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สิ่งนี้คืออะไรใหม่ๆสำหรับชั้นมาก คนที่ไม่รู้ว่าตรง camera control ใช้ยังไงมามุงได้เลยย แล้วคือใส่เพลง background ตอนอัดวิดีโอได้ด้วยย 🫪🌟

𓈒 เดซี่ไงล่ะ

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201,026 просмотров • 8 дней назад •via X (Twitter)

Искусство Наука и технологии Здоровье и велнес

Anya Rossi• Live Now

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No music for a beat. Only distant wind. Freeze exactly as the taillight disappears. Hold the frame for two full beats. Hard cut to black. END CARD Black background. Elegant gold serif typography. Slow two-second fade in. EPISODE 2 COMING SOON Hold for at least two seconds before fading out.

Shami

47,275 просмотров • 1 месяц назад

Sandy Fire Air Monitoring Update - Due to the Sandy Fire’s proximity to the Santa Susana Field Laboratory (SSFL), hazardous materials and radiological monitoring teams continue proactive air quality and radiation monitoring operations around the fire area. Currently, seven air sampling radiological monitoring locations have been established surrounding the incident, including the Chatsworth, Lake Manor, Bell Canyon, Oak Park, and Simi Valley areas. These monitoring systems are being used to establish background environmental conditions and to continuously evaluate smoke and air quality conditions as firefighting operations continue. The Sandy Fire has NOT reached the Santa Susana Field Laboratory property, and there is currently no indication that any radiological material has been released from the site. The attached drone video shows the current fire perimeter in relation to the SSFL area. Public health and environmental agencies, including Ventura County Public Health, the Los Angeles County Department of Public Health, California Department of Toxic Substances Control (DTSC), Ventura County Air Pollution Control District, and the U.S. Department of Energy, remain actively engaged in monitoring conditions and supporting incident operations. The U.S. Department of Energy is supporting air monitoring operations around the SSFL out of an abundance of caution. Radiation measurements collected as recently as 2025, along with modeling conducted following the 2018 Woolsey Fire, continue to indicate that the extremely low levels of residual radioactive material at the site pose no risk to public health, even in the event wildfire activity reaches the area. The SSFL is located in an area historically prone to wildfires, including the 2018 Woolsey Fire. Following that fire, air, soil, and ash sampling conducted by DTSC did not detect the release of chemical or radiological contaminants from the site. Additionally, radiological assessments conducted by the Los Angeles County Department of Public Health found no discernible levels of radiation in tested areas surrounding the site. Residents can continue monitoring local smoke and air quality conditions using the AirNow Fire and Smoke Map: About the video: The background map shows the drone location as a circle with a blue arrow. The blue line shows the flight path of the drone, while the moving polygon represents the area the drone camera is viewing. The left screen displays the thermal imaging view, and the right screen shows the normal video footage. This video demonstrates that the fire did not reach the Santa Susana Field Laboratory property. Los Angeles County #LAFD Talk 💬 County of Ventura SVPD City of Simi Valley Ventura County Sheriff

