上次大家很喜欢 荧舞蹈，这次再发一个。 核心提示词放在评论区了 荧｜至冬主题 ❄️🤍 当旅行者荧换上属于至冬的全新造型。 冷冽的冰雪色调、精致的服装剪裁与优雅的层次设计，让熟悉的荧呈现出截然不同的气质。 不再是旅途中的轻装旅行者，而是属于至冬雪境的一次全新时尚演绎。❄️✨ 喜欢荧这套至冬主题造型的话，点赞 ❤️ 收藏 ⭐ 关注 🔔 #荧 #Lumine #原神 #GenshinImpact #至冬 #至冬主题 #至冬风格 #冬季时尚 #古风时尚 #真人COS #Lumine #Genshin #Snezhnaya #WinterFashion #GenshinCosplay #FantasyFashion #蛍 #原神 #スネージナヤ #冬コーデ #コスプレ #루미네 #원신 #스네즈나야 #겨울패션 #코스프레 #LumineVN #GenshinImpactVN #SnezhnayaVN #AIArt #AIVideo #提示词分析 #promptshare #MINIMAXH3 #ai教程

For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] At 00:00.00, <Picture 1> is the sole and absolute visual authority for the entire target video. Fully reference the exact adult character, exact identity, exact face, exact hair, exact body proportions, exact skin tone, exact outfit, exact shoes, exact accessories, exact environment, exact floor, exact surfaces, exact set dressing, exact lighting direction, exact color grade, exact contrast and exact photographic texture shown in <Picture 1>. These visual assets are permanently locked from the first frame through 15.00 seconds. The video must animate the exact character from <Picture 1>. Never regenerate, redesign, beautify, restyle, reinterpret or replace the character. Never alter the face, hair, body, clothing, shoes, accessories or environment. Do not reconstruct the room from text. Do not invent a new lighting setup. The skirt in <Picture 1> has dark denim shorts underneath. The dark denim shorts are part of the existing wardrobe and remain exactly consistent with <Picture 1>. They may become briefly visible only when the existing skirt naturally moves because of a turn, kick, step, jump-free directional change or strong leg motion. This must be an incidental result of physical garment movement, never a deliberate exposure action. Only choreography, body movement, natural hair and fabric physics, camera movement, framing, focus and editing are newly generated. Everything visual outside those motion-related changes remains inherited from <Picture 1>. LIGHTING LOCK: Lighting is completely inherited from <Picture 1>. At 00:00.00, immediately establish and maintain the exact normal lighting state shown in <Picture 1>. No additional light sources. No new key light. No fill light. No rim light. No backlight. No spotlight. No strobe. No flash. No exposure pulsing. No lighting flicker. No dramatic illumination change. No color-temperature change. No yellow cast. No nightclub lighting. No stage lighting. No volumetric light. No artificial glow. No newly generated shadows. Camera exposure remains visually consistent with the reference lighting throughout the entire video. Create a 15-second high-energy Korean-idol-inspired hot dance performance designed for short-form viral visual impact. The choreography must feel like a real professionally rehearsed idol routine: precise, rhythmic, physically connected and continuously evolving. IMPORTANT CHOREOGRAPHY PRINCIPLE: Do NOT build the dance around hip movement. The primary movement vocabulary is: footwork → weight transfer → knee mechanics → leg extension → directional change → torso orientation → shoulder accents → arm pathways → turns → controlled stops → next footwork phrase. Hip and pelvis movement must remain secondary and incidental to actual lower-body weight transfer. Hip motion is never the repeated centerpiece of the choreography. Do not continuously sway the waist. Do not repeatedly shake the hips. Do not perform circular hip grinding. Do not repeatedly bounce the pelvis. Do not repeat the same hip accent every few beats. Do not create a sensual waist-dance loop. Do not let one successful turn become the entire choreography. Every phrase must introduce a visibly different action family. [Shot 1] At 00:00.00–01.80, begin immediately with a strong recognizable viral opening rather than a slow pose. On the first musical hit, take one sharp diagonal step forward. Transfer the body weight completely onto the leading foot. Immediately perform a compact opposite-foot tap and rebound. The knees absorb the rhythm naturally. Then execute a fast step-cross-open pattern: right step → left cross → right open → left close. The torso remains upright and controlled. Add one clean shoulder hit on the strongest percussion accent. Finish with a decisive arm sweep across the body. Do NOT use repeated hip motion during this opening. Camera starts in stable full-body fashion framing, tracks diagonally with the first step, then quickly shifts laterally with the cross-step. The camera movement must emphasize the feet and body trajectory rather than zooming into the waist. [Shot 1] At 00:01.80–03.30, immediately change movement vocabulary. Perform: side step → toe tap → cross behind → open → quick quarter-turn. After the quarter-turn, execute one clean