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Sayonara Lara's opening is lovely. Glamorous gathering of star animators, but Koide doesn't betray the show's vibe for excessive bombast. Instead, it's a cheery extension of its WMT-esque feeling with a moderate dash of in-vogue OP techniques, like crossfades & photo progressions
kViN ๐๐193,883 ะฟัะพัะผะพััะพะฒ โข 2 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Witch Hat Atelier staff interview shows how much they care about the specificities of this work. Depicting light in a world w/o electricity, capturing the richness of the setting through color design even when the palette's muted, the sheer precision of magic in clips like thisโฆ
kViN ๐๐352,008 ะฟัะพัะผะพััะพะฒ โข 6 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Jaadugar A Witch in Mongolia is a one-of-a-kind effort in historical and cultural accuracy for TV anime, but also smart enough to introduce pointed, imaginative deceit to make for a more compelling story. Let's delve into such a unique production! Readโจโก๏ธ
kViN ๐๐75,365 ะฟัะพัะผะพััะพะฒ โข 1 ะผะตััั ะฝะฐะทะฐะด
Nichijou was an ambitious, bombastic yet thoughtful experiment to match the unique styles of Keiichi Arawi and Kyoto Animation. Both parties have evolved as storytellers since then, and now it's time for their next collaboration: CITY The Animation Readโจโก๏ธ
kViN ๐๐771,692 ะฟัะพัะผะพััะพะฒ โข 2 ะปะตั ะฝะฐะทะฐะด
Amazingly tactile, ani & co did an incredible job
kViN ๐๐108,033 ะฟัะพัะผะพััะพะฒ โข 2 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Put that final Laios scream in the Louvre where it belongs
kViN ๐๐875,867 ะฟัะพัะผะพััะพะฒ โข 2 ะปะตั ะฝะฐะทะฐะด
A clock separates Mari from the seafolk, also alluding to Lara's days being counted. Sayonara Lara has reframed light as life itself, and a fading sunset is illuminated by artificial light as she's presented with a temporary fix. Nothing but fake, brief lights to hang onto
kViN ๐๐30,517 ะฟัะพัะผะพััะพะฒ โข 21 ะดะฝะตะน ะฝะฐะทะฐะด
Jaadugar's spirituality on full display again! An otherworldly opener allows director Kenji Zenba to lean more on his characteristically loose forms, building not just on the mythology they've carefully explored but also on the show's motifs, like Tolui as a dazzling light
kViN ๐๐21,844 ะฟัะพัะผะพััะพะฒ โข 15 ะดะฝะตะน ะฝะฐะทะฐะด
L'etoile de Paris en fleur continues to feel refreshingly old-school. Carefully drafted layouts, thorough arcs of motion and otherwise deliberate posing, anatomically sound but also shape-based when it needs to be. Good in increasingly rarer ways!
kViN ๐๐256,387 ะฟัะพัะผะพััะพะฒ โข 9 ะผะตัััะตะฒ ะฝะฐะทะฐะด
When the Look Back movie was publicly revealed, word came from their in-betweening team of experimenting with methods to preserve the raw lines of the key animators, which is a naturally good match for Fujimoto's spontaneous style and for the theme of the work itself
kViN ๐๐587,896 ะฟัะพัะผะพััะพะฒ โข 2 ะปะตั ะฝะฐะทะฐะด
The Witch Hat Atelier OP alludes to the manga's magical, free-flowing paneling with many of its cuts. Even though the show needs to find new forms of expression to match Shirahama's appeal, because competing at her own game is impossible, it's nice to have this direct nod as well
kViN ๐๐122,244 ะฟัะพัะผะพััะพะฒ โข 5 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Funniest moment in Yomi no Tsugai #03 is the very attentive sequence, either highly referenced or roto'd, for Yuru eating an onigiri. Plainest meal possible but it's an amazing delicacy to him, so the lavish animation is somehow perfectly fitting
kViN ๐๐110,126 ะฟัะพัะผะพััะพะฒ โข 4 ะผะตัััะตะฒ ะฝะฐะทะฐะด
In an industry where everything comes down to personal relationships, is it possible to quickly assemble an all-new, high-profile anime studio? Cygames Pictures found a way, and Uma Musume ROAD TO THE TOP's raw, expressive animation stands as proof Readโจโก๏ธ
kViN ๐๐685,846 ะฟัะพัะผะพััะพะฒ โข 3 ะปะตั ะฝะฐะทะฐะด
Jaadugar #03 is a nice, lowkey immersion in a culture that's new to Sitara, but also a chance for her to reciprocate by sharing her own knowledge. The coolest example of that is guest artist Ryoko Tanaka, who turned the protagonist's fable into a neat papercut animation sequence
kViN ๐๐51,187 ะฟัะพัะผะพััะพะฒ โข 2 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Amazing sense of scale all of a sudden, easily the most impressive part of Yaiba this week
kViN ๐๐303,812 ะฟัะพัะผะพััะพะฒ โข 1 ะณะพะด ะฝะฐะทะฐะด
One of the reasons Akanebanashi is so entertaining is that it has a genuine interest in classic arts and dabbles in debates like preservation vs modernization, but at the same time, it's structured like a battle manga. I think the OP gets that unusual mix very well
kViN ๐๐108,397 ะฟัะพัะผะพััะพะฒ โข 5 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Incredible Sparks of Tomorrow this week! How in-character for this show to have a pivotal point in Inako's arc while they invent metal through absurd hijinks. The climax mixes the show's usually inventive delivery with very emotive animation, which should be Tomomi Sato's work
kViN ๐๐27,705 ะฟัะพัะผะพััะพะฒ โข 1 ะผะตััั ะฝะฐะทะฐะด
Jaadugar #04's highlight is the graceful depiction of Genghis Khan's passing. Beautiful and as interested as ever in engaging with the cultures it explores: the anime incorporates both his mythical ancestry with the wolf and the series' core motif through the falling star
kViN ๐๐39,432 ะฟัะพัะผะพััะพะฒ โข 1 ะผะตััั ะฝะฐะทะฐะด
Once again we've gathered animators, directors, producers, designers, and people passionate about art to share the works that resonated with them the most last year. It's time for the 2025 Sakugabooru Animation Awards, our very own Sakugabowl! Readโจโก๏ธ
kViN ๐๐127,321 ะฟัะพัะผะพััะพะฒ โข 7 ะผะตัััะตะฒ ะฝะฐะทะฐะด