Sandy Fire Air Monitoring Update - Due to the Sandy Fire’s proximity to the Santa Susana Field Laboratory (SSFL), hazardous materials and radiological monitoring teams continue proactive air quality and radiation monitoring operations around the fire area. Currently, seven air sampling radiological monitoring locations have been established surrounding the incident, including the Chatsworth, Lake Manor, Bell Canyon, Oak Park, and Simi Valley areas. These monitoring systems are being used to establish background environmental conditions and to continuously evaluate smoke and air quality conditions as firefighting operations continue. The Sandy Fire has NOT reached the Santa Susana Field Laboratory property, and there is currently no indication that any radiological material has been released from the site. The attached drone video shows the current fire perimeter in relation to the SSFL area. Public health and environmental agencies, including Ventura County Public Health, the Los Angeles County Department of Public Health, California Department of Toxic Substances Control (DTSC), Ventura County Air Pollution Control District, and the U.S. Department of Energy, remain actively engaged in monitoring conditions and supporting incident operations. The U.S. Department of Energy is supporting air monitoring operations around the SSFL out of an abundance of caution. Radiation measurements collected as recently as 2025, along with modeling conducted following the 2018 Woolsey Fire, continue to indicate that the extremely low levels of residual radioactive material at the site pose no risk to public health, even in the event wildfire activity reaches the area. The SSFL is located in an area historically prone to wildfires, including the 2018 Woolsey Fire. Following that fire, air, soil, and ash sampling conducted by DTSC did not detect the release of chemical or radiological contaminants from the site. Additionally, radiological assessments conducted by the Los Angeles County Department of Public Health found no discernible levels of radiation in tested areas surrounding the site. Residents can continue monitoring local smoke and air quality conditions using the AirNow Fire and Smoke Map: About the video: The background map shows the drone location as a circle with a blue arrow. The blue line shows the flight path of the drone, while the moving polygon represents the area the drone camera is viewing. The left screen displays the thermal imaging view, and the right screen shows the normal video footage. This video demonstrates that the fire did not reach the Santa Susana Field Laboratory property. Los Angeles County #LAFD Talk 💬 County of Ventura SVPD City of Simi Valley Ventura County Sheriff

VCFD PIO

20,867 просмотров • 3 месяцев назад

POV: You came to watch the World Cup... and ended up stealing the spotlight. ⚽ A stylish Good Morning from New York ends with a Messi-inspired dribble under the World Cup spotlight. Which nation are you representing at World Cup 2026? Create your own World Cup story with SeaArt.Ai🐋 , earn free credits, and get a chance to win an iPhone 17 Made with Seedance. SeaArt Creator Lab Prompt: World Cup 2026 Match-Day Fashion Story — Argentina Theme (0–25 Seconds) | New York | 16:9 Cinematic Ultra-realistic cinematic sports-fashion commercial, 16:9 horizontal, World Cup 2026 atmosphere, New York City. A beautiful, stylish American woman with a naturally elegant appearance, healthy glowing skin, expressive eyes, sleek updo hairstyle with soft face-framing strands. Premium commercial quality, realistic lighting, stable identity, natural movement, no glitches. 0–4 Seconds Luxury suite in a high-rise Manhattan hotel overlooking the New York skyline. Afternoon sunlight streams through floor-to-ceiling windows. The woman stands in front of an open wardrobe containing several football jerseys. She wears a fitted white tank top and black tailored shorts. Camera slowly pushes in as she scans the jerseys with anticipation. 4–7 Seconds Quick cinematic whip-pan transition. Her hand reaches for an Argentina jersey. The sky-blue and white stripes catch the sunlight. Realistic cloth physics. The jersey unfolds elegantly as she lifts it from the wardrobe. Subtle lens flare and premium fashion-commercial lighting. 7–11 Seconds Fast-paced transformation montage synchronized with energetic transitions. She ties the Argentina jersey into a stylish knot, puts on oversized light-wash baggy jeans and clean white sneakers. She grabs a sleek luxury-style crossbody bag with no visible branding. Mirror shots. She adjusts her hair. Flawless influencer-style makeup. Dynamic reflections and realistic daylight behavior. 11–15 Seconds Match cut. She walks confidently through a luxury Manhattan hotel corridor. Polished marble floors, warm ambient lighting, premium fashion-week atmosphere. A handsome European actor-type celebrity figure walks past in the opposite direction. They exchange a brief smile while continuing naturally. Cinematic depth of field, realistic background movement. 15–19 Seconds Hotel doors open dramatically. Bright New York sunlight floods the frame. Fast-paced tracking shots through Manhattan streets. Yellow taxis pass in the background. Crowds move naturally. Wind reacts realistically with her hair and jersey fabric. Low-angle walking shots. Premium sports-commercial energy. 19–22 Seconds Cut to a massive World Cup 2026 stadium atmosphere in New York. Argentina supporters fill the area. Sky-blue and white flags wave everywhere. Stadium lights begin illuminating as late afternoon shifts toward evening. The crowd energy grows stronger. The sound of anticipation fills the environment. 22–25 Seconds She enters the main stadium plaza. A football rolls across her path. She smiles playfully and begins a smooth, Messi-inspired close-control dribble sequence while moving forward. Tiny touches, effortless control, subtle body feints, the ball remaining close to her feet. Argentina fans around her cheer and react. Camera drops to a low tracking angle following the ball and her feet as she glides through the crowd. The sequence ends with her stopping the ball softly beneath her foot, looking toward the glowing stadium interior with excitement and confidence as Argentina colors illuminate the background. Style: ultra-realistic sports commercial, World Cup 2026 energy, premium color grading, realistic skin texture, cinematic depth of field, natural crowd behavior, subtle film grain, luxury fashion aesthetic, stable identity, high-end broadcast quality. Negative Prompt: blurry face, identity drift, duplicate people, extra limbs, distorted hands, unrealistic football movement, cartoon style, oversaturated colors, text overlays, logos, flickering artifacts, low resolution, unnatural physics, motion glitches, warped body proportions. #WorldCup2026 #SeaArtWorldCup

