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Sayonara Lara's opening is lovely. Glamorous gathering of star animators, but Koide doesn't betray the show's vibe for excessive bombast. Instead, it's a cheery extension of its WMT-esque feeling with a moderate dash of in-vogue OP techniques, like crossfades & photo progressions
kViN ๐๐191,364 ะฟัะพัะผะพััะพะฒ โข 7 ะดะฝะตะน ะฝะฐะทะฐะด
Jaadugar #03 is a nice, lowkey immersion in a culture that's new to Sitara, but also a chance for her to reciprocate by sharing her own knowledge. The coolest example of that is guest artist Ryoko Tanaka, who turned the protagonist's fable into a neat papercut animation sequence
kViN ๐๐50,608 ะฟัะพัะผะพััะพะฒ โข 8 ะดะฝะตะน ะฝะฐะทะฐะด
The grander aspirations on a thematic & aesthetic level by series director Ota don't obscure Spark of Tomorrow's romcom core for a simple reason: even the traditionally romantic and inspirational moments are wrapped around insane hijinks. Gloriously goofy show that's got heart
kViN ๐๐32,313 ะฟัะพัะผะพััะพะฒ โข 7 ะดะฝะตะน ะฝะฐะทะฐะด
Amazingly tactile, ani & co did an incredible job
kViN ๐๐107,479 ะฟัะพัะผะพััะพะฒ โข 29 ะดะฝะตะน ะฝะฐะทะฐะด
Witch Hat Atelier staff interview shows how much they care about the specificities of this work. Depicting light in a world w/o electricity, capturing the richness of the setting through color design even when the palette's muted, the sheer precision of magic in clips like thisโฆ
kViN ๐๐351,367 ะฟัะพัะผะพััะพะฒ โข 4 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Directorial debut for a very ambitious director who can match his desire to explore new, idiosyncratic techniques with a story where electricity is posed as a fantastical revolution for a steampunk world that's fallen into gritty lethargy. Denmoku off to a great start!
kViN ๐๐41,421 ะฟัะพัะผะพััะพะฒ โข 14 ะดะฝะตะน ะฝะฐะทะฐะด
World is Dancing #01's amazing climax is even better in contrast to the first performance. Oniyasha hadn't grasped the appeal of dance, which he'd seen as mechanical routine through his dad's technique, but emotion-driven expression that skyrockets the abstraction makes it click
kViN ๐๐35,150 ะฟัะพัะผะพััะพะฒ โข 20 ะดะฝะตะน ะฝะฐะทะฐะด
Nichijou was an ambitious, bombastic yet thoughtful experiment to match the unique styles of Keiichi Arawi and Kyoto Animation. Both parties have evolved as storytellers since then, and now it's time for their next collaboration: CITY The Animation Readโจโก๏ธ
kViN ๐๐771,692 ะฟัะพัะผะพััะพะฒ โข 1 ะณะพะด ะฝะฐะทะฐะด
Put that final Laios scream in the Louvre where it belongs
kViN ๐๐875,562 ะฟัะพัะผะพััะพะฒ โข 2 ะปะตั ะฝะฐะทะฐะด
L'etoile de Paris en fleur continues to feel refreshingly old-school. Carefully drafted layouts, thorough arcs of motion and otherwise deliberate posing, anatomically sound but also shape-based when it needs to be. Good in increasingly rarer ways!
kViN ๐๐256,387 ะฟัะพัะผะพััะพะฒ โข 7 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Funniest moment in Yomi no Tsugai #03 is the very attentive sequence, either highly referenced or roto'd, for Yuru eating an onigiri. Plainest meal possible but it's an amazing delicacy to him, so the lavish animation is somehow perfectly fitting
kViN ๐๐109,682 ะฟัะพัะผะพััะพะฒ โข 3 ะผะตัััะตะฒ ะฝะฐะทะฐะด
The Witch Hat Atelier OP alludes to the manga's magical, free-flowing paneling with many of its cuts. Even though the show needs to find new forms of expression to match Shirahama's appeal, because competing at her own game is impossible, it's nice to have this direct nod as well
kViN ๐๐121,999 ะฟัะพัะผะพััะพะฒ โข 3 ะผะตัััะตะฒ ะฝะฐะทะฐะด
One of the reasons Akanebanashi is so entertaining is that it has a genuine interest in classic arts and dabbles in debates like preservation vs modernization, but at the same time, it's structured like a battle manga. I think the OP gets that unusual mix very well
kViN ๐๐108,189 ะฟัะพัะผะพััะพะฒ โข 3 ะผะตัััะตะฒ ะฝะฐะทะฐะด
When the Look Back movie was publicly revealed, word came from their in-betweening team of experimenting with methods to preserve the raw lines of the key animators, which is a naturally good match for Fujimoto's spontaneous style and for the theme of the work itself
kViN ๐๐587,782 ะฟัะพัะผะพััะพะฒ โข 2 ะปะตั ะฝะฐะทะฐะด
Fugo took over as the sole key animator for Kamiina Botan #02, entirely shifting the show's style. Linework that embodies his current ksd era and an overall emphasis on comfortable posing, using neck & torso articulation to add nuance to body language and acting. Pure modern fugo
kViN ๐๐80,511 ะฟัะพัะผะพััะพะฒ โข 3 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Big fan of the Atelier Witch Hat anime reimagining the first page of the manga as ink animation, as an element so tied to the magic of its world. Hard to compete with Shirahama's stunning art, so I love seeing the team use the tools of its world to try and match its impact
kViN ๐๐85,056 ะฟัะพัะผะพััะพะฒ โข 3 ะผะตัััะตะฒ ะฝะฐะทะฐะด
In an industry where everything comes down to personal relationships, is it possible to quickly assemble an all-new, high-profile anime studio? Cygames Pictures found a way, and Uma Musume ROAD TO THE TOP's raw, expressive animation stands as proof Readโจโก๏ธ
kViN ๐๐685,608 ะฟัะพัะผะพััะพะฒ โข 3 ะปะตั ะฝะฐะทะฐะด
Amazing sense of scale all of a sudden, easily the most impressive part of Yaiba this week
kViN ๐๐303,812 ะฟัะพัะผะพััะพะฒ โข 1 ะณะพะด ะฝะฐะทะฐะด
Once again we've gathered animators, directors, producers, designers, and people passionate about art to share the works that resonated with them the most last year. It's time for the 2025 Sakugabooru Animation Awards, our very own Sakugabowl! Readโจโก๏ธ
kViN ๐๐122,274 ะฟัะพัะผะพััะพะฒ โข 5 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Apocalypse Hotel made the bumpy road of its creation into a virtue, confidently mixing different styles, viewpoints, and moods. The result is a capital o Original anime that can excel at anything between outrageous comedy & contemplative nostalgia Readโจโก๏ธ
kViN ๐๐121,157 ะฟัะพัะผะพััะพะฒ โข 6 ะผะตัััะตะฒ ะฝะฐะทะฐะด