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๐๐จ๐š๐กโ€™๐ฌ ๐‘๐ž๐ ๐‡๐š๐ข๐ซ๐ž๐, ๐๐ฅ๐ฎ๐ž ๐„๐ฒ๐ž๐ ๐ƒ๐ž๐ฌ๐œ๐ž๐ง๐๐š๐ง๐ญ๐ฌ 0:07 - Noahโ€™s Vineyard + Light Skinned, Red Haired, Blue Eyed Humans from the Worldโ€™s Oldest Vineyard 2:28 - Adamโ€™s name is etymologically related to terms denoting a person with Light-Rosy Skin and Red Hair 3:20 - Esau and King David had Red...

43,526 views โ€ข 2 years ago โ€ขvia X (Twitter)

7 Comments

Sonja Kishar's profile picture
Sonja Kishar2 years ago

This makes sense and the pieces all fit perfectly together, unlike the black hebrew nonsense that is confusing and contradictory. Satan is the author of confusion. Keep up the truth work.

๐–Š๐–‘๐–Ž๐–†๐–’'s profile picture
๐–Š๐–‘๐–Ž๐–†๐–’2 years ago

Will do sister! Thank you for watching. God bless ๐Ÿ™

GourmetFuture's profile picture
GourmetFuture2 years ago

Noah was most likely an albino man, Iโ€™m not trying to stir the pot either. I say this respectfully. Adam also means man and likewise Eve means woman which would make sense if you look at it from a creation standpoint.

๐–Š๐–‘๐–Ž๐–†๐–’'s profile picture
๐–Š๐–‘๐–Ž๐–†๐–’2 years ago

Nobody believes that bs. Peddle your lies elsewhere.

A'mon's profile picture
A'mon1 year ago

Lamentations 4:7 describes Nazarenes as purer than snow, whiter than milk, more ruddy in body than rubbies and polishings as of sapphire.. Christ was a Nazarene.. I believe the polishings are the eyes, described as sapphire. The eyes are the only thing polished on the body. Fyi

๐–Š๐–‘๐–Ž๐–†๐–’'s profile picture
๐–Š๐–‘๐–Ž๐–†๐–’1 year ago

This verse is about the Nazirites, who were Israelites that took a vow of consecration to YHWH. They came from all tribes of Israelโ€”for example, Samson was a Danite Nazirite. Jesus on the other hand is a Nazarene, which is somebody from Nazareth. Either way, the same can be said about Israelites: they are described as white and ruddy.

๐–Š๐–‘๐–Ž๐–†๐–’'s profile picture
๐–Š๐–‘๐–Ž๐–†๐–’1 year ago

God bless brother ๐Ÿ™

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Dr. Rhonda Patrick

154,859 views โ€ข 2 years ago

That's how I would be as a mother GPT Image 2 + Seedance 2.0 on DomoAI official prompt A realistic, cinematic short video (about 20 seconds) set in a bright modern kitchen with glossy white cabinets, black granite countertop, stainless steel appliances, a black coffee machine, and a red blender in the background. Natural daylight fills the space. A young boy lolwasdf (around 8โ€“10 years old, brown hair, wearing a bright green Pokรฉmon T-shirt) sits at the kitchen island, focused on a black tablet propped in front of him. A fit, tattooed mother lolwasdf generation (long wavy blonde hair, babypink T-shirt with a square neckline and ruched bodice., light blue denim shorts, checkered kitchen towel draped over one shoulder) approaches from behind, carrying a white square plate stacked with golden-brown crepes/pancakes. He places the plate gently on the counter in front of the boy. The boy looks up from the tablet, eyes lighting up with excitement. He quickly closes the tablet, sets it aside, and starts clapping his hands happily while smiling and bouncing slightly in his chair. The mother lolwasdf generation turns, grabs a jar of Nutella from the counter, and places it next to the plate of crepes. she lolwasdf generation then walks behind the boy, she lolwasdf generation aggressively pulls the chair back as the boy lolwasdf falls down from the chair, mother lolwasdf generation then steps around, sits down in the chair, leans forward over the counter toward the plate of crepes and Nutella, looking down at the food with a calm, content expression. Warm, wholesome mother-son atmosphere, natural movements, soft kitchen lighting, slight handheld camera feel, high detail, photorealistic style. #DomoAi #DomoAiCPP