POV: You came to watch the World Cup... and ended up stealing the spotlight. ⚽ A stylish Good Morning from New York ends with a Messi-inspired dribble under the World Cup spotlight. Which nation are you representing at World Cup 2026? Create your own World Cup story with SeaArt.Ai🐋 , earn free credits, and get a chance to win an iPhone 17 Made with Seedance. SeaArt Creator Lab Prompt: World Cup 2026 Match-Day Fashion Story — Argentina Theme (0–25 Seconds) | New York | 16:9 Cinematic Ultra-realistic cinematic sports-fashion commercial, 16:9 horizontal, World Cup 2026 atmosphere, New York City. A beautiful, stylish American woman with a naturally elegant appearance, healthy glowing skin, expressive eyes, sleek updo hairstyle with soft face-framing strands. Premium commercial quality, realistic lighting, stable identity, natural movement, no glitches. 0–4 Seconds Luxury suite in a high-rise Manhattan hotel overlooking the New York skyline. Afternoon sunlight streams through floor-to-ceiling windows. The woman stands in front of an open wardrobe containing several football jerseys. She wears a fitted white tank top and black tailored shorts. Camera slowly pushes in as she scans the jerseys with anticipation. 4–7 Seconds Quick cinematic whip-pan transition. Her hand reaches for an Argentina jersey. The sky-blue and white stripes catch the sunlight. Realistic cloth physics. The jersey unfolds elegantly as she lifts it from the wardrobe. Subtle lens flare and premium fashion-commercial lighting. 7–11 Seconds Fast-paced transformation montage synchronized with energetic transitions. She ties the Argentina jersey into a stylish knot, puts on oversized light-wash baggy jeans and clean white sneakers. She grabs a sleek luxury-style crossbody bag with no visible branding. Mirror shots. She adjusts her hair. Flawless influencer-style makeup. Dynamic reflections and realistic daylight behavior. 11–15 Seconds Match cut. She walks confidently through a luxury Manhattan hotel corridor. Polished marble floors, warm ambient lighting, premium fashion-week atmosphere. A handsome European actor-type celebrity figure walks past in the opposite direction. They exchange a brief smile while continuing naturally. Cinematic depth of field, realistic background movement. 15–19 Seconds Hotel doors open dramatically. Bright New York sunlight floods the frame. Fast-paced tracking shots through Manhattan streets. Yellow taxis pass in the background. Crowds move naturally. Wind reacts realistically with her hair and jersey fabric. Low-angle walking shots. Premium sports-commercial energy. 19–22 Seconds Cut to a massive World Cup 2026 stadium atmosphere in New York. Argentina supporters fill the area. Sky-blue and white flags wave everywhere. Stadium lights begin illuminating as late afternoon shifts toward evening. The crowd energy grows stronger. The sound of anticipation fills the environment. 22–25 Seconds She enters the main stadium plaza. A football rolls across her path. She smiles playfully and begins a smooth, Messi-inspired close-control dribble sequence while moving forward. Tiny touches, effortless control, subtle body feints, the ball remaining close to her feet. Argentina fans around her cheer and react. Camera drops to a low tracking angle following the ball and her feet as she glides through the crowd. The sequence ends with her stopping the ball softly beneath her foot, looking toward the glowing stadium interior with excitement and confidence as Argentina colors illuminate the background. Style: ultra-realistic sports commercial, World Cup 2026 energy, premium color grading, realistic skin texture, cinematic depth of field, natural crowd behavior, subtle film grain, luxury fashion aesthetic, stable identity, high-end broadcast quality. Negative Prompt: blurry face, identity drift, duplicate people, extra limbs, distorted hands, unrealistic football movement, cartoon style, oversaturated colors, text overlays, logos, flickering artifacts, low resolution, unnatural physics, motion glitches, warped body proportions. #WorldCup2026 #SeaArtWorldCup

