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「//.𝚑𝚒 𝚒'𝚖 𝚜𝚢𝚖, 𝚊 𝚐𝚒𝚛𝚕 𝚜𝚝𝚞𝚌𝚔 𝚒𝚗 𝚝𝚑𝚎 𝚋𝚊𝚌𝚔𝚛𝚘𝚘𝚖𝚜」 (.◜◡◝)⋆. 𐙚 ˚ i'm an aussie vtuber that likes to create immersive liminal experiences i like relaxed horror and a sense of lost nostalgia! 𝒏𝒊𝒄𝒆 𝒕𝒐 𝒎𝒆𝒆𝒕 𝒚𝒐𝒖 ٩(ˊᗜˋ*)و ♡

𝒔𝒚𝒎𝒃𝒙𝒍 ₊˚⊹ ᰔ【 𝗩𝗩𝗲𝗯𝗰𝗼𝗿𝗲 】

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I screen recorded this so everyone can see the ‘Like Count’ 1.1 MILLION LIKES, it’s VERY CLEAR how people feel about immigration “Bro, you came here illegally, so you're getting sent back. Like, I'm not really understanding where I'm supposed to feel bad. Like, it's the law like that. What am I missing something? Like, we also can't do that. We can't go to other countries illegally and just pop up and start working and all of that without things in order, without abiding by their laws. And to be honest, it's a much worse punishment if we end up doing that. I feel like America is being generous. Y' all are getting caught and then being sent by plane or sent by a bus back home. That's pretty generous if you ask me. Like, if I go to Russia and try to pull that off, I might not come home. They might lock me up for 50 years for trespassing. Like, I'm confused. The media is trying to make us feel bad and they're like, oh, this person was 15 years old, he was a hard working boy, he was in high school, blah, blah. And he was an illegal immigrant from Guatemala. Bro, you lost me. You lost me. He's illegal. So I'm sorry. Like, that's just what happens. I can't feel bad no more. Everything you said before, that is disregarded. Sorry.”

I screen recorded this so everyone can see the ‘Like Count’ 1.1 MILLION LIKES, it’s VERY CLEAR how people feel about immigration “Bro, you came here illegally, so you're getting sent back. Like, I'm not really understanding where I'm supposed to feel bad. Like, it's the law like that. What am I missing something? Like, we also can't do that. We can't go to other countries illegally and just pop up and start working and all of that without things in order, without abiding by their laws. And to be honest, it's a much worse punishment if we end up doing that. I feel like America is being generous. Y' all are getting caught and then being sent by plane or sent by a bus back home. That's pretty generous if you ask me. Like, if I go to Russia and try to pull that off, I might not come home. They might lock me up for 50 years for trespassing. Like, I'm confused. The media is trying to make us feel bad and they're like, oh, this person was 15 years old, he was a hard working boy, he was in high school, blah, blah. And he was an illegal immigrant from Guatemala. Bro, you lost me. You lost me. He's illegal. So I'm sorry. Like, that's just what happens. I can't feel bad no more. Everything you said before, that is disregarded. Sorry.”

Wall Street Apes

85,417 görüntüleme • 1 yıl önce

Brad Jacobs on identifying A players: "I do a mental exercise where I picture the person coming into my office and saying, 'Brad, I quit.' And then I try to feel and visualize what would be my reaction if that person came in to me and quit. If my reaction to that is, 'Yes! I don't want to smile, so I don't want to act like I'm happy about this. Nobody likes firing people. No problem at all, we'll replace them'—that's a C player. That's someone you should get the courage to get off the team right away. On the second category, if my reaction to it is, 'You know, it kind of sucks. I would've preferred that person stayed, but it's not the end of the world. We'll hire a headhunter. We'll get someone as good, maybe someone even better, and things will work out'—that's a B player. But if when I visualize that person quitting, my reaction to that is pure terror and absolute panic, and like somebody took a baseball bat and just whacked me in the stomach and then punched me in the face. I'm going, 'Oh my God! Like I'm never going to find someone as good as her. No way. I'm never going to have someone as talented as that person. I'm never going to have someone who brings to the table their particular superpower.' And I can't even hear what they're saying anymore because I'm just having this internal panic dialogue going on—that's what you call an A player. So I want all A players around me. I want people whose relationship with me I value so much that if it was terminated, I would be lost."

Brad Jacobs on identifying A players: "I do a mental exercise where I picture the person coming into my office and saying, 'Brad, I quit.' And then I try to feel and visualize what would be my reaction if that person came in to me and quit. If my reaction to that is, 'Yes! I don't want to smile, so I don't want to act like I'm happy about this. Nobody likes firing people. No problem at all, we'll replace them'—that's a C player. That's someone you should get the courage to get off the team right away. On the second category, if my reaction to it is, 'You know, it kind of sucks. I would've preferred that person stayed, but it's not the end of the world. We'll hire a headhunter. We'll get someone as good, maybe someone even better, and things will work out'—that's a B player. But if when I visualize that person quitting, my reaction to that is pure terror and absolute panic, and like somebody took a baseball bat and just whacked me in the stomach and then punched me in the face. I'm going, 'Oh my God! Like I'm never going to find someone as good as her. No way. I'm never going to have someone as talented as that person. I'm never going to have someone who brings to the table their particular superpower.' And I can't even hear what they're saying anymore because I'm just having this internal panic dialogue going on—that's what you call an A player. So I want all A players around me. I want people whose relationship with me I value so much that if it was terminated, I would be lost."