straight-leg side kick. The kicking leg must be clearly extended from the knee. The knee must visibly straighten before the foot reaches the end position. The leg should create a clean elongated line rather than becoming a bent-knee leg lift. Required kick mechanics: supporting foot stabilizes → knee drives upward/outward → lower leg fully extends → brief controlled extension → leg retracts → foot lands → weight transfers into the next step. The kick is a real leg extension, not a knee raise disguised as a kick. Immediately after landing, perform a compact shoulder-and-arm combination: shoulder hit → elbow pulls inward → forearm opens outward. No hip shaking during the kick or arm sequence. Camera tracks the kick laterally, briefly widens to preserve the complete leg line, then follows the quarter-turn into a three-quarter view. [Shot 1] At 00:03.30–04.90, create the first major signature moment. The character travels diagonally through: cross step → open step → cross step → half-turn. During the half-turn, the planted foot initiates the rotation. The knee, pelvis, torso, shoulders and head follow sequentially. The body must visibly rotate as one connected physical chain. At the musical hit, complete the turn with a sharp landing and a one-beat full-body stop. The skirt reacts naturally to the rotational acceleration. The existing dark denim shorts underneath may briefly appear because the skirt swings outward during the turn, then naturally falls back. This is the first and only major rotational signature of this phrase. Do NOT add repeated hip shaking after the turn. Camera performs a fast same-direction traveling arc around the actual body rotation, then brakes with the landing. The camera must not create a new character or reconstructed background. [Shot 1] At 00:04.90–06.50, completely change the movement texture. Use a lower-body footwork phrase: right toe tap → right step → left cross → left step → quick back step → forward rebound. The character then performs a clean knee-driven rebound followed by a sharp upper-body diagonal. Arms: one arm travels diagonally upward, the other arm pulls across the torso, then both arms separate into an asymmetrical line. Add two short shoulder hits on percussion accents. The pelvis follows the weight transfer naturally but does not perform an independent dance. The phrase should visually read as footwork plus upper-body musicality, not waist dancing. Camera tracks backward while maintaining full-body framing, then moves diagonally across the front during the arm separation. [Shot 1] At 00:06.50–08.10, introduce the second major hook with a different physical action. Perform: side step → knee lift → FULL LEG EXTENSION → retract → cross step → quarter-turn. The knee lift must transition into a clearly straightened lower leg. The extended leg must visibly straighten at the knee. Do not leave the knee bent. Do not turn the kick into a generic raised-knee pose. After retracting the leg, immediately place the foot down and use the landing momentum to initiate a quarter-turn. During the turn, the character performs one brief controlled downward body accent caused by the landing and knee compression. Only one accent. Then immediately extend upward through the torso and continue moving. The skirt follows the leg extension and turn naturally. Existing dark denim shorts may briefly appear only because of natural fabric motion. Camera briefly moves from full-body to medium-full framing during the knee extension, then travels with the quarter-turn and returns to full-body framing at the landing. [Shot 1] At 00:08.10–09.70, switch completely to an upper-body and directional phrase. The feet continue a compact: left → right → left → close weight pattern. The upper body performs: shoulder hit → arm sweep → elbow pull → wrist rotation → opposite-side arm release. Then make a quick head-direction change after the torso has already changed direction. The head should follow the body with natural slight delay. Finish with a one-beat attitude stop. Immediately release from the stop into the next step. No waist shaking. No hip circles. No repeated pelvis accents. Camera performs a short diagonal tracking move across the changing arm directions, then uses a controlled snap-pan following the head and torso direction change. [Shot 1] At 00:09.70–11.30, build the highest-density footwork phrase. Perform: cross → open → back cross → open → diagonal step → heel-toe switch → forward step. The feet should visibly carry the choreography. Use compact knee compression on each landing, with clean weight transfer from one leg to the other. At the strongest beat, perform one sharp full-body directional reversal: traveling forward → sudden stop → reverse direction → immediate acceleration