Shami

39,301 просмотров • 2 месяцев назад

Made with seedance 2.5 FORMAT: 30-second horizontal 16:9 realistic smartphone video. Create an authentic, imperfect everyday gym phone recording, as if a friend casually left a phone recording on a nearby bench. Use a standard smartphone camera with mild autofocus hunting, subtle exposure shifts, natural motion blur, compression artifacts, and slightly uneven handheld framing. No polished commercial look. 00–05s — ARRIVAL The character walks into a nearly empty gym after finishing a difficult set. They place a water bottle and towel beside a bench, sit down heavily, and lean forward with both elbows on their knees. Their breathing is noticeably heavy. Camera remains several feet away at a slightly low angle, as if casually recording from a phone placed on a gym bench. 05–10s — RECOVERY They slowly unscrew the water bottle, take two small drinks, then pause with the bottle still in their hand. Their chest continues rising and falling from exertion. They look down at their hands for a moment, flex their fingers, then wipe sweat from their forehead with the towel. 10–15s — THE NEXT SET A gym timer or workout screen is visible in the background but remains completely out of focus and unreadable. The character notices the timer, looks at it, gives a small tired smile, and shakes their head as if realizing they have less rest time than expected. They stand up slowly and roll their shoulders. 15–20s — PUSHING THROUGH They walk toward a cable machine and adjust the weight themselves. Close natural phone framing as they step into position. They briefly close their eyes, take one deep breath, then begin a controlled exercise set. Show realistic physical effort: tightening muscles, sweat collecting around the forehead and neck, slight trembling near the end of each repetition, natural breathing rather than exaggerated acting. 20–25s — FINAL REP The final repetitions become visibly difficult. They pause halfway through one repetition, breathe hard, regain control, and complete the movement with genuine effort. After finishing, they slowly release the handle, bend forward slightly, and place their hands on their thighs while catching their breath. 25–30s — QUIET ENDING They grab the towel, wipe their face and neck, then look directly toward the phone for a brief moment. With a tired but satisfied expression, they quietly say in a natural low voice: “Okay… that was worth it.” They pick up the water bottle and walk out of frame. End naturally while the camera continues recording for a moment before the clip stops. AUDIO Natural gym ambience only: distant weights being placed down, cable machine sounds, rubber flooring footsteps, ventilation hum, subtle clothing movement, water bottle clicks, realistic breathing, and occasional muffled gym sounds. Dialogue should sound spontaneous and slightly breathless, not scripted or theatrical. VISUAL REALISM Authentic smartphone footage, ordinary gym lighting, realistic skin texture, visible pores, natural sweat, slightly flushed face, damp hair around the forehead, realistic muscle movement, imperfect exposure, mild phone-camera sharpening, compression noise, subtle autofocus changes, believable shadows and reflections. STRICTLY AVOID: cinematic color grading, beauty filters, artificial skin smoothing, dramatic slow motion, music, subtitles, captions, logos, readable text, fake gym equipment, exaggerated muscles, perfect lighting, fisheye distortion, excessive camera shake, unrealistic sweat, duplicated limbs, warped hands, unnatural facial expressions, scene cuts, time jumps, or skipping the described actions.