David Senra

689,794 görüntüleme • 10 ay önce

For generative AI to become an interesting art tool, we need much more control over the output. The slot-machine-like nature of pure text-to-image leaves too much to chance. Using the "Real-time Latent Consistency Model" that I'm using in the example here, is the first time I truly got a glimpse of a future where we'll be able to use our artistic skills and sensibility, to get control over AI image gen. Systems like these will never be able to match the quality or originality of a skilled artist, it won't surprise us in the same way an artist can. Things are a mess in terms of the training data these models are based on, and the questions about copyright concerns and about a time when everything will look the same are very valid. At some point capabilities like these will be embedded in photoshop, and anyone will be able to generate a pretty picture. But to create interesting designs, to tell original stories and to surprise us, we need creatives and artists with something on their mind. We'll be able to create immersive worlds, by making brush-strokes and sculpt marks, without needing to worry about all the dials, plugins, wires of our 3d and 2d tools today. I love to sculpt, I love to draw, and I love to explore new mediums and new ways to create. The Gen AI tools we have today are far from perfect, and things need to be steered in a better direction. For that we need artists to help point the way. Gen AI isn't going away.. it's too powerful and has the potential to allow us to tell stories like never before. Like all other big technological shifts, tech like this will come at a cost, but it will also open up new opportunities and empower a new generation of storytellers. I might be naive, but I believe that human ingenuity and creativity will persevere in this new world ♥️ #art #ai

For generative AI to become an interesting art tool, we need much more control over the output. The slot-machine-like nature of pure text-to-image leaves too much to chance. Using the "Real-time Latent Consistency Model" that I'm using in the example here, is the first time I truly got a glimpse of a future where we'll be able to use our artistic skills and sensibility, to get control over AI image gen. Systems like these will never be able to match the quality or originality of a skilled artist, it won't surprise us in the same way an artist can. Things are a mess in terms of the training data these models are based on, and the questions about copyright concerns and about a time when everything will look the same are very valid. At some point capabilities like these will be embedded in photoshop, and anyone will be able to generate a pretty picture. But to create interesting designs, to tell original stories and to surprise us, we need creatives and artists with something on their mind. We'll be able to create immersive worlds, by making brush-strokes and sculpt marks, without needing to worry about all the dials, plugins, wires of our 3d and 2d tools today. I love to sculpt, I love to draw, and I love to explore new mediums and new ways to create. The Gen AI tools we have today are far from perfect, and things need to be steered in a better direction. For that we need artists to help point the way. Gen AI isn't going away.. it's too powerful and has the potential to allow us to tell stories like never before. Like all other big technological shifts, tech like this will come at a cost, but it will also open up new opportunities and empower a new generation of storytellers. I might be naive, but I believe that human ingenuity and creativity will persevere in this new world ♥️ #art #ai

Martin Nebelong

1,660,426 görüntüleme • 2 yıl önce

Why do we still buy stadium tickets without ever seeing what the view from the seat actually looks like? ☠️ So I prototyped an idea. A 3D seat view experience for a football stadium built with Fable 5 + Three.js, where you can preview exactly what you'll see from your seat before buying. The entire 3D experience was working after the first prompt, and the whole prototype came together in just five prompts. This is the kind of 3D experience I'd love to see more of, tbh. Feels so good. Right now, buying a ticket gives you almost no sense of what the experience will actually feel like. We're still relying on static seat maps, charts, and boring UI layouts, when interactive 3D experiences could make that decision so much easier. If you think, 3D development has the potential to create genuinely useful experiences. This feels like the direction we should be heading. 3D is the future. I can already imagine this for cinemas, cricket stadiums, Wimbledon, concerts, and so many other venues. I'm planning to take this further. What should I build next? More stadium features, or should I try another venue? Let me know :D Code: Live:

Why do we still buy stadium tickets without ever seeing what the view from the seat actually looks like? ☠️ So I prototyped an idea. A 3D seat view experience for a football stadium built with Fable 5 + Three.js, where you can preview exactly what you'll see from your seat before buying. The entire 3D experience was working after the first prompt, and the whole prototype came together in just five prompts. This is the kind of 3D experience I'd love to see more of, tbh. Feels so good. Right now, buying a ticket gives you almost no sense of what the experience will actually feel like. We're still relying on static seat maps, charts, and boring UI layouts, when interactive 3D experiences could make that decision so much easier. If you think, 3D development has the potential to create genuinely useful experiences. This feels like the direction we should be heading. 3D is the future. I can already imagine this for cinemas, cricket stadiums, Wimbledon, concerts, and so many other venues. I'm planning to take this further. What should I build next? More stadium features, or should I try another venue? Let me know :D Code: Live:

The Bugged Dev

1,677,634 görüntüleme • 1 ay önce

The sense of presence in VR is something amazing. And it is what convinces me that sooner or later, VR will succeed. VR is now in one of its down moments. That's why, in these harsh days, I wanted to get back to feeling what made me fall in love with this technology: presence and immersion. I took some very good-looking PCVR experiences, like Half-Life: Alyx, or AirCar, and tried them at the maximum resolution possible on my Dell Pro Max T2 Tower, featuring an #NVIDIA RTX 6000 graphics card. Until a few months ago, I was using my old laptop, which started to show throttling issues, so I was used to lowering the render resolution, while this time, I was moving the slider up and up. The results have been astonishing: even a demo like AirCar made me in awe again, and Half-Life: Alyx was as immersive as I have ever tried it. As much as I love standalone VR, because I think it helped a lot in democratizing the technology, the WOW sensation that you can try on PCVR today is still unbeatable. Probably a good compromise between the two can be cloud rendering, but we still have to wait for it to become a reality. The sense of being somewhere else is a wonderful sensation, and everyone I demoed VR to all these years has been amazed by it, too. And every day, something makes me feel "there" (like today), I remember why I love this technology and why one day it will have a higher adoption. Sure, there are a lot of problems to solve, but I'm convinced one day it will happen. When? Well, it is always 5 to 10 years, every year... #VirtualReality #VR #technology [Disclaimer: I mentioned the PC model because I'm a #DellProPrecision ambassador, and I have been given the PC to do tests and experiments and share my results. There is no monetary compensation or sales affiliation related to this post]

The sense of presence in VR is something amazing. And it is what convinces me that sooner or later, VR will succeed. VR is now in one of its down moments. That's why, in these harsh days, I wanted to get back to feeling what made me fall in love with this technology: presence and immersion. I took some very good-looking PCVR experiences, like Half-Life: Alyx, or AirCar, and tried them at the maximum resolution possible on my Dell Pro Max T2 Tower, featuring an #NVIDIA RTX 6000 graphics card. Until a few months ago, I was using my old laptop, which started to show throttling issues, so I was used to lowering the render resolution, while this time, I was moving the slider up and up. The results have been astonishing: even a demo like AirCar made me in awe again, and Half-Life: Alyx was as immersive as I have ever tried it. As much as I love standalone VR, because I think it helped a lot in democratizing the technology, the WOW sensation that you can try on PCVR today is still unbeatable. Probably a good compromise between the two can be cloud rendering, but we still have to wait for it to become a reality. The sense of being somewhere else is a wonderful sensation, and everyone I demoed VR to all these years has been amazed by it, too. And every day, something makes me feel "there" (like today), I remember why I love this technology and why one day it will have a higher adoption. Sure, there are a lot of problems to solve, but I'm convinced one day it will happen. When? Well, it is always 5 to 10 years, every year... #VirtualReality #VR #technology [Disclaimer: I mentioned the PC model because I'm a #DellProPrecision ambassador, and I have been given the PC to do tests and experiments and share my results. There is no monetary compensation or sales affiliation related to this post]

TonyVT SkarredGhost

28,931 görüntüleme • 4 ay önce

NEW: 🚨Tucker Carlson admits he has anger management issues when explaining why he said he “hates” Christian Zionists and then causally slips up and admits he didn’t fear for his life in Israel despite his previous claims 🚨 Tucker Carlson Tucker Carlson began his interview apologizing to US Ambassador to Israel Mike Huckabee Ambassador Mike Huckabee “I don't think people should be going immediately to motive, calling each other Nazis or anti-Semites. I said I hate the Christian Zionists. I lost control of myself. Of course, I don't, and I apologize for that. I have problems with my anger, and so I just want to apologize to you, since you are a Christian Zionist." It's an understatement to say that Tucker Tucker Carlson has an anger problem and loses all sense of control. Just look at his drinking record and the continued interview, as Tucker slipped up and admitted he didn't leave the airport in Israel out of fear for his life, but because he just had a busy schedule! “Of course, and I'm only staying a couple of hours, unfortunately, because I kind of shoehorned this in. But I hope that I will be back soon, and I hope that I can come back soon, because I want to. I actually, like, despite what you may hear, actually like the country." Post interview, Tucker is now claiming he feared for his life, which is why he didn’t leave the airport. Tucker Carlson is a pathological liar!

NEW: 🚨Tucker Carlson admits he has anger management issues when explaining why he said he “hates” Christian Zionists and then causally slips up and admits he didn’t fear for his life in Israel despite his previous claims 🚨 Tucker Carlson Tucker Carlson began his interview apologizing to US Ambassador to Israel Mike Huckabee Ambassador Mike Huckabee “I don't think people should be going immediately to motive, calling each other Nazis or anti-Semites. I said I hate the Christian Zionists. I lost control of myself. Of course, I don't, and I apologize for that. I have problems with my anger, and so I just want to apologize to you, since you are a Christian Zionist." It's an understatement to say that Tucker Tucker Carlson has an anger problem and loses all sense of control. Just look at his drinking record and the continued interview, as Tucker slipped up and admitted he didn't leave the airport in Israel out of fear for his life, but because he just had a busy schedule! “Of course, and I'm only staying a couple of hours, unfortunately, because I kind of shoehorned this in. But I hope that I will be back soon, and I hope that I can come back soon, because I want to. I actually, like, despite what you may hear, actually like the country." Post interview, Tucker is now claiming he feared for his life, which is why he didn’t leave the airport. Tucker Carlson is a pathological liar!

