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يؤدي الضبع المخطط دورًا يتجاوز صورته الشائعة.. فبعيدًا عن الأنظار، يعيد البقايا العضوية إلى دورة الحياة، ويسهم في استقرار النظم البيئية. #بحياتها_نحيا The striped hyena plays an unseen role beyond its stereotype.. As a scavenger, it returns organic remains to the cycle of life and contributes to the stability...

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المركز الوطني لتنمية الحياة الفطرية

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18,470 Aufrufe • vor 13 Tagen •via X (Twitter)

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في #اليوم_العالمي_للتنوع_البيولوجي، تبرز تقنيات #استمطار_السحب كأداة علمية تسهم في تعزيز الدورة الهيدرولوجية وزيادة رطوبة التربة، مما يدعم نمو الغطاء النباتي وينشّط الكائنات الدقيقة 🌱، ويساهم في استعادة التوازن البيولوجي وتوفير الموائل الضرورية للحياة الفطرية في المناطق الجافة.وتتجلى أهمية هذه التقنيات في كونها إحدى الركائز الرئيسة لمواجهة آثار الجفاف، بما يدعم المستهدفات الوطنية لاستدامة النظم البيئية. On the #International_Day_For_Biological_Diversity, #cloud_seeding technologies emerge as a scientific tool that contributes to enhancing the hydrological cycle and increasing soil moisture, supporting vegetation growth and stimulating microbial activity 🌱. This, in turn, helps restore biological balance and provide essential habitats for wildlife in arid regions.The importance of these technologies is manifested in being one of the main pillars to confront the effects of drought, thereby supporting the national targets for the sustainability of ecosystems.

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.Marc Andreessen 🇺🇸 on the Current Thing: "Everybody has to have an opinion on the Current Thing. It's the most important thing in the world. And then 24 hours later it's like it never happened because something else has become the Current Thing." "As long as the internet is the medium of choice, we're going to live in a world in which this is the cycle now. It's like a 24, 36-hour news cycle." "The role of mainstream media for the rest of our life is just going to be to follow the internet viral posts."
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Minaret and Archaeological Remains of Jam - Afghanistan : At 1900m above sea level and far from any town, the Minaret of Jam rises within a rugged valley along the Hari-rud River at its junction with the river Jam around 215km east of Herat. Rising to 65m from a 9m diameter octagonal base, its four superimposed, tapering cylindrical shafts are constructed from fired bricks. The Minaret is completely covered with geometric decoration in relief enhanced with a Kufic inscription in turquoise tiles. Built in 1194 AD, by the great Ghurid Sultan Ghiyas-ud-din (1153-1203), its emplacement probably marks the site of the ancient city of Firuzkuh, believed to have been the summer capital of the Ghurid dynasty. Surrounding remains include a group of stones with Hebrew inscriptions from the 11th to 12th centuries on the Kushkak hill, and vestiges of castles and towers of the Ghurid settlements on the banks of the Hari River as well as to the east of the Minaret. The Minaret of Jam is one of the few well-preserved monuments representing the exceptional artistic creativity and mastery of structural engineering of the time. Its architecture and ornamentation are outstanding from the point of view of art history, fusing together elements from earlier developments in the region in an exceptional way and exerting a strong influence on later architecture in the region. This graceful soaring structure is an outstanding example of the architecture and ornamentation of the Islamic period in Central Asia and played a significant role in their further dissemination as far as India as demonstrated by the Qutb Minar, Delhi, begun in 1202 and completed in the early 14th Century AD. The innovative architecture and decoration of the Minaret of Jam played a significant role in the development of the arts and architecture of the Indian sub-continent and beyond. The Minaret of Jam and its associated archaeological remains constitute exceptional testimony to the power and quality of the Ghurid civilization that dominated the region in 12th-13th Centuries. The Minaret of Jam is an outstanding example of Islamic architecture and ornamentation in the region and played a significant role for further dissemination. Since the building of the Minaret around eight hundred years ago, no reconstruction or extensive restoration work has ever taken place in the area. The archaeological vestiges were surveyed and recorded in 1957 when the remains were first discovered by archaeologists. Subsequent surveys and studies have led only to simple precautionary stabilization measures to base of the Minaret. Thus, attributes that express the Outstanding Universal Value of the site, not least the Minaret itself, other architectural forms and their setting in the landscape, remain intact within the boundaries of the property and beyond. The authenticity of the ensemble of the Minaret of Jam and the vestiges that surround it has never been questioned. The Minaret has always been recognised as a genuine architectural and decorative masterpiece by the experts and an artistic chef-d'oeuvre by the aesthetes. Its monumental Kufic inscriptions testify to the remote and glorious origin of its builders as well as giving evidence to its early dating (1194). No reconstruction or extensive restoration work has ever taken place in the area. 🎥© lovingafghanistan (IG) #archaeohistories

