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๐“๐ก๐ž ๐๐ข๐ ๐ก๐ญ ๐ญ๐ก๐ž ๐–๐š๐ญ๐œ๐ก๐ž๐ซ๐ฌ ๐…๐ž๐ฅ๐ฅ: ๐€ ๐ƒ๐ซ๐š๐ฆ๐š๐ญ๐ข๐œ ๐”๐ง๐ฆ๐š๐ฌ๐ค๐ข๐ง๐  ๐จ๐Ÿ ๐ญ๐ก๐ž ๐๐จ๐จ๐ค ๐จ๐Ÿ ๐„๐ง๐จ๐œ๐ก Picture the ancient world cracking under pressure. Foreign empires rampaged across the land. Greek ideas flooded in like a rising tide, threatening to wash away everything sacred. Jewish communities fought to hold their identity in the...

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A giant classical Greek statue prop on a stadium stage during the opening ceremony of the 2026 Mediterranean Games in Taranto, Italy ๐Ÿ‡ฎ๐Ÿ‡น One of the most striking images of the opening ceremony of the Mediterranean Games in Taranto was the monumental figure inspired by Taras, the mythical founder and eponymous hero of the ancient city. Presented almost as a colossal living statue, the figure offered a spectacular reference to the Greek origins of Taranto and to a mythology that has remained embedded in the cityโ€™s identity for more than two millennia. According to ancient tradition, Taras was a son of Poseidon and the nymph Satyria. The hero was closely associated with the foundation of the settlement that bore his name, ancient Taras, ฮคฮฌฯฮฑฯ‚, although Greek historical tradition attributes the actual colonial foundation of the city, around the late 8th century BC, to Spartan settlers known as the Partheniae under their leader Phalanthus. Taranto therefore preserved two intertwined foundation traditions, the mythical story of Taras and the historical memory of its Spartan origins. Taras became particularly recognizable through one of the most enduring symbols of the ancient city, the dolphin rider. Ancient Tarentine coins repeatedly depict a youthful figure riding a dolphin, an image associated with Taras and the protection of his divine father Poseidon. The motif became so deeply connected with Taranto that a dolphin rider remains part of the modern cityโ€™s coat of arms. Through its coinage, the image circulated throughout the Mediterranean world and became an unmistakable emblem of one of Magna Graeciaโ€™s most powerful Greek cities. The appearance of the colossal Taras at the ceremony therefore carried considerable historical symbolism. Behind the modern Italian city stands the ancient Greek polis of Taras, founded by settlers from Sparta and transformed into a major political, economic and cultural centre of Magna Graecia. By bringing its mythical founder dramatically back to life, the ceremony connected the contemporary Mediterranean Games with the ancient Mediterranean world from which so much of Tarantoโ€™s identity emerged. ๐ŸŽฅยฉ greekgetaway #archaeohistories

Archaeo - Histories

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Hereโ€™s how the Book of Enoch tells you when judgment, or the Geophysical Event, is near: The years become shorter, the rain is withheld, fruit ripens late, and the Moon and stars depart from their established order. This section is among the oldest parts of the book, and copies of it were found in Cave 4 at Qumran. So, what does this mean that even an AI like Grok fails to understand? Let me explain it to you... The Moon and stars going โ€œout of orderโ€ is connected to axial and apsidal precession. The rising of the stars that once announced the seasons gradually ceases to align with the same seasonal events. For example, in ancient Egypt, the heliacal rising of Sirius, its first appearance in the dawn sky after a period of invisibility, announced the approaching annual flooding of the Nile and the beginning of the Egyptian New Year. However, because of axial precession, this rising would eventually no longer announce the flooding at the same time. The celestial markers slowly shift in relation to the seasons. Because of this slow change in the Earthโ€™s orientation toward the Sun, along with small changes in the distance between the Earth and the Sun, the climate begins to change and shift gradually. However, these changes build toward a tipping point, after which the climate completely collapses and reorganizes. That is how the Sahara became a desert around 6,000 years ago. These climatic cycles are known as Bond events. Hapgood suggested that these slow changes affect the buildup and melting of ice, which could then potentially cause the Earthโ€™s outer crust to slip, triggering the biblical flood or causing the oceans to spill across the continents! Todayโ€™s climate change is connected to axial and apsidal precession and the approach toward a tipping point. The Book of Enoch is correct. We are close to Judgment! I made a short video to show you how the stars change their positions relative to the Moon, the Sun, and the five visible planets over a long period of time. That is why the Book of Enoch has been sidelined by the elites. They do not want you to know the truth!