backward. The reversal must originate from the planted foot and body weight, not from a camera cut. The arms counterbalance the reversal with a fast opposite-direction sweep. Camera follows the body trajectory, moving forward with the first travel, braking during the stop, then rapidly changing direction with the reverse movement. This is a major camera choreography moment. [Shot 1] At 00:11.30–12.80, introduce the final recognizable dance hook. Perform: diagonal step → cross → full straight-leg front kick → retract → land → half-turn. Again, the kick must fully extend through the knee. Required visible sequence: support leg planted → knee rises → lower leg extends completely → brief controlled straight-leg line → retract → foot returns to floor. Do not bend the kicking knee at the peak. Do not replace the kick with a knee lift. Do not turn the kick into a casual leg raise. After landing, the body immediately uses the landing momentum for the half-turn. The skirt swings naturally from the kick and rotation. Existing dark denim shorts may briefly appear through natural skirt movement. Camera lowers slightly enough to preserve the complete kicking leg, tracks the kick, then rises with the half-turn. [Shot 1] At 00:12.80–13.70, perform a compact finishing combination. Cross step → uncross → shoulder hit → diagonal arm line → one controlled lower-body accent from the landing. The lower-body accent happens once. Immediately straighten the torso and establish the final directional line. No additional hip movement. Camera moves from medium-full framing toward a three-quarter hero angle while preserving the entire body silhouette. [Shot 1] At 00:13.70–15.00, final hero resolution. Complete one final weight transfer into a confident asymmetrical standing position. The intentional dance movement stops immediately. The camera becomes completely stable. Maintain the exact character and exact environment from <Picture 1>. Only natural residual hair and skirt movement may continue briefly after the final stop. No second pose. No extra movement. No camera drift. No morphing. No lighting change. DANCE DIRECTOR STRUCTURE: Music → phrase → footwork → weight transfer → body mechanics → directional change → upper-body action → transition → camera response → next phrase. The choreography must contain approximately 7–9 distinct movement phrases, but each phrase must use a different dominant action family. Dominant action distribution: 1. compact cross-step footwork 2. straight-leg kick 3. traveling turn 4. shoulder-and-arm phrase 5. knee-driven leg extension 6. directional reversal 7. straight-leg kick plus turn 8. final full-body resolution Hip movement is NOT a dominant action family. Use hip/pelvis movement only as a natural consequence of weight transfer and knee compression. No more than a few isolated lower-body accents across the entire 15 seconds. There must never be two long consecutive phrases dominated by pelvis or waist movement. The choreography must constantly change: travel direction, leg pattern, upper-body pattern, body orientation, camera relationship, movement speed, and phrase structure. The performer should look like a dancer executing choreography, not a person improvising poses. BODY MECHANICS: All movement begins from believable foot contact and weight transfer. For every lower-body action: plant → load → transfer → release → recover. For every kick: support → knee drive → full knee extension → controlled endpoint → retract → land. For every turn: foot placement → weight transfer → pelvis follows → torso rotates → shoulders follow → head follows → hair reacts. For every sudden stop: decelerate through the planted leg → stabilize knee → stabilize torso → controlled pose. No floating feet. No sliding feet. No rubber joints. No impossible knee rotation. No disconnected pelvis. No independently wobbling waist. No weightless limbs. The character must maintain believable human balance throughout. CAMERA DIRECTOR GRAMMAR: Camera movement must be generated from choreography. Footwork → lateral tracking. Kick → lateral follow with wider framing. Turn → same-direction traveling arc. Upper-body phrase → diagonal camera travel. Directional reversal → camera braking and reversal. Final pose → complete stabilization. Use varied professional performance-camera language: lateral tracking, diagonal tracking, body-following arc, short forward travel, controlled pullback, snap-pan, direction reversal, brief reframing, rack focus, three-quarter tracking. Do not repeatedly use push-in. Do not repeatedly use orbit. Do not use a fixed camera for the entire video. Do not make camera motion random. Do not rotate the camera independently from the dancer. Do not use a 360-degree orbit. Do not use floor-level