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THE HIGHEST DEMONSTRATION OF LEADERSHIP IS FATHERHOOD The highest expression of leadership is fatherhood. Fatherhood is the ability to begin, to originate or birth a process, nurture it, protect it, defend it, build it, give it structure, and replicate it beyond yourself. It is the responsibility of taking ownership of what has been entrusted to you until it reaches maturity and fulfills its purpose. This principle extends beyond family life. Every vision, idea, assignment, organization, or God-given mandate requires a father, someone willing to believe in it, invest in it, protect it, and patiently guide its growth. When Scripture speaks of "Abba," it reveals more than a title; it speaks of source, origin, and responsibility. A father is not merely the one through whom something comes into existence, but the one who remains committed to its development and success. Whatever God births through you becomes your responsibility to nurture. Just as a child grows, matures, and eventually expresses potential and purpose, so too will a vision flourish when it is faithfully fathered. Watch the full sermon titled "Re-defining Fatherhood (Restoring Biblical Fatherhood)" on the Koinonia Global YouTube channel. #ApostleJoshuaSelman #RedefiningFatherhood #RestoringBiblicalFatherhood #KoinoniaAbuja #KoinoniaGlobal

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10,372 Aufrufe • vor 2 Monaten

Artemis is the story of a partnership of nations. Europe plays a mission-critical role. At the centre of this mission is Orion: the spacecraft that will be the crew’s home in deep space. What keeps Orion alive and moving is the European Service Module – provided by European Space Agency. For the first time in more than 50 years, humans are going back to the Moon. ESA, with its Member States, will go down in history as being indispensable in the telling of this story. And this is just the beginning. ESA is proud to stand shoulder to shoulder with its international partners. Together, we are extending humankind’s presence beyond Earth. No matter the circumstances, we believe cooperation remains our most powerful engine for the future.
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Artemis is the story of a partnership of nations. Europe plays a mission-critical role. At the centre of this mission is Orion: the spacecraft that will be the crew’s home in deep space. What keeps Orion alive and moving is the European Service Module – provided by European Space Agency. For the first time in more than 50 years, humans are going back to the Moon. ESA, with its Member States, will go down in history as being indispensable in the telling of this story. And this is just the beginning. ESA is proud to stand shoulder to shoulder with its international partners. Together, we are extending humankind’s presence beyond Earth. No matter the circumstances, we believe cooperation remains our most powerful engine for the future.

