Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

You can also use the Gradient layer type in Toolbag to make planar knurling like for this pistol grip panel 😎 Adding a sync point above the layer lets you use the effect with smart mats and generators as well.

Jordan Cain

3,272 subscribers

12,004 просмотров • 7 месяцев назад •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

Tip: To alpha clip a layer, you can use the alpha of another image layer as a mask. #ucupaint #b3d

Tip: To alpha clip a layer, you can use the alpha of another image layer as a mask. #ucupaint #b3d

Ucupaint 🔶

23,593 просмотров • 1 год назад

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

Keeki | 3D Artist

38,950 просмотров • 2 месяцев назад

Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the edges if you want!

Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the edges if you want!

❤︎ MIZUKI.

54,110 просмотров • 3 месяцев назад

Don't talk directly to a model. You can make your application 10x more flexible by simply adding one intermediate layer between your code and the model. This is the simplest trick you can use to improve the architecture of whatever you are building.

Don't talk directly to a model. You can make your application 10x more flexible by simply adding one intermediate layer between your code and the model. This is the simplest trick you can use to improve the architecture of whatever you are building.

Santiago

88,884 просмотров • 4 месяцев назад

quick tutorial (?) on blur with soft edges: if you select using lasso, selection pen etc and gaussian blur, the edges of the blur are sharp but if you use an airbrush to mark the areas on a new layer and use it as selection to blur, you can get a soft effect instead

quick tutorial (?) on blur with soft edges: if you select using lasso, selection pen etc and gaussian blur, the edges of the blur are sharp but if you use an airbrush to mark the areas on a new layer and use it as selection to blur, you can get a soft effect instead

tomato🍅

146,420 просмотров • 7 месяцев назад

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,031 просмотров • 2 лет назад

This might be updated :3 I'm making them sync friendly! (whatever sync you use) now others can see your phone when you do /visage! I'm also pathing this phone to the /tomescroll emote as well. And- it now glows like a real phone! 📱

This might be updated :3 I'm making them sync friendly! (whatever sync you use) now others can see your phone when you do /visage! I'm also pathing this phone to the /tomescroll emote as well. And- it now glows like a real phone! 📱

Tsch

15,977 просмотров • 5 месяцев назад

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

Cohen Brawley

78,816 просмотров • 2 лет назад

How annoying is it when you can't find a company's logo in SVG format? I use a quick hack in Figma that lets me easily change the logo's color to whatever I need. 1. Add a rectangle layer on top of the logo layer. 2. Right-click and create a mask for the logo layer. 3. Voilà.

James McDonald

27,963 просмотров • 1 год назад

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Quick tip for my graphic designers, In PS, overlay a photo or texture and apply a clipping masked gradient map. (Color to BLK) Open the layer options of the overlay texture, Hold ALT to split the anchor of "Blend if" Underlying layer. See-through Texture Gradient Effect.

Seso

169,060 просмотров • 3 лет назад

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Here is a breakdown (kind of) how I did this effect for live2d Vtuber model art. I’ve drawn the lips, you would have to separate top and bottom though and added a cyan layer which will be my mask and the mask for the rigger to clip on. Then I added a shiny add layer on top and used the cyan layer as a mask, just to test the effect in procreate, you would have to delete the black/white procreate mask for the rigger because this can cause issues. If you have any questions feels free to ask. 💕

Sandrina 😈🎀 | VArtist | †øм

22,969 просмотров • 9 месяцев назад

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

These are underfill layers! They are a solid color layer underneath another color layer, but they are slightly bigger, making it look like the outline of the layer above. This method will make it easier for riggers to give the model more range, as the underfill is easy to adjust

Suiika Customizable Model OUT NOW!

529,994 просмотров • 2 лет назад

This isn’t an amazing tutorial or anything. Just a quick trick I use. I am more conscious of colours if there’s lights in the scene but I use this to help with early tonal variation. Can also duplicate and hue shift/desaturate the glitch layer if you want to get a more controlled outcome.