Laura Loomer

132,229 görüntüleme • 6 ay önce

Lady Gaga Lends Her Voice condemning ICE's Mistreatment and Wastage of Human Lives during her show in Tokyo ❤️ "In a couple of days I'm gonna be heading home and, my heart is aching thinking about the people, the children, the families all over America who are being merciless targeted by ICE. I'm thinking about all of their pain and how their lives are being destroyed right in front of us. I'm also thinking about Minnesota, and everyone back at home, who is living in so much fear... and searching for answers of what we all should do. When entire communities, loose their sense of safety and belonging, it breaks something in all of us. I hope that you'll all stand with us tonight. I know we are not in America right now, but we are with our community, and we love you. I'd like to dedicate this song to everyone who is suffering, to everyone who is feeling alone and helpless, anyone who's lost their loved one. And is having a difficult time, an impossible time, seeing when end will be near. We need to get back to a place of safety and peace and accountability. Good people shouldn't fight so hard and risk their life for well being and respect. And I hope, our leaders are listening, I hope you are listening to us, asking you to change the course of action swiftly, and have mercy on everyone in our country. And in a time where it doesn't feel like it's easy to have hope, it is my community and my friends, my family that hold me up. So, I would like to sing a song that does have some hope in it, to try to give us a little bit tonight."

Lady Gaga Lends Her Voice condemning ICE's Mistreatment and Wastage of Human Lives during her show in Tokyo ❤️ "In a couple of days I'm gonna be heading home and, my heart is aching thinking about the people, the children, the families all over America who are being merciless targeted by ICE. I'm thinking about all of their pain and how their lives are being destroyed right in front of us. I'm also thinking about Minnesota, and everyone back at home, who is living in so much fear... and searching for answers of what we all should do. When entire communities, loose their sense of safety and belonging, it breaks something in all of us. I hope that you'll all stand with us tonight. I know we are not in America right now, but we are with our community, and we love you. I'd like to dedicate this song to everyone who is suffering, to everyone who is feeling alone and helpless, anyone who's lost their loved one. And is having a difficult time, an impossible time, seeing when end will be near. We need to get back to a place of safety and peace and accountability. Good people shouldn't fight so hard and risk their life for well being and respect. And I hope, our leaders are listening, I hope you are listening to us, asking you to change the course of action swiftly, and have mercy on everyone in our country. And in a time where it doesn't feel like it's easy to have hope, it is my community and my friends, my family that hold me up. So, I would like to sing a song that does have some hope in it, to try to give us a little bit tonight."

Red Media

10,878 görüntüleme • 7 ay önce

Here's a quick test of a new tool called Krea. It's like the Real-time latent consistency model tests I've done with my photoshop and Dreams creations, but instead in a single application with faster refresh rates and higher quality output. I find that it strays too far from the drawing, and the editor is still quite limited but it's interesting to see nonetheless. It's not too difficult to imagine tech like this built right into Photoshop. And yes, I do know how to draw even if it doesn't show here 😅, I've been sculpting, painting and drawing for most of my life and I think it's exciting that tools like this will eventually help us break down some of the technical walls between our imagination and the visuals we create. And I'm not necessarily talking about drawing alone here because I don't see that going away as an art form, and I wouldn't want it to. But a hybrid of different art forms merging into a new, immersive art medium where anything is possible. Want to change the camera angle of your painting? Sure, go ahead. Want to make an animation of moving the camera around and seeing the light change in the scene as you do? In the example here, being able to move things around, change lighting and see it all reflected in the resulting image, is pretty amazing. Like a combination of the benefits of working in 3D, but with 2d tools. The moving version at the end of the video was made using Runways Gen-2. #art #ai

Here's a quick test of a new tool called Krea. It's like the Real-time latent consistency model tests I've done with my photoshop and Dreams creations, but instead in a single application with faster refresh rates and higher quality output. I find that it strays too far from the drawing, and the editor is still quite limited but it's interesting to see nonetheless. It's not too difficult to imagine tech like this built right into Photoshop. And yes, I do know how to draw even if it doesn't show here 😅, I've been sculpting, painting and drawing for most of my life and I think it's exciting that tools like this will eventually help us break down some of the technical walls between our imagination and the visuals we create. And I'm not necessarily talking about drawing alone here because I don't see that going away as an art form, and I wouldn't want it to. But a hybrid of different art forms merging into a new, immersive art medium where anything is possible. Want to change the camera angle of your painting? Sure, go ahead. Want to make an animation of moving the camera around and seeing the light change in the scene as you do? In the example here, being able to move things around, change lighting and see it all reflected in the resulting image, is pretty amazing. Like a combination of the benefits of working in 3D, but with 2d tools. The moving version at the end of the video was made using Runways Gen-2. #art #ai

Martin Nebelong

1,668,679 görüntüleme • 2 yıl önce

In 2026, AI world models will take the spotlight in storytelling - powering new types of interactive experiences & digital economies not seen before World models are progressing rapidly - Marble World Labs and Genie 3 Google DeepMind already generate 3D environments from text prompts, allowing users to explore them as if they were video games As creators adopt these tools, new storytelling formats will emerge. One genre I'm excited about is "generative Minecraft" - where players co-create virtual worlds together by vibe coding with world models. Game mechanics could be programmable with natural language - ex. "create a paintbrush that changes the color of anything I touch to pink" World models will also likely give rise to not just a single game, but an entire new category of generative world experiences - you could have a horror experience where you’re hiding from generated monsters, or a D&D experience where you’re roaming an infinite fantasy world with friends And with a common base model for the underlying worlds, these experiences could be inter-connected in a multiverse we could only dream about previously in science fiction A key affordance here is the role of consumers as co-creators - you can wander the multiverse as a tourist, or break out your pickaxe and become a creator anytime. This in turn would give rise to new digital economies - with creators making a living building and selling interoperable assets, serving as a guide for new players, etc The opportunity is enormous - a new category of generative worlds would not only create a new storytelling medium unlike any we’ve seen before, but also be rich training grounds for agents, robotics, and AGI If you’re excited about building new interactive experiences or the virtual economy stack with world models - we’d love to hear from you!