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The first movement of Violin Concerto in E minor, Op. 64 is one of Felix Mendelssohn-Bartholdy's most celebrated works. It is admired for the lyrical, vocal quality of its melodies and the coherence of its structure. Yet the enduring vitality of the movement arises not from these qualities alone, but from the way Mendelssohn shapes the entire work as a continuous process of development, in which each musical idea grows from material already established while simultaneously preparing the way for what follows. It is this organic continuity that gives the movement its distinctive persuasive power. To understand why, one must begin with its most concrete musical details. The first striking feature is Mendelssohn's decision to introduce the solo violin almost immediately, rather than reserving an extended orchestral introduction in the manner of the Classical concerto tradition. The violin enters at once with the principal theme, unfolding a melody that is long, supple and unmistakably song-like. From the opening bars, the listener does not feel as though the narrative is waiting to begin; rather, one is drawn into a musical process that already seems to be in motion. This manner of opening establishes a sense of continuity from the very outset and defines the character of the movement as a whole. The violin's melodic writing is built chiefly from stepwise motion interspersed with moderate leaps. Instead of presenting isolated musical gestures, Mendelssohn shapes his phrases into long, flowing arcs, each seeming to arise naturally from the one before it. As one motif reaches its conclusion, its closing notes frequently become the point of departure for the next. The ear therefore seldom perceives the music as a sequence of detached units, but rather as a single line of development unfolding from within itself. Equally significant is Mendelssohn's treatment of his musical motifs. He rarely introduces an entirely new idea only to abandon the old. Instead, previously stated motifs are continually transformed through changes of pitch, rhythm, expression or harmonic setting. When a familiar motif returns in a new guise, the listener immediately recognises its relationship to what has already been heard while simultaneously perceiving its transformation. It is this union of familiarity and renewal that allows the music to develop without ever seeming fragmented. Rhythm likewise plays an essential part in sustaining this continuous movement. Between the violin's expansive lyrical phrases appear short, flexible rhythmic figures that provide constant forward impetus. These patterns, however, never unfold at random. They are frequently repeated with subtle adjustments of accent or metrical emphasis, sufficient to maintain momentum while preserving a sense of unity. The listener therefore experiences an unbroken impulse of progression without any impression that the musical thread has been interrupted. At a deeper level, it is the harmony that gives the entire process a clear sense of direction. Mendelssohn creates moments of tension through passing harmonies, non-chord tones and carefully judged modulations into closely related keys. Yet each expansion is meticulously prepared and ultimately resolved back to stable tonal centres. The ear continually rediscovers its tonal point of reference and thus never loses sight of the broader trajectory of the movement. The orchestra is organised according to the same principle. It serves not merely as accompaniment to the solo violin but frequently receives, echoes and develops the motifs first introduced by the soloist. As musical ideas pass from violin to orchestra and back again, the listener perceives not two independent voices but a single musical thought unfolding through contrasting colours. The dialogue between soloist and orchestra therefore creates not opposition but an ever richer expansion of the musical structure while preserving its essential unity. As the movement unfolds, the listener is drawn not only to the beauty of its melodies but also to the relationships between them. Each idea leads naturally to the next, so that the entire movement appears as an organic whole in continual expansion rather than a succession of isolated episodes. Its persuasive power lies not in any single memorable passage, but in the coherence of the process as a whole. At a deeper level, the first movement embodies not merely a principle of musical composition but a broader principle of living systems. The work is constructed as a process in which no element exists in isolation. Each motif inherits material from its predecessor, is transformed into a new form, and in turn becomes the foundation for subsequent development. It is precisely this uninterrupted sequence of inheritance and transformation that gives the music its vitality. The same principle may be observed in the workings of the natural world. Life is sustained not by isolated parts but by continuous cycles of exchange and mutual support. The human body functions in this manner. Oxygen passes from the lungs into the bloodstream; the blood carries it to every cell where energy is produced, before returning the products of metabolism to continue the cycle. Each stage depends upon the one before it while simultaneously preparing the conditions for the next. No single link exists solely for itself; each both receives from and contributes to the others. Should one essential link in this cycle be broken, the entire system gradually loses its capacity to sustain itself. Life endures not because its individual parts exist independently, but because an unbroken cycle binds them together into a unified whole. The first movement of the concerto is organised according to a comparable principle. Melodies do not simply appear and disappear; they become the material from which subsequent motifs are fashioned. These motifs are reshaped through new rhythmic and harmonic contexts before being taken up, expanded and returned by the orchestra to the solo violin. No idea is detached from the larger process. Every element receives material from what precedes it while preparing the conditions for what follows. Through this continual exchange, inheritance and transformation, Mendelssohn creates a musical cycle in which each idea both nourishes and is nourished by the others. It is perhaps because the movement reflects such a principle that it possesses so natural and compelling a character. Its beauty resides not merely in individual melodies or episodes of development, but in the way every musical element remains connected within a continuous cycle of motion, where each part both receives from and supports the rest, preserving the unity of the whole. This is the deepest source of the first movement's enduring power. Mendelssohn does not assemble a succession of disconnected ideas; he creates a living organism in which every musical element continually inherits, transforms and sustains the others. It is this unbroken cycle that has endowed the concerto with its lasting vitality and enabled it to continue moving listeners across generations.
13:17