Sharon Riley

52,774 views โ€ข 1 month ago

Motion Graphics using seedance 2.5 Prompt: Create an explosive, motion-graphics-driven anime character reveal trailer in 16:9, exactly 13 distinct cuts, 24fps. Introduce a completely new character: REI, a calm but fearless anime-inspired urban racer girl with a short jet-black wolf cut, uneven textured bangs, a subtle crimson streak hidden near her right temple, intense amber-red eyes, warm natural skin, and lean athletic proportions. She wears a cropped matte-black racing bomber with deep-red inner lining and thin reflective piping, a fitted dark-grey ribbed tank, wide black technical trousers with red stitching and metal hardware, a slim utility belt, black racing gloves, a small silver chain necklace, and heavy black sneakers with translucent dark-red soles. Preserve REIโ€™s exact face, proportions, hair, crimson streak, outfit, materials, accessories and colors throughout. Never redesign her between cuts. CONCEPT: REI enters an enormous futuristic automotive testing tunnel where everything is built around velocity, acceleration and the visual language of a tachometer hitting redline. She never drives a vehicle. Instead, the architecture itself accelerates around her. Road markings race beneath her feet, tunnel lights stretch into graphic lines, speedometers become typography, warning stripes transform into transitions, and giant numbers count upward as the trailer approaches its peak. The visual identity should be completely different from chrome parking-garage, subway, rooftop-signal and frozen-city concepts. Film balance: 80% motion-design spectacle / 20% character performance. PALETTE: Matte black, racing red, off-white, gunmetal and tiny amber accents. GRAPHIC LANGUAGE: Tachometer markings, racing numbers, chevrons, lane markings, circular gauges, red warning blocks, mechanical counters, timing codes, oversized condensed typography and aggressive diagonal compositions. STYLE: Premium AAA anime rendering ร— experimental automotive title sequence ร— high-fashion streetwear campaign. CUT 01 | 0.00โ€“1.00s โ€” IGNITION Pitch-black frame. A tiny red vertical line appears. 01 02 03 Numbers rapidly count upward around it. A circular tachometer graphic suddenly builds from hundreds of tiny white ticks. Its needle violently swings from zero to maximum. At maximum RPM, the entire gauge breaks into enormous typography: REDLINE Bass impact. CUT 02 | 1.00โ€“2.00s โ€” EYES Extreme macro shot of REIโ€™s closed eye. A thin racing-red reflection sweeps across her eyelid. Her eye opens. The tachometer needle is reflected inside her amber-red iris. Tiny numbers race around the frame. Instant snap zoom backward. CUT 03 | 2.00โ€“3.10s โ€” FIRST STEP Perfectly symmetrical testing tunnel. REI stands far in the distance. She begins walking toward camera. With every step, another section of overhead lighting switches red. Huge floor markings race underneath her: 10 20 40 80 She remains calm while the environment appears to accelerate. CUT 04 | 3.10โ€“4.00s โ€” CHEVRON ATTACK Flat off-white background. REI becomes a sharp black silhouette. Huge red directional chevrons blast from left to right behind her. She turns her shoulders in the opposite direction. The frame divides diagonally into four sections. Each section captures a different phase of the turn. Everything snaps together on the beat. CUT 05 | 4.00โ€“5.10s โ€” RUN Back inside the tunnel. REI suddenly accelerates into a sprint. Camera tracks sideways. Road markings beneath her transform into graphic speed strips. Every foot impact launches a short red line backward. The environment becomes increasingly abstract until only REI and hundreds of horizontal speed lines remain. CUT 06 | 5.10โ€“6.00s โ€” 100 Hard cut to a gigantic red field. Enormous white 100 fills almost the entire screen. REI runs directly toward the first zero. She passes through its center like a tunnel. Camera follows. Inside the zero is a rotating cylindrical world made entirely from black-and-white racing stripes. CUT 07 | 6.00โ€“7.00s โ€” BRAKE REI plants one sneaker and performs a sudden controlled stop. Her body responds with believable forward momentum before settling. A gigantic graphic skid mark tears diagonally across the composition. The word: BRAKE appearsโ€” then immediately receives a red strike-through. A second word slams over it: DONโ€™T. She gives the camera a subtle confident glance. CUT 08 | 7.00โ€“8.00s โ€” SPEED TEST Overhead camera. REI stands inside a giant circular speedometer painted across the floor. The needle rotates around her faster and faster. She walks calmly in the opposite direction. Every quarter rotation triggers enormous typography: FAST FASTER MAX ZERO Final word fills the entire frame. CUT 09 | 8.00โ€“9.00s โ€” GRAVITY SHIFT The testing tunnel visually rotates 90 degrees. REI appears to continue walking normally while lane markings climb vertically behind her. Then the environment rotates another 90 degrees. She remains the stable visual anchor. Red rectangular graphics fall across the frame like physical cards. One passes directly across camera. Transition. CUT 10 | 9.00โ€“10.10s โ€” COUNTDOWN Black graphic space. REI stands perfectly still. Giant numbers appear behind her: 03 Impact. 