In 2026, AI world models will take the spotlight in storytelling - powering new types of interactive experiences & digital economies not seen before World models are progressing rapidly - Marble World Labs and Genie 3 Google DeepMind already generate 3D environments from text prompts, allowing users to explore them as if they were video games As creators adopt these tools, new storytelling formats will emerge. One genre I'm excited about is "generative Minecraft" - where players co-create virtual worlds together by vibe coding with world models. Game mechanics could be programmable with natural language - ex. "create a paintbrush that changes the color of anything I touch to pink" World models will also likely give rise to not just a single game, but an entire new category of generative world experiences - you could have a horror experience where you’re hiding from generated monsters, or a D&D experience where you’re roaming an infinite fantasy world with friends And with a common base model for the underlying worlds, these experiences could be inter-connected in a multiverse we could only dream about previously in science fiction A key affordance here is the role of consumers as co-creators - you can wander the multiverse as a tourist, or break out your pickaxe and become a creator anytime. This in turn would give rise to new digital economies - with creators making a living building and selling interoperable assets, serving as a guide for new players, etc The opportunity is enormous - a new category of generative worlds would not only create a new storytelling medium unlike any we’ve seen before, but also be rich training grounds for agents, robotics, and AGI If you’re excited about building new interactive experiences or the virtual economy stack with world models - we’d love to hear from you!

Jon Lai

29,871 görüntüleme • 8 ay önce

Take 29 minutes to listen to this 1956 radio transmission that has haunted me for decades. — The one thing that is guaranteed is bureaucrats will create unintended outcomes. In the golden age of American science fiction radio, few episodes captured the absurd machinery of bureaucracy and the quiet horror of lost history quite like X Minus One's "Skulking Permit." First broadcast on NBC on February 15, 1956 (and rebroadcast on July 4, 1957), the episode adapted Robert Sheckley's short story from the December 1954 issue of Galaxy Science Fiction. It remains a razor-sharp parable about how autocratic thinking devours memory, how isolation can breed innocence or oblivion, and how the rediscovery of one's true origins can shatter a civilization's self-image. Today, as we stand on the cusp of an Al-mediated Great Forgetting, I chronicled in my writings on the Amnesia Generation, this story reads less like quaint 1950s satire and more like a warning siren for our own era. It is the companion to the latest 5000 Days Series at Listen in and read with us…

Take 29 minutes to listen to this 1956 radio transmission that has haunted me for decades. — The one thing that is guaranteed is bureaucrats will create unintended outcomes. In the golden age of American science fiction radio, few episodes captured the absurd machinery of bureaucracy and the quiet horror of lost history quite like X Minus One's "Skulking Permit." First broadcast on NBC on February 15, 1956 (and rebroadcast on July 4, 1957), the episode adapted Robert Sheckley's short story from the December 1954 issue of Galaxy Science Fiction. It remains a razor-sharp parable about how autocratic thinking devours memory, how isolation can breed innocence or oblivion, and how the rediscovery of one's true origins can shatter a civilization's self-image. Today, as we stand on the cusp of an Al-mediated Great Forgetting, I chronicled in my writings on the Amnesia Generation, this story reads less like quaint 1950s satire and more like a warning siren for our own era. It is the companion to the latest 5000 Days Series at Listen in and read with us…

Brian Roemmele

87,531 görüntüleme • 3 ay önce

This is the most brilliant answer Spencer Pratt has given during his campaign. An ABC reporter asked Pratt, "Are you a big MAGA person?" Here's how Pratt responded: "I'm a big nobody person. I'm a big Spencer Pratt Angeleno person. I only represent myself, my community, Angelenos. I'm not part of any political party. I'm running a nonpartisan race. I'm supposed to represent all of Los Angeles, not either political party, and that's the problem. Everyone has lost the plot. The mayor is supposed to be a nonpartisan race. That's why there's no letters next to anyone's name. The mayor currently has hijacked the position and the chair, made it a political seat. It's not supposed to be. Anybody can say I'm connected to whoever they want, and I'm fine with anybody saying I like Spencer Pratt. Great. Spread that message because my message is common sense, basic human quality of life. So it should be everyone. Obama should love me. The president should love me. Biden should love me." In refusing to allow the mainstream media associate him with the Republican brand and paint. him asa MAGA figure, Pratt is giving Democrat voters in Los Angeles an off-ramp to vote for him. He's welcoming Democrat voters, giving them the permission, and making it easy to vote Pratt, even though he's a registered Republican. He's not repudiating what Republicans like you and me stand for. He's saying instead of thinking of me as a member of a political party, which you may have negative feelings feelings about, think of me as someone who's identifying a problem that's hurting you and offering a solution. And it's working—from April 19-May 16, Pratt raised $2.72 million while his opponents Nithya Raman and Karen Bass raised only $401,000 and $283,000, respectively. You can bet your bottom dollar that the Democrat political strategists for Pratt's opponents are shell-shocked by this. They don't know how to deal with this.