The first movement of Violin Concerto in E minor, Op. 64 is one of Felix Mendelssohn-Bartholdy's most celebrated works. It is admired for the lyrical, vocal quality of its melodies and the coherence of its structure. Yet the enduring vitality of the movement arises not from these qualities alone, but from the way Mendelssohn shapes the entire work as a continuous process of development, in which each musical idea grows from material already established while simultaneously preparing the way for what follows. It is this organic continuity that gives the movement its distinctive persuasive power. To understand why, one must begin with its most concrete musical details. The first striking feature is Mendelssohn's decision to introduce the solo violin almost immediately, rather than reserving an extended orchestral introduction in the manner of the Classical concerto tradition. The violin enters at once with the principal theme, unfolding a melody that is long, supple and unmistakably song-like. From the opening bars, the listener does not feel as though the narrative is waiting to begin; rather, one is drawn into a musical process that already seems to be in motion. This manner of opening establishes a sense of continuity from the very outset and defines the character of the movement as a whole. The violin's melodic writing is built chiefly from stepwise motion interspersed with moderate leaps. Instead of presenting isolated musical gestures, Mendelssohn shapes his phrases into long, flowing arcs, each seeming to arise naturally from the one before it. As one motif reaches its conclusion, its closing notes frequently become the point of departure for the next. The ear therefore seldom perceives the music as a sequence of detached units, but rather as a single line of development unfolding from within itself. Equally significant is Mendelssohn's treatment of his musical motifs. He rarely introduces an entirely new idea only to abandon the old. Instead, previously stated motifs are continually transformed through changes of pitch, rhythm, expression or harmonic setting. When a familiar motif returns in a new guise, the listener immediately recognises its relationship to what has already been heard while simultaneously perceiving its transformation. It is this union of familiarity and renewal that allows the music to develop without ever seeming fragmented. Rhythm likewise plays an essential part in sustaining this continuous movement. Between the violin's expansive lyrical phrases appear short, flexible rhythmic figures that provide constant forward impetus. These patterns, however, never unfold at random. They are frequently repeated with subtle adjustments of accent or metrical emphasis, sufficient to maintain momentum while preserving a sense of unity. The listener therefore experiences an unbroken impulse of progression without any impression that the musical thread has been interrupted. At a deeper level, it is the harmony that gives the entire process a clear sense of direction. Mendelssohn creates moments of tension through passing harmonies, non-chord tones and carefully judged modulations into closely related keys. Yet each expansion is meticulously prepared and ultimately resolved back to stable tonal centres. The ear continually rediscovers its tonal point of reference and thus never loses sight of the broader trajectory of the movement. The orchestra is organised according to the same principle. It serves not merely as accompaniment to the solo violin but frequently receives, echoes and develops the motifs first introduced by the soloist. As musical ideas pass from violin to orchestra and back again, the listener perceives not two independent voices but a single musical thought unfolding through contrasting colours. The dialogue between soloist and orchestra therefore creates not opposition but an ever richer expansion of the musical structure while preserving its essential unity. As the movement unfolds, the listener is drawn not only to the beauty of its melodies but also to the relationships between them. Each idea leads naturally to the next, so that the entire movement appears as an organic whole in continual expansion rather than a succession of isolated episodes. Its persuasive power lies not in any single memorable passage, but in the coherence of the process as a whole. At a deeper level, the first movement embodies not merely a principle of musical composition but a broader principle of living systems. The work is constructed as a process in which no element exists in isolation. Each motif inherits material from its predecessor, is transformed into a new form, and in turn becomes the foundation for subsequent development. It is precisely this uninterrupted sequence of inheritance and transformation that gives the music its vitality. The same principle may be observed in the workings of the natural world. Life is sustained not by isolated parts but by continuous cycles of exchange and mutual support. The human body functions in this manner. Oxygen passes from the lungs into the bloodstream; the blood carries it to every cell where energy is produced, before returning the products of metabolism to continue the cycle. Each stage depends upon the one before it while simultaneously preparing the conditions for the next. No single link exists solely for itself; each both receives from and contributes to the others. Should one essential link in this cycle be broken, the entire system gradually loses its capacity to sustain itself. Life endures not because its individual parts exist independently, but because an unbroken cycle binds them together into a unified whole. The first movement of the concerto is organised according to a comparable principle. Melodies do not simply appear and disappear; they become the material from which subsequent motifs are fashioned. These motifs are reshaped through new rhythmic and harmonic contexts before being taken up, expanded and returned by the orchestra to the solo violin. No idea is detached from the larger process. Every element receives material from what precedes it while preparing the conditions for what follows. Through this continual exchange, inheritance and transformation, Mendelssohn creates a musical cycle in which each idea both nourishes and is nourished by the others. It is perhaps because the movement reflects such a principle that it possesses so natural and compelling a character. Its beauty resides not merely in individual melodies or episodes of development, but in the way every musical element remains connected within a continuous cycle of motion, where each part both receives from and supports the rest, preserving the unity of the whole. This is the deepest source of the first movement's enduring power. Mendelssohn does not assemble a succession of disconnected ideas; he creates a living organism in which every musical element continually inherits, transforms and sustains the others. It is this unbroken cycle that has endowed the concerto with its lasting vitality and enabled it to continue moving listeners across generations.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

