net was hung inside the building. 😅 The flooring, lighting, and acoustics all look like those of a studio. I wonder how many times they rehearsed it?

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