Liz Wheeler

238,801 görüntüleme • 2 ay önce

American shares an absolutely correct point of view on the ICE shooting in Minneapolis This post got over 136k likes in 24 hours for a reason “I do know one thing. Y'all don't care about y'all kids enough like I care about mine. I'm not putting my life on the line for no stranger. I got somebody depending on me. My family's depending on me to come home every day. I'm not putting my life on the line for no strangers. Yet alone people that's not even from here. If somebody told me ICE is coming to my city, which is already happening, I'm staying out the way. What do I look like, going in the streets trying to protect people that's not even from here or whatever the situation is? They could be from here. I'm still not protecting a stranger in general. I got people depending on me. Don't forget that. So in this situation, they say, Isis coming to your city in Minneapolis to figure out what's going on with the Somali fry. Thank you. Why in the world would I need to hit the streets and stop that? I don't know. I just know it don't seem like y'all care about y'all kids enough. I don't need my child to be fatherless. And I definitely don't need him to understand that he lost his father because his father was out there defending somalis.”

American shares an absolutely correct point of view on the ICE shooting in Minneapolis This post got over 136k likes in 24 hours for a reason “I do know one thing. Y'all don't care about y'all kids enough like I care about mine. I'm not putting my life on the line for no stranger. I got somebody depending on me. My family's depending on me to come home every day. I'm not putting my life on the line for no strangers. Yet alone people that's not even from here. If somebody told me ICE is coming to my city, which is already happening, I'm staying out the way. What do I look like, going in the streets trying to protect people that's not even from here or whatever the situation is? They could be from here. I'm still not protecting a stranger in general. I got people depending on me. Don't forget that. So in this situation, they say, Isis coming to your city in Minneapolis to figure out what's going on with the Somali fry. Thank you. Why in the world would I need to hit the streets and stop that? I don't know. I just know it don't seem like y'all care about y'all kids enough. I don't need my child to be fatherless. And I definitely don't need him to understand that he lost his father because his father was out there defending somalis.”

Wall Street Apes

514,401 görüntüleme • 7 ay önce

👼🏼👹 Pasulka: It Could Be Angels and Demons 👹👼🏼 This segment was really good. Excellent job, Diana! Force dwpasulka (DP) to make a bet on what the phenomenon represents, and she'd say... DP: "It's a variety of things." Ross Douthat (RD): "It's more than one thing?" DP: "It appears to be." RD: "Okay. Give me two examples of what that thing is. It's a variety, just two. Two different things. What is it?" DP: "It appears to be a perennial thing (lasting or existing for a long or apparently infinite time). So there appears to be something that interfaces with humans, and has been identified in the various traditional religions." RD: "Identified as what?" DP: "Well, I'm not going to name it, because in some traditional religions it's named in different ways. So it could be bodhisattvas, angels, demons, things like that." (A Bodhisattvas is, "a being that compassionately refrains from entering nirvana in order to save others and is worshipped as a deity in Mahayana Buddhism." ~Merriam-Webster) RD: "No, that's good. So it is intermediate intelligences between God and human beings, some of whom have our best interests at heart and some of whom don't?" DP: "And those different religious traditions have protocols for dealing with these." RD: "But that was a yes? You agree. That's part of what you think it is?" DP: "I think some of the phenomena is that, not all of it. Then there appears to be some type of technology that is either, in my opinion - this is the truth serum, in my opinion - either is ours, or if it's not ours, it's amazing." RD: "So in that theory, you would have a kind of loop of, on the one hand, authentic experiences that map onto the great religious traditions, and at the same time, some kind of government cover up or secrecy around remarkable technologies that we aren't aware of. Are those two things linked, or is it just a marriage of convenience, then? That the government is happy that people have these kind of supernatural experiences because it makes it easier to cover up the amazing technology?" DP: "Yeah, that's the question I ask myself. I don't know if they're linked (laughs)." (I suspect that they're linked. At this point in time, my leading theory is that what we're experiencing is what people in ancient times referred to as Angels, Demons, Jinn, etc., but it has nothing to do with evil, which is a human label. I just think it's part of the natural, non-physical world that we usually can't perceive. And some of it may be helpful to humans and some of it is harmful. Seems like the harmful is more prevalent. Either we just get in the way and it doesn't care if we get hurt, or us getting hurt is somehow beneficial to it. Like, we're a resource somehow. Just like how we see cows, pigs and chickens. And I think it may have the ability to create what looks like technology. Materialize and dematerialize "stuff." And also, we may have our own tech that we back engineered from "their" tech or developed on our own. Just opinions.) RD: "All right, so last question, because you have been trying to pull me away from the government and back towards the personal experiences and so on. What can, you know, nice secular readers of The New York Times who have been baffled by this conversation (laughs), let's say, take away from the personal side of it, the direct encounters that people report having?" DP: "Okay. So I think what's really important is that most of us grew up with and were educated within this worldview, and I call it the Thomas-Jefferson worldview. And Thomas Jefferson didn't believe that Jesus was divine. He believed that Jesus was a really good person. And he even went so far as to rewrite the New Testament, and he took out all the references to miracles and all the things that, you know, all the references to angels and demons and exorcisms and healings and things like that. And there was the Jeffersonian Bible, okay? "So, I would say that, for me, what these experiences did was it... I was a, you know, I had a Jeffersonian worldview. I was a secular Catholic, okay? What these these experiences did was they jolted me out of that worldview and into the Shakespearean worldview. Where, you know, there are things that we don't understand, and why don't we, you know, understand that we don't understand them? Instead of just doing like the Wall Street Journal did, and just say 'No, nothing to see here.' Well, the world and the cosmos is a really beautiful place with a lot of mystery. So that's what I would suggest." (Well said, and I appreciate the shot at the WSJ.) RD: "Okay, I endorse that take very strongly. I'm gonna give you one more chance to tell me who it was who told you they had seen an alien spacecraft and where? Because, you know, it's the New York Times. It's an audience of at least dozens, if not millions. Don't you want to be the person who blew the lid off, you know, the secret government conspiracy, Diana?" DP: "No, I don't aspire to that." (Both laugh)