camera. Do not use overhead top-down camera. The camera should reveal choreography rather than hide it. Especially during kicks and footwork, preserve enough framing to clearly see the complete leg and foot trajectory. EDITING GRAMMAR: Prefer continuous physical movement and motion-continuity transitions. Musical accents may motivate: snap-pan, directional reframing, camera brake, short rack focus, body-occlusion transition, or same-direction movement transition. Never use an edit to hide incorrect body mechanics. Never use a hard cut that changes the character's identity, clothing, environment, lighting or anatomy. The video must feel like one continuous professionally choreographed performance captured by an agile fashion-performance camera. VIRAL HOOK DESIGN: The first three seconds must contain a recognizable physical signature. The opening signature is: diagonal step → compact cross-step → fast directional turn → clean landing → straight-leg kick preparation. The hook must be memorable because of the sequence of actions, not because of repeated hip shaking. The viewer should immediately understand: the character is dancing, the dance is energetic, the choreography has a signature, and the performer is physically moving through space. Avoid turning the viral hook into a repeated loop. PERFORMANCE: Energetic, confident, polished Korean idol hot-dance energy. Use controlled charisma and natural performance micro-expressions. No singing. No lip-sync. No spoken words. No dialogue. No forced smile. No exaggerated facial acting. Facial identity remains exactly inherited from <Picture 1>. VISUAL CONTINUITY LOCK: <Picture 1> remains the sole visual authority from 00:00 through 15.00. Never redesign or regenerate the character. Never change face. Never change facial structure. Never change hair. Never change body proportions. Never change skin tone. Never change outfit. Never change shoes. Never change accessories. Never change garment construction. Never change garment color. Never change skirt length. Never add or remove clothing. Never add another person. Never duplicate the character. Never duplicate limbs. Never introduce props. Never introduce furniture. Never reconstruct the environment. Never replace the background. Never alter the floor. Never change the lighting. Never introduce artificial light sources. Never change the color grade. Never create a new room. Never morph between appearances. Camera motion, dance motion and physically natural hair/fabric movement are the only intended visual changes. NEGATIVE CHOREOGRAPHY CONSTRAINTS: No continuous waist swaying. No continuous hip shaking. No circular pelvic grinding. No repetitive pelvis bouncing. No exaggerated pelvic thrusting. No sensual waist loop. No repetitive hip accents. No generic TikTok waist dance. No random arm waving. No repetitive mirror choreography. No ten unrelated poses. No pose-pose-pose structure. No static fashion posing. No sluggish dancing. No slow motion. No floating feet. No bent-knee fake kicks. No incomplete leg extensions. No knee-only leg lifts when a kick is specified. No impossible leg deformation. No rubber joints. No duplicated limbs. No extra character. No split screen. No outfit transformation. No environmental transformation. No lighting transformation. No strobe. No flash. No dramatic exposure change. No nightclub lighting. No yellow lighting. No newly generated light sources. No text. No logos. overall_soundscape: natural diegetic foot impacts, subtle shoe friction against the exact reference floor, natural fabric and skirt movement, subtle accessory movement, natural hair movement and quiet room tone from the exact reference environment. No crowd, no applause, no camera shutter, no voiceover, no spoken dialogue. non_diegetic_music: genre — high-energy Korean idol dance-pop / modern fashion short-video electro; BPM — 124; key — E minor; one continuous 15-second instrumental track; punchy gated kick, tight sub-bass, crisp syncopated hi-hats, clipped synth plucks, sharp percussion, compact fills and short rhythmic risers; no vocals; no singing; no spoken words; no lip-sync. Musical structure must provide clearly differentiated phrase accents for 00:01.80, 00:03.30, 00:04.90, 00:06.50, 00:08.10, 00:09.70, 00:11.30 and 00:12.80. The strongest escalation occurs from 00:09.70–13.70. Foot landings, kick extensions, turn completions, shoulder hits and directional reversals should align with the primary rhythmic accents. 13.70–15.00 becomes the final musical resolution while the performer remains locked in the hero pose.

太可爱了，没有一点点拒绝的理由

做的正好，我要集邮

Đ€IĐ₳Đ ⚜︎ €popeya futurista 🕳

现在AI跳舞能最多能持续多长时间不崩

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你不做黄推我就不会关注你

🌈比我好看的没我骚👍比我骚的没我好看

💕应该没人比我玩的开了吧👇🥶我福不黑不信你看