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🚨 "It's time for the Arabs to evacuate. The era of brotherhood is over. Leave immediately!" An Islamic Republic state TV host threatened Arabs in the Persian Gulf, telling them to evacuate immediately ahead of what he said was coming, and declaring that the era of brotherly relations is over. The Islamic Republic has emerged from the recent war more emboldened, more arrogant, and increasingly aggressive, expanding its threats beyond Iran to neighboring countries and now even the United Kingdom and Europe. As long as this regime remains in power, it will continue to pose a threat to the region and the wider world.
1:35

🚨 "It's time for the Arabs to evacuate. The era of brotherhood is over. Leave immediately!" An Islamic Republic state TV host threatened Arabs in the Persian Gulf, telling them to evacuate immediately ahead of what he said was coming, and declaring that the era of brotherly relations is over. The Islamic Republic has emerged from the recent war more emboldened, more arrogant, and increasingly aggressive, expanding its threats beyond Iran to neighboring countries and now even the United Kingdom and Europe. As long as this regime remains in power, it will continue to pose a threat to the region and the wider world.

The Iran Watcher 🇮🇷

31,223 Aufrufe • vor 1 Monat

🇬🇧 UK's Starmer government denies “any role” in nominating Iran to UN committee. “We did not have an option to block that appointment.” Priti Patel MP, Shadow Foreign Secretary: “The barbaric regime in Tehran has murdered tens of thousands of its own people. It remains the world’s foremost state sponsor of terrorism and is responsible for appalling antisemitism, and for spying on the British Jewish community. Why did the Government not stop Iran from being appointed to prominent positions in the United Nations Economic and Social Council, as the United States did?” Hamish Falconer MP, Minister for Middle East: “As I understand it, the United Nations appointment she refers to refers was a decision of the Asia-Pacific committee. It was not a decision over which His Majesty’s Government had any role, and was subject to an automaticity process, rather than a vote. We did not have a option to block this, though the Foreign Secretary did raise her concerns about it at the United Nations.”
1:10

🇬🇧 UK's Starmer government denies “any role” in nominating Iran to UN committee. “We did not have an option to block that appointment.” Priti Patel MP, Shadow Foreign Secretary: “The barbaric regime in Tehran has murdered tens of thousands of its own people. It remains the world’s foremost state sponsor of terrorism and is responsible for appalling antisemitism, and for spying on the British Jewish community. Why did the Government not stop Iran from being appointed to prominent positions in the United Nations Economic and Social Council, as the United States did?” Hamish Falconer MP, Minister for Middle East: “As I understand it, the United Nations appointment she refers to refers was a decision of the Asia-Pacific committee. It was not a decision over which His Majesty’s Government had any role, and was subject to an automaticity process, rather than a vote. We did not have a option to block this, though the Foreign Secretary did raise her concerns about it at the United Nations.”

UN Watch

47,494 Aufrufe • vor 4 Monaten

Last year I was determined to make a contribution to America's 250th Anniversary. This documentary, The Thread of Liberty: Keeping Our Republic, is what came of that desire. I've posted it here in its entirety, as well as at We have an incredible nation, the first ever rights-based government in the history of the world in which the people are sovereign. We should appreciate it and, more importantly, love it. But loving requires understanding and then restoring. There is a great deal to celebrate and there is also a great deal of work that lies before us if we're to restore the republic. One of the central questions for the future of the American Republic is do we still feel an obligation to our experiment in free government? I believe one of the places that we renew the obligation, and begin the restoration, is with a rebirth of instinctive patriotism. I sincerely hope this documentary plays a role in that rebirth. Keep America Free.
1:23:31

Last year I was determined to make a contribution to America's 250th Anniversary. This documentary, The Thread of Liberty: Keeping Our Republic, is what came of that desire. I've posted it here in its entirety, as well as at We have an incredible nation, the first ever rights-based government in the history of the world in which the people are sovereign. We should appreciate it and, more importantly, love it. But loving requires understanding and then restoring. There is a great deal to celebrate and there is also a great deal of work that lies before us if we're to restore the republic. One of the central questions for the future of the American Republic is do we still feel an obligation to our experiment in free government? I believe one of the places that we renew the obligation, and begin the restoration, is with a rebirth of instinctive patriotism. I sincerely hope this documentary plays a role in that rebirth. Keep America Free.