02 Closer. 01 Extreme close-up. On 00, she suddenly steps directly toward camera. A circular red shock graphic erupts from beneath her sneaker and fills the frame. CUT 11 | 10.10โ€“11.10s โ€” CAMPAIGN BURST Five ultra-fast full-screen editorial posters snap through: 01 โ€” REI sprinting beneath red tunnel lights. 02 โ€” Extreme portrait with the crimson hair streak visible. 03 โ€” Low-angle sneaker shot over giant racing numbers. 04 โ€” REI surrounded by circular tachometer graphics. 05 โ€” Calm hands-in-pockets portrait against an enormous red ZERO. Every poster uses a completely different composition. Include timing marks, arrows, numerical scales, racing stripes and tiny technical graphics. CUT 12 | 11.10โ€“13.00s โ€” MAXIMUM Return to the full testing tunnel. REI stands dead center. Every tunnel light behind her begins illuminating sequentially at extreme speed. A gigantic red tachometer appears behind her. Its needle climbs: 20. 21. 22. 23. 24. MAX. At MAX, thousands of road markings, numbers, chevrons and gauge ticks explode outward as flat graphic elements. REI does not react dramatically. She simply slides both hands into her jacket pockets. Her bomber settles naturally. She gives a tiny confident half-smile. Everything freezes. One brutal bass hit. White flash. CUT 13 | 13.00โ€“15.00s โ€” REI Minimal off-white field. REI stands centered. Enormous condensed black typography behind her: REI A thin red tachometer arc wraps partially around the typography. Small numbers 00โ€“100 run along its edge. Diagonal racing stripes, timing marks and tiny technical ticks complete the composition. The tachometer needle slowly enters frame. Silence for half a beat. It suddenly snaps to maximum. The entire word REI flashes racing red. Immediate cut to black. Cold mechanical logo stinger. EDITING: Relentlessly precise beat-driven editing. Hard cuts, diagonal wipes, numerical graphic matches, speed ramps, whip pans, snap zooms, poster flashes, rotational transitions, freeze frames and impact shakes. Never repeat the same transition twice consecutively. Every cut must have a clearly different composition. TYPOGRAPHY: Giant condensed sans-serif lettering with racing-poster influence. Typography must be intentionally composed and readable before being covered, distorted or transitioned away. CAMERA: Low ground-level tracking, symmetrical tunnel compositions, macro eye photography, overhead views, extreme perspective pushes, lateral sprint tracking and controlled rotational shots. MOTION: REI must have convincing human mass and momentum. Sprinting requires proper foot contact and body mechanics. Stops show inertia and recovery. Hair, bomber jacket, trousers, straps and accessories react naturally to acceleration. AUDIO: Aggressive electronic soundtrack built around distorted drums, mechanical percussion, sub-bass impacts and accelerating rhythmic patterns. Add sneaker impacts, tunnel echoes, mechanical counter clicks, rushing air, electrical switches and synthetic tachometer-like rises. Every numerical increase should contribute to the musical build. Music reaches maximum intensity during CUT 12, briefly drops near silence at CUT 13, then finishes with one sharp mechanical stinger. NEGATIVE: No AO, no blue-haired character, no silver-haired character, no reused outfit, no subway, no rooftop antennas, no frozen city, no chrome parking-garage concept, no driving, no visible branded vehicles, no weapons, combat, explosions, fire or gore. No character redesign, face drift, changing hair length, disappearing crimson streak, wardrobe changes, malformed anatomy, distorted hands, extra fingers, sliding feet, weightless running, floating graphics without design purpose, duplicate REI, plastic skin, cheap CGI, generic game rendering, excessive bloom, random particles, subtitles, watermarks or unrelated logos. FINAL QUALITY: Premium AAA anime-inspired cinematic rendering, razor-sharp motion-design direction, believable character physics, sophisticated typography, professional fashion-campaign composition, strong red/black identity, flawless continuity and an unmistakably original daily X character-reveal aesthetic.