👼🏼👹 Pasulka: It Could Be Angels and Demons 👹👼🏼 This segment was really good. Excellent job, Diana! Force dwpasulka (DP) to make a bet on what the phenomenon represents, and she'd say... DP: "It's a variety of things." Ross Douthat (RD): "It's more than one thing?" DP: "It appears to be." RD: "Okay. Give me two examples of what that thing is. It's a variety, just two. Two different things. What is it?" DP: "It appears to be a perennial thing (lasting or existing for a long or apparently infinite time). So there appears to be something that interfaces with humans, and has been identified in the various traditional religions." RD: "Identified as what?" DP: "Well, I'm not going to name it, because in some traditional religions it's named in different ways. So it could be bodhisattvas, angels, demons, things like that." (A Bodhisattvas is, "a being that compassionately refrains from entering nirvana in order to save others and is worshipped as a deity in Mahayana Buddhism." ~Merriam-Webster) RD: "No, that's good. So it is intermediate intelligences between God and human beings, some of whom have our best interests at heart and some of whom don't?" DP: "And those different religious traditions have protocols for dealing with these." RD: "But that was a yes? You agree. That's part of what you think it is?" DP: "I think some of the phenomena is that, not all of it. Then there appears to be some type of technology that is either, in my opinion - this is the truth serum, in my opinion - either is ours, or if it's not ours, it's amazing." RD: "So in that theory, you would have a kind of loop of, on the one hand, authentic experiences that map onto the great religious traditions, and at the same time, some kind of government cover up or secrecy around remarkable technologies that we aren't aware of. Are those two things linked, or is it just a marriage of convenience, then? That the government is happy that people have these kind of supernatural experiences because it makes it easier to cover up the amazing technology?" DP: "Yeah, that's the question I ask myself. I don't know if they're linked (laughs)." (I suspect that they're linked. At this point in time, my leading theory is that what we're experiencing is what people in ancient times referred to as Angels, Demons, Jinn, etc., but it has nothing to do with evil, which is a human label. I just think it's part of the natural, non-physical world that we usually can't perceive. And some of it may be helpful to humans and some of it is harmful. Seems like the harmful is more prevalent. Either we just get in the way and it doesn't care if we get hurt, or us getting hurt is somehow beneficial to it. Like, we're a resource somehow. Just like how we see cows, pigs and chickens. And I think it may have the ability to create what looks like technology. Materialize and dematerialize "stuff." And also, we may have our own tech that we back engineered from "their" tech or developed on our own. Just opinions.) RD: "All right, so last question, because you have been trying to pull me away from the government and back towards the personal experiences and so on. What can, you know, nice secular readers of The New York Times who have been baffled by this conversation (laughs), let's say, take away from the personal side of it, the direct encounters that people report having?" DP: "Okay. So I think what's really important is that most of us grew up with and were educated within this worldview, and I call it the Thomas-Jefferson worldview. And Thomas Jefferson didn't believe that Jesus was divine. He believed that Jesus was a really good person. And he even went so far as to rewrite the New Testament, and he took out all the references to miracles and all the things that, you know, all the references to angels and demons and exorcisms and healings and things like that. And there was the Jeffersonian Bible, okay? "So, I would say that, for me, what these experiences did was it... I was a, you know, I had a Jeffersonian worldview. I was a secular Catholic, okay? What these these experiences did was they jolted me out of that worldview and into the Shakespearean worldview. Where, you know, there are things that we don't understand, and why don't we, you know, understand that we don't understand them? Instead of just doing like the Wall Street Journal did, and just say 'No, nothing to see here.' Well, the world and the cosmos is a really beautiful place with a lot of mystery. So that's what I would suggest." (Well said, and I appreciate the shot at the WSJ.) RD: "Okay, I endorse that take very strongly. I'm gonna give you one more chance to tell me who it was who told you they had seen an alien spacecraft and where? Because, you know, it's the New York Times. It's an audience of at least dozens, if not millions. Don't you want to be the person who blew the lid off, you know, the secret government conspiracy, Diana?" DP: "No, I don't aspire to that." (Both laugh)