Ned Ryun

1,963,965 Aufrufe • vor 2 Monaten

Why does the human being set goals while the Universe appears to be purposeless? Where does this fundamental striving for direction and meaning arise within us? From the very emergence of life on Earth, life carried within itself a quiet, unconscious orientation — a desire to persist, to hold on, to continue. It was this ancient inner pull that allowed life to survive and grow; without it, life could not have existed in such a complex form. Thus it became clear: where purpose disappears, the very possibility of living disappears as well. Hence our human instinct to set goals — we merely continue what life began billions of years ago, but we do so consciously. Over time, higher needs took shape within us, and to the simple drive to survive we added another — the desire to live with dignity, creating meaning, values, and a future. Today, we are capable of raising these needs even higher, transforming them into an inspiring striving to elevate life itself, making it more substantial, meaningful, and flourishing. : The author presents death as evolution’s indispensable partner. Rapid generational turnover accelerated mutation, sharpened natural selection, and prevented the accumulation of harmful traits that would have undermined population stability. Mortality sustained genetic diversity, recycled matter and energy within ecosystems, and imposed limits that averted catastrophic overpopulation. Without this relentless mechanism, life would have remained static, brittle, and ultimately incapable of withstanding environmental change. Death was not a flaw but the engine that honed increasingly complex organisms until intelligence finally emerged. Humanity now stands at the threshold evolution unknowingly prepared. The mind death helped forge has deciphered the mechanisms of aging and mortality. Advances in biology and medicine already extend healthy life and repair damage; future technologies will permit deliberate transmission of improvement without requiring the cycle of birth and death. Mortality, having fulfilled its historical purpose, is no longer biologically necessary for progress. Death sculpted the capacity to end death. Its role is complete. The time has come to take conscious command of evolution and free life from mortality’s dominion. Evolution once required death to drive complexity. Intelligence can now drive evolution without it.
1:05

Why does the human being set goals while the Universe appears to be purposeless? Where does this fundamental striving for direction and meaning arise within us? From the very emergence of life on Earth, life carried within itself a quiet, unconscious orientation — a desire to persist, to hold on, to continue. It was this ancient inner pull that allowed life to survive and grow; without it, life could not have existed in such a complex form. Thus it became clear: where purpose disappears, the very possibility of living disappears as well. Hence our human instinct to set goals — we merely continue what life began billions of years ago, but we do so consciously. Over time, higher needs took shape within us, and to the simple drive to survive we added another — the desire to live with dignity, creating meaning, values, and a future. Today, we are capable of raising these needs even higher, transforming them into an inspiring striving to elevate life itself, making it more substantial, meaningful, and flourishing. : The author presents death as evolution’s indispensable partner. Rapid generational turnover accelerated mutation, sharpened natural selection, and prevented the accumulation of harmful traits that would have undermined population stability. Mortality sustained genetic diversity, recycled matter and energy within ecosystems, and imposed limits that averted catastrophic overpopulation. Without this relentless mechanism, life would have remained static, brittle, and ultimately incapable of withstanding environmental change. Death was not a flaw but the engine that honed increasingly complex organisms until intelligence finally emerged. Humanity now stands at the threshold evolution unknowingly prepared. The mind death helped forge has deciphered the mechanisms of aging and mortality. Advances in biology and medicine already extend healthy life and repair damage; future technologies will permit deliberate transmission of improvement without requiring the cycle of birth and death. Mortality, having fulfilled its historical purpose, is no longer biologically necessary for progress. Death sculpted the capacity to end death. Its role is complete. The time has come to take conscious command of evolution and free life from mortality’s dominion. Evolution once required death to drive complexity. Intelligence can now drive evolution without it.

Zafar Mirzo | Quotes

114,996 Aufrufe • vor 7 Monaten

levin's cognitive light cone concept makes it impossible to hold the perspective that "a human could understand the goal of any posthuman AGI" people who think humans can access the total state space of objectives literally just haven't thought about how wide that range is there are entire magazines of capabilities, understanding, powers, and access-to-nature that are as wholly beyond us as we are beyond a bacteria (see mike's example in the video) people who care about "life" should care much less about the *shape* of an oak tree or lemur or human, and much more about the ability for intelligence to expand this light cone - and thus, its own ability to persist and thrive marriage to *shape* is not going to be feasible in the radically accelerating future that life is about to go through
4:06

levin's cognitive light cone concept makes it impossible to hold the perspective that "a human could understand the goal of any posthuman AGI" people who think humans can access the total state space of objectives literally just haven't thought about how wide that range is there are entire magazines of capabilities, understanding, powers, and access-to-nature that are as wholly beyond us as we are beyond a bacteria (see mike's example in the video) people who care about "life" should care much less about the *shape* of an oak tree or lemur or human, and much more about the ability for intelligence to expand this light cone - and thus, its own ability to persist and thrive marriage to *shape* is not going to be feasible in the radically accelerating future that life is about to go through