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Ancient texts describe beings so tall that Goliath looks like an ant next to them. 1. Giants of 1 Enoch โ€” ~1,372 m / 4,500 ft One Greek textual tradition of 1 Enoch 7 gives the offspring of the Watchers an incredible height of 3,000 cubits. This is the tallest numerical description among the traditions shown here. 2. Giants of 1 Enoch โ€” ~137 m / 450 ft The Ethiopic tradition preserves a much smaller, but still enormous, figure of 300 cubits. At this size, one of these beings would still tower over most modern skyscrapers. 3. Adam โ€” ~45.7 m / 150 ft In Talmud Sanhedrin 100a, Rabbi Meirโ€™s tradition describes Adam as 100 cubits tall. Another Talmudic tradition goes even further, saying that Adam originally stretched from the Earth to the heavens before being diminished. 4. Gilgamesh โ€” ~5.5 m / 18 ft The ancient Mesopotamian tradition describes Gilgamesh as 11 cubits tall, with an enormous chest and stride. The measurement survives in versions of the Epic of Gilgamesh. 5. Rephaim โ€” ~3.66 m / 12 ft Jubilees 29:9 describes the Rephaim as giants ranging from 10 cubits down to 7 cubits. The one visualized here is the 8-cubit Rephaim, around 12 feet tall. 6. Goliath โ€” ~2.97 m / 9 ft 9 in The Masoretic Hebrew text of 1 Samuel 17:4 gives Goliathโ€™s height as six cubits and a spanโ€”roughly 9 feet 9 inches. Other ancient manuscripts preserve a shorter reading of four cubits and a span.

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3 years ago Refik Anadol & Efsun, together with the royal family of the forest, the Yawanawa, dreamed of a project that could share the crossover of traditional indigenous art with futuristic pigments of AI. They dreamed of building a community to not only host their family, but also bring together their indigenous brothers and sisters from around the world. Aldeia Sagrada was reimagined. We 1OF1 are very honoured & deeply grateful that Refik Anadol & the Yawanawa family have chosen us to be the steward of their historic collaborative art work, the Winds of Yawanawa 1of1. Last week my family & I had the privilege to join Indigenous Nations from across the Amazon basin & around the world as they came together for a truly historic & deeply beautiful moment at the Indigenous Ayahuasca Conference in Acre, Brasil, where Indigenous leaders shared their ancient wisdom, beautiful art & wonderful energy with each other. As someone who has built infra in Brazil, I can confirm that what Refik Anadol and the Yawanawa family have built in Aldeia Sagrada is absolutely breathtaking & indescribable. The infrastructure & organization of their wonderful community is incredible. They have proven to the world a model for synergistic alliances between traditional Indigenous nations with new technologists, creatives and builders that can both massively support these native communities as well as celebrate the preservation of their way of life. I found myself overwhelmed with emotion at points throughout the week witnessing how amazing this place and these people are. It is with all of the lessons of 1OF1โ€™s global tours in hand & our hearts filled with a deep sense of mission, that we commit to share this iconic work of art with the world in conversation with other works of Amazonian indigenous art. We promise to share the inspiring message of the Yawanawa across the globe through the power of art.