Oogie

11,374 views โ€ข 19 days ago

Thank you Evans for this. I have always said this and I love that more people are seeing it as well. When Meg lied on Oprah that a senior royal has worried about what colour of skin Archie would be, I always said It was herself she was talking about. Narcissists ALWAYS accuse their victims of doing what they do themselves. They projects constantly. Every accusation is a self confession and you can clearly see Meg's desperation to be seen as a White british royal; She is desperate๐Ÿ”ฅ That is why she writes the titles everywhere even on her own clothes and front door rug๐Ÿคก She is not trying to be relatable, she treats americans like "illiterate villagers"; and she sees herself as the british royal there to teach them about life and impress her "Lofty" knowledge on "peasant americans." That is how she treated her guests who all had to sing how pretty she is and how great she is; that is how she treats Serena and all her "Friends". She is superior, they are there to do her bidding and worship her๐Ÿ˜ Yet the general public can see what an incredibly insecure woman she is. She has done everything she could to "white pass" and erased her black carribean roots from her mother. At one point Meg even claimed yo be italian; Anything but accepting her afro carribean and american roots๐Ÿคฆ๐Ÿฝโ€โ™€๏ธ She only use Doria as a "black card" when she needs to attack the RF and cosplay a victim of Racism. But in real life Meghan is desperate to be seen as a white british royal. She is so desperate that she sat on Drew Barrymore show and pretended that her children, born and raise in the US; by an american mother and a black carribean grandmother "Still have british accent" STILL?!!!๐Ÿคก The boy left the UK when he was 6 months and has never been back. The daughter was born in the US and Has never been to the UK. Harry's british accent has become so washed out it is embarrassing. So what British Accent do they STILL have?!๐Ÿคก This donkey is so delusional and obsessed with Great Britian, it is embarrasing how pathologically she lies. Meghan has never taken pride in her black features: she had surgery to correct her nose and she permanently altered her curls chemically to look more White. She has one daughter and did not bother to name that daughter after her black mother or any black family member or black feminists. She picked two white british women๐Ÿคก More to the point, while living in California, she dresses or rather photoshop that girl wearing english garments with tights exactly like Princess Charlotte dressed as a little girl. But remember this is the Meghan who refused and mocked Catherine for wanting the bridesmaids to wear tights at her wedding๐Ÿคก Meg has never praised Archie's features or brown eyes, but she has been gushing about her daughter blue eyes "like Diana". She has never praised ANY feature that could be associated with the black skin๐Ÿ”ฅ But she quasi-orgasmed on Netflix about her daughter blue eyes and red hair Screaming "Blue blue blue eyes!"๐Ÿคฆ๐Ÿฝโ€โ™€๏ธ My goodness... how embarrasing. No Meg has never wanted to be relatable or black; she wants to feel superior and wants to be identified as a white british royal. This is why she clinge to those titles like glue. She takes zero pride in her black caribbean or american roots; None. Yes, she was the one who worried, Doria's blood would come through and show in her children๐Ÿคก She sat there days and nights worrying Archie might not be white enough to fit her ideal of the perfect little white boy...maybe blond with "blue, blue, blue eyes" looking so eerily like Diana..๐Ÿ˜โ˜•๏ธ ๐Ÿ“นQueer Lips of Truth II ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ฌ๐Ÿ‡ง

Canellecitadelle

49,242 views โ€ข 1 year ago

Dr. Gerald Pollack says every cancer cell is dehydrated. New podcast with him on how disturbance to the structure of water in our body can cause cancer & other diseases. Most biology textbooks assume water in our cells is merely a solvent for DNA and proteins. But what if water in our cells gives us energy? It's a battery. We discuss: - How 99% of molecules in our body are water molecules - What EZ water is, and how it gives us energy. - The role of infrared light and sunlight on water in our cells. - What builds EZ water: sun, sauna, red light, grounding, juicing, deuterium depleted water, turmeric, holy basil and ghee. - The effect of Hyperbaric oxygen, PEMF and magnets on EZ water. Find links to YouTube, Substack, all platforms in comment. Timestamps: 00:00 Water in our cells is central to every disease 00:38 Why almost nobody in biology studies water 01:18 99% of your molecules are water. So why is it treated as filler? 03:41 What water is actually doing inside a cell 07:44 Gilbert Ling, and the book that made his students say all of biology is wrong 11:25 The experiment that started structured water research 14:09 Why cellular water behaves more like a gel than a liquid 16:29 The moment they realized water is a battery 18:29 What charges the water battery, and it isn't food 19:43 Is all the water in your cells this kind of water? 23:46 Why he says we shouldn't even call it water 24:57 Does energy actually come from ATP? 27:23 If ATP isn't the fuel, what is it doing there? 30:38 What every cancer cell has in common 33:47 Free things that rebuild the structure of your cellular water 34:48 Turmeric, holy basil and ghee: what his lab found when they tested them 35:11 Morning sun, red light, saunas and grounding 36:22 Hyperbaric oxygen, and how he went looking for it 37:26 PEMF, FSM, and the magnet result that surprised him 41:42 Do WiFi routers shrink the water in your cells? 43:47 The dementia case & water connection 46:32 His answer to the strongest criticism of his work 51:13 Healers, water memory, and the paper he's about to publish 54:36 What anesthesia does to the water in your cells 55:07 What changes if he turns out to be right 57:30 One thing behind almost every disease? 59:07 Why he thinks water drives volcanoes and earthquakes

Aastha JS

23,971 views โ€ข 11 days ago