This isn’t an amazing tutorial or anything. Just a quick trick I use. I am more conscious of colours if there’s lights in the scene but I use this to help with early tonal variation. Can also duplicate and hue shift/desaturate the glitch layer if you want to get a more controlled outcome.

Jade Law

64,122 просмотров • 1 год назад

[WIP] I wanted to add a glow effect, I'll leave a separate pmp with "soft glow", and you can use it in Penumbra to set the intensity and also play with the colors. I'll also leave a tutorial explaining how to use it ♡

[WIP] I wanted to add a glow effect, I'll leave a separate pmp with "soft glow", and you can use it in Penumbra to set the intensity and also play with the colors. I'll also leave a tutorial explaining how to use it ♡

Lys ✨

20,068 просмотров • 11 месяцев назад

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

25,219 просмотров • 2 лет назад

🥳New tutorial! You can use the NLA in Blender as an animation Layer system and much more. Let’s have a look together. 👉 #Blender #B3D #Animation #p2design

🥳New tutorial! You can use the NLA in Blender as an animation Layer system and much more. Let’s have a look together. 👉 #Blender #B3D #Animation #p2design

Pierrick Picaut

24,970 просмотров • 1 год назад

Supabase is now listed as a ChatGPT app! It allows you to do anything that Supabase MCP allows, and you can just use it as a persisted storage layer, or you can combine it with other apps to build complex workflows! The possibilities are endless!

Supabase is now listed as a ChatGPT app! It allows you to do anything that Supabase MCP allows, and you can just use it as a persisted storage layer, or you can combine it with other apps to build complex workflows! The possibilities are endless!

Tyler Shukert

17,181 просмотров • 3 месяцев назад

CSS Tip! ⭐️ You can use the lh (line-height) unit on background layers to emphasize multiple lines of text responsively without extra elements! ⚡️ h1 { background: linear-gradient(white, white), grey; background-size: 100% calc(var(--lines) * 1lh), 100% 100%; background-clip: text; color: transparent; } Here you emphasize the first two lines of the heading with white using a sized background-image layer It has a size of 2lh ✨ Then the rest of the element is colored with whatever other colors you want to use as layers. If you watch the video, you can see different colors used for different lines and then fade it out if you wish. You could do whatever you like with it 😎 Neat part is that it's responsive. The font-size is set with a clamp and you can resize the viewport or the element and the number of lines emphasized will remain 🤙 Last but not least, make sure to use background-clip: text and color: transparent so the background shines through 🔥 Also, note that if you're only looking to highlight the first line, you can still use the :first-line pseudo 🫶 Have a play with it and see what you can come up with! CodePen.IO link below! 👇

CSS Tip! ⭐️ You can use the lh (line-height) unit on background layers to emphasize multiple lines of text responsively without extra elements! ⚡️ h1 { background: linear-gradient(white, white), grey; background-size: 100% calc(var(--lines) * 1lh), 100% 100%; background-clip: text; color: transparent; } Here you emphasize the first two lines of the heading with white using a sized background-image layer It has a size of 2lh ✨ Then the rest of the element is colored with whatever other colors you want to use as layers. If you watch the video, you can see different colors used for different lines and then fade it out if you wish. You could do whatever you like with it 😎 Neat part is that it's responsive. The font-size is set with a clamp and you can resize the viewport or the element and the number of lines emphasized will remain 🤙 Last but not least, make sure to use background-clip: text and color: transparent so the background shines through 🔥 Also, note that if you're only looking to highlight the first line, you can still use the :first-line pseudo 🫶 Have a play with it and see what you can come up with! CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

413,707 просмотров • 2 лет назад

Hey #RobloxDev 👋! Want to create a reflective part that you can use for a puddle like effect or a mirror in your #Roblox experience? You can achieve this effect by using a glass part and the highlight object. 👀

Hey #RobloxDev 👋! Want to create a reflective part that you can use for a puddle like effect or a mirror in your #Roblox experience? You can achieve this effect by using a glass part and the highlight object. 👀

Gamefam Studios

35,844 просмотров • 10 месяцев назад