Daniel Faggella

36,901 Aufrufe • vor 7 Monaten

THE TRUE MEANING OF FATHERHOOD Fatherhood is first and foremost a creation principle and a leadership quality. It is the ability to initiate a process, sustain that process, and ensure that it continues beyond your lifetime. While fatherhood finds one of its clearest expressions within the family, it is not limited to family life. It is a principle woven into the fabric of creation itself. Source and sustainer always go together. True fatherhood is not merely about beginning a process; it is about taking responsibility for sustaining, nurturing, protecting, and preserving it. Just as the roots of a tree remain firm when the winds blow, fatherhood provides the stability, strength, and continuity that keep families, organizations, and generations standing. Watch the full sermon titled "Re-defining Fatherhood (Restoring Biblical Fatherhood)" on the Koinonia Global YouTube channel. #ApostleJoshuaSelman #RedefiningFatherhood #RestoringBiblicalFatherhood #KoinoniaAbuja #KoinoniaGlobal
2:27

THE TRUE MEANING OF FATHERHOOD Fatherhood is first and foremost a creation principle and a leadership quality. It is the ability to initiate a process, sustain that process, and ensure that it continues beyond your lifetime. While fatherhood finds one of its clearest expressions within the family, it is not limited to family life. It is a principle woven into the fabric of creation itself. Source and sustainer always go together. True fatherhood is not merely about beginning a process; it is about taking responsibility for sustaining, nurturing, protecting, and preserving it. Just as the roots of a tree remain firm when the winds blow, fatherhood provides the stability, strength, and continuity that keep families, organizations, and generations standing. Watch the full sermon titled "Re-defining Fatherhood (Restoring Biblical Fatherhood)" on the Koinonia Global YouTube channel. #ApostleJoshuaSelman #RedefiningFatherhood #RestoringBiblicalFatherhood #KoinoniaAbuja #KoinoniaGlobal

Koinonia Global

10,633 Aufrufe • vor 2 Monaten

🚨✡️BREAKING: THE REBRANDING OF AL QAEDA HEAD CHOPPERS IN SYRIA CONTINUES! ✡️Ahmed Hussein al-Shar’a, who uses the name al-J✡️lani, gave an exclusive CNN interview reaffirming HTS’s goal to overthrow Assad, dismissing his Al-Qaeda ties and Daesh collaboration as a “phase” of his life that he has moved beyond. IT WAS JUST A PHASE! 👹 ✡️Al-J✡️lani no longer wants to destroy Christian Churches, and massacre Christians, Shias and Alawites. He’s part of an “organic revolution” in Syria! 🤡 Source: CNN
8:55

🚨✡️BREAKING: THE REBRANDING OF AL QAEDA HEAD CHOPPERS IN SYRIA CONTINUES! ✡️Ahmed Hussein al-Shar’a, who uses the name al-J✡️lani, gave an exclusive CNN interview reaffirming HTS’s goal to overthrow Assad, dismissing his Al-Qaeda ties and Daesh collaboration as a “phase” of his life that he has moved beyond. IT WAS JUST A PHASE! 👹 ✡️Al-J✡️lani no longer wants to destroy Christian Churches, and massacre Christians, Shias and Alawites. He’s part of an “organic revolution” in Syria! 🤡 Source: CNN

Truth_teller 🇷🇺

93,846 Aufrufe • vor 1 Jahr

It’s funny how the people complaining about climate change never explain or encourage people to help the problem. They just say that driving a car and existing is the issue. Well, “climate change” is a surprisingly easy fix. People would be surprised how malleable and engineerable the land and environment is. The key is to slow down wind and water. Just like in an impact, the airbag extends time. Even fractions of a second. To lower damage. Same with water and wind. This allows for roots to lock in the moving sand. Sand is just the foundation of soil. Like an empty condo building waiting to be filled. Once drought tolerant plants take hold they start a cycle that literally pulls water from the ground and the air to create cycles of rain. This breaths life which creates organic matter to populate the sand. The neverending infinite sun sparks cycle of growth that requires no input. Here’s where you come in. Ironically, just grasslands or just forests don’t have as much life as the boundary heavy mix and matched grid of human villages and farms. Just like in a coral reef by the shoreline, maximum life exists at the boundary between two worlds. That differential is how energy is made. China is plugging their weakness. Food. Will America face its weakness? Productivity?
2:04