Made with seedance 2.5 FORMAT: 30-second horizontal 16:9 realistic smartphone video. Create an authentic, imperfect everyday gym phone recording, as if a friend casually left a phone recording on a nearby bench. Use a standard smartphone camera with mild autofocus hunting, subtle exposure shifts, natural motion blur, compression artifacts, and slightly uneven handheld framing. No polished commercial look. 00–05s — ARRIVAL The character walks into a nearly empty gym after finishing a difficult set. They place a water bottle and towel beside a bench, sit down heavily, and lean forward with both elbows on their knees. Their breathing is noticeably heavy. Camera remains several feet away at a slightly low angle, as if casually recording from a phone placed on a gym bench. 05–10s — RECOVERY They slowly unscrew the water bottle, take two small drinks, then pause with the bottle still in their hand. Their chest continues rising and falling from exertion. They look down at their hands for a moment, flex their fingers, then wipe sweat from their forehead with the towel. 10–15s — THE NEXT SET A gym timer or workout screen is visible in the background but remains completely out of focus and unreadable. The character notices the timer, looks at it, gives a small tired smile, and shakes their head as if realizing they have less rest time than expected. They stand up slowly and roll their shoulders. 15–20s — PUSHING THROUGH They walk toward a cable machine and adjust the weight themselves. Close natural phone framing as they step into position. They briefly close their eyes, take one deep breath, then begin a controlled exercise set. Show realistic physical effort: tightening muscles, sweat collecting around the forehead and neck, slight trembling near the end of each repetition, natural breathing rather than exaggerated acting. 20–25s — FINAL REP The final repetitions become visibly difficult. They pause halfway through one repetition, breathe hard, regain control, and complete the movement with genuine effort. After finishing, they slowly release the handle, bend forward slightly, and place their hands on their thighs while catching their breath. 25–30s — QUIET ENDING They grab the towel, wipe their face and neck, then look directly toward the phone for a brief moment. With a tired but satisfied expression, they quietly say in a natural low voice: “Okay… that was worth it.” They pick up the water bottle and walk out of frame. End naturally while the camera continues recording for a moment before the clip stops. AUDIO Natural gym ambience only: distant weights being placed down, cable machine sounds, rubber flooring footsteps, ventilation hum, subtle clothing movement, water bottle clicks, realistic breathing, and occasional muffled gym sounds. Dialogue should sound spontaneous and slightly breathless, not scripted or theatrical. VISUAL REALISM Authentic smartphone footage, ordinary gym lighting, realistic skin texture, visible pores, natural sweat, slightly flushed face, damp hair around the forehead, realistic muscle movement, imperfect exposure, mild phone-camera sharpening, compression noise, subtle autofocus changes, believable shadows and reflections. STRICTLY AVOID: cinematic color grading, beauty filters, artificial skin smoothing, dramatic slow motion, music, subtitles, captions, logos, readable text, fake gym equipment, exaggerated muscles, perfect lighting, fisheye distortion, excessive camera shake, unrealistic sweat, duplicated limbs, warped hands, unnatural facial expressions, scene cuts, time jumps, or skipping the described actions.