Joe Murgia

23,954 görüntüleme • 1 yıl önce

Dear Woke Right morons, If you think Trump sold out to Israel, you’re an idiot. Trump has had the same position on Iran for over 40 YEARS. Donald Trump in 1980: "When you get the respect of other countries then the other countries tend to do a little bit as you do and you can create the right attitudes. The Iranian situation is a case in point. That they hold our hostages is just absolutely and totally ridiculous. That this country sits back and allows a country such as Iran to hold our hostages to my way of thinking is a horror and i don't think they'd do it with other countries. I honestly don't think they'd do it with other countries." Rona Barrett: "Obviously you're advocating that we should have gone in there with troops et cetera and brought our boys out." Donald Trump: "I absolutely feel that yes. I don't think there's any question in it, there's no question in my mind.I think right now we'd be an oil-rich nation and I believe that we should have done it and I'm very disappointed that we didn't do it and i don't think anybody would have held us in abeyance. I don't think anybody would have been angry with us and we had every right to do it at the time. I think we've lost the opportunity." It’s your own fault that you’re surprised this is happening only because you didn’t do your homework, or you are just pushing propaganda.

Dear Woke Right morons, If you think Trump sold out to Israel, you’re an idiot. Trump has had the same position on Iran for over 40 YEARS. Donald Trump in 1980: "When you get the respect of other countries then the other countries tend to do a little bit as you do and you can create the right attitudes. The Iranian situation is a case in point. That they hold our hostages is just absolutely and totally ridiculous. That this country sits back and allows a country such as Iran to hold our hostages to my way of thinking is a horror and i don't think they'd do it with other countries. I honestly don't think they'd do it with other countries." Rona Barrett: "Obviously you're advocating that we should have gone in there with troops et cetera and brought our boys out." Donald Trump: "I absolutely feel that yes. I don't think there's any question in it, there's no question in my mind.I think right now we'd be an oil-rich nation and I believe that we should have done it and I'm very disappointed that we didn't do it and i don't think anybody would have held us in abeyance. I don't think anybody would have been angry with us and we had every right to do it at the time. I think we've lost the opportunity." It’s your own fault that you’re surprised this is happening only because you didn’t do your homework, or you are just pushing propaganda.

Jacktron

421,409 görüntüleme • 5 ay önce

#REI #레이 Ending Ment for Tokyo Dome 🩵 🐥 tokyo dome really went by in the blink of an eye. looking back to when i was saying, “we’re going to tokyo dome for the first time!”, i feel like i’ve grown at least a little since then, and after the two days we recently spent at kyocera dome, the fact that we get to come back to tokyo dome for a second time, it really feels like a dream, doesn’t it..? 💭 🐥 i truly believe that the reason we were able to make this dream come true is because of DIVE's presence and support. thank you so much! 🙇‍♀️ 🐥 ever since my debut, from the moment i met all of you, i’ve always tried to be honest in front of DIVE while carrying out my activities. but... how should i put this? even when i had to take a little break, DIVE always told me, “we’ll be waiting for you,” didn’t you? 🐥 i still think about those moments from time to time, and because DIVE told me, “rei-chan, we’re waiting for you,” i’m able to stand here now, happily performing on stage with the five members, and today too, i feel like we were able to spend another wonderful time together with DIVE ☺️ 🐥 DIVE, did all of you have fun too? 🤿 we did!!! 🐥 i'm glad to hear that! thank you so much for choosing to support us and for making us a part of your lives 🫂 🐥 we’ll work even harder this year, and we want to become an even more wonderful group that can perform in even bigger venues in the future ( ๑ ˃̵ᴗ˂̵)و ♡ 🐥 you’ll continue to support us, right? thank you so much, and DIVE, i love you~ 🥹💗

#REI #레이 Ending Ment for Tokyo Dome 🩵 🐥 tokyo dome really went by in the blink of an eye. looking back to when i was saying, “we’re going to tokyo dome for the first time!”, i feel like i’ve grown at least a little since then, and after the two days we recently spent at kyocera dome, the fact that we get to come back to tokyo dome for a second time, it really feels like a dream, doesn’t it..? 💭 🐥 i truly believe that the reason we were able to make this dream come true is because of DIVE's presence and support. thank you so much! 🙇‍♀️ 🐥 ever since my debut, from the moment i met all of you, i’ve always tried to be honest in front of DIVE while carrying out my activities. but... how should i put this? even when i had to take a little break, DIVE always told me, “we’ll be waiting for you,” didn’t you? 🐥 i still think about those moments from time to time, and because DIVE told me, “rei-chan, we’re waiting for you,” i’m able to stand here now, happily performing on stage with the five members, and today too, i feel like we were able to spend another wonderful time together with DIVE ☺️ 🐥 DIVE, did all of you have fun too? 🤿 we did!!! 🐥 i'm glad to hear that! thank you so much for choosing to support us and for making us a part of your lives 🫂 🐥 we’ll work even harder this year, and we want to become an even more wonderful group that can perform in even bigger venues in the future ( ๑ ˃̵ᴗ˂̵)و ♡ 🐥 you’ll continue to support us, right? thank you so much, and DIVE, i love you~ 🥹💗

썬기니

20,215 görüntüleme • 2 ay önce