It’s funny how the people complaining about climate change never explain or encourage people to help the problem. They just say that driving a car and existing is the issue. Well, “climate change” is a surprisingly easy fix. People would be surprised how malleable and engineerable the land and environment is. The key is to slow down wind and water. Just like in an impact, the airbag extends time. Even fractions of a second. To lower damage. Same with water and wind. This allows for roots to lock in the moving sand. Sand is just the foundation of soil. Like an empty condo building waiting to be filled. Once drought tolerant plants take hold they start a cycle that literally pulls water from the ground and the air to create cycles of rain. This breaths life which creates organic matter to populate the sand. The neverending infinite sun sparks cycle of growth that requires no input. Here’s where you come in. Ironically, just grasslands or just forests don’t have as much life as the boundary heavy mix and matched grid of human villages and farms. Just like in a coral reef by the shoreline, maximum life exists at the boundary between two worlds. That differential is how energy is made. China is plugging their weakness. Food. Will America face its weakness? Productivity?

Owen Benjamin 🐻

16,531 Aufrufe • vor 8 Monaten

Physicist: Consciousness DOES NOT Come From The BRAIN The prevailing materialist paradigm asserts that consciousness is a byproduct of neural activity, a mere epiphenomenon of biochemical interactions in the brain. However, this reductionist view crumbles under deeper scrutiny, as it fails to account for the vast spectrum of consciousness, from transcendent mystical states to near-death experiences and non-local awareness. Consciousness is not confined within the brain; rather, the brain is a transceiver, a finely tuned instrument that receives and modulates the vast ocean of awareness permeating the cosmos. Just as a radio does not generate the music it plays but instead decodes signals from an unseen field, the brain is an interface between the physical realm and the infinite, omnipresent field of consciousness. Mystic science, in alignment with ancient wisdom and cutting-edge quantum research, reveals that consciousness is fundamental-an organizing principle of reality itself. Walter Russell's work echoes this truth, demonstrating that mind is primary and matter is a consequence of its rhythmic pulsations. The brain, much like a crystalline matrix, is structured to interpret and shape consciousness into coherent experience, but it does not generate it. In this light, consciousness is not local, nor is it constrained by the physical form. It is the unseen architect behind the rhythms of existence, the hidden intelligence orchestrating the grand cosmic symphony to believe that the brain creates consciousness is akin to believing that the eye creates light or that a mirror generates the image it reflects. It is not the origin but the instrument. As mystic scientists, we recognize thay true awakening lies in shifting our perception from brain-centered awareness to the realization that we are conduits of an eternal intelligence, woven into the very fabric of existence. Consciousness is not inside us—we are inside it. ✨🙌🏾💫 © Dr. Jason Yuan
1:25

Physicist: Consciousness DOES NOT Come From The BRAIN The prevailing materialist paradigm asserts that consciousness is a byproduct of neural activity, a mere epiphenomenon of biochemical interactions in the brain. However, this reductionist view crumbles under deeper scrutiny, as it fails to account for the vast spectrum of consciousness, from transcendent mystical states to near-death experiences and non-local awareness. Consciousness is not confined within the brain; rather, the brain is a transceiver, a finely tuned instrument that receives and modulates the vast ocean of awareness permeating the cosmos. Just as a radio does not generate the music it plays but instead decodes signals from an unseen field, the brain is an interface between the physical realm and the infinite, omnipresent field of consciousness. Mystic science, in alignment with ancient wisdom and cutting-edge quantum research, reveals that consciousness is fundamental-an organizing principle of reality itself. Walter Russell's work echoes this truth, demonstrating that mind is primary and matter is a consequence of its rhythmic pulsations. The brain, much like a crystalline matrix, is structured to interpret and shape consciousness into coherent experience, but it does not generate it. In this light, consciousness is not local, nor is it constrained by the physical form. It is the unseen architect behind the rhythms of existence, the hidden intelligence orchestrating the grand cosmic symphony to believe that the brain creates consciousness is akin to believing that the eye creates light or that a mirror generates the image it reflects. It is not the origin but the instrument. As mystic scientists, we recognize thay true awakening lies in shifting our perception from brain-centered awareness to the realization that we are conduits of an eternal intelligence, woven into the very fabric of existence. Consciousness is not inside us—we are inside it. ✨🙌🏾💫 © Dr. Jason Yuan

🧬Maxpein🧬

45,371 Aufrufe • vor 11 Monaten