Anissa

28,654 просмотров • 23 дней назад

The plot thickens. And so does the load of manure. AND IT'S ALL ABOUT AVOIDING "COUNTRY OF PARTICULAR CONCERN" DESIGNATION. Reno Goebbels (oops, I mean Omokri) says IT WILL "HELP THE TERRORISTS" AND "HURT THE COMMON MAN." Seriously. That, my friends, is what Orwell called "doublespeak" -- it's how evil overlords historically control the masses. WHAT THEY ARE AFRAID OF IS ACCOUNTABILITY. This is hidden camera video from our recent trip. We have EVERYTHING. (And I mean EVERYTHING) on film. (And they thought they were surveilling us!) Omokri introduced this man to me and Jeff as "the Chairman of CAN" (the Christian Association of Nigeria). This was supposedly a main pillar of our "fact finding mission" (rather, LIE EXPOSING MISSION). Note that he's speaking to the CAMERA, not to the ones supposedly there to investigate! Further, Omokri repeatedly announced to the world that I had met with "the Chairman of CAN." I was wondering why this dude never showed up in posted photos (at least none that I saw) and was strangely absent from the press conference. Guess what? THIS MAN IS AN IMPOSTER. Top leaders of real CAN have reviewed this video and tell me in no uncertain terms: - “The guy speaking is Rev Joseph Hayab Chairman CAN 19 Northern States and Abuja…but not Legitimate as such with the National President of CAN.” - His organization is not “Legitimate registered with the Federal Government.” - “he did not obtain permission to speak on behalf of the CAN President. Any such position must only come from the office of the National President of CAN” “Chairman of one the factions of ‘Northern CAN.’ Note that it is outside the structure of CAN” Wow. For background, reptilian-spirited Omokri thrust me and Jeff Gibbs into this "meeting" IMMEDIATELY upon our arrival after 30+ hours of travel, without going to our hotel room, grabbing a bite to eat, sipping water, or using the restroom. I begged for 60 seconds to change my shirt. Then it was the three imams, then AriseTV, with no break in between. Thank God -- by His grace and divine leading — He gave us the wits to play this narcissistic little man with plucked eyebrows like a cheap fiddle, and not step into his trap. (I was subtly “flipping the bird” to the camera and making googley eyes when we were standing with the imams for happy group pictures. Wonder why they’re not published?) :-) Wish I could say the same about Trump's daughter's father in law - the ignorant or compromised Tinubu crony "US Envoy" @MassadBouls who smiled as he parroted word-for-word Omokri/Tinubu's genocide-enabling talking points. Just like this imposter and the imams. Word. For. Word. (I keep meticulous records too, by the way…” Thank you for your attention to this matter. #EarthShaker

The plot thickens. And so does the load of manure. AND IT'S ALL ABOUT AVOIDING "COUNTRY OF PARTICULAR CONCERN" DESIGNATION. Reno Goebbels (oops, I mean Omokri) says IT WILL "HELP THE TERRORISTS" AND "HURT THE COMMON MAN." Seriously. That, my friends, is what Orwell called "doublespeak" -- it's how evil overlords historically control the masses. WHAT THEY ARE AFRAID OF IS ACCOUNTABILITY. This is hidden camera video from our recent trip. We have EVERYTHING. (And I mean EVERYTHING) on film. (And they thought they were surveilling us!) Omokri introduced this man to me and Jeff as "the Chairman of CAN" (the Christian Association of Nigeria). This was supposedly a main pillar of our "fact finding mission" (rather, LIE EXPOSING MISSION). Note that he's speaking to the CAMERA, not to the ones supposedly there to investigate! Further, Omokri repeatedly announced to the world that I had met with "the Chairman of CAN." I was wondering why this dude never showed up in posted photos (at least none that I saw) and was strangely absent from the press conference. Guess what? THIS MAN IS AN IMPOSTER. Top leaders of real CAN have reviewed this video and tell me in no uncertain terms: - “The guy speaking is Rev Joseph Hayab Chairman CAN 19 Northern States and Abuja…but not Legitimate as such with the National President of CAN.” - His organization is not “Legitimate registered with the Federal Government.” - “he did not obtain permission to speak on behalf of the CAN President. Any such position must only come from the office of the National President of CAN” “Chairman of one the factions of ‘Northern CAN.’ Note that it is outside the structure of CAN” Wow. For background, reptilian-spirited Omokri thrust me and Jeff Gibbs into this "meeting" IMMEDIATELY upon our arrival after 30+ hours of travel, without going to our hotel room, grabbing a bite to eat, sipping water, or using the restroom. I begged for 60 seconds to change my shirt. Then it was the three imams, then AriseTV, with no break in between. Thank God -- by His grace and divine leading — He gave us the wits to play this narcissistic little man with plucked eyebrows like a cheap fiddle, and not step into his trap. (I was subtly “flipping the bird” to the camera and making googley eyes when we were standing with the imams for happy group pictures. Wonder why they’re not published?) :-) Wish I could say the same about Trump's daughter's father in law - the ignorant or compromised Tinubu crony "US Envoy" @MassadBouls who smiled as he parroted word-for-word Omokri/Tinubu's genocide-enabling talking points. Just like this imposter and the imams. Word. For. Word. (I keep meticulous records too, by the way…” Thank you for your attention to this matter. #EarthShaker

Mike Arnold

117,064 просмотров • 10 месяцев назад