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Tucker Carlson thinks that Muslims were very kind toward Christians during the Ottoman period, and for that reason, I would like to explain to you how kind they were. For 300 years the Ottoman Turks were stealing kids from their mothers. This was the most brutal thing humanity ever witnessed. They were waiting for women to birth, raise their kids, and then at the age of 8 were collecting them. The devลŸirme known as "collection of children" or "blood tax" or in Greek as "paidomazoma", was a systematic practice by the Ottoman Empire from the late 14th century until the mid-17th century, that forced the recruitment of young Christian boys, typically aged 8โ€“18, from Balkan provinces as a form of tribute ("blood tax"). They were taken from their families, converted to Islam, and rigorously trained to serve in the empire's military, administrative, and bureaucratic roles. This created a loyal class of elite soldiers and officials who were dependent on the sultan rather than on hereditary Turkish aristocracy. Many became Janissaries, the empire's elite infantry corps, or rose to high positions like grand viziers, provincial governors, admirals, or financial bureaucrats. Estimates suggest tens of thousands of boys were recruited annually at its peak in the 15thโ€“16th centuries. Historians estimate the total number of Christian boys taken across the entire Ottoman Empire around 300.000 kids. From those kids 150.000 were Greek kids (over 300 years). It means the half of the total kids that were stolen were only Greek. For example in 1540, a levy in the Greek regions of Thessaly & Macedonia took 1.000 Greek boys in one season and in Chios (the Greek island) 200 boys taken in 1567 alone. The peak was 5.000 kids/annual from Greece. A generational trauma, with thousands of Greek families losing sons every few years for centuries. The system began under Sultan Murad I (1362โ€“1389) and largely ended by 1648, as Muslims were increasingly allowed to fill these roles and Janissary corruption grew. After the fall of Constantinople in 1453, Ottoman control extended over most Greek lands, making Greek Orthodox families prime targets for recruitment. The practice targeted rural communities disproportionately, as urban or strategically important groups were often exempt. On 28 February 1395, Archbishop Isidore Glabas of Thessaloniki denounced it in a speech as "paidomazoma" (child-gathering), describing the anguish of parents: mothers scratching their cheeks in grief and fathers beating their breasts and the violent Islamization of children and their hard training in the use of dogs and falcons. A 1550 Greek poem by Ioannes Axayiolis, appealed to Charles V of Germany to liberate the Christians from the Turks (for liberation from this "sorrow"). The text is found in the Codex Vaticanus Graecus of 1624. In another account, the Roman Catholic bishop of Chios in 1646 writes to the director of the Catholic Greek Gymnasion of Rome asking the latter to accept Paulos Omeros (lol my name Pavlos Homeros), a 12-year-old boy from Chios, to save him from the devshirme. Once taken, boys were circumcised, renamed with Muslim names, and forbidden from contact with their families. They were raised as Muslims, effectively erasing their Greek cultural and religious identity to foster loyalty to the sultan. Historical records show Greek-origin devลŸirme boys rising to prominence, such as Mimar Sinan (chief architect of the Ottomans, possibly Greek) and several grand viziers like Ibrahim Edhem Pasha (from Chios). The system accelerated Islamization in Greek regions, reducing Christian populations and creating a class of "Greek Muslims" (for example in Pontus or Crete). It fueled revolts and the Greek War of Independence (1821), where devลŸirme grievances were invoked. During the Ottoman period, Muslims enjoyed performing all kinds of mutilations. Ears, noses, lips, tongues, breasts, and genitals were primarily cut off. Not just those, though. Let's recall here the Saint Raphael of Mytilene, who was hanged from a tree and had his lower jaw cut off, while the twelve-year-old martyr Irene was roasted in a barrel on the Tuesday of Easter in the year 1463, ten years after the fall of Constantinople. In many cases, the severed body parts "adorned" the warrior collection of the janissary. The pashas gave bakshish (tips) to every "brave" Muslim warrior according to how many ears of "infidel" Christians he brought back. He himself confirmed his bravery and "manliness" among his peers by having a "komboloi" (worry beads) made from the nipples of breasts he had cut off from women. The bravest man was the one with the longest komboloi after a massacre and looting. Blinding with various sharp objects was also common. This was particularly frequent during periods of massacres and atrocities. Many unfortunate Christians remained blind for the rest of their lives because they had the misfortune of a horde of janissaries passing through their land. The Egyptians under Ibrahim Pasha were especially notorious for this crime. Many times Christian captives were placed in front of cannons that were fired, turning them into human shreds of flesh. In other cases, they were tied to galleys that sailed in opposite directions and were torn apart. Dismemberment of victims also occurred with horses. Indeed, Islam was very kind toward Christians during the Ottoman period. In Greece, the denial or public endorsement of the Genocide of the Greek Christians of Pontus, Asia Minor, and Anatolia by the Turkish Muslims is criminally prosecuted and constitutes an offense. We won't forget the anti-Greek and Islamic propaganda that Tucker Carlson pushed through his podcast.

Homer Pavlos

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